Vision and Stagecraft in Sophocles
Review Quotes
Oliver Taplin | Phoenix, a journal of the Classical Association of Canada
“Interesting . . . with considerable percipience. ‘Vision’ is studied in both internal and external senses. Internally, within the tragedies, there is the pervasive interplay of ignorance and knowledge, secrecy and revelation, illusion and reality, seeing and blindness, sight leading to horror, sight leading to pity. . . . The external sense of ‘vision’ . . . is less well-trodden ground: the use of the visible in order to enhance the audience’s perception of the play. Seale is good at this theatrical approach, and draws out many details without resorting to undue speculation.”
Ruth Scodel | Echos du Monde Classique/Classical Views
“A new approach. In place of a general commentary on Sophoclean stagecraft or a close study of a particular problem in stagecraft itself, verbal texture and theatrical spectacle are linked through a study of the theme of vision. Seale suggests that a Sophoclean drama is typically a movement from illusion to true sight. This movement is represented both in the language, as characters speak of what they see, and in the spectacle, in which reality is presented before the audience. The great advantage of this approach is the immediate relevance it gives to the spectacle, which embodies the revelation to which the drama leads. . . . Stimulating and enlightening.”
For more information, or to order this book, please visit https://www.press.uchicago.edu
Google preview here
Literature and Literary Criticism: Classical Languages
You may purchase this title at these fine bookstores. Outside the USA, see our international sales information.