A Parker Novel
They’re thieves. Heisters, to be precise. They’re pros, and Parker is far and away the best of them. If you’re planning a job, you want him in. Tough, smart, hardworking, and relentlessly focused on his trade, he is the heister’s heister, the robber’s robber, the heavy’s heavy. You don’t want to cross him, and you don’t want to get in his way, because he’ll stop at nothing to get what he’s after.
Parker, the ruthless antihero of Richard Stark’s eponymous mystery novels, is one of the most unforgettable characters in hardboiled noir. Lauded by critics for his taut realism, unapologetic amorality, and razor-sharp prose-style—and adored by fans who turn each intoxicating page with increasing urgency—Stark is a master of crime writing, his books as influential as any in the genre. The University of Chicago Press has embarked on a project to return the early volumes of this series to print for a new generation of readers to discover—and become addicted to.
In The Hunter, the first volume in the series, Parker roars into New York City, seeking revenge on the woman who betrayed him and on the man who took his money, stealing and scamming his way to redemption.
“Westlake knows precisely how to grab a reader, draw him or her into the story, and then slowly tighten his grip until escape is impossible.”—Washington Post Book World
“Elmore Leonard wouldn’t write what he does if Stark hadn’t been there before. And Quentin Tarantino wouldn’t write what he does without Leonard. . . . Old master that he is, Stark does all of them one better.”—Los Angeles Times
“Donald Westlake’s Parker novels are among the small number of books I read over and over. Forget all that crap you’ve been telling yourself about War and Peace and Proust—these are the books you’ll want on that desert island.”—Lawrence Block
“Writing a couple of years ago . . . John Banville reckoned the Parker novels to be 'among the most poised and polished fictions of their time and, in fact, any time.' That's high praise from an impeccable source, and Banville is right to single out the technical excellence of these books. The Parkers read with the speed of pulp while unfolding with an almost Nabokovian wit and flair. . . . Original editions of these books, and even later reprints, change hands for scores or hundreds of dollars on the Net, and it’s excellent to have them readily available again—not so much masterpieces of the genre, just masterpieces, period. . . . . The Hunter glitters with seemingly effortless intricacy, being aimed at one episode—a stunner, the kind of moment in fiction that really does have you leaping from your chair and exclaiming in surprise and glee.”
“Parker is refreshingly amoral, a thief who always gets away with the swag.”
“Parker . . . lumbers through the pages of Richard Stark’s noir novels scattering dead bodies like peanut shells. . . . In a complex world [he] makes things simple.”
“If you’re looking for crime novels with a lot of punch, try the very, very tough novels featuring Parker. . . . The Hunter, The Outfit, The Mourner, and The Man with the Getaway Face are all beautifully paced, tautly composed, and originally published in the early 1960s."