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Musical Vitalities

Ventures in a Biotic Aesthetics of Music

Holly Watkins

Musical Vitalities

Holly Watkins

240 pages | 3 halftones, 21 line drawings | 6 x 9 | © 2018 
Cloth $40.00 ISBN: 9780226594705 Published November 2018
E-book $10.00 to $40.00 About E-books ISBN: 9780226594842 Published November 2018

Does it make sense to refer to bird song—a complex vocalization, full of repetitive and transformative patterns that are carefully calculated to woo a mate—as art? What about a pack of wolves howling in unison or the cacophony made by an entire rain forest?

Redefining music as “the art of possibly animate things,” Musical Vitalities charts a new path for music studies that blends musicological methods with perspectives drawn from the life sciences. In opposition to humanist approaches that insist on a separation between culture and nature—approaches that appear increasingly untenable in an era defined by human-generated climate change—Musical Vitalities treats music as one example of the cultural practices and biotic arts of the animal kingdom rather than as a phenomenon categorically distinct from nonhuman forms of sonic expression. The book challenges the human exceptionalism that has allowed musicologists to overlook music’s structural resemblances to the songs of nonhuman species, the intricacies of music’s physiological impact on listeners, and the many analogues between music’s formal processes and those of the dynamic natural world. Through close readings of Austro-German music and aesthetic writings that suggest wide-ranging analogies between music and nature, Musical Vitalities seeks to both rekindle the critical potential of nineteenth-century music and rejoin the humans at the center of the humanities with the nonhumans whose evolutionary endowments and planetary fates they share.

Contents
Introduction

1 Reanimating Musical Organicism

2 Formalism’s Flower

3 Schopenhauer’s Musical Ecology

4 The Floral Poetics of Schumann’s Blumenstück, op. 19

5 Music between Reaction and Response

6 On Not Letting Sounds Be Themselves

Acknowledgments
Notes
Bibliography
Index
 
Review Quotes
Alexander Rehding, Harvard University
“A post-humanist organicism? A formalism fit for the Anthropocene? Watkins shows that these are not contradictions—far from it. Musical Vitalities makes a timely case for the contemporary relevance of Hanslick, Schopenhauer, and Darwin. This is the urgent aesthetic manifesto for ecomusicology that we have been waiting for.”
Berthold Hoeckner, University of Chicago
“This audacious book revisits the rich relationship between music and nature so central to Romantic aesthetics. . . . Beautifully written and punctuated with eclectic analyses of works ranging from Schumann to John Luther Adams, Musical Vitalities uncovers important, indeed vital, connections between nineteenth-century ideals of music and post-humanist conceptions of life.”
Scott Burnham, City University of New York
“With rare generosity and an exhilarating abundance of ideas, Holly Watkins reanimates long dismissed organicist concepts of music in this bracing synthesis of nature and culture, physis and poiesis, science and aesthetics. The result is the fullest measure yet taken of music’s vitality in the bountiful worlds within us and around us.”
Aaron S. Allen, University of North Carolina at Greensboro
“Expertly researched and beautifully written, Musical Vitalities reaches beyond musicology in innovative and provocative ways. It stands to make a lasting contribution to interdisciplinary dialogue.”
For more information, or to order this book, please visit https://www.press.uchicago.edu
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