“Essential. . . A genuine intellectual tour de force. A complex and challenging read, The Conquest of Ruins will appeal to ruinologists, sociologists, and historians of both antiquity and modernity.”

Choice

“It is difficult to overstate the erudition of this work. The Conquest of Ruins is a stupendous achievement, the culmination of over a decade of meticulous research that will interest a wide range of scholars from classicists to post-colonial theorists. it is one of the most refreshing and impressive pieces of scholarship I have read in quite some time. Hell’s text is a testament to her talent as a synthetic thinker, establishing interdisciplinary parallels with an illuminating and trenchant analysis. Written in a lucid prose that leaves no room for unnecessary ambiguity, The Conquest of Ruins is a work I’ll keep returning to not only to inform my own scholarly projects but also as a reference and inspiration for the courses I teach. While the law of ruin stipulates that all things will inevitably deteriorate and collapse, Hell’s achievement looks well poised to defy this principle.”

Matthew Feminella | German Quarterly

“This is rich stuff and well worth the read. . . . The interweaving of textual analysis, art history and politics is impressive and fascinating; her erudition and mastery of her sources breathtaking.” 

Paul Monk | The Australian

“Hell’s dazzlingly ambitious book demonstrates the pervasive presence of Roman ruins—a haunting reminder of empire’s inevitable end—in the imagination of later empire builders, so often drawn to identification with Roman models. Fully alert to the complexity of ancient Roman reflections on ruin, Hell explores the political, aesthetic, and psychic resonance of recurrent scenes of ruin contemplation generated in the Holy Roman Empire of Charles V, revolutionary France, imperial Britain, and beyond. Above all she offers a compelling analysis of Nazi Germany’s deep-rooted and anxious obsession with the image of barbarians contemplating the monumental ruins of Rome.”

Catharine Edwards, author of Death in Ancient Rome

“Was Rome the inescapable model of all imperial enterprises? From the fall of Carthage to the fall of the Third Reich and the end of the colonial empires, Hell develops a brilliant and innovative interrogation of the very concept of mimesis and its modern revivals. A long journey—well informed, full of insights, strongly convincing—through the imperial history of the West. The Conquest of Ruins is going to become a major landmark.”

François Hartog, author of Regimes of Historicity

“One of the most original, learned, and thought-provoking books of the last decade. Encompassing thinkers and empire-builders from Polybios and Scipio to Heidegger and Hitler, Hell surveys the profoundly important topoi of the ruin gazer, the conqueror who recognizes that all empires must end, and the katechon, the delayer, who is able, at least for a time, to stave off the inevitable. The Conquest of Ruins is a landmark achievement, comparable in both scope and brilliance to J. G. A. Pocock’s epoch-making The Machiavellian Moment.”

Suzanne Marchand, author of German Orientalism in the Age of Empire

"Hell’s book, the fruit of extremely wide reading over decades, concentrates on one aspect of the vast range of acts and practices of Roman imitation that pepper the history of Western political thought and action."

TLS

"They are a familiar sight for any student of twentieth-century history: staged photographs of Adolf Hitler, leader of the Third Reich, gazing at a neoclassical building complex. Whether they are snapshots of the führer studying a scale model of Germania, the imperial city designed by his architect Albert Speer, or the aerial perspectives of Hitler staring down massive crowds from a gigantic podium during a Nüremberg rally, or footage of Hitler and the Italian monarch Emmanuele III touring Rome’s monuments at night—these images have become obligatory illustrations of the dictator’s megalomania, or of his missed calling as an artist and architect. Now Julia Hell has written a book, The Conquest of Ruins: The Third Reich and the Fall of Rome, that offers a compelling new reading of how these moments of architectural contemplation function in Hitler’s (and others’) will to power by inserting them both in modern German cultural history and in a much longer thread of neo-roman imperial ideology in the West... Hell’s book reads like an invitation to complicate the genealogy of all imperial violence in the West."

Journal of Modern History