Cloth $30.00 ISBN: 9780226376325 Published November 2016 Not for sale in the United Kingdom or Europe
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Orchid

A Cultural History

Jim Endersby

Orchid

Jim Endersby

288 pages | 15 color plates, 45 halftones | 6 1/14 x 9 1/14 | © 2016
Cloth $30.00 ISBN: 9780226376325 Published November 2016 Not for sale in the United Kingdom or Europe
E-book $18.00 About E-books ISBN: 9780226427034 Published November 2016 Not for sale in the United Kingdom or Europe
At once delicate, exotic, and elegant, orchids are beloved for their singular, instantly recognizable beauty. Found in nearly every climate, the many species of orchid have carried symbolic weight in countless cultures over time. The ancient Greeks associated them with fertility and thought that parents who ingested orchid root tubers could control the sex of their child. During the Victorian era, orchids became deeply associated with romance and seduction. And in twentieth-century hard-boiled detective stories, they transformed into symbols of decadence, secrecy, and cunning. What is it about the orchid that has enthralled the imagination for so many centuries? And why do they still provoke so much wonder?
 
Following the stories of orchids throughout history, Jim Endersby divides our attraction to them into four key themes: science, empire, sex, and death. When it comes to empire, for instance, orchids are a prime example of the exotic riches sought by Europeans as they shaped their plans for colonization. He also reveals how Charles Darwin’s theory of evolution became intimately entangled with the story of the orchid as he investigated their methods of cross-pollination. As he shows, orchids—perhaps because of their extraordinarily diverse colors, shapes, and sizes—have also bloomed repeatedly in films, novels, plays, and poems, from Shakespeare to science fiction, from thrillers to elaborate modernist novels.
 
Featuring many gorgeous illustrations from the collection of the Royal Botanic Gardens, Kew, Orchid: A Cultural History tells, for the first time, the extraordinary story of orchids and our prolific interest in them. It is an enchanting tale not only for gardeners and plant collectors, but anyone curious about the flower’s obsessive hold on the imagination in history, cinema, literature, and more.
Contents
Introduction: Imagining Orchids
1 Censored Origins
    The Lesbian Boy
    The Uses of Orchids
2 Red Book, Black Flower
    Utopian Botany
    The Signature of All Things
3 The Name of the Orchid
    Making a Family
    A Second Adam
    Artificial to Natural
    Myths of Orchids
4 Orchidmania
    The Blooming Aristocracy
5 Orchis Bank
    Every Trifling Detail
    Beautiful Contrivances
6 The Scramble for Orchids
    Lost Orchids
    Cannibal Tales
7 Savage Orchids
    Long Purples and a Forked Radish
    Queer Flowers
    Creation and Consolation
8 Sexy Orchids
    Boy’s Own Orchids
9 Manly Orchids
    Frail Orchids
10 Deceptive Orchids
    Orchids in Orbit
11 Endangered Orchids
    Fragile Specialists
    The Spider Orchids of Sussex
Conclusion: An Orchid’s-Eye View?
    Acknowledgments
    Notes
    Bibliography
    Index
Review Quotes
Times Literary Supplement
“Weaves a clever course between science and fiction. . . . Endersby has provided an engrossing series of stories, engagingly told.”
BBC Wildlife
"Few orchid books are as fascinating as this. Endersby explores the grip of these exotic flowers on the human imagination, reflected in literature from antiquity. Their beauty has appealed to a gamut of emotions – romance, lust, avarice, jealousy – and no other plant family has become so deeply embedded in fiction and poetry. Melding art and science, this original title reminds us that the destruction of biodiversity also inflicts damage on our shared culture, a fundamental attribute of human existence."
Sunday Times
"Lively, gripping."
Daily Mail
"Traces the story of our fascination with these elegant flowers."
The Weekly Standard
"Orchid: A Cultural History explores the associations that have endowed this flower with significance, and describes how the orchid’s identity has run the gamut from romance and seduction to decadence and cunning. Endersby understands the importance of making science accessible to a general audience, and in Orchid he initially grabs readers' attention by emphasizing the plant's historic identity as an aphrodisiac."
Stephen Buchmann, author of The Reason for Flowers
“An orchid thriller. Orchids are beautiful, strange, savage, sexy, mysterious, luxurious and expensive rarities. From H. G. Wells to Susan Orlean, and even James Bond movies, orchids turn up everywhere. Explorers have died searching for new orchids in faraway steamy jungles. Endersby traces the history of our scientific understanding of orchids, and their culture, from the Greeks to present orchid enthusiasts. You won’t be able to put down this lavishly illustrated and fascinating book.”
Richard Conniff, author of House of Lost Worlds
“Endersby has written an engaging and enlightening account of one of the Earth's most mythologized botanical wonders.”
Peter Bernhardt, author of Darwin’s Orchids: Then and Now
“Endersby will convince you that the only things odder than orchid flowers are the minds of male humans. Although botanists, horticulturists and Charles Darwin blew away thousands of years of whacky folklore their facts were twisted, influencing many movies, detective novels and science fiction stories. The Victorian ‘Language of Flowers’ should be revised for the turn of the century until orchids become symbols of words like ‘Contradiction’ and ‘Suspicion’.”
Simon Schaffer, University of Cambridge
“In this seductive and clever survey, Endersby brilliantly shows how the range of meanings attributed to the extraordinary and beautiful varieties of orchid emerged from fundamental features of European culture, from classical Greece to networked modernity.”
Jonathan Smith, University of Michigan-Dearborn
Orchid compellingly demonstrates that the cultural history of these plants is as strange, wonderful, and varied—and as full of sexual mystery—as orchids are themselves. The relationships between the stories of orchids told by scientists and those told by writers, filmmakers, collectors, and journalists prove to be, like the relationships between orchids and their pollinators, overwhelmingly cases of cross-fertilization.”
For more information, or to order this book, please visit http://www.press.uchicago.edu
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