Cloth $35.00 ISBN: 9780226472683 Will Publish December 2019
E-book $21.00 Available for pre-order. ISBN: 9780226472713 Will Publish December 2019

Nightmares in the Dream Sanctuary

War and the Animated Film

Donna Kornhaber

Nightmares in the Dream Sanctuary

Donna Kornhaber

328 pages | 20 color plates, 20 halftones | 6 x 9 | © 2019
Cloth $35.00 ISBN: 9780226472683 Will Publish December 2019
E-book $21.00 ISBN: 9780226472713 Will Publish December 2019
In 2008, Waltz with Bashir shocked the world by presenting a bracing story of war in what seemed like the most unlikely of formats—an animated film.  Yet as Donna Kornhaber shows in this pioneering new book, the relationship between animation and war is actually as old as film itself.  The world’s very first animated movie was made to solicit donations for the Second Boer War, and even Walt Disney sent his earliest creations off to fight on gruesome animated battlefields drawn from his First World War experience.  As Kornhaber strikingly demonstrates, the tradition of wartime animation, long ignored by scholars and film buffs alike, is one of the world’s richest archives of wartime memory and witness. 

Generation after generation, artists have turned to this most fantastical of mediums to capture real-life horrors they can express in no other way.  From Chinese animators depicting the Japanese invasion of Shanghai to Bosnian animators portraying the siege of Sarajevo, from African animators documenting ethnic cleansing to South American animators reflecting on torture and civil war, from Vietnam-era protest films to the films of the French Resistance, from firsthand memories of Hiroshima to the haunting work of Holocaust survivors, the animated medium has for more than a century served as a visual repository for some of the darkest chapters in human history.  It is a tradition that continues even to this day, in animated shorts made by Russian dissidents decrying the fighting in Ukraine, American soldiers returning from Iraq, or Middle Eastern artists commenting on the Israeli-Palestinian conflict, the Arab Spring, or the ongoing crisis in Yemen. 

Nightmares in the Dream Sanctuary: War and the Animated Film vividly tells the story of these works and many others, covering the full history of animated film and spanning the entire globe.  A rich, serious, and deeply felt work of groundbreaking media history, it is also an emotional testament to the power of art to capture the endurance of the human spirit in the face of atrocity.
Contents
List of Illustrations
Preface

Introduction: Witness

Part One: At War

Chapter 1: Resistance
Chapter 2: Pacifism

Part Two: After War

Chapter 3: Memory
Chapter 4: Memorial
 
Acknowledgments
Notes
Filmography
Bibliography
Index
Review Quotes
Booklist
"Extraordinarily engaging, psychologically penetrating, and intellectually absorbing. In short, this is a new classic of topical film studies and the literature of art and war."
Hillary Chute, author of Why Comics? From Underground to Everywhere and Disaster Drawn: Visual Witness, Comics, and Documentary Form
“Nightmares in the Dream Sanctuary: War and the Animated Film is a hugely valuable survey that reveals how animation is a resource for resistance, protest, and memorialization of war.  Crucially, its framework is global, from Korea to Kenya, from Russia to Chile, from Bosnia to Syria.  One encounters compelling interpretations of acclaimed feature films such as Israel’s Waltz with Bashir and Japan’s Grave of the Fireflies, along with fascinating histories and analyses of short form and experimental work spanning many, many countries and traditions. This cultural history, covering over one hundred years, sets itself apart by its deep knowledge, range, breadth.  There is much to be learned from this study.”  
Scott R. Bukatman, Stanford University
“This is a genuinely moving and deeply insightful book on what turns out to be the very long history of war and atrocity in animated films. With equal attention to the aesthetics, stories, and contexts of a global range of work, Kornhaber has excavated the melancholic (when not actually heartbreaking) saga of an imaginative medium grappling with the complexities of the unimaginable. She is a hugely sensitive writer while still remaining clear-eyed and analytical. This book is an immense contribution to the field of animation studies and well beyond.”
For more information, or to order this book, please visit https://www.press.uchicago.edu
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