Paper $32.50 ISBN: 9780226538013 Published November 2018
Cloth $97.50 ISBN: 9780226537962 Published November 2018
E-book $10.00 to $32.50 About E-books ISBN: 9780226538150 Published November 2018 Also Available From
E-book Retailers: B&N Nook Google Play Kobo Library Vendors: EBSCO

Song Walking

Women, Music, and Environmental Justice in an African Borderland

Angela Impey

Song Walking

Angela Impey

288 pages | 10 halftones, 7 maps | 6 x 9 | © 2018 
Paper $32.50 ISBN: 9780226538013 Published November 2018
Cloth $97.50 ISBN: 9780226537962 Published November 2018
E-book $10.00 to $32.50 About E-books ISBN: 9780226538150 Published November 2018
Song Walking explores the politics of land, its position in memories, and its foundation in changing land-use practices in western Maputaland, a borderland region situated at the juncture of South Africa, Mozambique, and Swaziland. Angela Impey investigates contrasting accounts of this little-known geopolitical triangle, offsetting textual histories with the memories of a group of elderly women whose songs and everyday practices narrativize a century of borderland dynamics. Drawing evidence from women’s walking songs (amaculo manihamba)—once performed while traversing vast distances to the accompaniment of the European mouth-harp (isitweletwele)—she uncovers the manifold impacts of internationally-driven transboundary environmental conservation on land, livelihoods, and local senses of place.

This book links ethnomusicological research to larger themes of international development, environmental conservation, gender, and local economic access to resources. By demonstrating that development processes are essentially cultural processes and revealing how music fits within this frame, Song Walking testifies to the affective, spatial, and economic dimensions of place, while contributing to a more inclusive and culturally apposite alignment between land and environmental policies and local needs and practices.
Contents
Acknowledgments
Introduction
Part I
One Paths toward a Hearing
Two Amaculo Manihamba: A Genre Considered
Part II
Three Walking, Singing, Pointing, Usuthu Gorge
Four Cartographic Encounters: Settling the Southeast African Border
Five New Routes In and Out, Eziphosheni
Six Rain Is Only One Aspect of Water
Seven Dwelling in a Futurized Past: Longing for Ndumo
Part III
Eight Beyond Talk and Testimony
Postscript
Appendix 1
Appendix 2
Notes
Bibliography
Index
Review Quotes
Anthony Seeger, University of California, Los Angeles
“Readers of this wonderful historical ethnography may never walk the same way again. Impey demonstrates how women’s walking songs, mouth harp playing, and foot trails express and shape their attitudes toward the injustices they have experienced during more than a century of exploitation and dispossession.  Weaving together historical documents, the memories and songs of older women, and the policies of a transnational conservation preserve, she argues convincingly for a more activist, inclusive, and transdisciplinary ethnomusicology.”
Louise Meintjes, Duke University
“This fine book traverses the landscape of conservation politics, land rights, and apartheid history. Its analyses of harsh struggle and vexed memory are balanced by Impey’s quiet love of the land and by the extraordinary women who walk and sing through her text. Scholars of development and of the aural arts will especially appreciate its achievement.”
For more information, or to order this book, please visit https://www.press.uchicago.edu
Google preview here

Chicago Manual of Style

Chicago Blog: History

Events in History

Keep Informed

JOURNALs