Virginia Woolf Icon

Read World Wide Woolf, a web-only essay.
373 pages
|
35 halftones
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6 x 9
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© 1999
- Contents
Table of Contents

Contents
List of Illustrations
Foreword by Catharine R. Stimpson
Preface
Acknowledgments
Introduction: The Versioning of Virginia Woolf
Part 1. Negative Encounters: The "Intellectual" Media
Prelude. Anger and Storytelling: Whose Story Counts?
Section 1. The Columbia Stories
Section 2. The New York Review of Books
Section 3. How the Greats Are Fallen
Part 2. Starring Virginia Woolf
Take 1. Production Notes
Take 2. Time: Virginia Woolf Joins the "All-Star Literary Vaudeville"
Take 3. A Writer’s Diary and the "Real" Virginia Woolf
Take 4. Who’s Afraid of Virginia Woolf?: Virginia Woolf Becomes a Household Name
Take 5. Quentin Bell’s Biography and Historical Products Inc.: Family Portraits
Take 6. Virginia Woolf’s Face
Take 7. British Graffiti: Me, I’m Afraid of Virginia Woolf and Sammy and Rosie Get Laid
Take 8. Tom & Viv & Virginia & Edith & Ottoline & Vita & Carrington
Take 9. Fashion Stills
Part 3. Doubled Movements
Move 1. The Politics of Adaptation; Or, the Authentic Virginia Woolf
Move 2. The Monstrous Union of Virginia Woolf and Marilyn Monroe
Afterword: Virginia Woolf Episodes
Notes
Index
Foreword by Catharine R. Stimpson
Preface
Acknowledgments
Introduction: The Versioning of Virginia Woolf
Part 1. Negative Encounters: The "Intellectual" Media
Prelude. Anger and Storytelling: Whose Story Counts?
Section 1. The Columbia Stories
Section 2. The New York Review of Books
Section 3. How the Greats Are Fallen
Part 2. Starring Virginia Woolf
Take 1. Production Notes
Take 2. Time: Virginia Woolf Joins the "All-Star Literary Vaudeville"
Take 3. A Writer’s Diary and the "Real" Virginia Woolf
Take 4. Who’s Afraid of Virginia Woolf?: Virginia Woolf Becomes a Household Name
Take 5. Quentin Bell’s Biography and Historical Products Inc.: Family Portraits
Take 6. Virginia Woolf’s Face
Take 7. British Graffiti: Me, I’m Afraid of Virginia Woolf and Sammy and Rosie Get Laid
Take 8. Tom & Viv & Virginia & Edith & Ottoline & Vita & Carrington
Take 9. Fashion Stills
Part 3. Doubled Movements
Move 1. The Politics of Adaptation; Or, the Authentic Virginia Woolf
Move 2. The Monstrous Union of Virginia Woolf and Marilyn Monroe
Afterword: Virginia Woolf Episodes
Notes
Index
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Literature and Literary Criticism: British and Irish Literature | General Criticism and Critical Theory
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