Leonardo’s Paradox

Word and Image in the Making of Renaissance Culture

Joost Keizer

Leonardo’s Paradox

Joost Keizer

Distributed for Reaktion Books

208 pages | 40 color plates, 25 halftones | 6 1/4 x 9 1/2 | © 2019
Cloth $35.00 ISBN: 9781789140699 Published March 2019 For sale in North and South America only
Leonardo da Vinci (1452–1519) was one of the preeminent figures of the Italian Renaissance. He was also one of the most paradoxical. He spent an incredible amount of time writing notebooks, perhaps even more time than he ever held a brush, yet at the same time Leonardo was Renaissance culture’s most fanatical critic of the word. When Leonardo criticized writing he criticized it as an expert on words; when he was painting, writing remained in the back of his brilliant mind.

In this book, Joost Keizer argues that the comparison between word and image fueled Leonardo’s thought. The paradoxes at the heart of Leonardo’s ideas and practice also defined some of Renaissance culture’s central assumptions about culture and nature: that there is a look to script, that painting offered a path out of culture and back to nature, that the meaning of images emerged in comparison with words, and that the difference between image-making and writing also amounted to a difference in the experience of time.
Review Quotes
Jonathan K. Nelson, Syracuse University in Florence
“This is an intelligent and thought-provoking study of Leonardo’s thoughts. Informed by his deep immersion in Leonardo's notebooks, and in the intellectual debates of the late 15th century–early 16th century, the author presents an original, highly personal, and often convincing interpretation of Leonardo’s idiosyncratic views on the relationships between word and image, and between Nature and Culture. The text is always learned but never pedantic, and written in an engaging style. If you want insight into what made Leonardo tick, his interests, points of reference, stated views, and thought processes, I would recommend this handsome volume.”
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