Paper $30.00 ISBN: 9780226640990 Will Publish January 2020
Cloth $95.00 ISBN: 9780226640853 Will Publish January 2020
E-book $30.00 Available for pre-order. ISBN: 9780226641041 Will Publish January 2020

Arts of Dying

Literature and Finitude in Medieval England

D. Vance Smith

Arts of Dying

D. Vance Smith

320 pages | 3 halftones | 6 x 9 | © 2019
Paper $30.00 ISBN: 9780226640990 Will Publish January 2020
Cloth $95.00 ISBN: 9780226640853 Will Publish January 2020
E-book $30.00 ISBN: 9780226641041 Will Publish January 2020
People in the Middle Ages had chantry chapels, mortuary rolls, the daily observance of the Office of the Dead, and even purgatory—but they were still unable to talk about death. Their inability wasn’t due to religion, but philosophy: saying someone is dead is nonsense, as the person no longer is. The one thing that can talk about something that is not, as D. Vance Smith shows in this innovative, provocative book, is literature.

Covering the emergence of English literature from the Anglo-Saxon to the late medieval periods, Arts of Dying argues that the problem of how to designate death produced a long tradition of literature about dying, which continues in the work of Heidegger, Blanchot, and Gillian Rose. Philosophy’s attempt to designate death’s impossibility is part of a literature that imagines a relationship with death, a literature that intensively and self-reflexively supposes that its very terms might solve the problem of the termination of life. A lyrical and elegiac exploration that combines medieval work on the philosophy of language with contemporary theorizing on death and dying, Arts of Dying is an important contribution to medieval studies, literary criticism, phenomenology, and continental philosophy.
Contents
Preface

Introduction: Literature and Death

I. Soul

1. Out of Death, Art of Dying
2. The Old English Grammar of the Soul
3. The Tremulous Soul: The Worcester Fragments

II. Crypt

4. Unearthly Earth: Mortuary Lyric
5. “Alway deynge and be not ded”: The Book of the Duchess and “The Pardoner’s Tale”
6. Dying and the Tragedy of Occupation: “The Knight’s Tale”
7. The “Deth-dyinge” of Will: Piers Plowman
8. The Physics of Elegy: Pearl
9. Death, Terminable and Interminable: St. Erkenwald

III. Archive

10. Lydgate’s Exquisite Corpus
11. “Dyynge and talking”: Hoccleve’s Loquacious Archive
12. The Care of the Archive: John Audelay’s Three Dead Kings
 
Acknowledgments
Notes
Index
Review Quotes
Jean-Michel Rabaté, University of Pennsylvania
“Death is a sophism: we are never in death, only dying all the time. Hence death is work. In this supremely astute, readable, and intelligent book, Smith studies the work of death in Anglo-Saxon poetry and medieval logic, showing how these poets’ and thinkers’ insights about the separation of soul from body, entombment in a crypt, or dispersal in an archive of mourning fully anticipate the analyses of Hegel, Freud, Heidegger, Blanchot, and Derrida. A true feast for thought!"
Larry Scanlon, author of Narrative, Authority, and Power: The Medieval Exemplum and the Chaucerian Tradition
 “Arts of Dying is an ambitious study that offers a philosophically and theoretically driven analysis of the treatment of death and dying in a wide range of Old and Middle English texts. Death, as they say, is one of the two great topics of all literature, but Smith offers a compelling and highly original treatment of it. The book is positively breathtaking and provides new and important insights throughout.”
Kellie Robertson, author of Nature Speaks: Medieval Literature and Aristotelian Philosophy
"Arts of Dying explores how medieval writers transformed the individual experience that we must all face alone into a collective one shared across every level of society. Immensely learned, gracefully written, and philosophically agile, it shows us that death is just as much a linguistic act as a physical one. How do we talk about something that has not yet happened to us and about which, once it does, we cannot speak? In focusing on the long now of ‘dying’ rather than the discrete moment of death, Smith documents how these writers handled a tricky temporal problem: the narration of finitude before the end has been reached. This is intellectual history at its best, a poignant project that returns to medieval literature as a place from which to rethink our modern attitudes about death as well as the limits of knowledge."
For more information, or to order this book, please visit https://www.press.uchicago.edu
Google preview here

Chicago Manual of Style

Keep Informed

JOURNALs