Paper $32.50 ISBN: 9780226603759 Published October 2019
Cloth $97.50 ISBN: 9780226603612 Published October 2019
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Cruising the Dead River

David Wojnarowicz and New York’s Ruined Waterfront

Fiona Anderson

Cruising the Dead River

Fiona Anderson

Publication supported by the Bevington Fund

232 pages | 50 halftones | 6 x 9 | © 2019
Paper $32.50 ISBN: 9780226603759 Published October 2019
Cloth $97.50 ISBN: 9780226603612 Published October 2019
E-book $10.00 to $32.50 About E-books ISBN: 9780226603896 Published October 2019

In the 1970s, Manhattan’s west side waterfront was a forgotten zone of abandoned warehouses and piers. Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers’ sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. Artist and writer David Wojnarowicz was right in the heart of it, documenting his experiences in journal entries, poems, photographs, films, and large-scale, site-specific projects. In Cruising the Dead River, Fiona Anderson draws on Wojnarowicz’s work to explore the key role the abandoned landscape played in this explosion of queer culture. Anderson examines how the riverfront’s ruined buildings assumed a powerful erotic role and gave the area a distinct identity. By telling the story of the piers as gentrification swept New York and before the AIDS crisis, Anderson unearths the buried histories of violence, regeneration, and LGBTQ activism that developed in and around the cruising scene.

Contents
Introduction: Queer at the Water’s Edge

One     Nostalgia for the Mud: Cruising in Ruins
Two     The Whole World and the Cemetery: The Queer Visual Culture of Ruins
Three   Cruising Ghosts: David Wojnarowicz’s Queer Antecedents
Four     Protest and Preservation on the Waterfront

Conclusion: Rising into Ruin

Acknowledgments
Notes
Bibliography
Index
 
Review Quotes
Jonathan D. Katz, University of Buffalo
“What a strange queer utopia New York’s piers turned out to be: dirty, dangerous, even violent, but at the same time a raw template that took the form of queer desires and imagined futures. In this book—wistful, historical, and necessarily political—Anderson brings deep research and sympathy to this vanished paradise, the crucible for some of the most important art of the last decades of the twentieth century. Cruising the Dead River is quietly masterful, enriched by a firm grasp of theory lightly worn and a propulsive energy that makes it a genuine pleasure to read.”
Gavin Butt, Northumbria University
Cruising the Dead River is an original and thoroughly researched examination of the experimental expressions of sex and art made possible by Manhattan’s dilapidated waterfront in the 1970s and 1980s. The wealth of fascinating archival research about the city in this period, and Anderson's thick, detailed descriptions of the contesting forces that shaped its social, sexual, and artistic life are compelling. Considering how quickly contemporary queer and bohemian locales are being lost to gentrification, it is also an extremely timely book.”
For more information, or to order this book, please visit https://www.press.uchicago.edu
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