Paper $40.00 ISBN: 9781611689211 Published June 2016
Cloth $85.00 ISBN: 9781611689204 Published June 2016
E-book $34.99 ISBN: 9781611689693 Published May 2016

Style and Seduction

Jewish Patrons, Architecture, and Design in Fin de Siècle Vienna

Elana Shapira

Style and Seduction

Elana Shapira

Distributed for Brandeis University Press

336 pages | 6 1/4 x 9 1/4
Paper $40.00 ISBN: 9781611689211 Published June 2016
Cloth $85.00 ISBN: 9781611689204 Published June 2016
E-book $34.99 ISBN: 9781611689693 Published May 2016
A recent surge of interest in Jewish patronage during the golden years of Vienna has led to the question, Would modernism in Vienna have developed in the same fashion had Jewish patrons not been involved? This book uniquely treats Jewish identification within Viennese modernism as a matter of Jews active fashioning of a new language to convey their aims of emancipation along with their claims of cultural authority. In this provocative reexamination of the roots of Viennese modernism, Elana Shapira analyzes the central role of Jewish businessmen, professionals, and writers in the evolution of the city’s architecture and design from the 1860s to the 1910s. According to Shapira, these patrons negotiated their relationship with their non-Jewish surroundings and clarified their position within Viennese society by inscribing Jewish elements into the buildings, interiors, furniture, and design objects that they financed, produced, and co-designed. In the first book to investigate the cultural contributions of the banker Eduard Todesco, the steel tycoon Karl Wittgenstein, the textile industrialist Fritz Waerndorfer, the author Peter Altenberg, the tailor Leopold Goldman, and many others, Shapira reconsiders theories identifying the crisis of Jewish assimilation as a primary creative stimulus for the Jewish contribution to Viennese modernism. Instead, she argues that creative tensions between Jews and non-Jews—patrons and designers who cooperated and arranged well-choreographed social encounters with one another—offer more convincing explanations for the formation of a new semantics of modern Viennese architecture and design than do theories based on assimilation. This thoroughly researched and richly illustrated book will interest scholars and students of Jewish studies, Vienna and Viennese culture, and modernism.
Contents
List of Illustrations • Acknowledgments • Introduction • The Historicists, 1860s–70s: Eduard von Todesco, Gustav von Epstein, and Their Neo-Renaissance Palaces on the Ringstrasse • The Secessionists, 1897–1902: Ludwig Hevesi, Karl Wittgenstein and the Secession House, and Friedrich Victor Spitzer’s Music Salon • The Modernists, 1902–7: Isidor Singer and Heinrich Kanner and the Telegraph Office of Die Zeit, Fritz Waerndorfer’s House for the Art Lover, the Wiener Werkstätte and the Cabaret Fledermaus, and the Richard Beer-Hofmann Villa • The Avant-Gardists, 1908–11: Peter Altenberg’s Portrait in the American Bar and Leopold Goldman and the Goldman & Salatsch House • Conclusion • Notes • Bibliography • Index
For more information, or to order this book, please visit https://www.press.uchicago.edu
Google preview here

Chicago Manual of Style

RSS Feed

RSS feed of the latest books from Brandeis University Press. RSS Feed