University of Chicago Press: New Titles in Biography and Letters

Northern Exposures

Jonathan Waterman — Sat, 15 Jun 2013 05:00:00 GMT

North of the sixtieth parallel, the sun shines for less than six hours in the winter, and towering mountains are the only skyscrapers. Pristine waters serve caribou, moose, and bears in an unbroken landscape. At any given moment in this spectacular scenery, there’s a chance that Jonathan Waterman is present, trekking across the land. A masterful adventurer, Waterman has spent decades exploring the farthest reaches of our beautiful spaces. The essays and photographs collected in Northern Exposures are a product of this passion for exploration and offer an unparalleled view into adventuring in the north and beyond.

Picking up after In the Shadow of Denali, his first book of essays, Northern Exposures collects twenty-three stories from Waterman’s thirty-year career that show the evolution of the adventurer’s career and work, from ducking avalanches near the Gulf of Alaska, to searching for the most pristine tundra on the continent, and from writing haiku on Denali in the depth of winter to decrying oil development in the Arctic National Wildlife Refuge. Ninety-six spectacular photographs taken by Waterman during his expeditions lend a broader context and allow readers to fully understand his heartfelt argument for protecting these places. Whether active, aspiring, or just armchair adventurers, readers will be inspired by Waterman’s daring spirit.

Cruel Way

Ella K. Maillart; Jessa Crispin — Mon, 10 Jun 2013 05:00:00 GMT

In 1939 Swiss travel writer and journalist Ella K. Maillart set off on an epic journey from Geneva to Kabul with fellow writer Annemarie Schwarzenbach in a brand new Ford. As the first European women to travel alone on Afghanistan’s Northern Road, Maillart and Schwarzenbach had a rare glimpse of life in Iran and Afghanistan at a time when their borders were rarely crossed by Westerners. As the two flash across Europe and the Near East in a streak of élan and daring, Maillart writes of comical mishaps, breathtaking landscapes, vitriolic religious clashes, and the ingenuity with which the women navigated what was often a dangerous journey. In beautiful, clear-eyed prose, The Cruel Way shows Maillart’s great ability to explore and experience other cultures in writing both lyrical and deeply empathetic.

While the core of the book is the journey itself and their interactions with people oppressed by political conflict and poverty, towards the end of the trip the women’s increasingly troubled relationship takes center stage. By then the glamorous, androgynous Schwarzenbach, whose own account of the trip can be found in All the Roads Are Open, is fighting a losing battle with her own drug addiction, and Maillart’s frustrated attempts to cure her show the profound depth of their relationship.

Complete with thirteen of Maillart’s own photographs from the journey, The Cruel Way is a classic of travel writing, and its protagonists are as gripping and fearless as any in literature.

Memories from the Twentieth Century

Luigi Pintor; Gregory Elliot — Wed, 15 May 2013 05:00:00 GMT

In these three short books—Servabo: A Fin De Siècle Memoir, Miss Kirchgessner, and The Medlar Tree, collected in one volume in English for the first time—Luigi Pinto retraces a life marked, often in spite of itself, by politics. At once intransigent and ironic, these autobiographical texts are written “to reorder in the imagination things that don’t add up in reality.”

From the idyll of his Sardinian childhood to the transformative experience of the anti-Fascist resistance, and from post-war militancy to the dismal regression of Italian culture, Pintor captures memories that are intensely personal and inseparable from political and intellectual experience. Episodes and observations recur across all three books, but the tropes of autobiography are insistently displaced. Sparse and evocative prose, borrowing from the aphorism and fable, struggles to give form to personal and political despair, while Pintor never relents on the attachments and convictions that shape a life.

David Gorlæus (1591-1612)

Christoph Lüthy — Wed, 15 May 2013 05:00:00 GMT

When David Gorlæus, a prospective theology student, passed away tragically at twenty-one years old, he left behind two highly innovative manuscripts, which were published posthumously in 1620 and 1651, respectively. As his identity was unknown, seventeenth-century readers understood him both as an anti-Aristotelian thinker and a precursor of Descartes. In contrast, by the twentieth century, historians depicted him as an atomist, natural scientist, and even a chemist. David Gorlæus (1591–1612) seeks to pull together what is known of this enigmatic figure. Combining multiple historical sources, Christoph Lüthy provides a narrative of Gorlæus’s life that casts light on his exceptional body of work and places it firmly at the intersection between philosophy, the nascent natural sciences, and theology.

“Christoph Lüthy is the first to tell the complete story of David Gorlæus and to reconstruct his image on the basis of all remaining sources. Showing in a convincing way that Gorlæus is one of the key figures in the renewal of atomistic philosophy in the seventeenth century and a major influence on many philosophers that are much better known, he leaves us with the melancholy picture of someone who died too young to become one of the heroes of the scientific revolution.”—Theo Verbeek, Utrecht University

Marcel Proust

Adam Watt — Wed, 15 May 2013 05:00:00 GMT

Marcel Proust (1871–1922) spent fourteen years creating In Search of Lost Time, his seven-volume magnum opus. He died when it was only half in print, unable to see it become one of the most important literary works of the twentieth century. Over eighty years later, the work still garners extraordinary levels of critical attention, and Proust’s habits, health, and sexual preferences still keep commentators and fans occupied. In this concise biography, Adam Watt explores the life of a writer whose every experience was stored, dissected, and redeployed within a vast fictional work.

After considering Proust’s earlier years of personal and aesthetic experiment, Watt provides an engaging account of two intertwined processes taking place against the vibrant backdrop of Belle Époque Paris and World War I: the progress of In Search of Lost Time and the simultaneous decline of its author. He demonstrates how Proust’s own periods of ill health and isolation reflected his narrator’s thoughts on desire, love, and loss, as well as his contemplation of beauty, memory, aging, and the possibility of happiness. Drawing on the author’s immense correspondence, the accounts of his contemporaries, and the insights of recent scholarship, Marcel Proust offers a rewarding new portrait of the novelist once described as “the most complicated man in Paris.”

Alberto Giacometti

Ernst Scheidegger — Mon, 15 Apr 2013 05:00:00 GMT

To celebrate the fiftieth anniversary of Verlag Scheidegger and Spiess, Alberto Giacometti:Traces of a Friendshipis being published in a revised and expanded edition, which includes over forty previously unpublished photographs, an intimate new chapter, and amended captions.

Alberto Giacometti (1901–66) is inarguably one of the greatest sculptors of the twentieth century. Immensely gifted and prolific, Giacometti gave physical expression to his twin obsessions of the human form and the alienation of modern life. Because of his canonical position in the history of art and the reams of scholarship produced about him, Giacometti remains to many the elusive master artist, distant and remote on the Olympus of creative endeavor.

Ernst Scheidegger, a friend of the sculptor, knew a very different Giacometti. Scheidegger accompanied him to his studio, ate and drank with him, and relaxed with him in his family home. Alberto Giacometti: Traces of a Friendship is a document of this intimate life of Giacometti, consisting of photographs that Scheidegger made over the course of two decades. Scheidegger welcomes readers into Giacometti’s studio and house in Maloja, Switzerland, allowing them rare access to the most closely held aspects of the artist’s life. Sketching in his studio, having a cup of coffee, his works in progress, his art in installation views, even his sleeping cats—Scheidegger captures the essence of the artist's working life in images that are artful in their own right.

R. S. Thomas

M. Wynn Thomas — Mon, 15 Apr 2013 05:00:00 GMT

During his lifetime R. S. Thomas (1913–2000) achieved notoriety as the Ogre of Wales, a Welsh extremist, and a poet of serial obsessions. Published to mark the centenary of his birth, this volume explores those elements that fueled Thomas’s fiercely intense imagination, including Wales, his family, and his vexed relationship with religion, as well as with his best-known character, Iago Prytherch. Here, these familiar obsessions are set in several unusual contexts that bring his poetry into startling new relief: his war poems are considered alongside his early work focusing on the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of his concerns; the intriguing “secret code” of some of his Welsh-language references is cracked; and his painting-poems, including several hitherto unpublished, are brought to the forefront.

Prospero's Son

Seth Lerer — Fri, 05 Apr 2013 05:00:00 GMT

“This book is the record of a struggle between two temperaments, two consciousnesses and almost two epochs.” That’s how Edmund Gosse opened Father and Son, the classic 1907 book about his relationship with his father. Seth Lerer’s Prospero’s Son is, as fits our latter days, altogether more complicated, layered, and multivalent, but at its heart is that same problem: the fraught relationship between fathers and sons.

At the same time, Lerer’s memoir is about the power of books and theater, the excitement of stories in a young man’s life, and the transformative magic of words and performance. A flamboyantly performative father, a teacher and lifelong actor, comes to terms with his life as a gay man. A bookish boy becomes a professor of literature and an acclaimed expert on the very children’s books that set him on his path in the first place. And when that boy grows up, he learns how hard it is to be a father and how much books can, and cannot, instruct him. Throughout these intertwined accounts of changing selves, Lerer returns again and again to stories—the ways they teach us about discovery, deliverance, forgetting, and remembering.

“A child is a man in small letter,” wrote Bishop John Earle in the seventeenth century. “His father hath writ him as his own little story.” With Prospero’s Son, Seth Lerer acknowledges the author of his story while simultaneously reminding us that we all confront the blank page of life on our own, as authors of our lives.

Bernini

Franco Mormando — Tue, 02 Apr 2013 05:00:00 GMT

Sculptor, architect, painter, playwright, and scenographer, Gian Lorenzo Bernini (1598–1680) was the last of the great universal artistic geniuses of early modern Italy, placed by both contemporaries and posterity in the same exalted company as Leonardo, Raphael, and Michelangelo. And his artistic vision remains palpably present today, through the countless statues, fountains, and buildings that transformed Rome into the Baroque theater that continues to enthrall tourists today.

It is perhaps not surprising that this artist who defined the Baroque should have a personal life that itself was, well, baroque. As Franco Mormando’s dazzling biography reveals, Bernini was a man driven by many passions, possessed of an explosive temper and a hearty sex drive, and he lived a life as dramatic as any of his creations. Drawing on archival sources, letters, diaries, and—with a suitable skepticism—a hagiographic account written by Bernini’s son (who portrays his father as a paragon of virtue and piety), Mormando leads us through Bernini’s many feuds and love affairs, scandals and sins. He sets Bernini’s raucous life against a vivid backdrop of Baroque Rome, bustling and wealthy, and peopled by churchmen and bureaucrats, popes and politicians, schemes and secrets.

The result is a seductively readable biography, stuffed with stories and teeming with life—as wild and unforgettable as Bernini’s art. No one who has been bewitched by the Baroque should miss it.

Roy Strong: Self-Portrait as a Young Man

Roy Strong — Mon, 01 Apr 2013 05:00:00 GMT

For nearly half a century, Roy Strong has been a prominent presence in Britain’s art world. Yet little is known about his life before the Swinging Sixties, when, at the age of thirty-one, he came on the scene as the revolutionary young director of London’s National Portrait Gallery.

In this book, Strong recounts his early years and the stirrings of what would become a lifelong passion for art. During a childhood spent in suburban North London, Strong recalls himself as a shy and solitary boy who spent his time painting Elizabethan miniatures and Shakespearean set designs. The book follows his progression through grammar school, which he attended alongside Alan Bennett and David Hockney, and university, where he developed a love of learning and enjoyed visits to the theater, opera, and ballet. With remarkable honesty, he explores the important relationships in his life—family, friends, and a schoolteacher with whom he maintained a long correspondence—as well as his debt to figures like Cecil Beaton, Frances Yates, C. V. Wedgwood, and A. L. Rowse.

Richly illustrated throughout with photographs, drawings, and letters, this book offers a compelling look at a young man poised for success.

First Son

Keith Koeneman — Thu, 28 Mar 2013 05:00:00 GMT

"Mayor Richard M. Daley dropped the bomb at a routine news conference at City Hall on Tuesday. With no prelude or fanfare, Mr. Daley announced that he would not seek re-election when his term expires next year. 'Simply put, it's time,' he said." New York Times, September 7, 2010

With those four words, an era ended. After twenty-two years, the longest-serving and most powerful mayor in the history of Chicago—and, arguably, America—stepped down, leaving behind a city that was utterly transformed, and a complicated legacy we are only beginning to evaluate.

In First Son, Keith Koeneman chronicles the sometimes Shakespearean, sometimes Machiavellian life of an American political legend. Making deft use of unprecedented access to key players in the Daley administration, as well as Chicago's business and cultural leaders, Koeneman draws on more than one hundred interviews to tell an up-close, insider story of political triumph and personal evolution.

With Koeneman as our guide, we follow young Daley from his beginnings as an average Bridgeport kid thought to lack his father's talent and charisma to his unlikely transformation into an iron-fisted leader. Daley not only escaped the giant shadow of his father but also transformed Chicago from a gritty, post-industrial Midwestern capital into a beautiful, sophisticated global city widely recognized as a model for innovative metropolises throughout the world.

But in spite of his many accomplishments, Richard M. Daley's record is far from flawless. First Son sets the dramatic improvement of certain parts of the city against the persistent realities of crime, financial stress , failing public housing, and dysfunctional schools. And it reveals that while in many ways Daley broke with the machine politics of his father, he continued to reward loyalty with favors, use the resources of city government to overwhelm opponents, and tolerate political corruption.

A nuanced portrait of a complex man, First Son shows Daley to be sensitive yet tough, impatient yet persistent, a street-smart fighter and detail-driven policy expert who not only ran Chicago, but was Chicago.

Dreaming in French

Alice Kaplan — Fri, 22 Mar 2013 05:00:00 GMT

A year in Paris . . . since World War II, countless American students have been lured by that vision—and been transformed by their sojourn in the City of Light. Dreaming in French tells three stories of that experience, and how it changed the lives of three extraordinary American women.

All three women would go on to become icons, key figures in American cultural, intellectual, and political life, but when they embarked for France, they were young, little-known, uncertain about their future, and drawn to the culture, sophistication, and drama that only Paris could offer. Yet their backgrounds and their dreams couldn’t have been more different. Jacqueline Bouvier was a twenty-year-old debutante, a Catholic girl from a wealthy East Coast family. Susan Sontag was twenty-four, a precocious Jewish intellectual from a North Hollywood family of modest means, and Paris was a refuge from motherhood, a failing marriage, and graduate work in philosophy at Oxford. Angela Davis, a French major at Brandeis from a prominent African American family in Birmingham, Alabama, found herself the only black student in her year abroad program—in a summer when all the news from Birmingham was of unprecedented racial violence.

Kaplan takes readers into the lives, hopes, and ambitions of these young women, tracing their paths to Paris and tracking the discoveries, intellectual adventures, friendships, and loves that they found there. For all three women, France was far from a passing fancy; rather, Kaplan shows, the year abroad continued to influence them, a significant part of their intellectual and cultural makeup, for the rest of their lives. Jackie Kennedy carried her love of France to the White House and to her later career as a book editor, bringing her cultural and linguistic fluency to everything from art and diplomacy to fashion and historic restoration—to the extent that many, including Jackie herself, worried that she might seem “too French.” Sontag found in France a model for the life of the mind that she was determined to lead; the intellectual world she observed from afar during that first year in Paris inspired her most important work and remained a key influence—to be grappled with, explored, and transcended—the rest of her life. Davis, meanwhile, found that her Parisian vantage strengthened her sense of political exile from racism at home and brought a sense of solidarity with Algerian independence. For her, Paris was a city of political commitment, activism, and militancy, qualities that would deeply inform her own revolutionary agenda and soon make her a hero to the French writers she had once studied.

Kaplan, whose own junior year abroad played a prominent role in her classic memoir, French Lessons, spins these three quite different stories into one evocative biography, brimming with the ferment and yearnings of youth and shot through with the knowledge of how a single year—and a magical city—can change a whole life. No one who has ever dreamed of Paris should miss it.

Box of Photographs

Roger Grenier; Alice Kaplan — Mon, 18 Mar 2013 05:00:00 GMT

Most attempts to generalize about photography as a medium run up against our experience of the photographs themselves. We live with photos and cameras every day, and philosophies of the photographic image do little to shake our intimate sense of how we produce photographs and what they mean to us. In this book that is equal parts memoir and intellectual and cultural history, French writer Roger Grenier contemplates the ways that photography can change the course of a life, reflecting along the way on the history of photography and its practitioners.

Unfolding in brief, charming vignettes, A Box of Photographs evokes Grenier’s childhood in Pau, his war years, and his working life at the Gallimard publishing house in Paris. Throughout these personal stories, Grenier subtly weaves the story of a lifetime of practicing and thinking about photography and its heroes—Henri Cartier-Bresson, Weegee, Alfred Eisenstaedt, George Brassaï, Inge Morath, and others. Adding their own insights about photography to the narrative are a striking range of writers, thinkers, and artists, from Lewis Carroll, Albert Camus, and Arthur Schopenhauer to Susan Sontag, Edgar Degas, and Eugène Delacroix. Even cameras themselves come to life and take on personalities: an Agfa accompanies Grenier on grueling military duty in Algeria, a Voigtlander almost gets him killed by German soldiers during the liberation of Paris, and an ill-fated Olympus drowns in a boating accident. Throughout, Grenier draws us into the private life of photographs, seeking the secrets they hold for him and for us.

A valedictory salute to a lost world of darkrooms, proofs, and the gummed paper corners of old photo albums, A Box of Photographs is a warm look at the most honest of life’s mirrors.

Childhood

Nathalie Sarraute; Alice Kaplan; Barbara Wright — Fri, 15 Mar 2013 05:00:00 GMT

As one of the leading proponents of the nouveau roman, Nathalie Sarraute is often remembered for her novels, including The Golden Fruits, which earned her the Prix international de litterature in 1964. But her carefully crafted and evocative memoir Childhood may in fact be Sarraute’s most accessible and emotionally open work. Written when the author was eighty-three years old, but dealing with only the first twelve years of her life, Childhood is constructed as a dialogue between Sarraute and her memory. Sarraute gently interrogates her interlocutor in search of her own intentions, more precise accuracy, and indeed, the truth. Her relationships with her mother in Russia and her stepmother in Paris are especially heartbreaking: long-gone actions are prodded and poked at by Sarraute until they yield some semblance of fact, imbuing these maternalistic interactions with new, deeper meaning. Each vignette is bristling with detail and shows the power of memory through prose by turns funny, sad, and poetic. Capturing the ambience of Paris and Russia in the earliest part of the twentieth century, while never giving up the lyrical style of Sarraute’s novels, this book has much to offer both memoir enthusiasts and fiction lovers.

Canyons and Ice

Kaylene Johnson — Fri, 15 Mar 2013 05:00:00 GMT

Solo travel today is anything but solitary, with the familiar glow of technology and nearly sentient gear as common companions. But for decades one especially daring traveler has set off into the wilderness with little more than a sense of adventure. Dick Griffith is an Alaska legend who made his name with a string of fearless fea: rafting down the Green and Colorado Rivers, skiing solo across the icy Northwest Passage, and being the first nonnative to drop into the treacherous Barranca Del Cobre in Mexico.

The first full biography of Griffith, Canyons and Ice offers a rare look at the man behind the soaring achievements and occasionally death-defying moments. Both a grand tale of adventure and a reflection on what motivates a man to traverse some of the most remote places on earth, it will set fire to readers’ adventurous spirits.

W. T. Stead

Roger Luckhurst; Laurel Brake; James Mussell; Ed King — Fri, 15 Mar 2013 05:00:00 GMT

Among the hundreds who died when the Titanic sank in the north Atlantic Ocean on April 15, 1912, one of the most famous was William Thomas Stead, an English journalist and editor. An early pioneer of investigative journalism and one of the inventors of the modern tabloid newspaper, Stead was one of the most controversial figures of the Victorian era. His advocacy of “government by journalism” helped launch military and parliamentary campaigns, and his exposé of child prostitution in the “Modern Babylon” of London raised the age of consent to sixteen. But Stead was also a mass of contradictions: a campaigner for women’s rights, he was unnerved by the rise of the New Woman; an advocate of world peace, he promoted huge hikes in defense spending; a political radical and Christian, he was also a spiritualist who took dictation from the dead. This collection of essays, published to mark the centenary of Stead’s death, recovers the story of an extraordinary figure whose impact on modern culture and journalism can still be seen today.

Fidel Castro

Nick Caistor — Fri, 15 Mar 2013 05:00:00 GMT

Fidel Castro had ruled the island of Cuba for fifty-two years when ill health forced him to step down in 2008. Over the course of that time, he changed Cuba from a republic to a communist state and became one of the most divisive leaders in the second half of the twentieth century. For some, he is a champion of humanitarianism, socialism, and environmentalism. For others, he is a monster and dictator who perpetuated human rights abuses at home and abroad.

Providing a rare, evenhanded account of Castro’s life, journalist Nick Caistor brings together interviews with people who have known Castro with discussion of the ideas that drove him. Caistor follows Castro’s life from his birth as the illegitimate son of a wealthy farmer in 1926 to the developing of his leftist, anti-imperialist ideas at the University of Havana and his primary role in the Cuban Revolution in the 1950s. He explores Castro’s economic and military alliance with the Soviet Union and his hostile relationship with the United States while also looking at how he simultaneously introduced free health care and education while squelching freedom of the press and suppressing dissidents. As Caistor shows, Castro’s numerous writings on politics, capitalism, and other topics have influenced leaders from Nelson Mandela to Hugo Chávez, but allegations of corruption, human rights abuses, and dictatorship never ceased during his long career.

Using stories and opinions to enliven the debate about Castro’s choices, strengths, and weaknesses, this concise biography gives readers the opportunity to judge for themselves how they feel about the former Cuban president.