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    <title>University of Chicago Press: New Titles from 'Reaktion Books'</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/RSS.xml</link>
    <description>The latest new books from 'Reaktion Books'</description>
    <language>en-us</language>
    <pubDate>Thu, 20 Jun 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Monkey</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15579362.html</link>
      <description>Monkeys populate our culture, from the adorable hijinks of Curious George and the loyal friendship between Aladdin and Abu to the menacing gait of the winged ones in The Wizard of Oz. We visit them in zoos and even sometimes keep them as pets &amp;agrave; la Catherine de Medici and Michael Jackson. As renowned zoologist Desmond Morris shows, it is not surprising that we are so attracted to them. While we sometimes view monkeys as trivial or comic, their mischievousness is delightful, and their urge to explore and love of activity fascinate us.&amp;#160;Monkey unpacks human attitudes toward these animals, tracing our connection with them throughout history. &amp;shy;Morris reveals that our fascination with monkeys extends through many cultures and eras—ancient Egyptians revered baboons, monkey deities featured prominently in ancient Chinese and Japanese religions, and sacred status was given to the langur monkey by some groups in India. He also describes how our relationship with monkeys has changed since Darwin, and even become more troubled—this in-depth knowledge of our own origins amplifies our identification with and concern for the idea of monkeys’ primitivism and destructive behaviors. Drawing a vibrant picture of these beguiling animals and their continued popularity with humans, Monkey brings a new understanding to our complicated relationship with the ever-curious George.</description>
      <content:encoded>&lt;div&gt;Monkeys populate our culture, from the adorable hijinks of Curious George and the loyal friendship between Aladdin and Abu to the menacing gait of the winged ones in &lt;i&gt;The Wizard of Oz&lt;/i&gt;. We visit them in zoos and even sometimes keep them as pets &amp;agrave; la Catherine de Medici and Michael Jackson. As renowned zoologist Desmond Morris shows, it is not surprising that we are so attracted to them. While we sometimes view monkeys as trivial or comic, their mischievousness is delightful, and their urge to explore and love of activity fascinate us.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Monkey&lt;/i&gt; unpacks human attitudes toward these animals, tracing our connection with them throughout history. &amp;shy;Morris reveals that our fascination with monkeys extends through many cultures and eras&amp;mdash;ancient Egyptians revered baboons, monkey deities featured prominently in ancient Chinese and Japanese religions, and sacred status was given to the langur monkey by some groups in India. He also describes how our relationship with monkeys has changed since Darwin, and even become more troubled&amp;mdash;this in-depth knowledge of our own origins amplifies our identification with and concern for the idea of monkeys&amp;rsquo; primitivism and destructive behaviors. Drawing a vibrant picture of these beguiling animals and their continued popularity with humans, &lt;i&gt;Monkey&lt;/i&gt; brings a new understanding to our complicated relationship with the ever-curious George.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230962.jpg" length="22727" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Sat, 15 Jun 2013 05:00:00 GMT</pubDate>
      <author>Desmond Morris</author>
      <guid isPermaLink="false">9781780230962</guid>
    </item>
    <item>
      <title>Spectacular Miracles</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15584797.html</link>
      <description>Spectacular Miracles confronts an enduring Western belief in the supernatural power of images: that a statue or painting of the Madonna can fly through the air, speak, weep, or produce miraculous cures. Although contrary to widely held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book. Drawing upon rich documentation from northwest Italy and elsewhere, Spectacular Miracles shows how these images “work” in a range of historical contexts. Jane Garnett and Gervase Rosser vividly evoke ritual animation of the image and the phenomenology of the beholder’s experience. These images, they demonstrate, have the subversive potential of the miraculous image to bypass clerical and secular authority, a power enhanced by reproducibility—devotion is hard to control when a copy of a venerated image is held to carry the same supernatural potential as the original, even when in a digital form mediated by the Internet. Engaging with the history, anthropology, and visual culture of images and religion, Spectacular Miracles is a convincing study of the continuing power of faith and art.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Spectacular Miracles&lt;/i&gt; confronts an enduring Western belief in the supernatural power of images: that a statue or painting of the Madonna can fly through the air, speak, weep, or produce miraculous cures. Although contrary to widely held assumptions, the cults of particular paintings and statues held to be miraculous have persisted beyond the middle ages into the present, even in a modern European city such as Genoa, the primary focus of this book. &lt;br&gt;&lt;/div&gt;&lt;div&gt;Drawing upon rich documentation from northwest Italy and elsewhere, &lt;i&gt;Spectacular Miracles&lt;/i&gt; shows how these images &amp;ldquo;work&amp;rdquo; in a range of historical contexts. Jane Garnett and Gervase Rosser vividly evoke ritual animation of the image and the phenomenology of the beholder&amp;rsquo;s experience. These images, they demonstrate, have the subversive potential of the miraculous image to bypass clerical and secular authority, a power enhanced by reproducibility&amp;mdash;devotion is hard to control when a copy of a venerated image is held to carry the same supernatural potential as the original, even when in a digital form mediated by the Internet. Engaging with the history, anthropology, and visual culture of images and religion, &lt;i&gt;Spectacular Miracles&lt;/i&gt; is a convincing study of the continuing power of faith and art.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231051.jpg" length="34304" type="image/jpeg" />
      <category>Art: European Art</category>
      <category>History: European History</category>
      <pubDate>Sat, 15 Jun 2013 05:00:00 GMT</pubDate>
      <author>Jane Garnett; Gervase Rosser</author>
      <guid isPermaLink="false">9781780231051</guid>
    </item>
    <item>
      <title>Why Hell Stinks of Sulfur</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo14450953.html</link>
      <description>When people go looking for hell, they go underground. Dante, Aeneas, and Odysseus all journeyed beneath the earth to find the underworld, a place where the dead are tortured according to their sins. Buffy the Vampire Slayer had to deal with a huge underground pit infested with demons below her high school called the Hellmouth. And when Homer Simpson ate the forbidden donut for which he’d sold his soul to the devil, he was sucked through a fiery hole in the ground. Though humans actually haven’t gone more than 7.5 miles into the earth, we associate this mysterious underground realm with darkness and death, and the depths of the earth’s interior remain an inspiration for writers and artists trying to imagine hell.&amp;#160;Why Hell Stinks of Sulfur uses subterranean mythology as a point of departure to explore the vast world that lies beneath our feet. Geologist Salomon Kroonenberg takes us on an expedition that begins in Dante’s Inferno and continues through Virgil, Da Vinci, Descartes, and Jules Verne. He investigates the nine circles of hell, searches a lake near Naples for the gates of hell used by Aeneas, and turns a scientific spotlight on the many myths of the underworld. He uncovers the layers of the earth’s interior one by one, describing the variety of gasses, ores, liquids, and metals that add to the immense variety of color that can be found below us. Kroonenberg views the inside of the earth as a living ecosystem whose riches we are only beginning to discover, and he warns against our thirst for natural resources exhausting the earth.&amp;#160;From the underground rivers and lakes that have never seen the light of day to the story of Saint Barbara—the patron saint of mineworkers—Kroonenberg’s pursuit of the geological foundations of hell is a fascinating journey to the center of the earth.</description>
      <content:encoded>&lt;div&gt;When people go looking for hell, they go underground. Dante, Aeneas, and Odysseus all journeyed beneath the earth to find the underworld, a place where the dead are tortured according to their sins. Buffy the Vampire Slayer had to deal with a huge underground pit infested with demons below her high school called the Hellmouth. And when Homer Simpson ate the forbidden donut for which he&amp;rsquo;d sold his soul to the devil, he was sucked through a fiery hole in the ground. Though humans actually haven&amp;rsquo;t gone more than 7.5 miles into the earth, we associate this mysterious underground realm with darkness and death, and the depths of the earth&amp;rsquo;s interior remain an inspiration for writers and artists trying to imagine hell.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Why Hell Stinks of Sulfur&lt;/i&gt; uses subterranean mythology as a point of departure to explore the vast world that lies beneath our feet. Geologist Salomon Kroonenberg takes us on an expedition that begins in Dante&amp;rsquo;s &lt;i&gt;Inferno&lt;/i&gt; and continues through Virgil, Da Vinci, Descartes, and Jules Verne. He investigates the nine circles of hell, searches a lake near Naples for the gates of hell used by Aeneas, and turns a scientific spotlight on the many myths of the underworld. He uncovers the layers of the earth&amp;rsquo;s interior one by one, describing the variety of gasses, ores, liquids, and metals that add to the immense variety of color that can be found below us. Kroonenberg views the inside of the earth as a living ecosystem whose riches we are only beginning to discover, and he warns against our thirst for natural resources exhausting the earth.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;From the underground rivers and lakes that have never seen the light of day to the story of Saint Barbara&amp;mdash;the patron saint of mineworkers&amp;mdash;Kroonenberg&amp;rsquo;s pursuit of the geological foundations of hell is a fascinating journey to the center of the earth.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230450.jpg" length="24979" type="image/jpeg" />
      <category>Earth Sciences: Geology</category>
      <category>History: General History</category>
      <pubDate>Sat, 15 Jun 2013 05:00:00 GMT</pubDate>
      <author>Salomon Kroonenberg; Andy Brown</author>
      <guid isPermaLink="false">9781780230450</guid>
    </item>
    <item>
      <title>Marcel Proust</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15580188.html</link>
      <description>Marcel Proust (1871–1922) spent fourteen years creating In Search of Lost Time, his seven-volume magnum opus. He died when it was only half in print, unable to see it become one of the most important literary works of the twentieth century. Over eighty years later, the work still garners extraordinary levels of critical attention, and Proust’s habits, health, and sexual preferences still keep commentators and fans occupied. In this concise biography, Adam Watt explores the life of a writer whose every experience was stored, dissected, and redeployed within a vast fictional work.&amp;#160;After considering Proust’s earlier years of personal and aesthetic experiment, Watt provides an engaging account of two intertwined processes taking place against the vibrant backdrop of Belle &amp;Eacute;poque Paris and World War I: the progress of In Search of Lost Time and the simultaneous decline of its author. He demonstrates how Proust’s own periods of ill health and isolation reflected his narrator’s thoughts on desire, love, and loss, as well as his contemplation of beauty, memory, aging, and the possibility of happiness. Drawing on the author’s immense correspondence, the accounts of his contemporaries, and the insights of recent scholarship, Marcel Proust offers a rewarding new portrait of the novelist once described as “the most complicated man in Paris.”</description>
      <content:encoded>&lt;div&gt;Marcel Proust (1871&amp;ndash;1922) spent fourteen years creating &lt;i&gt;In Search of Lost Time&lt;/i&gt;, his seven-volume magnum opus. He died when it was only half in print, unable to see it become one of the most important literary works of the twentieth century. Over eighty years later, the work still garners extraordinary levels of critical attention, and Proust&amp;rsquo;s habits, health, and sexual preferences still keep commentators and fans occupied. In this concise biography, Adam Watt explores the life of a writer whose every experience was stored, dissected, and redeployed within a vast fictional work.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;After considering Proust&amp;rsquo;s earlier years of personal and aesthetic experiment, Watt provides an engaging account of two intertwined processes taking place against the vibrant backdrop of Belle &amp;Eacute;poque Paris and World War I: the progress of &lt;i&gt;In Search of Lost Time&lt;/i&gt; and the simultaneous decline of its author. He demonstrates how Proust&amp;rsquo;s own periods of ill health and isolation reflected his narrator&amp;rsquo;s thoughts on desire, love, and loss, as well as his contemplation of beauty, memory, aging, and the possibility of happiness. Drawing on the author&amp;rsquo;s immense correspondence, the accounts of his contemporaries, and the insights of recent scholarship, &lt;i&gt;Marcel Proust&lt;/i&gt; offers a rewarding new portrait of the novelist once described as &amp;ldquo;the most complicated man in Paris.&amp;rdquo;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230948.jpg" length="20453" type="image/jpeg" />
      <category>Biography and Letters</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Adam Watt</author>
      <guid isPermaLink="false">9781780230948</guid>
    </item>
    <item>
      <title>Gorilla</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo14440824.html</link>
      <description>Since coming to international prominence in the mid-nineteenth century when English, French, and American scientists first encountered them, the gorilla’s physical resemblance to humans has struck a deep chord. Gorillas quickly came to dominate evolutionary debates and grew prevalent in literature, art, film, and popular culture—they are the focus of movies such as Congo and the inspiration for the video game character Donkey Kong and DC Comics super villain Gorilla Grodd. In Gorilla, Ted Grott and Kathryn Weir provide a compelling and unsettling account of our relationship with these highly intelligent animals as they fight extinction due to habitat destruction, commercial hunting, and disease.&amp;#160;Gott and Weir describe how early European observations of gorillas in their native Africa were the genesis of literary and artistic representations such as King Kong. At the same time, gorillas became symbolic of sexuality and subconscious, uncontrolled urges, and influenced theories of criminality. It was not until Dian Fossey’s research in the 1960s and 1970s that many misconceptions about the gorilla—especially their violence—were dispelled. A notable history of the gorilla’s influence on our culture and its plight at the hands of humans, Gorilla will appeal to any animal lover wanting to learn more about this noble creature and its uncertain future.</description>
      <content:encoded>&lt;div&gt;Since coming to international prominence in the mid-nineteenth century when English, French, and American scientists first encountered them, the gorilla&amp;rsquo;s physical resemblance to humans has struck a deep chord. Gorillas quickly came to dominate evolutionary debates and grew prevalent in literature, art, film, and popular culture&amp;mdash;they are the focus of movies such as &lt;i&gt;Congo&lt;/i&gt; and the inspiration for the video game character Donkey Kong and DC Comics super villain Gorilla Grodd. In &lt;i&gt;Gorilla&lt;/i&gt;, Ted Grott and Kathryn Weir provide a compelling and unsettling account of our relationship with these highly intelligent animals as they fight extinction due to habitat destruction, commercial hunting, and disease.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Gott and Weir describe how early European observations of gorillas in their native Africa were the genesis of literary and artistic representations such as King Kong. At the same time, gorillas became symbolic of sexuality and subconscious, uncontrolled urges, and influenced theories of criminality. It was not until Dian Fossey&amp;rsquo;s research in the 1960s and 1970s that many misconceptions about the gorilla&amp;mdash;especially their violence&amp;mdash;were dispelled. A notable history of the gorilla&amp;rsquo;s influence on our culture and its plight at the hands of humans, &lt;i&gt;Gorilla&lt;/i&gt; will appeal to any animal lover wanting to learn more about this noble creature and its uncertain future.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230290.jpg" length="26148" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Ted Gott; Kathryn Weir</author>
      <guid isPermaLink="false">9781780230290</guid>
    </item>
    <item>
      <title>Ostrich</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo14441175.html</link>
      <description>Ostriches may not be able to fly, but they loom large in the bird kingdom. They are the world’s tallest and heaviest living birds, and they lay the largest eggs. With their long legs, ostriches are also fleet of foot, running up to 43 miles per hour, and formidable fighters—an ostrich kick can kill. But since the beginning of history, these extraordinary and outlandish birds have also been exploited by humans for their eggs, meat, skin, and feathers. In Ostrich, Edgar Williams provides a singular, comprehensive insight into the natural history, behavior, and habitat of this monumental bird.&amp;#160;Williams describes how the demand for ostrich feathers was so great during the Victorian era that vast fortunes were made from ostrich farming, particularly in South Africa and the United States. After fashions changed following World War I, farmers lost their fortunes, but the now domesticated ostrich found a new purpose—today, ostrich farmers produce plumes and leather for luxury markets, as well as meat for grocery stores. In addition to telling its, Williams reveals how the ostrich has been featured in culture, from its representations in cave paintings, medieval manuscripts, and the Bayeux tapestry to its use in advertising and cartoons. Featuring many striking illustrations, Ostrich will interest nature lovers, artists, and fashionistas alike.</description>
      <content:encoded>&lt;div&gt;Ostriches may not be able to fly, but they loom large in the bird kingdom. They are the world&amp;rsquo;s tallest and heaviest living birds, and they lay the largest eggs. With their long legs, ostriches are also fleet of foot, running up to 43 miles per hour, and formidable fighters&amp;mdash;an ostrich kick can kill. But since the beginning of history, these extraordinary and outlandish birds have also been exploited by humans for their eggs, meat, skin, and feathers. In &lt;i&gt;Ostrich&lt;/i&gt;, Edgar Williams provides a singular, comprehensive insight into the natural history, behavior, and habitat of this monumental bird.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Williams describes how the demand for ostrich feathers was so great during the Victorian era that vast fortunes were made from ostrich farming, particularly in South Africa and the United States. After fashions changed following World War I, farmers lost their fortunes, but the now domesticated ostrich found a new purpose&amp;mdash;today, ostrich farmers produce plumes and leather for luxury markets, as well as meat for grocery stores. In addition to telling its, Williams reveals how the ostrich has been featured in culture, from its representations in cave paintings, medieval manuscripts, and the Bayeux tapestry to its use in advertising and cartoons. Featuring many striking illustrations, &lt;i&gt;Ostrich&lt;/i&gt; will interest nature lovers, artists, and fashionistas alike.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230399.jpg" length="21418" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Edgar Williams</author>
      <guid isPermaLink="false">9781780230399</guid>
    </item>
    <item>
      <title>Rise of the Vampire</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15583389.html</link>
      <description>Before Bella and Edward; Stefan and Damon Salvatore; and Abraham Lincoln, Vampire Hunter, there was Lestat and Louis, The Lost Boys, and Buffy Summers. Before True Blood and Let the Right One In, there was Dark Shadows and Anne Rice’s Vampire Chronicles. And then there is the most prominent of them all: Dracula, immortalized by Bram Stoker in 1897. Whether they’re evil, bloodsucking monsters or sparkling like diamonds in the sunlight, vampires have been capturing our imagination since their modest beginnings in the rustic fantasies of southeastern Europe in the early eighteenth century. Today, they’re everywhere, appearing even in movies in Japan and Korea and in reggae music in Jamaica and South Africa. Why have vampires gone viral in recent years?&amp;#160;In The Rise of the Vampire, Erik Butler seeks to explain our enduring fascination with the creatures of the night. Exploring why a being of humble origins has achieved success of such monstrous proportions, Butler considers the vampire in myth, literature, film, journalism, political cartoons, music, television, and video games. He describes how and why they have come to give expression to the darker side of human life—though vampires evoke age-old mystery, they also embody many of the uncertainties of the modern world. Butler also ponders the role global markets and digital technology have played in making vampires a worldwide phenomenon.&amp;#160;Whether you’re a fan of classic vampire tales or new additions to the mythology, The Rise of the Vampire is a fascinating look at our collective obsession with the undead.</description>
      <content:encoded>&lt;div&gt;Before Bella and Edward; Stefan and Damon Salvatore; and &lt;i&gt;Abraham Lincoln, Vampire Hunter&lt;/i&gt;, there was Lestat and Louis, &lt;i&gt;The Lost Boys&lt;/i&gt;, and Buffy Summers. Before &lt;i&gt;True Blood&lt;/i&gt; and &lt;i&gt;Let the Right One In&lt;/i&gt;, there was &lt;i&gt;Dark Shadows &lt;/i&gt;and Anne Rice&amp;rsquo;s &lt;i&gt;Vampire Chronicles&lt;/i&gt;. And then there is the most prominent of them all: Dracula, immortalized by Bram Stoker in 1897. Whether they&amp;rsquo;re evil, bloodsucking monsters or sparkling like diamonds in the sunlight, vampires have been capturing our imagination since their modest beginnings in the rustic fantasies of southeastern Europe in the early eighteenth century. Today, they&amp;rsquo;re everywhere, appearing even in movies in Japan and Korea and in reggae music in Jamaica and South Africa. Why have vampires gone viral in recent years?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;The Rise of the Vampire&lt;/i&gt;, Erik Butler seeks to explain our enduring fascination with the creatures of the night. Exploring why a being of humble origins has achieved success of such monstrous proportions, Butler considers the vampire in myth, literature, film, journalism, political cartoons, music, television, and video games. He describes how and why they have come to give expression to the darker side of human life&amp;mdash;though vampires evoke age-old mystery, they also embody many of the uncertainties of the modern world. Butler also ponders the role global markets and digital technology have played in making vampires a worldwide phenomenon.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;Whether you&amp;rsquo;re a fan of classic vampire tales or new additions to the mythology, &lt;i&gt;The Rise of the Vampire&lt;/i&gt; is a fascinating look at our collective obsession with the undead.</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231105.jpg" length="16379" type="image/jpeg" />
      <category>History: General History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Erik Butler</author>
      <guid isPermaLink="false">9781780231105</guid>
    </item>
    <item>
      <title>Breakfast Book</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15581940.html</link>
      <description>You’ve heard it from doctors, nutritionists, and your mom: breakfast is the most important meal of the day. It’s also one of the most diverse, varying greatly from family to family and region to region, even while individuals tend to eat the same thing every day. While Americans traditionally like to chow down on eggs, cereal, and doughnuts, the Japanese eat rice and miso soup, and New Zealanders enjoy porridge. But while we know bacon and sausage links belong alongside pancakes and waffles in the early morning hours, we don’t know how breakfast came to be. Taking a multifaceted approach to the story of the morning meal, The Breakfast Book collects narratives of breakfast in an attempt to pin down the mottled history of eating in the A.M.&amp;#160;In search of what people have thought and written—and tasted—about breakfast, Andrew Dalby traces the meal’s origins back to the Neolithic revolution. He follows the trail of toast crumbs from the ancient Near East and classical Greece to modern Europe and across the globe, rediscovering stories of breakfast in three thousand years of fiction, memoirs, and art. Using a multitude of entertaining breakfast facts, anecdotes, and images, he reveals why breakfast is so often the backdrop for unexpected meetings, why so many people eat breakfast out, and why this often silent meal is also so reassuring.&amp;#160;Featuring a selection of historic and contemporary breakfast recipes from around the world, The Breakfast Book is the first book to explore the history of this inimitable meal and will make an ideal morning companion to crumpets, deviled kidneys, and spanakopita alike.</description>
      <content:encoded>&lt;div&gt;You&amp;rsquo;ve heard it from doctors, nutritionists, and your mom: breakfast is the most important meal of the day. It&amp;rsquo;s also one of the most diverse, varying greatly from family to family and region to region, even while individuals tend to eat the same thing every day. While Americans traditionally like to chow down on eggs, cereal, and doughnuts, the Japanese eat rice and miso soup, and New Zealanders enjoy porridge. But while we know bacon and sausage links belong alongside pancakes and waffles in the early morning hours, we don&amp;rsquo;t know how breakfast came to be. Taking a multifaceted approach to the story of the morning meal, &lt;i&gt;The Breakfast Book&lt;/i&gt; collects narratives of breakfast in an attempt to pin down the mottled history of eating in the A.M.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In search of what people have thought and written&amp;mdash;and tasted&amp;mdash;about breakfast, Andrew Dalby traces the meal&amp;rsquo;s origins back to the Neolithic revolution. He follows the trail of toast crumbs from the ancient Near East and classical Greece to modern Europe and across the globe, rediscovering stories of breakfast in three thousand years of fiction, memoirs, and art. Using a multitude of entertaining breakfast facts, anecdotes, and images, he reveals why breakfast is so often the backdrop for unexpected meetings, why so many people eat breakfast out, and why this often silent meal is also so reassuring.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;Featuring a selection of historic and contemporary breakfast recipes from around the world, &lt;i&gt;The Breakfast Book&lt;/i&gt; is the first book to explore the history of this inimitable meal and will make an ideal morning companion to crumpets, deviled kidneys, and &lt;i&gt;spanakopita&lt;/i&gt; alike.</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230863.jpg" length="30163" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Andrew Dalby</author>
      <guid isPermaLink="false">9781780230863</guid>
    </item>
    <item>
      <title>Medusa</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15583230.html</link>
      <description>With her repulsive face and head full of living, venomous snakes, Medusa is petrifying—quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dal&amp;iacute; and was the emblem of the Jacobins after the French Revolution. Today, she’s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer’s logo for men’s underwear, haute couture, and exotic dinnerware. She&amp;#160;even gives her&amp;#160;name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us?&amp;#160;David Leeming seeks to answer this question in Medusa, a biography of the mythical creature. Searching for the origins of Medusa’s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to Clash of the Titans and Dungeons and Dragons, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era.&amp;#160;Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.</description>
      <content:encoded>&lt;div&gt;With her repulsive face and head full of living, venomous snakes, Medusa is petrifying&amp;mdash;quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dal&amp;iacute; and was the emblem of the Jacobins after the French Revolution. Today, she&amp;rsquo;s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer&amp;rsquo;s logo for men&amp;rsquo;s underwear, haute couture, and exotic dinnerware. She&amp;#160;even gives her&amp;#160;name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;David Leeming seeks to answer this question in &lt;i&gt;Medusa&lt;/i&gt;, a biography of the mythical creature. Searching for the origins of Medusa&amp;rsquo;s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to &lt;i&gt;Clash of the Titans&lt;/i&gt; and &lt;i&gt;Dungeons and Dragons&lt;/i&gt;, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230955.jpg" length="40761" type="image/jpeg" />
      <category>History: General History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>David Leeming</author>
      <guid isPermaLink="false">9781780230955</guid>
    </item>
    <item>
      <title>Beef</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15580380.html</link>
      <description>Hamburgers, pot roast, stew, steak, brisket—these mouthwatering dishes all have cows in common. But while the answer to the question, “Where’s the beef?” may be, “everywhere,” links to obesity and heart disease, mad-cow disease, and global warming have caused consumers to turn a suspicious eye onto the ubiquitous meat. Arguing that beef farming, cooking, and eating is found in virtually every country, Beef delves into the social, cultural, and economic factors that have shaped the production and consumption of beef throughout history.&amp;#160;Lorna Piatti-Farnell shows how the class status of beef has changed over time, revealing that the meat that was once the main component in everyday stews is today showcased in elaborate dishes by five-star chefs. She considers the place beef has occupied in art, literature, and historical cookbooks, while also paying attention to the ethical issues in beef production and contemplating its future. Featuring images of beef in art and cuisine and palate-pleasing recipes from around the world, Beef will appeal to the taste buds of amateur grillers and iron chefs alike.</description>
      <content:encoded>&lt;div&gt;Hamburgers, pot roast, stew, steak, brisket&amp;mdash;these mouthwatering dishes all have cows in common. But while the answer to the question, &amp;ldquo;Where&amp;rsquo;s the beef?&amp;rdquo; may be, &amp;ldquo;everywhere,&amp;rdquo; links to obesity and heart disease, mad-cow disease, and global warming have caused consumers to turn a suspicious eye onto the ubiquitous meat. Arguing that beef farming, cooking, and eating is found in virtually every country, &lt;i&gt;Beef &lt;/i&gt;delves into the social, cultural, and economic factors that have shaped the production and consumption of beef throughout history.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Lorna Piatti-Farnell shows how the class status of beef has changed over time, revealing that the meat that was once the main component in everyday stews is today showcased in elaborate dishes by five-star chefs. She considers the place beef has occupied in art, literature, and historical cookbooks, while also paying attention to the ethical issues in beef production and contemplating its future. Featuring images of beef in art and cuisine and palate-pleasing recipes from around the world, &lt;i&gt;Beef&lt;/i&gt; will appeal to the taste buds of amateur grillers and iron chefs alike.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230818.jpg" length="24770" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Lorna Piatti-Farnell</author>
      <guid isPermaLink="false">9781780230818</guid>
    </item>
    <item>
      <title>Story of Six Rivers</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15584391.html</link>
      <description>Many of the world’s major cities sprang up on the banks of rivers. Used for water, food, irrigation, transportation, and power, rivers sustain life and connect the world together, but most of us think of them simply as waterways that must be crossed on the way to another place. Using four European and two North American rivers as examples, A Story of Six Rivers considers the place of rivers in our world and emphasizes the inextricable links between history, culture, and ecology.&amp;#160;Peter Coates explores six rivers, chosen as examples of the types of rivers found on the planet: the Danube, the second-longest river in Europe; the Spree, which flows through Berlin; the Po, which cuts eastward across northern Italy; the Mersey in northwest England; the Yukon, which runs through Canada and Alaska; and the Los Angeles in California. Creating a series of river biographies, Coates gives voice to each of these bodies of water, exploring how rivers nurture us, provide cultural and economic opportunities, and pose threats to our everyday lives. He challenges recent narratives that paint rivers as the victims of abuse, pollution, and damage at the hands of humans, focusing on change rather than devastation. Describing how humans and rivers form a symbiotic—and sometimes mutually destructive—relationship, Coates argues that rivers illustrate the limits of human authority and that their capacity to inspire us is as strong as our ability to pollute them.&amp;#160;An intimate portrait of the way these bodies of water inform our lives, A Story of Six Rivers will make us reconsider the streams and tributaries we traverse each day.</description>
      <content:encoded>&lt;div&gt;Many of the world&amp;rsquo;s major cities sprang up on the banks of rivers. Used for water, food, irrigation, transportation, and power, rivers sustain life and connect the world together, but most of us think of them simply as waterways that must be crossed on the way to another place. Using four European and two North American rivers as examples, &lt;i&gt;A Story of Six Rivers&lt;/i&gt; considers the place of rivers in our world and emphasizes the inextricable links between history, culture, and ecology.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Peter Coates explores six rivers, chosen as examples of the types of rivers found on the planet: the Danube, the second-longest river in Europe; the Spree, which flows through Berlin; the Po, which cuts eastward across northern Italy; the Mersey in northwest England; the Yukon, which runs through Canada and Alaska; and the Los Angeles in California. Creating a series of river biographies, Coates gives voice to each of these bodies of water, exploring how rivers nurture us, provide cultural and economic opportunities, and pose threats to our everyday lives. He challenges recent narratives that paint rivers as the victims of abuse, pollution, and damage at the hands of humans, focusing on change rather than devastation. Describing how humans and rivers form a symbiotic&amp;mdash;and sometimes mutually destructive&amp;mdash;relationship, Coates argues that rivers illustrate the limits of human authority and that their capacity to inspire us is as strong as our ability to pollute them.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;An intimate portrait of the way these bodies of water inform our lives, &lt;i&gt;A Story of Six Rivers&lt;/i&gt; will make us reconsider the streams and tributaries we traverse each day.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231068.jpg" length="42691" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Peter Coates</author>
      <guid isPermaLink="false">9781780231068</guid>
    </item>
    <item>
      <title>Wine</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15580931.html</link>
      <description>Look. Swirl. Sniff. Taste. Savor. Whether you’re tasting a refreshing white or an aromatic red, these well-known steps are the only proper&amp;#160;way to take the first sip of wine.&amp;#160;Oenophiles have never been rare, but over the past decade, wine culture has exploded. Amateur wine enthusiasts join dedicated collectors at tastings and on vineyard vacations, and young professionals pack trendy wine bars. Even Hollywood has gotten in on the action—movies like Sideways, Bottle Shock, and French Kiss relate the deep love we have for a glass of pinot noir, a bottle of chardonnay, and the grapes that produce them. But how did wine surpass all other beverages to achieve global domination? In Wine, Marc Millon travels back to the origins of modern man to find the answer, discovering that this heady drink is intertwined with the roots of civilization itself.&amp;#160;Wine takes us from Transcaucasia some eight thousand years ago across the Mediterranean Sea, following wine as it spread along with classical civilization throughout Europe, and showing how, thanks to the myths of Dionysus and Bacchus, many of the major wine-producing regions were established in Western Europe. Millon then details how the Spanish conquistadors first brought European grapes to the New World to develop wines for the Catholic mass, and he depicts how wine production traveled to the distant lands of Australia and New Zealand. Today, it is even part of the burgeoning economies of India and China. Millon also explores the types of wine developed in each region, describing the many varieties of grapes and the process of fermentation and storage.&amp;#160;Crisp and concise, with a hint of cherry and a soupcon of citrus, Wine provides the perfect introduction for wine novices seeking to impress at their first tasting while offering an engaging chronicle for experts looking to learn more about this most mysterious and magical of beverages.</description>
      <content:encoded>&lt;div&gt;Look. Swirl. Sniff. Taste. Savor. Whether you&amp;rsquo;re tasting a refreshing white or an aromatic red, these well-known steps are the only proper&amp;#160;way to take the first sip of wine.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Oenophiles have never been rare, but over the past decade, wine culture has exploded. Amateur wine enthusiasts join dedicated collectors at tastings and on vineyard vacations, and young professionals pack trendy wine bars. Even Hollywood has gotten in on the action&amp;mdash;movies like &lt;i&gt;Sideways&lt;/i&gt;, &lt;i&gt;Bottle Shock&lt;/i&gt;, and &lt;i&gt;French Kiss&lt;/i&gt; relate the deep love we have for a glass of pinot noir, a bottle of chardonnay, and the grapes that produce them. But how did wine surpass all other beverages to achieve global domination? In &lt;i&gt;Wine&lt;/i&gt;, Marc Millon travels back to the origins of modern man to find the answer, discovering that this heady drink is intertwined with the roots of civilization itself.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Wine&lt;/i&gt; takes us from Transcaucasia some eight thousand years ago across the Mediterranean Sea, following wine as it spread along with classical civilization throughout Europe, and showing how, thanks to the myths of Dionysus and Bacchus, many of the major wine-producing regions were established in Western Europe. Millon then details how the Spanish conquistadors first brought European grapes to the New World to develop wines for the Catholic mass, and he depicts how wine production traveled to the distant lands of Australia and New Zealand. Today, it is even part of the burgeoning economies of India and China. Millon also explores the types of wine developed in each region, describing the many varieties of grapes and the process of fermentation and storage.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Crisp and concise, with a hint of cherry and a soupcon of citrus, &lt;i&gt;Wine&lt;/i&gt; provides the perfect introduction for wine novices seeking to impress at their first tasting while offering an engaging chronicle for experts looking to learn more about this most mysterious and magical of beverages.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231112.jpg" length="18808" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Marc Millon</author>
      <guid isPermaLink="false">9781780231112</guid>
    </item>
    <item>
      <title>Oranges</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo15580781.html</link>
      <description>The tangy, juicy sweetness of oranges has made them a mainstay on our breakfast tables, as snacks, and even as healthy desserts. Indeed, oranges and orange juices are so ubiquitous nowadays that we take them for granted—but their journey to our supermarket shelves is a long and tantalizing story, as Clarissa Hyman reveals in Oranges. Following the orange from its origins in the Mediterranean world to the grocery produce section, Hyman illuminates the wide-ranging cultural resonance and culinary presence of the popular fruit.&amp;#160;Charting the arrival of bitter and sweet oranges in the Mediterranean, where they were seen as a gift from the gods, Hyman chronicles their dramatic voyage to the Americas and the impact they had on agriculture, garden design, and architecture along the way. She surveys the many varieties of oranges that now exist and analyzes their status as symbols of great wealth in art, an inspiration for poets and painters, and a source of natural health. Dealing with the practical complexities of orange cultivation, she details the challenges facing modern producers and consumers across the globe. Packed with delicious recipes and luscious photos, Oranges is a refreshing look at the king of citrus.</description>
      <content:encoded>&lt;div&gt;The tangy, juicy sweetness of oranges has made them a mainstay on our breakfast tables, as snacks, and even as healthy desserts. Indeed, oranges and orange juices are so ubiquitous nowadays that we take them for granted&amp;mdash;but their journey to our supermarket shelves is a long and tantalizing story, as Clarissa Hyman reveals in &lt;i&gt;Oranges&lt;/i&gt;. Following the orange from its origins in the Mediterranean world to the grocery produce section, Hyman illuminates the wide-ranging cultural resonance and culinary presence of the popular fruit.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Charting the arrival of bitter and sweet oranges in the Mediterranean, where they were seen as a gift from the gods, Hyman chronicles their dramatic voyage to the Americas and the impact they had on agriculture, garden design, and architecture along the way. She surveys the many varieties of oranges that now exist and analyzes their status as symbols of great wealth in art, an inspiration for poets and painters, and a source of natural health. Dealing with the practical complexities of orange cultivation, she details the challenges facing modern producers and consumers across the globe. Packed with delicious recipes and luscious photos, &lt;i&gt;Oranges&lt;/i&gt; is a refreshing look at the king of citrus.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230993.jpg" length="21288" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Clarissa Hyman</author>
      <guid isPermaLink="false">9781780230993</guid>
    </item>
    <item>
      <title>Offal</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo15580631.html</link>
      <description>“Offal” has the same pronunciation as “awful”—an appropriate homophone, given that offal comprises the whole spectrum of an animal’s glands, essential organs, skin, muscle, guts, and every unmentionable in between. Yet as Nina Edwards shows in this intriguing history, offal has been consumed and enjoyed across ages and continents, often hidden by the rich variety of terms—like fois gras and sweetbread—that have evolved to veil their origins.&amp;#160;Edwards dissects the complicated relationship we have with offal and the extreme reactions it inspires, asking if we can enjoy a pig’s heart, a cow’s eyes, or a sheep’s brain when it reminds us so viscerally of our own flesh and blood. She explores the offal dishes that are specific to regional cuisines and holidays, such as Scottish haggis, Jewish chopped liver, and Southern states’ chitterlings. As she reveals, offal is a food of contradictions—it is high in nutrients but also dangerously high in cholesterol, and it can range from expensive haute cuisine to a cheap alternative for the impoverished. From tongue in Sichuan and gizzard stew in Rio de Janeiro to spicy cartilage in Calcutta, Offal sheds new light on the sometimes stomach-churning foods we consume.</description>
      <content:encoded>&lt;div&gt;&amp;ldquo;Offal&amp;rdquo; has the same pronunciation as &amp;ldquo;awful&amp;rdquo;&amp;mdash;an appropriate homophone, given that offal comprises the whole spectrum of an animal&amp;rsquo;s glands, essential organs, skin, muscle, guts, and every unmentionable in between. Yet as Nina Edwards shows in this intriguing history, offal has been consumed and enjoyed across ages and continents, often hidden by the rich variety of terms&amp;mdash;like fois gras and sweetbread&amp;mdash;that have evolved to veil their origins.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Edwards dissects the complicated relationship we have with offal and the extreme reactions it inspires, asking if we can enjoy a pig&amp;rsquo;s heart, a cow&amp;rsquo;s eyes, or a sheep&amp;rsquo;s brain when it reminds us so viscerally of our own flesh and blood. She explores the offal dishes that are specific to regional cuisines and holidays, such as Scottish haggis, Jewish chopped liver, and Southern states&amp;rsquo; chitterlings. As she reveals, offal is a food of contradictions&amp;mdash;it is high in nutrients but also dangerously high in cholesterol, and it can range from expensive haute cuisine to a cheap alternative for the impoverished. From tongue in Sichuan and gizzard stew in Rio de Janeiro to spicy cartilage in Calcutta, &lt;i&gt;Offal&lt;/i&gt; sheds new light on the sometimes stomach-churning foods we consume.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230979.jpg" length="20870" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nina Edwards</author>
      <guid isPermaLink="false">9781780230979</guid>
    </item>
    <item>
      <title>Greece</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo5891277.html</link>
      <description>The remains of antiquity define Greek architecture in the popular imagination, but Greek edifices encompass far more than these ancient structures. Offered here is a comprehensive survey of modern Greek architecture of the past hundred-plus years.The book explores the buildings and architects of modern Greece, ranging from nineteenth-century neoclassical edifices to minimalist contemporary works and urban renewal projects. The ideas driving the creation of these buildings are given full attention, as the authors examine the influence of the rise of Modernism in the arts and the characteristics of regional styles, while also considering the reasons behind the bland, functional structures that have dominated Greek cityscapes since World War II. Greece situates this design survey within the nation’s tumultuous cultural and political history, including the two world wars, a military dictatorship, civil war, and the consumerist boom of the 1990s.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; A penetrating and thorough study, Greece offers a compelling account of modern Greek architecture that will be invaluable for all scholars of design and European history.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;div&gt;The remains of antiquity define Greek architecture in the popular imagination, but Greek edifices encompass far more than these ancient structures. Offered here is a comprehensive survey of modern Greek architecture of the past hundred-plus years.&lt;/div&gt;&lt;div&gt;The book explores the buildings and architects of modern Greece, ranging from nineteenth-century neoclassical edifices to minimalist contemporary works and urban renewal projects. The ideas driving the creation of these buildings are given full attention, as the authors examine the influence of the rise of Modernism in the arts and the characteristics of regional styles, while also considering the reasons behind the bland, functional structures that have dominated Greek cityscapes since World War II. &lt;i&gt;Greece&lt;/i&gt;&lt;i&gt; &lt;/i&gt;situates this design survey within the nation&amp;rsquo;s tumultuous cultural and political history, including the two world wars, a military dictatorship, civil war, and the consumerist boom of the 1990s.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; A penetrating and thorough study, &lt;i&gt;Greece&lt;/i&gt; offers a compelling account of modern Greek architecture that will be invaluable for all scholars of design and European history.&lt;br&gt;&amp;#160;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/61/89/9781861893796.jpeg" length="28544" type="image/jpeg" />
      <category>Architecture: Architecture--Criticism</category>
      <category>Architecture: European Architecture</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Alexander Tzonis; Alcestis P. Rodi</author>
      <guid isPermaLink="false">9781861893796</guid>
    </item>
    <item>
      <title>Colossal</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15582543.html</link>
      <description>Peter Mason takes a bold, multidisciplinary approach in this account of the idea of the colossal in culture. He gathers instances of the colossal throughout history&amp;#8212;including the obelisks of Egypt, the Colossus of Rhodes, the Roman Colosseum, the heads of the Olmecs, and the stone statues of Easter Island&amp;#8212;using historical and archaeological evidence to position them within the context of time and culture. Mason establishes a vision of the colossal that encompasses both the colossal in scale and another, overlooked sense of the word: the archaic Greek kolossos, a ritual effigy, and its modern equivalents.Combining fascinating detail with a rigorous account that spans three millennia, The Colossal argues that the artist who best understood and tapped into the kolossos was Alberto Giacometti. Mason shows that the Swiss sculptor and painter&amp;#8217;s work articulated themes of death and mourning in ways rarely seen since the art of archaic Greece, themes most evident in his enigmatic work, The Cube. From the monolithic sculptures of long-dead civilizations to Giacometti&amp;#8217;s imposing and unsettling heads, The Colossal is an innovative book that traces unexplored thematic threads through visual history.</description>
      <content:encoded>&lt;div&gt;Peter Mason takes a bold, multidisciplinary approach in this account of the idea of the colossal in culture. He gathers instances of the colossal throughout history&amp;#8212;including the obelisks of Egypt, the Colossus of Rhodes, the Roman Colosseum, the heads of the Olmecs, and the stone statues of Easter Island&amp;#8212;using historical and archaeological evidence to position them within the context of time and culture. Mason establishes a vision of the colossal that encompasses both the colossal in scale and another, overlooked sense of the word: the archaic Greek &lt;i&gt;kolossos&lt;/i&gt;, a ritual effigy, and its modern equivalents.&lt;br&gt;&lt;br&gt;Combining fascinating detail with a rigorous account that spans three millennia, &lt;i&gt;The Colossal&lt;/i&gt; argues that the artist who best understood and tapped into the &lt;i&gt;kolossos&lt;/i&gt; was Alberto Giacometti. Mason shows that the Swiss sculptor and painter&amp;#8217;s work articulated themes of death and mourning in ways rarely seen since the art of archaic Greece, themes most evident in his enigmatic work, &lt;i&gt;The Cube&lt;/i&gt;. From the monolithic sculptures of long-dead civilizations to Giacometti&amp;#8217;s imposing and unsettling heads, &lt;i&gt;The Colossal&lt;/i&gt; is an innovative book that traces unexplored thematic threads through visual history.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231082.jpg" length="42368" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>History: General History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Peter Mason</author>
      <guid isPermaLink="false">9781780231082</guid>
    </item>
    <item>
      <title>Art in Ireland since 1910</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/A/bo14444874.html</link>
      <description>Ireland and Britain have an entwined and contentious past. Though southern Ireland broke with the Commonwealth in 1948, Northern Ireland remains a member of the United Kingdom to this day. As Fionna Barber shows in Art In Ireland since 1910,Ireland’s relationship to its closest neighbor has played a key role in the development of its visual culture. Using the work of Jack B. Yeats, William Leech, John Lavery, William Orpen, F. E. McWilliam, Francis Bacon, and others, Barberlooks at how Ireland’s art practice during the past century has been shaped by the twin forces of nationhood and modernity.&amp;#160;Barber reveals that the drive to decolonization in the Irish Free State underpinned a predominance of images of remote landscapes and rugged peasantry. She moves beyond discussions of art in Northern Ireland—often reduced to a concern with the Troubles, the period of ethno-political conflict that began in 1969, and the significance of its status as part of Britain—to consider the region’s art practice in relation to ideas of nation and the modern. Drawing parallels with artists from other former British colonies, she also looks at the theme of diaspora and migration in the work of Irish artists working in Britain during the 1950s. The first book to examine Irish art from the early twentieth century to the present day, this beautifully illustrated book adds a new dimension to our conception of this idyllic country.</description>
      <content:encoded>&lt;div&gt;Ireland and Britain have an entwined and contentious past. Though southern Ireland broke with the Commonwealth in 1948, Northern Ireland remains a member of the United Kingdom to this day. As Fionna Barber shows in &lt;i&gt;Art In Ireland since 1910&lt;/i&gt;,Ireland&amp;rsquo;s relationship to its closest neighbor has played a key role in the development of its visual culture. Using the work of Jack B. Yeats, William Leech, John Lavery, William Orpen, F. E. McWilliam, Francis Bacon, and others, Barberlooks at how Ireland&amp;rsquo;s art practice during the past century has been shaped by the twin forces of nationhood and modernity.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Barber reveals that the drive to decolonization in the Irish Free State underpinned a predominance of images of remote landscapes and rugged peasantry. She moves beyond discussions of art in Northern Ireland&amp;mdash;often reduced to a concern with the Troubles, the period of ethno-political conflict that began in 1969, and the significance of its status as part of Britain&amp;mdash;to consider the region&amp;rsquo;s art practice in relation to ideas of nation and the modern. Drawing parallels with artists from other former British colonies, she also looks at the theme of diaspora and migration in the work of Irish artists working in Britain during the 1950s. The first book to examine Irish art from the early twentieth century to the present day, this beautifully illustrated book adds a new dimension to our conception of this idyllic country.&lt;/div&gt;</content:encoded>
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      <category>Art: European Art</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Fionna Barber</author>
      <guid isPermaLink="false">9781780230368</guid>
    </item>
    <item>
      <title>Global Economic Crisis</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo15582892.html</link>
      <description>From Greece scrambling to meet Eurozone austerity measures to America’s sluggish job growth, there is every indication that the world has not recovered from the economic implosion of 2008. And for many of us, the details of what led to the recession—and why it has continued—remain murky. Economic historian Larry Allen clears up the subject in The Global Economic Crisis, offering an insightful and nonpartisan chronology of events and their consequences. Illuminating the interlocked economic processes that lay beneath the crisis, he analyzes the changing nature of the global financial system, central bank policies, housing bubbles, deregulation, sovereign debt crises, and more.&amp;#160;Allen begins the timeline with the economic crisis in Japan in the late 1990s, asking whether Japan’s experience could be an indicator of the outcome of the recession and what it can teach us about managing a sluggish economy. He then takes a comparative look at the economies of Brazil, China, and India. Throughout, he argues that many elements have contributed to the ongoing crisis, including the introduction of the euro, the growth of new financial instruments such as securitization, collateralized debt obligations and credit default swaps, interest rate policies, and the housing boom and subprime mortgage fiasco.&amp;#160;Lucid and informative, The Global Economic Crisis provides an impartial explanation to anyone seeking to understand the current state—and future—of the world’s economy.</description>
      <content:encoded>&lt;div&gt;From Greece scrambling to meet Eurozone austerity measures to America&amp;rsquo;s sluggish job growth, there is every indication that the world has not recovered from the economic implosion of 2008. And for many of us, the details of what led to the recession&amp;mdash;and why it has continued&amp;mdash;remain murky. Economic historian Larry Allen clears up the subject in &lt;i&gt;The Global Economic Crisis&lt;/i&gt;, offering an insightful and nonpartisan chronology of events and their consequences. Illuminating the interlocked economic processes that lay beneath the crisis, he analyzes the changing nature of the global financial system, central bank policies, housing bubbles, deregulation, sovereign debt crises, and more.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Allen begins the timeline with the economic crisis in Japan in the late 1990s, asking whether Japan&amp;rsquo;s experience could be an indicator of the outcome of the recession and what it can teach us about managing a sluggish economy. He then takes a comparative look at the economies of Brazil, China, and India. Throughout, he argues that many elements have contributed to the ongoing crisis, including the introduction of the euro, the growth of new financial instruments such as securitization, collateralized debt obligations and credit default swaps, interest rate policies, and the housing boom and subprime mortgage fiasco.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Lucid and informative, &lt;i&gt;The Global Economic Crisis&lt;/i&gt; provides an impartial explanation to anyone seeking to understand the current state&amp;mdash;and future&amp;mdash;of the world&amp;rsquo;s economy.&lt;/div&gt;</content:encoded>
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      <category>Economics and Business: Economics--International and Comparative</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>Larry Allen</author>
      <guid isPermaLink="false">9781780230924</guid>
    </item>
    <item>
      <title>Fidel Castro</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo15579973.html</link>
      <description>Fidel Castro had ruled the island of Cuba for fifty-two years when ill health forced him to step down in 2008. Over the course of that time, he changed Cuba from a republic to a communist state and became one of the most divisive leaders in the second half of the twentieth century. For some, he is a champion of humanitarianism, socialism, and environmentalism. For others, he is a monster and dictator who perpetuated human rights abuses at home and abroad.&amp;#160;Providing a rare, evenhanded account of Castro’s life, journalist Nick Caistor brings together interviews with people who have known Castro with discussion of the ideas that drove him. Caistor follows Castro’s life from his birth as the illegitimate son of a wealthy farmer in 1926 to the developing of his leftist, anti-imperialist ideas at the University of Havana and his primary role in the Cuban Revolution in the 1950s. He explores Castro’s economic and military alliance with the Soviet Union and his hostile relationship with the United States while also looking at how he simultaneously introduced free health care and education while squelching freedom of the press and suppressing dissidents. As Caistor shows, Castro’s numerous writings on politics, capitalism, and other topics have influenced leaders from Nelson Mandela to Hugo Ch&amp;aacute;vez, but allegations of corruption, human rights abuses, and dictatorship never ceased during his long career.&amp;#160;Using stories and opinions to enliven the debate about Castro’s choices, strengths, and weaknesses, this concise biography gives readers the opportunity to judge for themselves how they feel about the former Cuban president.</description>
      <content:encoded>&lt;div&gt;Fidel Castro had ruled the island of Cuba for fifty-two years when ill health forced him to step down in 2008. Over the course of that time, he changed Cuba from a republic to a communist state and became one of the most divisive leaders in the second half of the twentieth century. For some, he is a champion of humanitarianism, socialism, and environmentalism. For others, he is a monster and dictator who perpetuated human rights abuses at home and abroad.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Providing a rare, evenhanded account of Castro&amp;rsquo;s life, journalist Nick Caistor brings together interviews with people who have known Castro with discussion of the ideas that drove him. Caistor follows Castro&amp;rsquo;s life from his birth as the illegitimate son of a wealthy farmer in 1926 to the developing of his leftist, anti-imperialist ideas at the University of Havana and his primary role in the Cuban Revolution in the 1950s. He explores Castro&amp;rsquo;s economic and military alliance with the Soviet Union and his hostile relationship with the United States while also looking at how he simultaneously introduced free health care and education while squelching freedom of the press and suppressing dissidents. As Caistor shows, Castro&amp;rsquo;s numerous writings on politics, capitalism, and other topics have influenced leaders from Nelson Mandela to Hugo Ch&amp;aacute;vez, but allegations of corruption, human rights abuses, and dictatorship never ceased during his long career.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;Using stories and opinions to enliven the debate about Castro&amp;rsquo;s choices, strengths, and weaknesses, this concise biography gives readers the opportunity to judge for themselves how they feel about the former Cuban president.</content:encoded>
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      <category>Biography and Letters</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Nick Caistor</author>
      <guid isPermaLink="false">9781780230900</guid>
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    <item>
      <title>Between Mind and Nature</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15583895.html</link>
      <description>From William James to Ivan Pavlov, John Dewey to Sigmund Freud, the W&amp;uuml;rzburg School to the Chicago School, psychology has spanned centuries and continents. Today, the word is an all-encompassing name for a bewildering range of beliefs about what psychologists know and do, and this intrinsic interest in knowing how our own and other’s minds work has a story as fascinating and complex as humankind itself. In Between Mind and Nature, Roger Smith explores the history of psychology and its relation to religion, politics, the arts, social life, the natural sciences, and technology.&amp;#160;Considering the big questions bound up in the history of psychology, Smith investigates what human nature is,&amp;#160;whether psychology can provide answers to human problems, and&amp;#160;whether the notion of being an individual depends on social and historical conditions. He also asks&amp;#160;whether a method of rational thinking exists outside the realm of natural science. Posing important questions about the value and direction of psychology today, Between Mind and Nature is a cogently written book for those wishing to know more about the quest for knowledge of the mind.</description>
      <content:encoded>&lt;div&gt;From William James to Ivan Pavlov, John Dewey to Sigmund Freud, the W&amp;uuml;rzburg School to the Chicago School, psychology has spanned centuries and continents. Today, the word is an all-encompassing name for a bewildering range of beliefs about what psychologists know and do, and this intrinsic interest in knowing how our own and other&amp;rsquo;s minds work has a story as fascinating and complex as humankind itself. In &lt;i&gt;Between Mind and Nature&lt;/i&gt;, Roger Smith explores the history of psychology and its relation to religion, politics, the arts, social life, the natural sciences, and technology.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Considering the big questions bound up in the history of psychology, Smith investigates what human nature is,&amp;#160;whether psychology can provide answers to human problems, and&amp;#160;whether the notion of being an individual depends on social and historical conditions. He also asks&amp;#160;whether a method of rational thinking exists outside the realm of natural science. Posing important questions about the value and direction of psychology today, &lt;i&gt;Between Mind and Nature&lt;/i&gt; is a cogently written book for those wishing to know more about the quest for knowledge of the mind.&lt;/div&gt;</content:encoded>
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      <category>History of Science</category>
      <category>Psychology: General Psychology</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Roger Smith</author>
      <guid isPermaLink="false">9781780230986</guid>
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    <item>
      <title>History of the Internet and the Digital Future</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/H/bo10546731.html</link>
      <description>A History of the Internet and the Digital Future tells the story of the development of the Internet from the 1950s to the present and examines how the balance of power has shifted between the individual and the state in the areas of censorship, copyright infringement, intellectual freedom, and terrorism and warfare. Johnny Ryan explains how the Internet has revolutionized political campaigns; how the development of the World Wide Web enfranchised a new online population of assertive, niche consumers; and how the dot-com bust taught smarter firms to capitalize on the power of digital artisans. From the government-controlled systems of the Cold War to today’s move towards cloud computing, user-driven content, and the new global commons, this book reveals the trends that are shaping the businesses, politics, and media of the digital future.&amp;#160;“The WikiLeaks saga may have drawn us into new, and scary, galaxies of cyberspace, but this survey of the online story so far offers a handy catch-up that will prove a boon to geeks and dabblers alike.”—Independent&amp;#160;“Contains an unexpected, but most welcome surprise: stories. These stories are what makes this such a wonderful read. . . . The stories and historical references add color and life to the text and help show important cultural connections between today’s digital age and earlier times.”—PopMatters</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;i&gt;A History of the Internet and the Digital Future &lt;/i&gt;tells the story of the development of the Internet from the 1950s to the present and examines how the balance of power has shifted between the individual and the state in the areas of censorship, copyright infringement, intellectual freedom, and terrorism and warfare. Johnny Ryan explains how the Internet has revolutionized political campaigns; how the development of the World Wide Web enfranchised a new online population of assertive, niche consumers; and how the dot-com bust taught smarter firms to capitalize on the power of digital artisans. From the government-controlled systems of the Cold War to today&amp;rsquo;s move towards cloud computing, user-driven content, and the new global commons, this book reveals the trends that are shaping the businesses, politics, and media of the digital future.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;ldquo;The WikiLeaks saga may have drawn us into new, and scary, galaxies of cyberspace, but this survey of the online story so far offers a handy catch-up that will prove a boon to geeks and dabblers alike.&amp;rdquo;&amp;mdash;&lt;i&gt;Independent&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;ldquo;Contains an unexpected, but most welcome surprise: stories. These stories are what makes this such a wonderful read. . . . The stories and historical references add color and life to the text and help show important cultural connections between today&amp;rsquo;s digital age and earlier times.&amp;rdquo;&amp;mdash;&lt;i&gt;PopMatters&lt;/i&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
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      <category>Computer Science</category>
      <category>History: History of Technology</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Johnny Ryan</author>
      <guid isPermaLink="false">9781780231129</guid>
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