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    <title>University of Chicago Press: New Titles from 'Amsterdam University Press'</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/RSS.xml</link>
    <description>The latest new books from 'Amsterdam University Press'</description>
    <language>en-us</language>
    <pubDate>Tue, 18 Jun 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Conflict of the Faculties</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15624931.html</link>
      <description>The Conflict of the Faculties looks at the emerging field of artistic research as a place of crossover between the artistic and academic worlds. Henk Borgdorff carefully examines how artistic research broadens and deepens traditional academic approaches to studying art, while observing the tension between the two disparate fields in terms of methods and practices.“Well-written and well-argued, this book will probably become a reference for many studies to come and required reading for anyone active in this domain.”—Frans-Willem Korsten, Erasmus University Rotterdam and Leiden University, the Netherlands</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;i&gt;The Conflict of the Faculties &lt;/i&gt;looks at the emerging field of artistic research as a place of crossover between the artistic and academic worlds. Henk Borgdorff carefully examines how artistic research broadens and deepens traditional academic approaches to studying art, while observing the tension between the two disparate fields in terms of methods and practices.&lt;/div&gt;&lt;div&gt;&amp;ldquo;Well-written and well-argued, this book will probably become a reference for many studies to come and required reading for anyone active in this domain.&amp;rdquo;&amp;mdash;Frans-Willem Korsten, Erasmus University Rotterdam and Leiden University, the Netherlands&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/87/28/9789087281670.jpg" length="28522" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>History: General History</category>
      <pubDate>Sat, 15 Jun 2013 05:00:00 GMT</pubDate>
      <author>Henk Borgdorff</author>
      <guid isPermaLink="false">9789087281670</guid>
    </item>
    <item>
      <title>Paris-Amsterdam Underground</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo16170394.html</link>
      <description>The postwar histories of Paris and Amsterdam have been significantly defined by the notion of the “underground” as both a material and metaphorical space. Examining the underground traffic between the two cities, this book interrogates the countercultural histories of Paris and Amsterdam in the mid to late-twentieth century. Shuttling between Paris and Amsterdam, as well as between postwar avant-gardism and twenty-first century global urbanism, this interdisciplinary book seeks to create a mirroring effect over the notion of the underground as a driving force in the making of the contemporary European city.</description>
      <content:encoded>&lt;div&gt;The postwar histories of Paris and Amsterdam have been significantly defined by the notion of the &amp;ldquo;underground&amp;rdquo; as both a material and metaphorical space. Examining the underground traffic between the two cities, this book interrogates the countercultural histories of Paris and Amsterdam in the mid to late-twentieth century. Shuttling between Paris and Amsterdam, as well as between postwar avant-gardism and twenty-first century global urbanism, this interdisciplinary book seeks to create a mirroring effect over the notion of the underground as a driving force in the making of the contemporary European city.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089645050.jpg" length="46732" type="image/jpeg" />
      <category>Sociology: Urban and Rural Sociology</category>
      <pubDate>Sat, 15 Jun 2013 05:00:00 GMT</pubDate>
      <author>Christoph Lindner; Andrew Hussey</author>
      <guid isPermaLink="false">9789089645050</guid>
    </item>
    <item>
      <title>Preserving and Exhibiting Media Art</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo14545096.html</link>
      <description>This vibrantly illustrated introduction to the emerging field of the  preservation and presentation of media art brings together the  contributions of authors from all over Europe and the United States.  This&amp;#160;volume can serve as a textbook for students in advanced degree  programs in media art and museum studies, as well as an invaluable  introduction for general readers. A potent combination of incisive  scholarly articles and focused case studies, Preserving and Exhibiting Media Art offers a comprehensive overview of the history, theory, and practical skills of preserving media art.</description>
      <content:encoded>&lt;div&gt;This vibrantly illustrated introduction to the emerging field of the  preservation and presentation of media art brings together the  contributions of authors from all over Europe and the United States.  This&amp;#160;volume can serve as a textbook for students in advanced degree  programs in media art and museum studies, as well as an invaluable  introduction for general readers. A potent combination of incisive  scholarly articles and focused case studies, &lt;i&gt;Preserving and Exhibiting Media Art &lt;/i&gt;offers a comprehensive overview of the history, theory, and practical skills of preserving media art.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089642912.jpg" length="56862" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Film Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Vinzenz Hediger; Barbara Le Maitre; Julia Noordegraaf; Cosetta G. Saba</author>
      <guid isPermaLink="false">9789089642912</guid>
    </item>
    <item>
      <title>Local Portraiture</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo14376668.html</link>
      <description>This thoughtfully and  meticulously researched book explores the work of indigenous Iranian  photographers and the way in which their photographs reflect their  society and surroundings. In order to highlight how photography reflects  local culture, Carmen P&amp;eacute;rez Gonz&amp;aacute;lez, a photographer herself, offers a  comparative visual analysis of nineteenth-century Iranian photographs  and paintings created during the same time period and in the same place  in order to show that aesthetic preferences are rooted in the  socio-cultural habits of artists. &amp;nbsp;This lushly illustrated book  is a testimony to the unique power and historical value of photographic  portraits and their enduring power to capture local realities.</description>
      <content:encoded>&lt;div&gt;This thoughtfully and  meticulously researched book explores the work of indigenous Iranian  photographers and the way in which their photographs reflect their  society and surroundings. In order to highlight how photography reflects  local culture, Carmen P&amp;eacute;rez Gonz&amp;aacute;lez, a photographer herself, offers a  comparative visual analysis of nineteenth-century Iranian photographs  and paintings created during the same time period and in the same place  in order to show that aesthetic preferences are rooted in the  socio-cultural habits of artists. &lt;i&gt;&amp;nbsp;&lt;/i&gt;This lushly illustrated book  is a testimony to the unique power and historical value of photographic  portraits and their enduring power to capture local realities. &lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/87/28/9789087281564.jpg" length="48096" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>History: Middle Eastern History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Carmen Pérez González</author>
      <guid isPermaLink="false">9789087281564</guid>
    </item>
    <item>
      <title>David Gorlæus (1591-1612)</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo15623039.html</link>
      <description>When David Gorl&amp;aelig;us, a prospective theology student, passed away tragically at twenty-one years old, he left behind two highly innovative manuscripts, which were published posthumously in 1620 and 1651, respectively. As his identity was unknown, seventeenth-century readers understood him both as an anti-Aristotelian thinker and a precursor of Descartes. In contrast, by the twentieth century, historians depicted him as an atomist, natural scientist, and even a chemist. David Gorl&amp;aelig;us (1591–1612) seeks to pull together what is known of this enigmatic figure. Combining multiple historical sources, Christoph L&amp;uuml;thy provides a narrative of Gorl&amp;aelig;us’s life that casts light on his exceptional body of work and places it firmly at the intersection between philosophy, the nascent natural sciences, and theology.  “Christoph L&amp;uuml;thy is the first to tell the complete story of David Gorl&amp;aelig;us and to reconstruct his image on the basis of all remaining sources. Showing in a convincing way that Gorl&amp;aelig;us is one of the key figures in the renewal of atomistic philosophy in the seventeenth century and a major influence on many philosophers that are much better known, he leaves us with the melancholy picture of someone who died too young to become one of the heroes of the scientific revolution.”—Theo Verbeek, Utrecht University</description>
      <content:encoded>&lt;div&gt; &lt;div&gt;When David Gorl&amp;aelig;us, a prospective theology student, passed away tragically at twenty-one years old, he left behind two highly innovative manuscripts, which were published posthumously in 1620 and 1651, respectively. As his identity was unknown, seventeenth-century readers understood him both as an anti-Aristotelian thinker and a precursor of Descartes. In contrast, by the twentieth century, historians depicted him as an atomist, natural scientist, and even a chemist. &lt;i&gt;David Gorl&amp;aelig;us (1591&amp;ndash;1612)&lt;/i&gt; seeks to pull together what is known of this enigmatic figure. Combining multiple historical sources, Christoph L&amp;uuml;thy provides a narrative of Gorl&amp;aelig;us&amp;rsquo;s life that casts light on his exceptional body of work and places it firmly at the intersection between philosophy, the nascent natural sciences, and theology.&lt;br /&gt; &lt;br /&gt; &amp;ldquo;Christoph L&amp;uuml;thy is the first to tell the complete story of David Gorl&amp;aelig;us and to reconstruct his image on the basis of all remaining sources. Showing in a convincing way that Gorl&amp;aelig;us is one of the key figures in the renewal of atomistic philosophy in the seventeenth century and a major influence on many philosophers that are much better known, he leaves us with the melancholy picture of someone who died too young to become one of the heroes of the scientific revolution.&amp;rdquo;&amp;mdash;Theo Verbeek, Utrecht University&lt;/div&gt; &lt;/div&gt;</content:encoded>
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      <category>Biography and Letters</category>
      <category>History: European History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Christoph Lüthy</author>
      <guid isPermaLink="false">9789089644381</guid>
    </item>
    <item>
      <title>Tantalisingly Close</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/T/bo13245934.html</link>
      <description>In this important new study, Imar de Vries take a historical and comparative approach in researching our intimate relationship with present-day mobile wireless technologies. By analyzing the full range of human expectations and behavior in regard to mobile devices, de Vries looks at how wireless gadgets have changed our ideas about communication, while at the same time he demonstrates how modern technology surprisingly repeats the patterns of older media. Applying a far-reaching and archaeological perspective to communication media, Tantalisingly Close looks at human desire to connect and the way that it has both shaped and been shaped by technology, past and present.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;&lt;div&gt;In this important new study, Imar de Vries take a historical and comparative approach in researching our intimate relationship with present-day mobile wireless technologies. By analyzing the full range of human expectations and behavior in regard to mobile devices, de Vries looks at how wireless gadgets have changed our ideas about communication, while at the same time he demonstrates how modern technology surprisingly repeats the patterns of older media. Applying a far-reaching and archaeological perspective to communication media, &lt;i&gt;Tantalisingly Close &lt;/i&gt;looks at human desire to connect and the way that it has both shaped and been shaped by technology, past and present.&lt;/div&gt;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089643544.jpg" length="74984" type="image/jpeg" />
      <category>Media Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Imar De Vries</author>
      <guid isPermaLink="false">9789089643544</guid>
    </item>
    <item>
      <title>Turkish and Moroccan Second Generation and Their Comparison Group Peers in Amsterdam and Rotterdam</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/T/bo13305709.html</link>
      <description>This report provides technical information from a study on the lives of the second generation of Turkish and Moroccan immigrants in the Netherlands today. Respondents provided detailed information on cultural, social, and economic aspects of integration in Dutch society. This report has a methodological focus and is important to those wishing to further explore the collected data and examine aspects of the survey’s design and implementation.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;&lt;div&gt;&lt;div&gt;This report provides technical information from a study on the lives of the second generation of Turkish and Moroccan immigrants in the Netherlands today. Respondents provided detailed information on cultural, social, and economic aspects of integration in Dutch society. This report has a methodological focus and is important to those wishing to further explore the collected data and examine aspects of the survey&amp;rsquo;s design and implementation. &lt;/div&gt;&lt;/div&gt;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/85/55/9789085550549.jpg" length="58703" type="image/jpeg" />
      <category>Culture Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nienke E. Hornstra; George Groenewold; Laurence Lessard-Phillips</author>
      <guid isPermaLink="false">9789085550549</guid>
    </item>
    <item>
      <title>Drama as Text and Performance</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo15625182.html</link>
      <description>This book is a study of August Strindberg’s famous drama Miss Julie, presented in both Swedish and English. Since it was first performed in 1888, Miss Julie has became one of the most successful plays written by Strindberg, widely considered one of the pioneers of modern drama. The book provides a penetrating analysis of the author’s text, followed by a close investigation of Ingmar Bergman’s much lauded 1985 production at the Royal Dramatic Theatre in Stockholm. Drama as Text and Performance is intended as a paradigmatic illustration of similarities and differences between the two media—textand performance and their recipients, readers and spectators.</description>
      <content:encoded>&lt;div&gt;This book is a study of August Strindberg&amp;rsquo;s famous drama &lt;i&gt;Miss Julie, &lt;/i&gt;presented in both Swedish and English. Since it was first performed in 1888, &lt;i&gt;Miss Julie &lt;/i&gt;has became one of the most successful plays written by Strindberg, widely considered one of the pioneers of modern drama. The book provides a penetrating analysis of the author&amp;rsquo;s text, followed by a close investigation of Ingmar Bergman&amp;rsquo;s much lauded 1985 production at the Royal Dramatic Theatre in Stockholm. &lt;i&gt;Drama as Text and Performance &lt;/i&gt;is intended as a paradigmatic illustration of similarities and differences between the two media&amp;mdash;textand performance and their recipients, readers and spectators.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/85/55/9789085550686.jpg" length="54005" type="image/jpeg" />
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Egil Törnqvist</author>
      <guid isPermaLink="false">9789085550686</guid>
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      <title>Gender, Generations and the Family in International Migration</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo12379155.html</link>
      <description>Family-related migration is moving to the center of political debates on migration, integration, and multiculturalism in Europe. Still, strands of academic research on family migrations and migrant families remain separate from—and sometimes ignorant of—each other. This volume seeks to bridge the disciplinary divide. Collectively, the authors address the need to better understand the diversity of family-related migration and its resulting family forms and practices, to question simplistic assumptions about migrant families in public discourse, to study family migration from a mix of disciplinary perspectives, and to acknowledge the state’s role in shaping family-related migration, practices, and lives.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;Family-related migration is moving to the center of political debates on migration, integration, and multiculturalism in Europe. Still, strands of academic research on family migrations and migrant families remain separate from&amp;mdash;and sometimes ignorant of&amp;mdash;each other. This volume seeks to bridge the disciplinary divide. Collectively, the authors address the need to better understand the diversity of family-related migration and its resulting family forms and practices, to question simplistic assumptions about migrant families in public discourse, to study family migration from a mix of disciplinary perspectives, and to acknowledge the state&amp;rsquo;s role in shaping family-related migration, practices, and lives.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089642851.jpeg" length="19012" type="image/jpeg" />
      <category>Political Science: Public Policy</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Albert Kraler; Eleonore Kofman; Martin Kohli; Camille Schmoll</author>
      <guid isPermaLink="false">9789089642851</guid>
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      <title>Making of the Humanities</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15626458.html</link>
      <description>While it is clear that around 1800 the humanities as a discipline rose to prominence, it is less clear what the exact nature of this shift in academia was. Was it a sudden revolution caused by a momentary but powerful change in the zeitgeist or the turning point of a much longer process? In this volume, the editors have selected a series of essays that look at the origins of the humanities and find that long before 1800 the concept of the humanities was already at the fore. The shift around 1800 was thus mostly institutional, not theoretical. The Making of the Humanities traces this new finding through a broad range of disciplines including literary theory, linguistics, art history, and musicology.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;While it is clear that around 1800 the humanities as a discipline rose to prominence, it is less clear what the exact nature of this shift in academia was. Was it a sudden revolution caused by a momentary but powerful change in the zeitgeist or the turning point of a much longer process? In this volume, the editors have selected a series of essays that look at the origins of the humanities and find that long before 1800 the concept of the humanities was already at the fore. The shift around 1800 was thus mostly institutional, not theoretical. &lt;i&gt;The Making of the Humanities &lt;/i&gt;traces this new finding through a broad range of disciplines including literary theory, linguistics, art history, and musicology.&lt;/div&gt;&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089644558.jpg" length="25147" type="image/jpeg" />
      <category>History: European History</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Rens Bod; Jaap Maat; Thijs Weststeijn</author>
      <guid isPermaLink="false">9789089644558</guid>
    </item>
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      <title>Figuring the Past</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo14545926.html</link>
      <description>This innovative analysis of period film presents a new way to examine  the ways in which contemporary cinema recreates the historical past.  Exploring the relationship between visual motifs and cultural  representation, Figuring the Past is a selection of detailed case  studies that explore three key figures—the house, the tableau, and the  letter. Belen Vidal proposes a new aesthetic framework for the study of  period film, looking at a number of important auteurs in the genre,  including James Ivory, Martin Scorsese, and Jane Campion. This  handsomely illustrated book seeks to position this popular but often  understudied genre in its proper place within the academic discipline of  cinema studies.</description>
      <content:encoded>&lt;div&gt;This innovative analysis of period film presents a new way to examine  the ways in which contemporary cinema recreates the historical past.  Exploring the relationship between visual motifs and cultural  representation, &lt;i&gt;Figuring the Past &lt;/i&gt;is a selection of detailed case  studies that explore three key figures&amp;mdash;the house, the tableau, and the  letter. Belen Vidal proposes a new aesthetic framework for the study of  period film, looking at a number of important auteurs in the genre,  including James Ivory, Martin Scorsese, and Jane Campion. This  handsomely illustrated book seeks to position this popular but often  understudied genre in its proper place within the academic discipline of  cinema studies. &lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089642820.jpg" length="60850" type="image/jpeg" />
      <category>Film Studies</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Belén Vidal</author>
      <guid isPermaLink="false">9789089642820</guid>
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    <item>
      <title>Holocaust and Other Genocides</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/H/bo16170247.html</link>
      <description>After the unthinkable horrors of the Holocaust, the United Nations signed the Genocide Convention in 1948. Although this convention aimed for the prevention of genocide in the future, large-scale mass murder nonetheless returned in Rwanda and Cambodia, among other nations. Genocide is incredibly difficult to fight, as its causes are complex and deeply rooted, but international courts and tribunals have begun to play an increasing role in bringing perpetrators to justice. This book offers concise information about five twentieth-century cases of genocide, while analyzing overarching issues in international justice. &amp;#160;</description>
      <content:encoded>&lt;div&gt;After the unthinkable horrors of the Holocaust, the United Nations signed the Genocide Convention in 1948. Although this convention aimed for the prevention of genocide in the future, large-scale mass murder nonetheless returned in Rwanda and Cambodia, among other nations. Genocide is incredibly difficult to fight, as its causes are complex and deeply rooted, but international courts and tribunals have begun to play an increasing role in bringing perpetrators to justice. This book offers concise information about five twentieth-century cases of genocide, while analyzing overarching issues in international justice. &amp;#160;&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089643810.jpg" length="33130" type="image/jpeg" />
      <category>History: General History</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Maria van Haperen</author>
      <guid isPermaLink="false">9789089643810</guid>
    </item>
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      <title>Introduction to International Migration Studies</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/I/bo15625619.html</link>
      <description>This essential volume is the second published in the textbook series of the International Migration and Social Cohesion Research Network. The editors have assembled a comprehensive collection of twenty-five classic papers that have had a lasting impact on studies of international migration and immigrant integration in Europe. The contributors discuss migration studies in the context of both history and theory as their base point, presenting a broad range of central topics in an accessible textbook format.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;This essential volume is the second published in the textbook series of the International Migration and Social Cohesion Research Network. The editors have assembled a comprehensive collection of twenty-five classic papers that have had a lasting impact on studies of international migration and immigrant integration in Europe. The contributors discuss migration studies in the context of both history and theory as their base point, presenting a broad range of central topics in an accessible textbook format.&lt;/div&gt;&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089644565.jpg" length="34029" type="image/jpeg" />
      <category>Sociology: General Sociology</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Marco Martiniello; Jan Rath</author>
      <guid isPermaLink="false">9789089644565</guid>
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      <title>True History Full of Romance</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/T/bo16292432.html</link>
      <description>In this important study, Marga Altena offers a fascinating overview of racial politics in the Netherlands during the late nineteenth century and first half of the twentieth century through three case studies of real-life multiracial couples from different socioeconomic classes and geographic regions. With particular care paid to the way news and visual media portrayed these couples, Altena has created a highly readable narrative that represents its protagonists not simply as victims of racial prejudice, but also as agents in their own self-representation. Complete with stunning images, A True History Full of Romance sheds light on a rarely explored, but undeniably fascinating aspect of Dutch history.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;In this important study, Marga Altena offers a fascinating overview of racial politics in the Netherlands during the late nineteenth century and first half of the twentieth century through three case studies of real-life multiracial couples from different socioeconomic classes and geographic regions. With particular care paid to the way news and visual media portrayed these couples, Altena has created a highly readable narrative that represents its protagonists not simply as victims of racial prejudice, but also as agents in their own self-representation. Complete with stunning images, &lt;i&gt;A True History Full of Romance &lt;/i&gt;sheds light on a rarely explored, but undeniably fascinating aspect of Dutch history.&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089644251.jpg" length="84704" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: European History</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Marga Altena</author>
      <guid isPermaLink="false">9789089644251</guid>
    </item>
    <item>
      <title>Science 3.0</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15624713.html</link>
      <description>When people think of a scientist, they often think of someone who has his or her head in the clouds, motivated by an entirely untainted desire for the pursuit of knowledge and truth. In Science 3.0, Frank Miedema casts aside these beliefs about scientists as needlessly na&amp;iuml;ve, and instead suggests that we rebuild our idea of the sciences, particularly the life sciences, with today’s economic reality in mind.This book is a frank discussion of the impact of external forces on the sciences, dealing with topics as diverse as social media for the scientist, the role of academic independence, and the tension between university and business. Miedema also shows the way science shapes both economic and social progress in modern society, and how increasing pressure to solve real-world problems has forced scientists out of the ivory tower and into the corporate world. Sharply observed and exceptionally well-researched, Science 3.0 provides scientists with a powerful overview of their field that is singular in its candor and breadth. &amp;#160;</description>
      <content:encoded>&lt;div&gt;When people think of a scientist, they often think of someone who has his or her head in the clouds, motivated by an entirely untainted desire for the pursuit of knowledge and truth. In &lt;i&gt;Science 3.0&lt;/i&gt;, Frank Miedema casts aside these beliefs about scientists as needlessly na&amp;iuml;ve, and instead suggests that we rebuild our idea of the sciences, particularly the life sciences, with today&amp;rsquo;s economic reality in mind.&lt;/div&gt;&lt;div&gt;This book is a frank discussion of the impact of external forces on the sciences, dealing with topics as diverse as social media for the scientist, the role of academic independence, and the tension between university and business. Miedema also shows the way science shapes both economic and social progress in modern society, and how increasing pressure to solve real-world problems has forced scientists out of the ivory tower and into the corporate world. Sharply observed and exceptionally well-researched, &lt;i&gt;Science 3.0 &lt;/i&gt;provides scientists with a powerful overview of their field that is singular in its candor and breadth. &amp;#160;&lt;/div&gt;&lt;br&gt;</content:encoded>
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      <category>Biological Sciences : Anatomy : Behavioral Biology : Biochemistry : Biology--Systematics : Botany : Conservation : Ecology : Evolutionary Biology : Microbiology : Natural History : Paleobiology, Geology, and Paleontology : Physiology, Biomechanics, and Morphology : Tropical Biology and Conservation</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Frank Miedema</author>
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      <title>Syntax of Dutch</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15627382.html</link>
      <description>Syntax of Dutch presents a synthesis of formal linguistic  research of the Dutch language from over forty years of scholarship. It  is primarily concerned with language description, and provides support  to all researchers interested in matters relating to the syntax of  Dutch. These volumes provide a dense yet highly organized description of  the internal structure of the noun phrase as well as its external  distribution within the clause. These works are written with a  directness and lucidity that makes it accessible to linguists of all  kinds, including advanced students.&amp;#160;This work, which will be published in  seven volumes total in the period 2012–2016, is an essential addition to the  library of any linguist working with Dutch.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Syntax of Dutch &lt;/i&gt;presents a synthesis of formal linguistic  research of the Dutch language from over forty years of scholarship. It  is primarily concerned with language description, and provides support  to all researchers interested in matters relating to the syntax of  Dutch. These volumes provide a dense yet highly organized description of  the internal structure of the noun phrase as well as its external  distribution within the clause. These works are written with a  directness and lucidity that makes it accessible to linguists of all  kinds, including advanced students.&amp;#160;This work, which will be published in  seven volumes total in the period 2012&amp;ndash;2016, is an essential addition to the  library of any linguist working with Dutch.&lt;/div&gt;</content:encoded>
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      <category>Language and Linguistics: Syntax and Semantics</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Hans Broekhuis; Evelien Keizer</author>
      <guid isPermaLink="false">9789089644602</guid>
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    <item>
      <title>Syntax of Dutch</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15628154.html</link>
      <description>Syntax of Dutch presents a synthesis of formal linguistic research of the Dutch language from over forty years of scholarship. It is primarily concerned with language description, and provides support to all researchers interested in matters relating to the syntax of Dutch. These volumes provide a dense yet highly organized description of the internal structure of the noun phrase as well as its external distribution within the clause. These works are written with a directness and lucidity that makes it accessible to linguists of all kinds, including advanced students.&amp;#160;This work, which will published in seven volumes in the period 2012–2016, is an essential addition to the library of any linguist working with Dutch.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;i&gt;Syntax of Dutch &lt;/i&gt;presents a synthesis of formal linguistic research of the Dutch language from over forty years of scholarship. It is primarily concerned with language description, and provides support to all researchers interested in matters relating to the syntax of Dutch. These volumes provide a dense yet highly organized description of the internal structure of the noun phrase as well as its external distribution within the clause. These works are written with a directness and lucidity that makes it accessible to linguists of all kinds, including advanced students.&amp;#160;This work, which will published in seven volumes in the period 2012&amp;ndash;2016, is an essential addition to the library of any linguist working with Dutch.&lt;/div&gt;&lt;br&gt;&lt;/div&gt;</content:encoded>
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      <category>Language and Linguistics: Syntax and Semantics</category>
      <pubDate>Fri, 15 Mar 2013 05:00:00 GMT</pubDate>
      <author>Hans Broekhuis; Marcel den Dikken</author>
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