University of Chicago Press: New Titles in Media Studies

Power to the People

Geoff Kaplan — Wed, 15 May 2013 05:00:00 GMT

Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago.

From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.

No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.

Political Tone

Roderick P. Hart; Jay P. Childers; Colene J. Lind — Thu, 25 Apr 2013 05:00:00 GMT

It’s not what you say, but how you say it. Solving problems with words is the essence of politics, and finding the right words for the moment can make or break a politician’s career. Yet very little has been said in political science about the elusive element of tone.

In Political Tone, Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range of texts—from speeches and debates to advertising and print and broadcast campaign coverage— using a sophisticated computer program, DICTION, that parses their content for semantic features like realism, commonality, and certainty, as well as references to religion, party, or patriotic terms. Beginning with a look at how societal forces like diversity and modernity manifest themselves as political tones in the contexts of particular leaders and events, the authors proceed to consider how individual leaders have used tone to convey their messages: How did Bill Clinton’s clever dexterity help him recover from the Monica Lewinsky scandal? How did Barack Obama draw on his experience as a talented community activist to overcome his inexperience as a national leader? And how does Sarah Palin’s wandering tone indicate that she trusts her listeners and is open to their ideas?

By focusing not on the substance of political arguments but on how they were phrased, Political Tone provides powerful and unexpected insights into American politics.

Gentleman Troubadours and Andean Pop Stars

Joshua Tucker — Tue, 23 Apr 2013 05:00:00 GMT

Exploring Peru’s lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru’s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.

Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city’s huayno music into the country’s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.

Tantalisingly Close

Imar De Vries — Mon, 15 Apr 2013 05:00:00 GMT

In this important new study, Imar de Vries take a historical and comparative approach in researching our intimate relationship with present-day mobile wireless technologies. By analyzing the full range of human expectations and behavior in regard to mobile devices, de Vries looks at how wireless gadgets have changed our ideas about communication, while at the same time he demonstrates how modern technology surprisingly repeats the patterns of older media. Applying a far-reaching and archaeological perspective to communication media, Tantalisingly Close looks at human desire to connect and the way that it has both shaped and been shaped by technology, past and present.

Sustainability, Participation and Culture in Communication

Jan Servaes — Mon, 15 Apr 2013 05:00:00 GMT

At a time when sustainability is on everyone’s lips, this volume is one of the first to offer an overview of sustainability and communication issues—including community mobilization, information technologies, gender and social norms, mass media, interpersonal communication, and integrated communication approaches—from a development and social change perspective. Drawing on contemporary theories of communication as well as real-world examples from development projects around the world, the contributors showcase the increasing richness and versatility of communication research and practice. Together, they make a case for adopting a more comprehensive perspective on communication in the areas of development and social change.

Matt Saunders

Matt Saunders — Fri, 05 Apr 2013 05:00:00 GMT

Berlin-based artist Matt Saunders has in recent years captured the art world’s eye with a striking series of hybrid images and animated films produced using techniques from both photography and painting. Using movie stars such as German actress Hertha Thiele and British actor Patrick McGoohan as subjects, Saunders recasts historical film and television images into new discourses about portraiture, iconography, and spectatorship.

Matt Saunders: Parallel Plot is both an artist’s book and a catalog that documents and reflects on a 2010 exhibition held at the Renaissance Society at the University of Chicago. Reproducing the stunning artwork from that show, the book also includes two conversations between Saunders and artist Josiah McElheny and an essay by experimental film scholar Bruce Jenkins that tackles the relationship among painting, photography, and film, as well as the dynamics of Saunders’s iconography. Offering insight into Saunders’s sophisticated working methods, this book is an evocative introduction to the work of this intriguing artist and the intertwined histories of film and photography.

Diller Scofidio + Renfro

Edward Dimendberg — Wed, 20 Mar 2013 05:00:00 GMT

In Diller Scofidio + Renfro: Architecture after Images, Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture.

Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade. Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media.

Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, Diller Scofidio + Renfro is the most thorough consideration of DS+R in any language. Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.

Selling War

Josef Seethaler; Matthias Karmasin; Gabriele Melischek; Romy Wöhlert — Fri, 15 Mar 2013 05:00:00 GMT

This book is the first collection of essays to explore the changing relationships between war, media, and the public from a multidisciplinary perspective and over an extended historical period. It is also the first textbook for students in this field, discussing a wide range of theoretical concepts and methodological tools for analyzing the nature of these relationships. Shedding new light on conflicts spanning from World War I through the so-called War on Terror, the contributors explore the roles of traditional media, war blogs, and eyewitness reporting; of war correspondents and embedded journalism; and of propaganda, wartime public relations, and information warfare.

From NWICO to WSIS: 30 Years of Communication Geopolitics

Divina Frau-Meigs; Jérémie Nicey; Michael Palmer; Julia Pohle; Patricio Tupper — Fri, 15 Feb 2013 06:00:00 GMT

Two major regulatory activities have framed global media policies since World War II: the New World Information and Communication Order (NWICO) and the more recent World Summit on the Information Society (WSIS). Through extensive research and testimonies from those involved, this book presents an in-depth account from the 1970s to today of the major issues concerning information flow in international geopolitics, including a look at the negotiations surrounding the major policy debates. Few studies of NWICO and WSIS have considered the continuity between the two activities—or included in the debate the crucial intermediary period between—and this book provides new insight into an issue of multilingual and multicultural importance.

Trends in Communication Policy Research

Manuel Puppis; Natascha Just — Fri, 15 Feb 2013 06:00:00 GMT

With contributions from leading international experts from within both the communications industry and academia, Trends in Communication Policy Research comprises the very latest developments in the theories, methods, and practical applications of this dynamic field. Topical and politically relevant, this authoritative and up-to-date volume will prove an invaluable reference for students and scholars seeking to understand communication policy issues.