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    <title>University of Chicago Press: New Titles from 'Liverpool University Press'</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/pu3430681_3430693RSS.xml</link>
    <description>The latest new books from 'Liverpool University Press'</description>
    <language>en-us</language>
    <pubDate>Thu, 24 May 2012 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Public Sculpture of Historic Westminster</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo12356739.html</link>
      <description>The Westminster Borough of London, which includes much of the city’s fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. Public Sculpture of Historic Westminster: Volume I documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;The Westminster Borough of London, which includes much of the city&amp;rsquo;s fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. &lt;i&gt;Public Sculpture of Historic Westminster: Volume I&lt;/i&gt; documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846316623.jpg" length="52350" type="image/jpeg" />
      <category>Art: European Art</category>
      <pubDate>Thu, 15 Mar 2012 05:00:00 GMT</pubDate>
      <author>Philip Ward-Jackson</author>
      <guid isPermaLink="false">9781846316913</guid>
    </item>
    <item>
      <title>Public Sculpture of Historic Westminster</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo12356739.html</link>
      <description>The Westminster Borough of London, which includes much of the city’s fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. Public Sculpture of Historic Westminster: Volume I documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;The Westminster Borough of London, which includes much of the city&amp;rsquo;s fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. &lt;i&gt;Public Sculpture of Historic Westminster: Volume I&lt;/i&gt; documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846316623.jpg" length="52350" type="image/jpeg" />
      <category>Art: European Art</category>
      <pubDate>Thu, 15 Mar 2012 05:00:00 GMT</pubDate>
      <author>Philip Ward-Jackson</author>
      <guid isPermaLink="false">9781846316623</guid>
    </item>
    <item>
      <title>Smashing H Block</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo13175686.html</link>
      <description>The period from 1976 to 1982 is widely regarded as a crucial turning point in the Irish Troubles. As time has passed the historic prison hunger strikes of 1980 and 1981 have taken on near mythic resonance, somewhat distorting the broader picture of the Irish republican struggle against criminalization. Focusing on the popular movement outside the prisons,&amp;#160;Smashing H-Block&amp;#160;gives us a gripping, thorough account of this fateful time and reveals how these years of protest reshaped and revitalized modern Irish republicanism.Drawing on extensive archival research and the widest range of sources available, F. Stuart Ross paints a compelling portrait of the last great wave of activism and mobilization with the nationalist population. He argues that the protests outside of the infamous H-Blocks of Maze Prison challenged republican orthodoxy, while, more broadly, he examines the importance of popular grassroots movements in effecting political and social change.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;The period from 1976 to 1982 is widely regarded as a crucial turning point in the Irish Troubles. As time has passed the historic prison hunger strikes of 1980 and 1981 have taken on near mythic resonance, somewhat distorting the broader picture of the Irish republican struggle against criminalization. Focusing on the popular movement outside the prisons,&amp;#160;&lt;i&gt;Smashing H-Block&lt;/i&gt;&amp;#160;gives us a gripping, thorough account of this fateful time and reveals how these years of protest reshaped and revitalized modern Irish republicanism.&lt;/p&gt;&lt;p&gt;Drawing on extensive archival research and the widest range of sources available, F. Stuart Ross paints a compelling portrait of the last great wave of activism and mobilization with the nationalist population. He argues that the protests outside of the infamous H-Blocks of Maze Prison challenged republican orthodoxy, while, more broadly, he examines the importance of popular grassroots movements in effecting political and social change.&amp;#160;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317439.jpg" length="55909" type="image/jpeg" />
      <category>History: European History</category>
      <pubDate>Thu, 01 Mar 2012 06:00:00 GMT</pubDate>
      <author>F. Stuart Ross</author>
      <guid isPermaLink="false">9781846317439</guid>
    </item>
    <item>
      <title>Smashing H Block</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo13175686.html</link>
      <description>The period from 1976 to 1982 is widely regarded as a crucial turning point in the Irish Troubles. As time has passed the historic prison hunger strikes of 1980 and 1981 have taken on near mythic resonance, somewhat distorting the broader picture of the Irish republican struggle against criminalization. Focusing on the popular movement outside the prisons,&amp;#160;Smashing H-Block&amp;#160;gives us a gripping, thorough account of this fateful time and reveals how these years of protest reshaped and revitalized modern Irish republicanism.Drawing on extensive archival research and the widest range of sources available, F. Stuart Ross paints a compelling portrait of the last great wave of activism and mobilization with the nationalist population. He argues that the protests outside of the infamous H-Blocks of Maze Prison challenged republican orthodoxy, while, more broadly, he examines the importance of popular grassroots movements in effecting political and social change.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;The period from 1976 to 1982 is widely regarded as a crucial turning point in the Irish Troubles. As time has passed the historic prison hunger strikes of 1980 and 1981 have taken on near mythic resonance, somewhat distorting the broader picture of the Irish republican struggle against criminalization. Focusing on the popular movement outside the prisons,&amp;#160;&lt;i&gt;Smashing H-Block&lt;/i&gt;&amp;#160;gives us a gripping, thorough account of this fateful time and reveals how these years of protest reshaped and revitalized modern Irish republicanism.&lt;/p&gt;&lt;p&gt;Drawing on extensive archival research and the widest range of sources available, F. Stuart Ross paints a compelling portrait of the last great wave of activism and mobilization with the nationalist population. He argues that the protests outside of the infamous H-Blocks of Maze Prison challenged republican orthodoxy, while, more broadly, he examines the importance of popular grassroots movements in effecting political and social change.&amp;#160;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317439.jpg" length="55909" type="image/jpeg" />
      <category>History: European History</category>
      <pubDate>Wed, 15 Feb 2012 06:00:00 GMT</pubDate>
      <author>F. Stuart Ross</author>
      <guid isPermaLink="false">9781846317101</guid>
    </item>
    <item>
      <title>TransLife</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/T/bo13178826.html</link>
      <description>This richly illustrated book examines the interface between  cutting-edge technologies and new media art, challenging our  anthropocentric notions of what constitutes life. Boasting an array of  contributions from distinguished artists, scholars, and curators, this  collection explores the new intellectual and ethical frontiers opened up  by hybrid life forms such as artificial intelligence and bio-nano  constructs. A provocative intervention into numerous contemporary  debates, TransLife also proposes alternative strategies to address the impending dangers that loom over our existence on earth. &amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;This richly illustrated book examines the interface between  cutting-edge technologies and new media art, challenging our  anthropocentric notions of what constitutes life. Boasting an array of  contributions from distinguished artists, scholars, and curators, this  collection explores the new intellectual and ethical frontiers opened up  by hybrid life forms such as artificial intelligence and bio-nano  constructs. A provocative intervention into numerous contemporary  debates, &lt;i&gt;TransLife&lt;/i&gt; also proposes alternative strategies to address the impending dangers that loom over our existence on earth. &lt;br&gt;&amp;#160;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317460.jpg" length="53056" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <pubDate>Wed, 15 Feb 2012 06:00:00 GMT</pubDate>
      <author>Fan Di'an; Zhang Ga</author>
      <guid isPermaLink="false">9781846317460</guid>
    </item>
    <item>
      <title>Race, Ethnicity and Nuclear War</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo13176708.html</link>
      <description>Ranging across fiction and poetry, critical theory and film, comics and speeches, Race, Ethnicity and Nuclear War explores how writers, thinkers, and filmmakers have tackled the question: Are nuclear weapons white? Paul Williams addresses myriad representations of nuclear weapons: the Manhattan&amp;#160;Project, the destruction of Hiroshima and Nagasaki, nuclear tests across the globe, and the anxiety surrounding the superpowers’ devastating arsenals. Ultimately, Williams concludes that many texts act as a reminder that the power enjoyed by the white Western world imperils the whole planet.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;Ranging across fiction and poetry, critical theory and film, comics and speeches, &lt;i&gt;Race, Ethnicity and Nuclear War &lt;/i&gt;explores how writers, thinkers, and filmmakers have tackled the question: Are nuclear weapons white? Paul Williams addresses myriad representations of nuclear weapons: the Manhattan&amp;#160;Project, the destruction of Hiroshima and Nagasaki, nuclear tests across the globe, and the anxiety surrounding the superpowers&amp;rsquo; devastating arsenals. Ultimately, Williams concludes that many texts act as a reminder that the power enjoyed by the white Western world imperils the whole planet.&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317088.jpg" length="37187" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 15 Feb 2012 06:00:00 GMT</pubDate>
      <author>Paul Williams</author>
      <guid isPermaLink="false">9781846317088</guid>
    </item>
    <item>
      <title>Beyond the Slave Narrative</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo11326089.html</link>
      <description>The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era.&amp;#160;Beyond the Slave Narrative&amp;#160;shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture.&amp;#160;These textual forms,&amp;#160;though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors.These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons:&amp;#160;&amp;#160;because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists.&amp;#160;&amp;#160;These texts challenge how we think about authorial voice, writing, print culture, and cultural autonomy in the context of the formerly enslaved, and demand that we reassess our historical understanding of the Haitian Independence and its relationship to an international world of contemporary readers.</description>
      <content:encoded>&lt;p&gt;The Haitian Revolution has generated responses from commentators in fields ranging from philosophy to historiography to twentieth-century literary and artistic studies. But what about the written work produced at the time, by Haitians? This book is the first to present an account of a specifically Haitian literary tradition in the Revolutionary era.&amp;#160;&lt;i&gt;Beyond the Slave Narrative&lt;/i&gt;&amp;#160;shows the emergence of two strands of textual innovation, both evolving from the new revolutionary consciousness: the remarkable political texts produced by Haitian revolutionary leaders Toussaint Louverture and Jean-Jacques Dessalines, and popular Creole poetry from anonymous courtesans in Saint-Domingue's libertine culture.&amp;#160;These textual forms,&amp;#160;though they differ from each other, both demonstrate the increasing cultural autonomy and literary voice of non-white populations in the colony at the time of revolution. Unschooled generals and courtesans, long presented as voiceless, are at last revealed to be legitimate speakers and authors.&lt;/p&gt;&lt;p&gt;These Haitian French and Creole texts have been neglected as a foundation of Afro-diasporic literature by former slaves in the Atlantic world for two reasons:&amp;#160;&amp;#160;because they do not fit the generic criteria of the slave narrative (which is rooted in the autobiographical experience of enslavement); and because they are mediated texts, relayed to the print-cultural Atlantic domain not by the speakers themselves, but by secretaries or refugee colonists.&amp;#160;&amp;#160;These texts challenge how we think about authorial voice, writing, print culture, and cultural autonomy in the context of the formerly enslaved, and demand that we reassess our historical understanding of the Haitian Independence and its relationship to an international world of contemporary readers.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846314971.jpeg" length="67385" type="image/jpeg" />
      <category>History: General History</category>
      <pubDate>Wed, 15 Feb 2012 06:00:00 GMT</pubDate>
      <author>Deborah Jenson</author>
      <guid isPermaLink="false">9781846314971</guid>
    </item>
    <item>
      <title>Gothic Science Fiction</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo13176581.html</link>
      <description>Gothic fiction’s focus on the irrational and supernatural would seem to conflict with science fiction’s rational foundations. However, as this novel collection demonstrates, the two categories often intersect in rich and revealing ways. Analyzing a range of works—including literature, film, graphic novels, and trading card games—from the past three decades through the lens of this hybrid genre, this volume examines their engagement with the era’s dramatic changes in communication technology, medical science, and personal and global politics.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;Gothic fiction&amp;rsquo;s focus on the irrational and supernatural would seem to conflict with science fiction&amp;rsquo;s rational foundations. However, as this novel collection demonstrates, the two categories often intersect in rich and revealing ways. Analyzing a range of works&amp;mdash;including literature, film, graphic novels, and trading card games&amp;mdash;from the past three decades through the lens of this hybrid genre, this volume examines their engagement with the era&amp;rsquo;s dramatic changes in communication technology, medical science, and personal and global politics.&amp;#160;&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317071.jpg" length="61758" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 15 Feb 2012 06:00:00 GMT</pubDate>
      <author>Sara Wasson; Emily Alder</author>
      <guid isPermaLink="false">9781846317071</guid>
    </item>
    <item>
      <title>German-Jewish Soldiers of the First World War in History and Memory</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo13176459.html</link>
      <description>Nearly one hundred thousand German Jews fought in World War I, and some twelve thousand of these soldiers lost their lives in battle. This book focuses on the multifaceted ways in which these soldiers have been remembered, as well as forgotten, from 1914 to the late 1970s. By examining Germany’s complex&amp;#160;and continually evolving memory culture, Tim Grady opens up a new approach to the study of German and German-Jewish history. In doing so, he draws out a narrative of entangled and overlapping relations between Jews and non-Jews during the short twentieth century, a story that extends past the Holocaust and into the Cold War.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;Nearly one hundred thousand German Jews fought in World War I, and some twelve thousand of these soldiers lost their lives in battle. This book focuses on the multifaceted ways in which these soldiers have been remembered, as well as forgotten, from 1914 to the late 1970s. By examining Germany&amp;rsquo;s complex&amp;#160;and continually evolving memory culture, Tim Grady opens up a new approach to the study of German and German-Jewish history. In doing so, he draws out a narrative of entangled and overlapping relations between Jews and non-Jews during the short twentieth century, a story that extends past the Holocaust and into the Cold War.&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846316609.jpg" length="46349" type="image/jpeg" />
      <category>History: European History</category>
      <pubDate>Wed, 01 Feb 2012 06:00:00 GMT</pubDate>
      <author>Tim Grady</author>
      <guid isPermaLink="false">9781846316609</guid>
    </item>
    <item>
      <title>Liverpool Playhouse</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo13175938.html</link>
      <description>Since its opening in 1911, Liverpool’s Playhouse has been inextricably linked to the history of the city in which it was built. The impetus to create it, Ros Merkin reveals in this chronicle of the oldest surviving repertory theater in Britain, grew out of the city’s new sense of civic pride and largesse in the early twentieth century. Her book asks both how the city has shaped the theater and what the theater has brought to the city, and along the way she dispels the myth that the Playhouse is Liverpool’s conservative theater, revealing that from its inception it was breaking new ground and issuing challenges.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;Since its opening in 1911, Liverpool&amp;rsquo;s Playhouse has been inextricably linked to the history of the city in which it was built. The impetus to create it, Ros Merkin reveals in this chronicle of the oldest surviving repertory theater in Britain, grew out of the city&amp;rsquo;s new sense of civic pride and largesse in the early twentieth century. Her book asks both how the city has shaped the theater and what the theater has brought to the city, and along the way she dispels the myth that the Playhouse is Liverpool&amp;rsquo;s conservative theater, revealing that from its inception it was breaking new ground and issuing challenges.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317477.jpg" length="58307" type="image/jpeg" />
      <category>History: European History</category>
      <pubDate>Wed, 01 Feb 2012 06:00:00 GMT</pubDate>
      <author>Ros Merkin</author>
      <guid isPermaLink="false">9781846317477</guid>
    </item>
    <item>
      <title>Postcolonial Poetics</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo13176188.html</link>
      <description>Responding to calls to focus on postcolonial literature’s literary qualities instead of merely its political content, this volume investigates the idiosyncrasies of postcolonial poetics. However, rather than privileging the literary at the expense of the political, the essays collected here analyze how texts use genre and form to offer multiple and distinct ways of responding to political and historical questions. By probing how different kinds of literary writing can blur with other discourses, the contributors offer key insights into postcolonial literature’s power to imagine alternative identities and societies.</description>
      <content:encoded>&lt;div&gt;Responding to calls to focus on postcolonial literature&amp;rsquo;s literary qualities instead of merely its political content, this volume investigates the idiosyncrasies of postcolonial poetics. However, rather than privileging the literary at the expense of the political, the essays collected here analyze how texts use genre and form to offer multiple and distinct ways of responding to political and historical questions. By probing how different kinds of literary writing can blur with other discourses, the contributors offer key insights into postcolonial literature&amp;rsquo;s power to imagine alternative identities and societies.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317453.jpg" length="99691" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 01 Feb 2012 06:00:00 GMT</pubDate>
      <author>Patrick Crowley; Jane Hiddleston</author>
      <guid isPermaLink="false">9781846317453</guid>
    </item>
    <item>
      <title>Building Peace in Northern Ireland</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo13176317.html</link>
      <description>Since the troubles began in the late 1960s, people in Northern Ireland have been working together to bring about a peaceful end to the conflict. Building Peace in Northern Irelandexamines the different forms of peace and reconciliation work that have taken place. Maria Power has brought together an international group of scholars to examine initiatives such as integrated education, faith-based peace building, cross-border cooperation, and women&amp;#8217;s activism, as well as the impact that government policy and European funding have had upon the development of peace and reconciliation organizations.</description>
      <content:encoded>&lt;div&gt;&lt;/div&gt;&lt;div&gt;Since the troubles began in the late 1960s, people in Northern Ireland have been working together to bring about a peaceful end to the conflict. &lt;i&gt;Building Peace in Northern Ireland&lt;/i&gt;&lt;/div&gt;&lt;div&gt;examines the different forms of peace and reconciliation work that have taken place. Maria Power has brought together an international group of scholars to examine initiatives such as integrated education, faith-based peace building, cross-border cooperation, and women&amp;#8217;s activism, as well as the impact that government policy and European funding have had upon the development of peace and reconciliation organizations. &lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846316593.jpg" length="40678" type="image/jpeg" />
      <category>History: European History</category>
      <category>Political Science: Diplomacy, Foreign Policy, and International Relations</category>
      <pubDate>Wed, 01 Feb 2012 06:00:00 GMT</pubDate>
      <author>Maria Power</author>
      <guid isPermaLink="false">9781846316593</guid>
    </item>
    <item>
      <title>Cultural Hijack</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo13175812.html</link>
      <description>Working in cities from Liverpool and Glasgow to Paris and New York, the interventionist artist transforms ordinary urban spaces, disrupting everyday life in ways that reinvent the way we encounter and experience art and compelling people to act and think differently about the world around them.&amp;#160;Providing incisive new insights into the work and life of the artist,Cultural Hijack&amp;#160;examines how these artists use the city as a playground, a stage, or an instrument for unsanctioned artworks, informal creative practices, activist interventions, and political actions. Drawing on a series of essays, personal testimonies, and original interviews from artists such as Tatsuro Bashi, BGL, Gelitin, Michael Rakowitz, and Krzysztof Wodiczko, this illuminating work enlarges our understanding of the creative process and how artists are developing new weapons in the arsenal of critical resistance, both emancipating and expanding the spaces of artistic and cultural production.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;Working in cities from Liverpool and Glasgow to Paris and New York, the interventionist artist transforms ordinary urban spaces, disrupting everyday life in ways that reinvent the way we encounter and experience art and compelling people to act and think differently about the world around them.&amp;#160;Providing incisive new insights into the work and life of the artist,&lt;i&gt;Cultural Hijack&lt;/i&gt;&amp;#160;examines how these artists use the city as a playground, a stage, or an instrument for unsanctioned artworks, informal creative practices, activist interventions, and political actions. Drawing on a series of essays, personal testimonies, and original interviews from artists such as Tatsuro Bashi, BGL, Gelitin, Michael Rakowitz, and Krzysztof Wodiczko, this illuminating work enlarges our understanding of the creative process and how artists are developing new weapons in the arsenal of critical resistance, both emancipating and expanding the spaces of artistic and cultural production.&amp;#160;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317514.jpg" length="82108" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Culture Studies</category>
      <pubDate>Wed, 01 Feb 2012 06:00:00 GMT</pubDate>
      <author>Ben Parry</author>
      <guid isPermaLink="false">9781846317514</guid>
    </item>
    <item>
      <title>Cuba's Wild East</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo13176060.html</link>
      <description>As a whole, Cuban history, culture, and art are often misconstrued with a heritage specific to Havana. In&amp;#160;Cuba’s Wild East, Peter Hulme attempts to right this wrong, focusing on the eastern region of the island and the specific fictions, poetries, locations, and histories that constitute a specific eastern culture. Examining a region with a rich insurgent and revolutionary history, Peter Hulme examines the stories of rebellion, heroism, and sacrifice that are so intimately tied to the places and sites that have now become part of a national pantheon, at the same time showing the international influence of US journalists and novelists whose presence in Cuban literature alongside native Cuban writers further defines the region as a place of encounter.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;As a whole, Cuban history, culture, and art are often misconstrued with a heritage specific to Havana. In&amp;#160;&lt;i&gt;Cuba&amp;rsquo;s Wild East&lt;/i&gt;, Peter Hulme attempts to right this wrong, focusing on the eastern region of the island and the specific fictions, poetries, locations, and histories that constitute a specific eastern culture. Examining a region with a rich insurgent and revolutionary history, Peter Hulme examines the stories of rebellion, heroism, and sacrifice that are so intimately tied to the places and sites that have now become part of a national pantheon, at the same time showing the international influence of US journalists and novelists whose presence in Cuban literature alongside native Cuban writers further defines the region as a place of encounter.&amp;#160;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/46/31/9781846317484.jpg" length="48938" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 01 Feb 2012 06:00:00 GMT</pubDate>
      <author>Peter Hulme</author>
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