Paper $30.00 ISBN: 9780226576374 Published November 2018
Cloth $90.00 ISBN: 9780226576237 Published November 2018
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Minor Creatures

Persons, Animals, and the Victorian Novel

Ivan Kreilkamp

Minor Creatures
Listen to an interview with the author on the Animal / Human Podcast.

Ivan Kreilkamp

240 pages | 6 halftones | 6 x 9 | © 2018 
Paper $30.00 ISBN: 9780226576374 Published November 2018
Cloth $90.00 ISBN: 9780226576237 Published November 2018
E-book $10.00 to $30.00 About E-books ISBN: 9780226576404 Published November 2018
In the nineteenth century, richly-drawn social fiction became one of England’s major cultural exports. At the same time, a surprising companion came to stand alongside the novel as a key embodiment of British identity: the domesticated pet. In works by authors from the Brontës to Eliot, from Dickens to Hardy, animals appeared as markers of domestic coziness and familial kindness. Yet for all their supposed significance, the animals in nineteenth-century fiction were never granted the same fullness of character or consciousness as their human masters: they remain secondary figures. Minor Creatures re-examines a slew of literary classics to show how Victorian notions of domesticity, sympathy, and individuality were shaped in response to the burgeoning pet class. The presence of beloved animals in the home led to a number of welfare-minded political movements, inspired in part by the Darwinian thought that began to sprout at the time. Nineteenth-century animals may not have been the heroes of their own lives but, as Kreilkamp shows, the history of domestic pets deeply influenced the history of the English novel.
Contents
1. Home, Animal, Novel
2. Petted Things: Cruelty and Sympathy in the Brontës
3. Dying like a Dog in Dickens
4. Middlemarch’s Brute Life
5. Using and Pitying Animals in Thomas Hardy
6. Tracking Animal Agency in Conan Doyle and Hardy
7. “Infinite Compassion”: Nonhuman Life in Schreiner’s The Story of an African Farm
Acknowledgments
Notes
Works Cited
Index
 
Review Quotes
Leah Price, Harvard University
“We all know the Victorians invented a characteristic idea of domesticity along with a characteristic form of fiction. What none of us knew, until Kreilkamp’s elegant interpretations of writers ranging from Darwin to Carroll to Hardy, is how entangled the realist novel was with something more specific: the domestication of nonhuman animals. Showing surprisingly but irrefutably that Victorian narrative structures both respond to and forge a new understanding of what humans do with, for, and to other species—whether bred, beaten, eaten, pitied, identified with, or cared for—Minor Creatures models a new method for understanding the relation between culture and literary form.”
Teresa Mangum, University of Iowa
Minor Creatures asks how and why precarious, provisional beings without human speech, accessible subjectivity, or legal rights had such paradoxically generative effects on the realistic novel. In this richly theorized, deeply compassionate exploration of Victorian ‘semihuman’ ‘semicharacters,’ Kreilkamp makes it impossible to ignore that ‘beating of a squirrel’s heart’ that marginally, consistently, and productively threatened the anthropocentric obliviousness of Victorian fiction and its readers.”
Kent Puckett, University of California, Berkeley
“In this careful and compassionate book, Kreilkamp shows what’s been hiding in plain sight all along: the central and, indeed, the structuring role that domesticated animals play in Victorian narrative realism. Minor Creatures explores a complex and pervasive ecosystem that supports birds, cats, dogs, and literary characters in equal measure. Thanks to its conceptual rigor, historical detail, and critical acuity, Kreilkamp reveals the humble household pet as an unexpected best friend to the literary logics on which the realist novel fundamentally depends.”
Cannon Schmitt, University of Toronto
“In lucid prose, via a series of always compelling and often luminous readings, Kreilkamp demonstrates the indispensability of animals to the work of Victorian realist fiction.”
 
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