<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:content="http://purl.org/rss/1.0/modules/content/" version="2.0">
  <channel>
    <title>University of Chicago Press: New Titles from 'Chicago Department of Cultural Affairs'</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/RSS.xml</link>
    <description>The latest new books from 'Chicago Department of Cultural Affairs'</description>
    <language>en-us</language>
    <pubDate>Wed, 22 May 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Barbara Crane</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo8380938.html</link>
      <description>Barbara Crane&amp;#8217;s subjects are commonplace: a piece of driftwood, a cluster of wild mushrooms, a crowd of commuters rushing for the train. The resulting photographs, however, are far from ordinary. They are imaginative, peculiar, jarring, and, like their creator, defy easy explanation. &amp;#160;&amp;#160;For more than sixty years, Crane has forged her own path as a photographer. Lacking a darkroom, she began using Polaroid materials. Lacking suitable models, she paid her children to pose. Barbara Crane: Challenging Vision celebrates this Chicagoan&amp;#8217;s wide-ranging art with a gorgeous collection of more than 250 color and black and white photographs. &amp;#160;&amp;#8220;Once I developed my first role of film in 1948,&amp;#8221; Crane notes, &amp;#8220;nothing else mattered.&amp;#8221; Spanning the breadth of her career, from early studies of the human form to long narrow landscapes evoking Asian scrolls; from silver gelatin and platinum prints to present-day digital works, it is by far the largest and most definitive overview of her work to date. Replete with a critical analysis by John Rohrbach and a biographical essay by Abigail Foerstner, it will delight and challenge anyone interested in contemporary photography.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;p&gt;Barbara Crane&amp;#8217;s subjects are commonplace: a piece of driftwood, a cluster of wild mushrooms, a crowd of commuters rushing for the train. The resulting photographs, however, are far from ordinary. They are imaginative, peculiar, jarring, and, like their creator, defy easy explanation. &lt;/p&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;&amp;#160;For more than sixty years, Crane has forged her own path as a photographer. Lacking a darkroom, she began using Polaroid materials. Lacking suitable models, she paid her children to pose. &lt;i&gt;Barbara Crane: Challenging Vision&lt;/i&gt; celebrates this Chicagoan&amp;#8217;s wide-ranging art with a gorgeous collection of more than 250 color and black and white photographs. &lt;/p&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;p&gt;&amp;#8220;Once I developed my first role of film in 1948,&amp;#8221; Crane notes, &amp;#8220;nothing else mattered.&amp;#8221; Spanning the breadth of her career, from early studies of the human form to long narrow landscapes evoking Asian scrolls; from silver gelatin and platinum prints to present-day digital works, it is by far the largest and most definitive overview of her work to date. Replete with a critical analysis by John Rohrbach and a biographical essay by Abigail Foerstner, it will delight and challenge anyone interested in contemporary photography. &lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/09/38/90/9780938903420.jpeg" length="37743" type="image/jpeg" />
      <category>Art: Photography</category>
      <pubDate>Mon, 01 Jun 2009 05:00:00 GMT</pubDate>
      <author>John Rohrbach; Abigail =Foerstner; Barbara Crane</author>
      <guid isPermaLink="false">9780938903420</guid>
    </item>
  </channel>
</rss>
