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    <title>University of Chicago Press: New Titles in History: American History</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/RSS.xml</link>
    <description>The latest new books in History: American History</description>
    <language>en-us</language>
    <pubDate>Mon, 20 May 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>What Soldiers Do</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/W/bo14166482.html</link>
      <description>How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly—but if you’re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.That’s not the picture of the Greatest Generation that we’ve been given, but it’s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread—and then exploited—the myth of French women as sexually experienced and available. The resulting chaos—ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease—horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty.&amp;#160;While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful—and more interesting—when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.</description>
      <content:encoded>&lt;div&gt;How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly&amp;mdash;but if you&amp;rsquo;re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.&lt;/div&gt;&lt;div&gt;That&amp;rsquo;s not the picture of the Greatest Generation that we&amp;rsquo;ve been given, but it&amp;rsquo;s the one Mary Louise Roberts paints to devastating effect in &lt;i&gt;What Soldiers Do&lt;/i&gt;. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread&amp;mdash;and then exploited&amp;mdash;the myth of French women as sexually experienced and available. The resulting chaos&amp;mdash;ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease&amp;mdash;horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty.&amp;#160;&lt;/div&gt;&lt;div&gt;While never denying the achievement of D-Day, or the bravery of the soldiers who took part, &lt;i&gt;What Soldiers Do&lt;/i&gt; reminds us that history is always more useful&amp;mdash;and more interesting&amp;mdash;when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226923093.jpeg" length="50204" type="image/jpeg" />
      <category>History: American History</category>
      <category>History: European History</category>
      <category>History: Military History</category>
      <pubDate>Fri, 17 May 2013 05:00:00 GMT</pubDate>
      <author>Mary Louise Roberts</author>
      <guid isPermaLink="false">9780226923093</guid>
    </item>
    <item>
      <title>Nature and Nurture of Love</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/N/bo15112774.html</link>
      <description>The notion that maternal care and love will determine a child’s emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists—anything from the fear of romantic commitment to serial killing—stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual’s emotional development? And what does this vision of mother love entail for children and mothers?&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;In The Nature and Nurture of Love, Marga Vicedo examines scientific views about children’s emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby’s ethological theory of attachment behavior. Vicedo tracks the development of Bowlby’s work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz’s studies of imprinting in geese, Harry Harlow’s experiments with monkeys, and Mary Ainsworth’s observations of children and mothers in Uganda and the United States. Vicedo’s historical analysis reveals that important psychoanalysts and animal researchers opposed the project of turning emotions into biological instincts. Despite those criticisms, she argues that attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound—and negative—consequences for mothers and for the valuation of mother love.</description>
      <content:encoded>&lt;div&gt;The notion that maternal care and love will determine a child&amp;rsquo;s emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists&amp;mdash;anything from the fear of romantic commitment to serial killing&amp;mdash;stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual&amp;rsquo;s emotional development? And what does this vision of mother love entail for children and mothers?&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;The Nature and Nurture of Love&lt;/i&gt;, Marga Vicedo examines scientific views about children&amp;rsquo;s emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby&amp;rsquo;s ethological theory of attachment behavior. Vicedo tracks the development of Bowlby&amp;rsquo;s work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz&amp;rsquo;s studies of imprinting in geese, Harry Harlow&amp;rsquo;s experiments with monkeys, and Mary Ainsworth&amp;rsquo;s observations of children and mothers in Uganda and the United States. Vicedo&amp;rsquo;s historical analysis reveals that important psychoanalysts and animal researchers opposed the project of turning emotions into biological instincts. Despite those criticisms, she argues that attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound&amp;mdash;and negative&amp;mdash;consequences for mothers and for the valuation of mother love.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226020556.jpeg" length="17314" type="image/jpeg" />
      <category>Biological Sciences: Behavioral Biology</category>
      <category>History: American History</category>
      <category>History of Science</category>
      <pubDate>Thu, 16 May 2013 05:00:00 GMT</pubDate>
      <author>Marga Vicedo</author>
      <guid isPermaLink="false">9780226020556</guid>
    </item>
    <item>
      <title>Up North</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/U/bo16420701.html</link>
      <description>For everyone from school age to professional, there is no greater pleasure than the summer vacation, the chance to pack our suitcases and escape from workaday life and domestic chores; we look forward to it during the long slog and count down the days on our calendars. But the idea of travel for relaxation is actually a relatively modern concept. The construction of the vast American railroad network that made quick travel over long distances feasible combined with the rise of the middle class, which brought with it the time and money to afford travel, established the phenomenon of summer leisure touring in the late 1800s. As such, the word vacation came to mean not just a school holiday, but travel for pleasure. With the rise of leisure travel came the rise of the tourist destination, resort towns catering specifically to the needs and desires of this new kind of traveler.&amp;#160;Up North looks specifically at the history of two such resort communities on the shores of Lake Huron in Michigan. Like the Hamptons that lure New Yorkers and the Lake Michigan beaches that attract Chicagoans, the communities along Lake Huron were a hot spot of summer fun for thousands of St. Louisans. Focusing on the heyday of Lake Huron beaches between 1880 and 1950, Up North brings together local newspaper columns from the time and excerpts from letters and diaries to paint a vivid portrait of life at these summer resorts. Douglas Scott Brookes’s family vacationed along the Lake Huron Beaches for generations, and in this book he weaves together his family’s experiences with the larger story of the rise of vacationing in America. He examines why summer vacations became popular in the late 1800s, and he seeks to explain what kept tourists coming back, often to the same place year after year, establishing family traditions.&amp;#160;A fascinating perspective on the history of leisure travel in America, Up North celebrates our common need to get away from the humdrum, and it will be welcome reading for all of us daydreaming of crystalline lakeshores.</description>
      <content:encoded>&lt;div&gt;For everyone from school age to professional, there is no greater pleasure than the summer vacation, the chance to pack our suitcases and escape from workaday life and domestic chores; we look forward to it during the long slog and count down the days on our calendars. But the idea of travel for relaxation is actually a relatively modern concept. The construction of the vast American railroad network that made quick travel over long distances feasible combined with the rise of the middle class, which brought with it the time and money to afford travel, established the phenomenon of summer leisure touring in the late 1800s. As such, the word vacation came to mean not just a school holiday, but travel for pleasure. With the rise of leisure travel came the rise of the tourist destination, resort towns catering specifically to the needs and desires of this new kind of traveler.&lt;/div&gt;&lt;div&gt;&lt;i&gt;&amp;#160;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Up North&lt;/i&gt; looks specifically at the history of two such resort communities on the shores of Lake Huron in Michigan. Like the Hamptons that lure New Yorkers and the Lake Michigan beaches that attract Chicagoans, the communities along Lake Huron were a hot spot of summer fun for thousands of St. Louisans. Focusing on the heyday of Lake Huron beaches between 1880 and 1950, &lt;i&gt;Up North&lt;/i&gt; brings together local newspaper columns from the time and excerpts from letters and diaries to paint a vivid portrait of life at these summer resorts. Douglas Scott Brookes&amp;rsquo;s family vacationed along the Lake Huron Beaches for generations, and in this book he weaves together his family&amp;rsquo;s experiences with the larger story of the rise of vacationing in America. He examines why summer vacations became popular in the late 1800s, and he seeks to explain what kept tourists coming back, often to the same place year after year, establishing family traditions.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;A fascinating perspective on the history of leisure travel in America, &lt;i&gt;Up North&lt;/i&gt; celebrates our common need to get away from the humdrum, and it will be welcome reading for all of us daydreaming of crystalline lakeshores.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/83/98/9781883982744.jpg" length="77906" type="image/jpeg" />
      <category>History: American History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Douglas Scott Brookes</author>
      <guid isPermaLink="false">9781883982744</guid>
    </item>
    <item>
      <title>Marking Modern Times</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/M/bo14942177.html</link>
      <description>The public spaces and buildings of the United States are home to  many thousands of timepieces—bells, time balls, and clock faces—that  tower over urban streets, peek out from lobbies, and gleam in store  windows. And in the streets and squares beneath them, men, women, and  children wear wristwatches of all kinds. Americans have decorated their  homes with clocks and included them in their poetry, sermons, stories,  and songs. And as political instruments, social tools, and cultural  symbols, these personal and public timekeepers have enjoyed a broad  currency in art, life, and culture.In Marking Modern Times,  Alexis McCrossen relates how the American preoccupation with time led  people from across social classes to acquire watches and clocks. While  noting the difficulties in regulating and synchronizing so many  timepieces, McCrossen expands our understanding of the development of  modern time discipline, delving into the ways we have standardized time  and describing how timekeepers have served as political, social, and  cultural tools in a society that doesn’t merely value time, but regards  access to time as a natural-born right, a privilege of being an  American.</description>
      <content:encoded>&lt;div&gt;The public spaces and buildings of the United States are home to  many thousands of timepieces&amp;mdash;bells, time balls, and clock faces&amp;mdash;that  tower over urban streets, peek out from lobbies, and gleam in store  windows. And in the streets and squares beneath them, men, women, and  children wear wristwatches of all kinds. Americans have decorated their  homes with clocks and included them in their poetry, sermons, stories,  and songs. And as political instruments, social tools, and cultural  symbols, these personal and public timekeepers have enjoyed a broad  currency in art, life, and culture.&lt;/div&gt;&lt;br&gt;&lt;div&gt;In &lt;i&gt;Marking Modern Times&lt;/i&gt;,  Alexis McCrossen relates how the American preoccupation with time led  people from across social classes to acquire watches and clocks. While  noting the difficulties in regulating and synchronizing so many  timepieces, McCrossen expands our understanding of the development of  modern time discipline, delving into the ways we have standardized time  and describing how timekeepers have served as political, social, and  cultural tools in a society that doesn&amp;rsquo;t merely value time, but regards  access to time as a natural-born right, a privilege of being an  American.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226014869.jpeg" length="36098" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History: History of Technology</category>
      <category>History: Urban History</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Alexis McCrossen</author>
      <guid isPermaLink="false">9780226014869</guid>
    </item>
    <item>
      <title>City Water, City Life</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo15233177.html</link>
      <description>A city is more than a massing of citizens, a layout of buildings  and streets, or an arrangement of political, economic, and social  institutions. It is also an infrastructure of ideas, an embodiment of  the beliefs, values, and aspirations of the people who created it. In City Water, City Life,  celebrated historian Carl Smith explores this infrastructure of ideas  through an insightful examination of the development of the first  successful waterworks systems in Philadelphia, Boston, and Chicago  between the 1790s and the 1860s.In this period the United States began its rapid transformation  from rural to urban.&amp;#160;Through an analysis of a broad range of verbal and  visual sources, Smith shows how the discussion, design, and use of  waterworks reveal how Americans framed their conceptions of urban  democracy and how they understood the natural and the built environment,  individual health and the well-being of society, and the qualities of  time and history. As citizens debated matters of thirst, finance, and  health, they also negotiated abstract questions of secular and sacred,  real and ideal, immanent and transcendent, practical and moral.By examining the place of water in the nineteenth-century  consciousness, Smith illuminates how city dwellers perceived themselves  during the great age of American urbanization.&amp;#160;But City Water, City Life  is more than a history of urbanization.&amp;#160;It is also a refreshing  meditation on water as a necessity, as a resource for commerce and  industry, and as an essential—and central—part of how we define our  civilization.</description>
      <content:encoded>&lt;div&gt;A city is more than a massing of citizens, a layout of buildings  and streets, or an arrangement of political, economic, and social  institutions. It is also an infrastructure of ideas, an embodiment of  the beliefs, values, and aspirations of the people who created it. In &lt;i&gt;City Water, City Life&lt;/i&gt;,  celebrated historian Carl Smith explores this infrastructure of ideas  through an insightful examination of the development of the first  successful waterworks systems in Philadelphia, Boston, and Chicago  between the 1790s and the 1860s.&lt;/div&gt;&lt;br&gt;&lt;div&gt;In this period the United States began its rapid transformation  from rural to urban.&amp;#160;Through an analysis of a broad range of verbal and  visual sources, Smith shows how the discussion, design, and use of  waterworks reveal how Americans framed their conceptions of urban  democracy and how they understood the natural and the built environment,  individual health and the well-being of society, and the qualities of  time and history. As citizens debated matters of thirst, finance, and  health, they also negotiated abstract questions of secular and sacred,  real and ideal, immanent and transcendent, practical and moral.&lt;/div&gt;&lt;br&gt;&lt;div&gt;By examining the place of water in the nineteenth-century  consciousness, Smith illuminates how city dwellers perceived themselves  during the great age of American urbanization.&amp;#160;But &lt;i&gt;City Water, City Life&lt;/i&gt;  is more than a history of urbanization.&amp;#160;It is also a refreshing  meditation on water as a necessity, as a resource for commerce and  industry, and as an essential&amp;mdash;and central&amp;mdash;part of how we define our  civilization.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226022512.jpeg" length="40860" type="image/jpeg" />
      <category>Chicago and Illinois</category>
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <pubDate>Wed, 17 Apr 2013 05:00:00 GMT</pubDate>
      <author>Carl Smith</author>
      <guid isPermaLink="false">9780226022512</guid>
    </item>
    <item>
      <title>Smart Casual</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo12946779.html</link>
      <description>Fine dining and the accolades of Michelin stars once meant chandeliers, white tablecloths, and suited waiters with elegant accents. The stuffy attitude and often scant portions were the punchlines of sitcom jokes—it was unthinkable that a gourmet chef would stoop to plate a burger or a taco in his kitchen. And yet today many of us will queue up for a seat at a loud, crowded noodle bar or eagerly seek out that farm-to-table restaurant where not only the burgers and fries are&amp;#160; organic but the ketchup is homemade—but it’s not just us: the critics will be there too, ready to award distinction. Haute has blurred with homey cuisine in the last few decades, but how did this radical change happen, and what does it say about current attitudes toward taste? Here with the answers is food writer Alison Pearlman. In Smart Casual: The Transformation of Gourmet Restaurant Style in America, Pearlman investigates what she identifies as the increasing informality in the design of contemporary American restaurants.&amp;#160;By design, Pearlman does not just mean architecture. Her argument is more expansive—she is as interested in the style and presentation of food, the business plan, and the marketing of chefs as she is in the restaurant’s floor plan or menu design. Pearlman takes us hungrily inside the kitchens and dining rooms of restaurants coast to coast—from David Chang’s Momofuku noodle bar in New York to the seasonal, French-inspired cuisine of Alice Waters and Thomas Keller in California to the deconstructed comfort food of Homaro Cantu’s Moto in Chicago—to explore the different forms and flavors this casualization is taking. Smart Casual examines the assumed correlation between taste and social status, and argues that recent upsets to these distinctions have given rise to a new idea of sophistication, one that champions the omnivorous. The boundaries between high and low have been made flexible due to our desire to eat everything, try everything, and do so in a convivial setting.&amp;#160;Through lively on-the-scene observation and interviews with major players and chefs, Smart Casual will transport readers to restaurants around the country to learn the secrets to their success and popularity. It is certain to give foodies and restaurant-goers something delectable to chew on.</description>
      <content:encoded>&lt;div&gt;Fine dining and the accolades of Michelin stars once meant chandeliers, white tablecloths, and suited waiters with elegant accents. The stuffy attitude and often scant portions were the punchlines of sitcom jokes&amp;mdash;it was unthinkable that a gourmet chef would stoop to plate a burger or a taco in his kitchen. And yet today many of us will queue up for a seat at a loud, crowded noodle bar or eagerly seek out that farm-to-table restaurant where not only the burgers and fries are&amp;#160; organic but the ketchup is homemade&amp;mdash;but it&amp;rsquo;s not just us: the critics will be there too, ready to award distinction. Haute has blurred with homey cuisine in the last few decades, but how did this radical change happen, and what does it say about current attitudes toward taste? Here with the answers is food writer Alison Pearlman. In &lt;i&gt;Smart Casual: &lt;/i&gt;&lt;i&gt;The Transformation of Gourmet Restaurant Style in America&lt;/i&gt;, Pearlman investigates what she identifies as the increasing informality in the design of contemporary American restaurants.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;By design, Pearlman does not just mean architecture. Her argument is more expansive&amp;mdash;she is as interested in the style and presentation of food, the business plan, and the marketing of chefs as she is in the restaurant&amp;rsquo;s floor plan or menu design. Pearlman takes us hungrily inside the kitchens and dining rooms of restaurants coast to coast&amp;mdash;from David Chang&amp;rsquo;s Momofuku noodle bar in New York to the seasonal, French-inspired cuisine of Alice Waters and Thomas Keller in California to the deconstructed comfort food of Homaro Cantu&amp;rsquo;s Moto in Chicago&amp;mdash;to explore the different forms and flavors this casualization is taking. &lt;i&gt;Smart Casual&lt;/i&gt; examines the assumed correlation between taste and social status, and argues that recent upsets to these distinctions have given rise to a new idea of sophistication, one that champions the omnivorous. The boundaries between high and low have been made flexible due to our desire to eat everything, try everything, and do so in a convivial setting.&lt;/div&gt;&lt;div&gt;&lt;b&gt;&amp;#160;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Through lively on-the-scene observation and interviews with major players and chefs, &lt;i&gt;Smart Casual&lt;/i&gt; will transport readers to restaurants around the country to learn the secrets to their success and popularity. It is certain to give foodies and restaurant-goers something delectable to chew on.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/65/9780226651408.jpeg" length="41804" type="image/jpeg" />
      <category>Architecture: American Architecture</category>
      <category>History: American History</category>
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Alison Pearlman</author>
      <guid isPermaLink="false">9780226651408</guid>
    </item>
    <item>
      <title>Purging the Poorest</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo14941776.html</link>
      <description>The building and management of public housing is often seen as a  signal failure of American public policy, but this is a vastly  oversimplified view. In&amp;#160;Purging the Poorest, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the “deserving poor.”In the 1930s, two iconic American cities, Atlanta and Chicago,  demolished their slums and established some of this country’s first  public housing. Six decades later, these same cities also led the way in  clearing public housing itself. Vale’s groundbreaking history of these  “twice-cleared” communities provides unprecedented detail about the  development, decline, and redevelopment of two of America’s most famous  housing projects: Chicago’s Cabrini-Green and Atlanta’s Techwood /Clark  Howell Homes. Vale offers the novel concept of&amp;#160;design politics&amp;#160;to  show how issues of architecture and urbanism are intimately bound up in  thinking about policy. Drawing from extensive archival research and  in-depth interviews, Vale recalibrates the larger cultural role of  public housing, revalues the contributions of public housing residents,  and reconsiders the role of design and designers.</description>
      <content:encoded>&lt;div&gt;The building and management of public housing is often seen as a  signal failure of American public policy, but this is a vastly  oversimplified view. In&amp;#160;&lt;i&gt;Purging the Poorest&lt;/i&gt;, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the &amp;ldquo;deserving poor.&amp;rdquo;&lt;/div&gt;&lt;br&gt;&lt;div&gt;In the 1930s, two iconic American cities, Atlanta and Chicago,  demolished their slums and established some of this country&amp;rsquo;s first  public housing. Six decades later, these same cities also led the way in  clearing public housing itself. Vale&amp;rsquo;s groundbreaking history of these  &amp;ldquo;twice-cleared&amp;rdquo; communities provides unprecedented detail about the  development, decline, and redevelopment of two of America&amp;rsquo;s most famous  housing projects: Chicago&amp;rsquo;s Cabrini-Green and Atlanta&amp;rsquo;s Techwood /Clark  Howell Homes. Vale offers the novel concept of&amp;#160;&lt;i&gt;design politics&lt;/i&gt;&amp;#160;to  show how issues of architecture and urbanism are intimately bound up in  thinking about policy. Drawing from extensive archival research and  in-depth interviews, Vale recalibrates the larger cultural role of  public housing, revalues the contributions of public housing residents,  and reconsiders the role of design and designers.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226012315.jpeg" length="40899" type="image/jpeg" />
      <category>Architecture: American Architecture</category>
      <category>Chicago and Illinois</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Lawrence J. Vale</author>
      <guid isPermaLink="false">9780226012315</guid>
    </item>
    <item>
      <title>Fear of Food</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/F/bo12778615.html</link>
      <description>There may be no greater source of anxiety for Americans  today than  the question of what to eat and drink. Are eggs the perfect  protein, or  are they cholesterol bombs? &amp;#160;Is red wine good for my heart  or bad for my  liver? Will pesticides, additives, and processed foods  kill me? &amp;#160;Here  with some very rare and very welcome advice is food  historian Harvey  Levenstein: Stop worrying!In Fear of Food Levenstein  reveals the people and interests  who have created and exploited these  worries, causing an extraordinary  number of Americans to allow fear to  trump pleasure in dictating their  food choices. He tells of the  prominent scientists who first warned  about deadly germs and poisons in  foods, and their successors who  charged that processing foods robs  them of life-giving vitamins and  minerals. These include Nobel  Prize–winner Eli Metchnikoff, who advised  that yogurt would enable  people to live to be 140 by killing the  life-threatening germs in their  intestines, and Elmer McCollum, the  “discoverer” of vitamins, who  tailored his warnings about vitamin  deficiencies to suit the food  producers who funded him. Levenstein also  highlights how large food  companies have taken advantage of these  concerns by marketing their  products to combat the fear of the moment.  Such examples include the  co-opting of the “natural foods” movement,  which grew out of the belief  that inhabitants of a remote Himalayan  Shangri-la enjoyed remarkable  health and longevity by avoiding the very  kinds of processed food these  corporations produced, and the  physiologist Ancel Keys, originator of  the Mediterranean Diet, who  provided the basis for a powerful coalition  of scientists, doctors, food  producers, and others to convince  Americans that high-fat foods were  deadly.In Fear of Food, Levenstein  offers a much-needed voice of  reason; he expertly questions these  stories of constantly changing  advice to reveal that there are no  hard-and-fast facts when it comes to  eating. With this book, he hopes  to free us from the fears that cloud so  many of our food choices and  allow us to finally rediscover the joys of  eating something just  because it tastes good.</description>
      <content:encoded>&lt;div&gt;There may be no greater source of anxiety for Americans  today than  the question of what to eat and drink. Are eggs the perfect  protein, or  are they cholesterol bombs? &amp;#160;Is red wine good for my heart  or bad for my  liver? Will pesticides, additives, and processed foods  kill me? &amp;#160;Here  with some very rare and very welcome advice is food  historian Harvey  Levenstein: Stop worrying!&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Fear of Food &lt;/i&gt;Levenstein  reveals the people and interests  who have created and exploited these  worries, causing an extraordinary  number of Americans to allow fear to  trump pleasure in dictating their  food choices. He tells of the  prominent scientists who first warned  about deadly germs and poisons in  foods, and their successors who  charged that processing foods robs  them of life-giving vitamins and  minerals. These include Nobel  Prize&amp;ndash;winner Eli Metchnikoff, who advised  that yogurt would enable  people to live to be 140 by killing the  life-threatening germs in their  intestines, and Elmer McCollum, the  &amp;ldquo;discoverer&amp;rdquo; of vitamins, who  tailored his warnings about vitamin  deficiencies to suit the food  producers who funded him. Levenstein also  highlights how large food  companies have taken advantage of these  concerns by marketing their  products to combat the fear of the moment.  Such examples include the  co-opting of the &amp;ldquo;natural foods&amp;rdquo; movement,  which grew out of the belief  that inhabitants of a remote Himalayan  Shangri-la enjoyed remarkable  health and longevity by avoiding the very  kinds of processed food these  corporations produced, and the  physiologist Ancel Keys, originator of  the Mediterranean Diet, who  provided the basis for a powerful coalition  of scientists, doctors, food  producers, and others to convince  Americans that high-fat foods were  deadly.&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Fear of Food, &lt;/i&gt;Levenstein  offers a much-needed voice of  reason; he expertly questions these  stories of constantly changing  advice to reveal that there are no  hard-and-fast facts when it comes to  eating. With this book, he hopes  to free us from the fears that cloud so  many of our food choices and  allow us to finally rediscover the joys of  eating something just  because it tastes good.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226054902.jpeg" length="26593" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History of Science</category>
      <category>Food and Gastronomy</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Harvey Levenstein</author>
      <guid isPermaLink="false">9780226054902</guid>
    </item>
    <item>
      <title>Slaves Waiting for Sale</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo12024387.html</link>
      <description>In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia.This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.</description>
      <content:encoded>&lt;p&gt;In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, &lt;i&gt;Slaves Waiting for Sale, Richmond, Virginia&lt;/i&gt;.&lt;/p&gt;&lt;div&gt;This innovative book uses Crowe&amp;rsquo;s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe&amp;rsquo;s trajectory from Richmond across the American South and back to London&amp;mdash;where his paintings were exhibited just a few weeks after the start of the Civil War&amp;mdash;Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public&amp;rsquo;s grasp of slavery in America. With almost 140 illustrations, &lt;i&gt;Slaves Waiting for Sale&lt;/i&gt; brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226055060.jpeg" length="39989" type="image/jpeg" />
      <category>Art: American Art</category>
      <category>Black Studies</category>
      <category>History: American History</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Maurie D. McInnis</author>
      <guid isPermaLink="false">9780226055060</guid>
    </item>
    <item>
      <title>Dreaming in French</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo8503445.html</link>
      <description>A year in Paris . . . since World War II, countless American students  have been lured by that vision—and been transformed by their sojourn in  the City of Light. Dreaming in French tells three stories of that experience, and how it changed the lives of three extraordinary American women. All  three women would go on to become icons, key figures in American  cultural, intellectual, and political life, but when they embarked for  France, they were young, little-known, uncertain about their future, and  drawn to the culture, sophistication, and drama that only Paris could  offer. Yet their backgrounds and their dreams couldn’t have been more  different. Jacqueline Bouvier was a twenty-year-old debutante, a  Catholic girl from a wealthy East Coast family. Susan Sontag was  twenty-four, a precocious Jewish intellectual from a North Hollywood  family of modest means, and Paris was a refuge from motherhood, a  failing marriage, and graduate work in philosophy at Oxford. Angela  Davis, a French major at Brandeis from a prominent African American  family in Birmingham, Alabama, found herself the only black student in  her year abroad program—in a summer when all the news from Birmingham  was of unprecedented racial violence. Kaplan takes readers into  the lives, hopes, and ambitions of these young women, tracing their  paths to Paris and tracking the discoveries, intellectual adventures,  friendships, and loves that they found there. For all three women,  France was far from a passing fancy; rather, Kaplan shows, the year  abroad continued to influence them, a significant part of their  intellectual and cultural makeup, for the rest of their lives. Jackie  Kennedy carried her love of France to the White House and to her later  career as a book &amp;#160;editor, bringing her cultural and linguistic fluency  to everything from art and diplomacy to fashion and historic  restoration—to the extent that many, including Jackie herself, worried  that she might seem “too French.” Sontag found in France a model for the  life of the mind that she was determined to lead; the intellectual  world she observed from afar during that first year in Paris inspired  her most important work and remained a key influence—to be grappled  with, explored, and transcended—the rest of her life. Davis, meanwhile,  found that her Parisian vantage strengthened her sense of political  exile from racism at home and brought a sense of solidarity with  Algerian independence. For her, Paris was a city of political  commitment, activism, and militancy, qualities that would deeply inform  her own revolutionary agenda and soon make her a hero to the French  writers she had once studied. Kaplan, whose own junior year abroad played a prominent role in her classic memoir, French Lessons,  spins these three quite different stories into one evocative biography,  brimming with the ferment and yearnings of youth and shot through with  the knowledge of how a single year—and a magical city—can change a whole  life. No one who has ever dreamed of Paris should miss it.</description>
      <content:encoded>&lt;div&gt;A year in Paris . . . since World War II, countless American students  have been lured by that vision&amp;mdash;and been transformed by their sojourn in  the City of Light. &lt;i&gt;Dreaming in French &lt;/i&gt;tells three stories of that experience, and how it changed the lives of three extraordinary American women. &lt;br&gt;&lt;br&gt;All  three women would go on to become icons, key figures in American  cultural, intellectual, and political life, but when they embarked for  France, they were young, little-known, uncertain about their future, and  drawn to the culture, sophistication, and drama that only Paris could  offer. Yet their backgrounds and their dreams couldn&amp;rsquo;t have been more  different. Jacqueline Bouvier was a twenty-year-old debutante, a  Catholic girl from a wealthy East Coast family. Susan Sontag was  twenty-four, a precocious Jewish intellectual from a North Hollywood  family of modest means, and Paris was a refuge from motherhood, a  failing marriage, and graduate work in philosophy at Oxford. Angela  Davis, a French major at Brandeis from a prominent African American  family in Birmingham, Alabama, found herself the only black student in  her year abroad program&amp;mdash;in a summer when all the news from Birmingham  was of unprecedented racial violence. &lt;br&gt;&lt;br&gt;Kaplan takes readers into  the lives, hopes, and ambitions of these young women, tracing their  paths to Paris and tracking the discoveries, intellectual adventures,  friendships, and loves that they found there. For all three women,  France was far from a passing fancy; rather, Kaplan shows, the year  abroad continued to influence them, a significant part of their  intellectual and cultural makeup, for the rest of their lives. Jackie  Kennedy carried her love of France to the White House and to her later  career as a book &amp;#160;editor, bringing her cultural and linguistic fluency  to everything from art and diplomacy to fashion and historic  restoration&amp;mdash;to the extent that many, including Jackie herself, worried  that she might seem &amp;ldquo;too French.&amp;rdquo; Sontag found in France a model for the  life of the mind that she was determined to lead; the intellectual  world she observed from afar during that first year in Paris inspired  her most important work and remained a key influence&amp;mdash;to be grappled  with, explored, and transcended&amp;mdash;the rest of her life. Davis, meanwhile,  found that her Parisian vantage strengthened her sense of political  exile from racism at home and brought a sense of solidarity with  Algerian independence. For her, Paris was a city of political  commitment, activism, and militancy, qualities that would deeply inform  her own revolutionary agenda and soon make her a hero to the French  writers she had once studied. &lt;br&gt;&lt;br&gt;Kaplan, whose own junior year abroad played a prominent role in her classic memoir, &lt;i&gt;French Lessons&lt;/i&gt;,  spins these three quite different stories into one evocative biography,  brimming with the ferment and yearnings of youth and shot through with  the knowledge of how a single year&amp;mdash;and a magical city&amp;mdash;can change a whole  life. No one who has ever dreamed of Paris should miss it. &lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226054872.jpeg" length="10842" type="image/jpeg" />
      <category>Biography and Letters</category>
      <category>History: American History</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Fri, 22 Mar 2013 05:00:00 GMT</pubDate>
      <author>Alice Kaplan</author>
      <guid isPermaLink="false">9780226054872</guid>
    </item>
    <item>
      <title>Whistling Dixie</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo14381153.html</link>
      <description>At hundreds of events held year-round across the southern United States, thousands of individuals spend their time, energy, and money recreating the battles of the Civil War. The number of participants involved ranges from tens to tens of thousands; those among them span the spectrum from casual spectators to amateur historians who seek to immerse themselves in the experience of living and fighting in the 1860s—from the cuisine to the very stitches in their uniforms.  With Whistling Dixie, photographer Anderson Scott captures these latter-day Confederates at a series of reenactments in the years leading up to the 2011 sesquicentennial of the Civil War. Always maintaining the perspective of a keen and sometimes ambivalent observer, Scott’s photographs convey the earnestness and enthusiasm of this subculture while exposing its idiosyncrasies and contradictions.  &amp;nbsp;  &amp;nbsp;  Scott’s photographs span the southern countryside, documenting reenactments in Georgia, Alabama, Tennessee, Florida, and the Carolinas as well as living histories and Confederate Memorial Days. &amp;nbsp;An essay by Scott, describing his experience at a reenactment of the Battle of Selma, and a cultural essay by Chip Benson, of Yale University, provide context for the photographs and the subculture of their subjects.&amp;nbsp;</description>
      <content:encoded>&lt;p&gt;At hundreds of events held year-round across the southern United States, thousands of individuals spend their time, energy, and money recreating the battles of the Civil War. The number of participants involved ranges from tens to tens of thousands; those among them span the spectrum from casual spectators to amateur historians who seek to immerse themselves in the experience of living and fighting in the 1860s&amp;mdash;from the cuisine to the very stitches in their uniforms.&lt;/p&gt;  &lt;div&gt;With &lt;i&gt;Whistling Dixie&lt;/i&gt;, photographer Anderson Scott captures these latter-day Confederates at a series of reenactments in the years leading up to the 2011 sesquicentennial of the Civil War. Always maintaining the perspective of a keen and sometimes ambivalent observer, Scott&amp;rsquo;s photographs convey the earnestness and enthusiasm of this subculture while exposing its idiosyncrasies and contradictions.&lt;/div&gt;  &lt;div&gt;&amp;nbsp;&lt;/div&gt;  &lt;p&gt;&amp;nbsp;&lt;/p&gt;  &lt;p&gt;Scott&amp;rsquo;s photographs span the southern countryside, documenting reenactments in Georgia, Alabama, Tennessee, Florida, and the Carolinas as well as living histories and Confederate Memorial Days. &amp;nbsp;An essay by Scott, describing his experience at a reenactment of the Battle of Selma, and a cultural essay by Chip Benson, of Yale University, provide context for the photographs and the subculture of their subjects.&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/19/35/19/9781935195351.jpg" length="41268" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>History: American History</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Anderson Scott</author>
      <guid isPermaLink="false">9781935195351</guid>
    </item>
    <item>
      <title>Riches, Rivals and Radicals</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo16683703.html</link>
      <description>Highly illustrated, exhaustively researched, and eminently readable, this new edition of Riches, Rivals and Radicals describes the rise of the museum in the United States from the early twentieth century to the early twenty-first&amp;#8212;a story that parallels the historic changes in American society. Through the decades, museums transformed themselves from cabinets of curiosity to centers of civic pride and prestige and emblems of our shared heritage, good and bad. With a rich cast of characters and admirable narrative sweep, Marjorie Schwarzer brings to life the deep impact that museum culture had on society at large and vice versa. Published in celebration of the American Alliance of Museums&amp;#8217; centennial and The Year of the Museum, Riches, Rivals and Radicals reveals the history of museums to be a gripping and remarkable facet of our American past. This new edition includes a new afterword by the author, and the main text has been updated and revised.</description>
      <content:encoded>&lt;div&gt;&lt;/div&gt;&lt;div&gt;Highly illustrated, exhaustively researched, and eminently readable, this new edition of &lt;i&gt;Riches, Rivals and Radicals&lt;/i&gt; describes the rise of the museum in the United States from the early twentieth century to the early twenty-first&amp;#8212;a story that parallels the historic changes in American society. Through the decades, museums transformed themselves from cabinets of curiosity to centers of civic pride and prestige and emblems of our shared heritage, good and bad. With a rich cast of characters and admirable narrative sweep, Marjorie Schwarzer brings to life the deep impact that museum culture had on society at large and vice versa. Published in celebration of the American Alliance of Museums&amp;#8217; centennial and The Year of the Museum, &lt;i&gt;Riches, Rivals and Radicals&lt;/i&gt; reveals the history of museums to be a gripping and remarkable facet of our American past. This new edition includes a new afterword by the author, and the main text has been updated and revised.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/19/33/25/9781933253053.jpg" length="40790" type="image/jpeg" />
      <category>History: American History</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Marjorie Schwarzer</author>
      <guid isPermaLink="false">9781933253756</guid>
    </item>
    <item>
      <title>Science and the American Century</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365516.html</link>
      <description>The twentieth century was one of astonishing change in science, especially as pursued in the United States. Against a backdrop of dramatic political and economic shifts brought by world wars, intermittent depressions, sporadic and occasionally massive increases in funding, and expanding private patronage, this scientific work fundamentally reshaped everyday life. Science and the American Century offers some of the most significant contributions to the study of the history of science, technology, and medicine during the twentieth century, all drawn from the pages of the journal Isis.&amp;#160;Fourteen essays from leading scholars are grouped into three sections, each presented in roughly chronological order. The first section charts several ways in which our knowledge of nature was cultivated, revealing how scientific practitioners and the public alike grappled with definitions of the “natural” as they absorbed and refracted global information. The essays in the second section investigate the changing attitudes and fortunes of scientists during and after World War II. The final section documents the intricate ways that science, as it advanced, became intertwined with social policies and the law.&amp;#160;This important and useful book provides a thoughtful and detailed overview for scholars and students of American history and the history of science, as well as for scientists and others who want to better understand modern science and science in America.</description>
      <content:encoded>&lt;div&gt;The twentieth century was one of astonishing change in science, especially as pursued in the United States. Against a backdrop of dramatic political and economic shifts brought by world wars, intermittent depressions, sporadic and occasionally massive increases in funding, and expanding private patronage, this scientific work fundamentally reshaped everyday life. &lt;i&gt;Science and the American Century&lt;/i&gt; offers some of the most significant contributions to the study of the history of science, technology, and medicine during the twentieth century, all drawn from the pages of the journal &lt;i&gt;Isis&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Fourteen essays from leading scholars are grouped into three sections, each presented in roughly chronological order. The first section charts several ways in which our knowledge of nature was cultivated, revealing how scientific practitioners and the public alike grappled with definitions of the &amp;ldquo;natural&amp;rdquo; as they absorbed and refracted global information. The essays in the second section investigate the changing attitudes and fortunes of scientists during and after World War II. The final section documents the intricate ways that science, as it advanced, became intertwined with social policies and the law.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;This important and useful book provides a thoughtful and detailed overview for scholars and students of American history and the history of science, as well as for scientists and others who want to better understand modern science and science in America. &lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226925141.jpeg" length="54642" type="image/jpeg" />
      <category>History: American History</category>
      <category>Language and Linguistics: Language and Law</category>
      <pubDate>Thu, 14 Mar 2013 05:00:00 GMT</pubDate>
      <author>Sally Gregory Kohlstedt; David Kaiser</author>
      <guid isPermaLink="false">9780226925141</guid>
    </item>
    <item>
      <title>Republic Afloat</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo14365212.html</link>
      <description>In the years before the Civil War, many Americans saw the sea as a  world apart, an often violent and insular culture governed by its own  definitions of honor and ruled by its own authorities. The truth,  however, is that legal cases that originated at sea had a tendency to  come ashore and force the national government to address questions about  personal honor, dignity, the rights of labor, and the meaning and  privileges of citizenship, often for the first time. By examining how  and why merchant seamen and their officers came into contact with the  law, Matthew Taylor Raffety exposes the complex relationship between  brutal crimes committed at sea and the development of a legal  consciousness within both the judiciary and among seafarers in this  period.The Republic Afloat tracks how seamen  conceived of themselves as individuals and how they defined their place  within the United States. Of interest to historians of labor, law,  maritime culture, and national identity in the early republic, Raffety’s  work reveals much about the ways that merchant seamen sought to  articulate the ideals of freedom and citizenship before the courts of  the land—and how they helped to shape the laws of the young republic.</description>
      <content:encoded>&lt;div&gt;In the years before the Civil War, many Americans saw the sea as a  world apart, an often violent and insular culture governed by its own  definitions of honor and ruled by its own authorities. The truth,  however, is that legal cases that originated at sea had a tendency to  come ashore and force the national government to address questions about  personal honor, dignity, the rights of labor, and the meaning and  privileges of citizenship, often for the first time. By examining how  and why merchant seamen and their officers came into contact with the  law, Matthew Taylor Raffety exposes the complex relationship between  brutal crimes committed at sea and the development of a legal  consciousness within both the judiciary and among seafarers in this  period.&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;div&gt;&lt;i&gt;The Republic Afloat&lt;/i&gt; tracks how seamen  conceived of themselves as individuals and how they defined their place  within the United States. Of interest to historians of labor, law,  maritime culture, and national identity in the early republic, Raffety&amp;rsquo;s  work reveals much about the ways that merchant seamen sought to  articulate the ideals of freedom and citizenship before the courts of  the land&amp;mdash;and how they helped to shape the laws of the young republic.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924007.jpeg" length="37756" type="image/jpeg" />
      <category>Gender and Sexuality</category>
      <category>History: American History</category>
      <category>Law and Legal Studies: Law and Society</category>
      <pubDate>Mon, 04 Mar 2013 06:00:00 GMT</pubDate>
      <author>Matthew Taylor Raffety</author>
      <guid isPermaLink="false">9780226924007</guid>
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