Notes and Methods

Hilma af Klint

Notes and Methods
Learn more about the Guggenheim exhibit.

Hilma af Klint

Publication supported by the Neil Harris Endowment Fund

Edited by Christine Burgin and with an Introduction and Commentary by Iris Müller-Westermann
288 pages | 300 color plates | 7 1/2 x 10 | © 2018
Cloth $45.00 ISBN: 9780226591933 Published September 2018
At the turn of the twentieth century, Swedish artist Hilma af Klint (1862–1944) created a body of work that left visible reality behind, exploring the radical possibilities of abstraction years before Vasily Kandinsky, Kazimir Malevich, or Piet Mondrian. Many consider her the first trained artist to create abstract paintings. With Hilma af Klint: Notes and Methods, we get to experience the arc of af Klint’s artistic investigation in her own words.

Hilma af Klint studied at the Royal Swedish Academy in Stockholm where she was part of the first generation of female students.  Up until the beginning of the century, she painted mainly landscapes and detailed botanical studies. Her work from this period was that of a young artist of her time who meticulously observed the world around her. But, like many of her contemporaries, af Klint was also interested in the invisible relationships that shape our world, believing strongly in a spiritual dimension. She joined the Theosophical Society, and, with four fellow female members who together called themselves “The Five,” began to study mediumship.  Between 1906 and 1915, purportedly guided by a higher power, af Klint created 193 individual works that, in both scale and scope of imagery, are like no other art created at that time.  Botanically inspired images and mystical symbols, diagrams, words, and geometric series, all form part of af Klint’s abstract language. These abstract techniques would not be seen again until years later.

Notes and Methods presents facsimile reproductions of a wide array of af Klint’s early notebooks accompanied by the first English translation of af Klint’s extensive writings. It contains the rarely seen “Blue Notebooks,” hand-painted and annotated catalogues af Klint created of her most famous series “Paintings for the Temple,” and a dictionary compiled by af Klint of the words and letters found in her work. This extraordinary collection is edited by and copublished with Christine Burgin, and features an introduction by Iris Müller-Westermann. It will stand as an important and timely contribution to the legacy of Hilma af Klint.
Contents

Introduction

The Five

The Blue Books / Translated from Swedish by Kerstin Lind Bonnier and Elizabeth Clark Wessel

The Atom Series / Translated from Swedish by Kerstin Lind Bonnier and Elizabeth Clark Wessel

Flowers, Mosses, and Lichens / Translated from German by Anne Posten

Letters and Words Pertaining to Works by Hilma af Klint / Translated from Swedish by Kerstin Lind Bonnier and Elizabeth Clark Wessel

Afterword / Johan af Klint

Acknowledgments

Review Quotes
Bookforum
“Presents comprehensive English translations of (af Klint’s) enigmatic writings. . . . Bring(s) nuance to our understanding of the artist’s biography and her formal achievements. . . . Taken together, the notebooks and paintings are evidence of a prodigiously curious mind, one riveted by the mathematical precision of geometry and also stirred by earthly and unearthly creatures.”
Publishers Weekly
“What a remarkable intellectual and aesthetic feast it is! Multifaceted, rich in the history of both art and spirituality, the book presents the abstract work of Swedish artist Hilma af Klint. Klint is known for having produced abstract art many years in advance of the formal Abstract art movement. Notes and Methods not only reproduces her strikingly immersive artwork but also brings to life its unexpected spiritual underpinnings in the Theosophy movement.”
 
For more information, or to order this book, please visit https://www.press.uchicago.edu
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