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Sweet Science

Romantic Materialism and the New Logics of Life

Sweet Science

Romantic Materialism and the New Logics of Life

Today we do not expect poems to carry scientifically valid information. But it was not always so. In Sweet Science, Amanda Jo Goldstein returns to the beginnings of the division of labor between literature and science to recover a tradition of Romantic life writing for which poetry was a privileged technique of empirical inquiry.

Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.

336 pages | 6 halftones | 6 x 9 | © 2017

History of Science

Literature and Literary Criticism: British and Irish Literature

Philosophy of Science

Reviews

“Gorgeously written and masterfully argued, Sweet Science is a supreme achievement by Goldstein. . .will serve as an exemplar in the field of Romantic literature and science and inspire and educate seasoned and budding academics alike. Engaging poetry and science with equal amounts of dedication and rigour, Goldstein effectively transforms how we perceive both. Particularly striking is the way she makes her argument with precision and care, constantly orienting it within the existing Romantic materialist discourse and clearly outlining for the reader how her argument is to be located and understood in relation to the arguments that have been made by Marjorie Levinson, Kevis Goodman, Denise Gigante, Noel Jackson, and others.”

The British Society for Literature and Science

“Goldstein’s scholarship is comprehensive, rigorous, and impressively wide-ranging; her engagement with Romantic criticism is generous even in disagreement. I was delighted to find in Goldstein’s book, in addition to bold, precise, and persuasive argumentation, some features that do not consistently appear in scholarly work, and whose intermittent presence enliven the whole: impassioned lyricism, sly wit and wordplay, and in the last chapter especially, expressions of political anger and hope. A startlingly original study, Sweet Science sets a new standard for scholarship on Romantic poetry and sciences of life.”

The BARS Review (British Association for Romantic Studies)

“This is a field-changing book. Both original and gripping, the arguments Sweet Science mounts will alter how we think about poetry and science, the figurative language of poetry, and how poetry becomes, through Goldstein’s rich and ingenious reading of Lucretius, a genuinely scientific mode of knowing.”
 

Jon Klancher, Carnegie Mellon University

Table of Contents

Introduction: “Sweet Science”
a. Tingeing the Cup with Sweet
b. Undisciplined Romantics
c. The “Poetry of Life”
d. Matter Figures Back
e. Chapters and Scope
 
Chapter 1. Blake’s Mundane Egg: Epigenesis and Milieux
a. Into the Egg
b. The Missing Baumeister
c. From Epi- to Autogenesis
d. Epigenesis and Milieux
e. Beholding
f. Epigenesis, an Epilogue
 
Chapter 2. Equivocal Life: Goethe’s Journals on Morphology
1. Goethe and the Equivocal Matter of De rerum natura
a. Endlessly Small Points, 1785–86
b. Life Is Not a Power
c. Equivocity
2. Obsolescent Life
d. Going to Dust, Vapor, Droplets
e. Trying Not to Think about Sex
f. Natural Simulacrum
g. Writing Decadent Life
 
Chapter 3. Tender Semiosis: Reading Goethe with Lucretius and Paul de Man
1. Phenomenality and Materiality in Goethe and Lucretius
a. The Skins or Signs of Things
b. Another “Rhetoric of Temporality”
c. Atoms, Letters, Figures
2. Tender Empiricism
d. Kant’s Immodesty
e. Active like an Object
 
Chapter 4. Growing Old Together: Lucretian Materialism in Shelley’s The Triumph of Life
a. Prologue: Montaigne’s Face
b. Morphology and Shelley’s “Shapes”
c. Shelley, Wrinkled
d. Life, Triumphant
e. A Thousand Unimagined Shapes
f. What Shares the Air
g. Atmospheres of Sensation
h. Historical Material
 
Chapter 5. A Natural History of Violence: Allegory and Atomism in Shelley’s The Mask of Anarchy
a. “The Occasion of the Massacre at Manchester”
b. Ghastly Masquerade
c. Events Take Shape
d. Material Poetic Justice
e. Atomic Prehistories for The Mask of Anarchy
f. Getting Didactic
g. As Nature Teaches
h. Pedagogy of Knowledge-Power
i. The Power of Assembly
 
Coda: Old Materialism, or Romantic Marx
 
Acknowledgments
Notes
Bibliography
Index
 

Awards

Modern Language Association: MLA Prize for a First Book
Won

American Society for Eighteenth-Century Studies: Oscar Kenshur Book Prize
Won

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