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    <title>University of Chicago Press Books: New books</title>
    <link>http://www.press.uchicago.edu/ucp/rss/books/newBooksRSS.xml</link>
    <description>The latest scholarly and general books from the University of Chicago Press.</description>
    <language>en-us</language>
    <pubDate>Fri, 24 May 2013 05:00:00 GMT</pubDate>
    <ttl>1440</ttl>
    <item>
      <title>Demands of the Day</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo15417744.html</link>
      <description>Demands of the Day asks about the logical standards and forms that should guide ethical and experimental anthropology in the twenty-first century. Anthropologists Paul Rabinow and Anthony Stavrianakis do so by taking up Max Weber’s notion of the “demands of the day.” Just as the demand of the day for anthropology decades ago consisted of thinking about fieldwork, today, they argue, the demand is to examine what happens after, how the experiences of fieldwork are gathered, curated, narrated, and ultimately made available for an anthropological practice that moves beyond mere ethnographic description.  Rabinow and Stavrianakis draw on experiences from an innovative set of anthropological experiments that investigated how and whether the human and biological sciences could be brought into a mutually enriching relationship. Conceptualizing the anthropological and philosophic ramifications of these inquiries, they offer a bold challenge to contemporary anthropology to undertake a more rigorous examination of its own practices, blind spots, and capacities, in order to meet the demands of our day.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Demands of the Day&lt;/i&gt; asks about the logical standards and forms that should guide ethical and experimental anthropology in the twenty-first century. Anthropologists Paul Rabinow and Anthony Stavrianakis do so by taking up Max Weber&amp;rsquo;s notion of the &amp;ldquo;demands of the day.&amp;rdquo; Just as the demand of the day for anthropology decades ago consisted of thinking about fieldwork, today, they argue, the demand is to examine what happens &lt;i&gt;after&lt;/i&gt;, how the experiences of fieldwork are gathered, curated, narrated, and ultimately made available for an anthropological practice that moves beyond mere ethnographic description.&lt;br /&gt; &lt;br /&gt; Rabinow and Stavrianakis draw on experiences from an innovative set of anthropological experiments that investigated how and whether the human and biological sciences could be brought into a mutually enriching relationship. Conceptualizing the anthropological and philosophic ramifications of these inquiries, they offer a bold challenge to contemporary anthropology to undertake a more rigorous examination of its own practices, blind spots, and capacities, in order to meet the demands of our day.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226036915.jpeg" length="27496" type="image/jpeg" />
      <category>Anthropology: General Anthropology</category>
      <category>History of Science</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Thu, 23 May 2013 05:00:00 GMT</pubDate>
      <author>Paul Rabinow; Anthony Stavrianakis</author>
      <guid isPermaLink="false">9780226036885</guid>
    </item>
    <item>
      <title>Planning the Home Front</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15288636.html</link>
      <description>Before Franklin Roosevelt declared December 7 to be a “date which  will live in infamy”; before American soldiers landed on D-Day; before  the B-17s, B-24s, and B-29s roared over Europe and Asia, there was  Willow Run. Located twenty-five miles west of Detroit, the bomber plant  at Willow Run and the community that grew up around it attracted tens of  thousands of workers from across the United States during World War II.  Together, they helped build the nation’s “Arsenal of Democracy,” but  Willow Run also became the site of repeated political conflicts over how  to build suburbia while mobilizing for total war.  In Planning the Home Front,  Sarah Jo Peterson offers readers a portrait of the American  people—industrialists and labor leaders, federal officials and municipal  leaders, social reformers, industrial workers, and their families—that  lays bare the foundations of community, the high costs of racism, and  the tangled process of negotiation between New Deal visionaries and  wartime planners. By tying the history of suburbanization to that of the  home front, Peterson uncovers how the United States planned and built  industrial regions in the pursuit of war, setting the stage for the  suburban explosion that would change the American landscape when the war  was won.</description>
      <content:encoded>&lt;div&gt;Before Franklin Roosevelt declared December 7 to be a &amp;ldquo;date which  will live in infamy&amp;rdquo;; before American soldiers landed on D-Day; before  the B-17s, B-24s, and B-29s roared over Europe and Asia, there was  Willow Run. Located twenty-five miles west of Detroit, the bomber plant  at Willow Run and the community that grew up around it attracted tens of  thousands of workers from across the United States during World War II.  Together, they helped build the nation&amp;rsquo;s &amp;ldquo;Arsenal of Democracy,&amp;rdquo; but  Willow Run also became the site of repeated political conflicts over how  to build suburbia while mobilizing for total war. &lt;/div&gt; &lt;p&gt;In &lt;i&gt;Planning the Home Front&lt;/i&gt;,  Sarah Jo Peterson offers readers a portrait of the American  people&amp;mdash;industrialists and labor leaders, federal officials and municipal  leaders, social reformers, industrial workers, and their families&amp;mdash;that  lays bare the foundations of community, the high costs of racism, and  the tangled process of negotiation between New Deal visionaries and  wartime planners. By tying the history of suburbanization to that of the  home front, Peterson uncovers how the United States planned and built  industrial regions in the pursuit of war, setting the stage for the  suburban explosion that would change the American landscape when the war  was won.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226025421.jpeg" length="26334" type="image/jpeg" />
      <category>Geography: Urban Geography</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <pubDate>Wed, 22 May 2013 05:00:00 GMT</pubDate>
      <author>Sarah Jo Peterson</author>
      <guid isPermaLink="false">9780226025421</guid>
    </item>
    <item>
      <title>Literary Miniatures</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo15701787.html</link>
      <description>Selected from the pages of Le Monde, the interviews conducted by Florence Noiville are unequaled in literary journalism. In Literary Miniatures,  Noiville captures the words and views of some of the best known writers  of the twentieth century, engaging luminaries like Saul Bellow, Nadine  Gordimer, Aharon Appelfeld, and A. S. Byatt in revealing dialogue. In  this collection, Noiville converses with Don DeLillo, reasons with Adolfo  Bioy Casares, passes the time with Milan Kundera, and gently  interrogates John Le Carr&amp;eacute;.Fluent in many languages,  Noiville conducted a number of these interviews in the subject’s native  language, engaging these extraordinary writers on their own terms.  Inimitably intimate, the interviews are a window through which readers  can come to know the writers behind some of the greatest works of  literature of the last one hundred years. Sure to delight lovers of  literature and biography, this book is the perfect expression of  the art of the interview and a priceless artifact for enthusiasts and  scholars alike.</description>
      <content:encoded>&lt;div&gt;Selected from the pages of &lt;i&gt;Le Monde&lt;/i&gt;, the interviews conducted by Florence Noiville are unequaled in literary journalism. In&lt;i&gt; Literary Miniatures&lt;/i&gt;,  Noiville captures the words and views of some of the best known writers  of the twentieth century, engaging luminaries like Saul Bellow, Nadine  Gordimer, Aharon Appelfeld, and A. S. Byatt in revealing dialogue. In  this collection, Noiville converses with Don DeLillo, reasons with Adolfo  Bioy Casares, passes the time with Milan Kundera, and gently  interrogates John Le Carr&amp;eacute;.&lt;/div&gt;&lt;br&gt;&lt;br&gt;&lt;div&gt;Fluent in many languages,  Noiville conducted a number of these interviews in the subject&amp;rsquo;s native  language, engaging these extraordinary writers on their own terms.  Inimitably intimate, the interviews are a window through which readers  can come to know the writers behind some of the greatest works of  literature of the last one hundred years. Sure to delight lovers of  literature and biography, this book is the perfect expression of  the art of the interview and a priceless artifact for enthusiasts and  scholars alike.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857421067.jpg" length="91334" type="image/jpeg" />
      <category>Literature and Literary Criticism : African Languages : American and Canadian Literature : Asian Languages : British and Irish Literature : Classical Languages : Dramatic Works : Fiction : General Criticism and Critical Theory : Germanic Languages : Humor : Poetry : Romance Languages : Slavic Languages</category>
      <pubDate>Wed, 22 May 2013 05:00:00 GMT</pubDate>
      <author>Florence Noiville; Teresa Lavender Fagan</author>
      <guid isPermaLink="false">9780857421067</guid>
    </item>
    <item>
      <title>Demands of the Day</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo15417744.html</link>
      <description>Demands of the Day asks about the logical standards and forms that should guide ethical and experimental anthropology in the twenty-first century. Anthropologists Paul Rabinow and Anthony Stavrianakis do so by taking up Max Weber’s notion of the “demands of the day.” Just as the demand of the day for anthropology decades ago consisted of thinking about fieldwork, today, they argue, the demand is to examine what happens after, how the experiences of fieldwork are gathered, curated, narrated, and ultimately made available for an anthropological practice that moves beyond mere ethnographic description.  Rabinow and Stavrianakis draw on experiences from an innovative set of anthropological experiments that investigated how and whether the human and biological sciences could be brought into a mutually enriching relationship. Conceptualizing the anthropological and philosophic ramifications of these inquiries, they offer a bold challenge to contemporary anthropology to undertake a more rigorous examination of its own practices, blind spots, and capacities, in order to meet the demands of our day.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Demands of the Day&lt;/i&gt; asks about the logical standards and forms that should guide ethical and experimental anthropology in the twenty-first century. Anthropologists Paul Rabinow and Anthony Stavrianakis do so by taking up Max Weber&amp;rsquo;s notion of the &amp;ldquo;demands of the day.&amp;rdquo; Just as the demand of the day for anthropology decades ago consisted of thinking about fieldwork, today, they argue, the demand is to examine what happens &lt;i&gt;after&lt;/i&gt;, how the experiences of fieldwork are gathered, curated, narrated, and ultimately made available for an anthropological practice that moves beyond mere ethnographic description.&lt;br /&gt; &lt;br /&gt; Rabinow and Stavrianakis draw on experiences from an innovative set of anthropological experiments that investigated how and whether the human and biological sciences could be brought into a mutually enriching relationship. Conceptualizing the anthropological and philosophic ramifications of these inquiries, they offer a bold challenge to contemporary anthropology to undertake a more rigorous examination of its own practices, blind spots, and capacities, in order to meet the demands of our day.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226036915.jpeg" length="27496" type="image/jpeg" />
      <category>Anthropology: General Anthropology</category>
      <category>History of Science</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Wed, 22 May 2013 05:00:00 GMT</pubDate>
      <author>Paul Rabinow; Anthony Stavrianakis</author>
      <guid isPermaLink="false">9780226036915</guid>
    </item>
    <item>
      <title>Trying Biology</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15288701.html</link>
      <description>In Trying Biology, Adam R. Shapiro convincingly dispels many conventional assumptions about the 1925 Scopes “monkey” trial. Most view it as an event driven primarily by a conflict between science and religion. Countering this, Shapiro shows the importance of timing: the Scopes trial occurred at a crucial moment in the history of biology textbook publishing, education reform in Tennessee, and progressive school reform across the country. He places the trial in this broad context—alongside American Protestant antievolution sentiment—and in doing so sheds new light on the trial and the historical relationship of science and religion in America.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;For the first time we see how religious objections to evolution became a prevailing concern to the American textbook industry even before the Scopes trial began. Shapiro explores both the development of biology textbooks leading up to the trial and the ways in which the textbook industry created new books and presented them as “responses” to the trial. Today, the controversy continues over textbook warning labels, making Shapiro’s study—particularly as it plays out in one of America’s most famous trials—an original contribution to a timely discussion.</description>
      <content:encoded>&lt;div&gt;In &lt;i&gt;Trying Biology&lt;/i&gt;, Adam R. Shapiro convincingly dispels many conventional assumptions about the 1925 Scopes &amp;ldquo;monkey&amp;rdquo; trial. Most view it as an event driven primarily by a conflict between science and religion. Countering this, Shapiro shows the importance of timing: the Scopes trial occurred at a crucial moment in the history of biology textbook publishing, education reform in Tennessee, and progressive school reform across the country. He places the trial in this broad context&amp;mdash;alongside American Protestant antievolution sentiment&amp;mdash;and in doing so sheds new light on the trial and the historical relationship of science and religion in America.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;For the first time we see how religious objections to evolution became a prevailing concern to the American textbook industry even before the Scopes trial began. Shapiro explores both the development of biology textbooks leading up to the trial and the ways in which the textbook industry created new books and presented them as &amp;ldquo;responses&amp;rdquo; to the trial. Today, the controversy continues over textbook warning labels, making Shapiro&amp;rsquo;s study&amp;mdash;particularly as it plays out in one of America&amp;rsquo;s most famous trials&amp;mdash;an original contribution to a timely discussion.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226029597.jpeg" length="17890" type="image/jpeg" />
      <category>History: American History</category>
      <category>History of Science</category>
      <category>Law and Legal Studies: Legal History</category>
      <category>Library Science and Publishing: Publishing</category>
      <category>Religion: Religion and Society</category>
      <pubDate>Tue, 21 May 2013 05:00:00 GMT</pubDate>
      <author>Adam R. Shapiro</author>
      <guid isPermaLink="false">9780226029450</guid>
    </item>
    <item>
      <title>Out of Many, One</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/O/bo15507491.html</link>
      <description>Feared by conservatives and embraced by liberals when he entered the White House, Barack Obama has since been battered by criticism from both sides.&amp;#160;In Out of Many, One, Ruth O’Brien explains why. We are accustomed to seeing politicians supporting either a minimalist state characterized by unfettered capitalism and individual rights or a relatively strong welfare state and regulatory capitalism. Obama, O’Brien argues, represents the values of a lesser-known third tradition in American political thought that defies the usual left-right categorization.Bearing traces of Baruch Spinoza, John Dewey, and Saul Alinsky, Obama’s progressivism embraces the ideas of mutual reliance and collective responsibility, and adopts an interconnected view of the individual and the state. So, while Obama might emphasize difference, he rejects identity politics, which can create permanent minorities and diminish individual agency. Analyzing Obama’s major legislative victories—financial regulation, health care, and the stimulus package—O’Brien shows how they reflect a stakeholder society that neither regulates in the manner of the New Deal nor deregulates. Instead, Obama focuses on negotiated rule making and allows executive branch agencies to fill in the details when dealing with a deadlocked Congress. Similarly, his commitment to difference and his resistance to universal mandates underlies his reluctance to advocate for human rights as much as many on the Democratic left had hoped.By establishing Obama within the context of a much longer and broader political tradition, this book sheds critical light on both the political and philosophical underpinnings of his presidency and a fundamental shift in American political thought.&amp;#160;</description>
      <content:encoded>&lt;div&gt;Feared by conservatives and embraced by liberals when he entered the White House, Barack Obama has since been battered by criticism from both sides.&amp;#160;In &lt;i&gt;Out of Many, One&lt;/i&gt;, Ruth O&amp;rsquo;Brien explains why. We are accustomed to seeing politicians supporting either a minimalist state characterized by unfettered capitalism and individual rights or a relatively strong welfare state and regulatory capitalism. Obama, O&amp;rsquo;Brien argues, represents the values of a lesser-known third tradition in American political thought that defies the usual left-right categorization.&lt;br&gt;&lt;br&gt;Bearing traces of Baruch Spinoza, John Dewey, and Saul Alinsky, Obama&amp;rsquo;s progressivism embraces the ideas of mutual reliance and collective responsibility, and adopts an interconnected view of the individual and the state. So, while Obama might emphasize difference, he rejects identity politics, which can create permanent minorities and diminish individual agency. Analyzing Obama&amp;rsquo;s major legislative victories&amp;mdash;financial regulation, health care, and the stimulus package&amp;mdash;O&amp;rsquo;Brien shows how they reflect a stakeholder society that neither regulates in the manner of the New Deal nor deregulates. Instead, Obama focuses on negotiated rule making and allows executive branch agencies to fill in the details when dealing with a deadlocked Congress. Similarly, his commitment to difference and his resistance to universal mandates underlies his reluctance to advocate for human rights as much as many on the Democratic left had hoped.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;By establishing Obama within the context of a much longer and broader political tradition, this book sheds critical light on both the political and philosophical underpinnings of his presidency and a fundamental shift in American political thought.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226041629.jpeg" length="23608" type="image/jpeg" />
      <category>Political Science: American Government and Politics</category>
      <category>Political Science: Political and Social Theory</category>
      <pubDate>Tue, 21 May 2013 05:00:00 GMT</pubDate>
      <author>Ruth O'Brien; Thomas Byrne Edsall</author>
      <guid isPermaLink="false">9780226041599</guid>
    </item>
    <item>
      <title>Out of Many, One</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/O/bo15507491.html</link>
      <description>Feared by conservatives and embraced by liberals when he entered the White House, Barack Obama has since been battered by criticism from both sides.&amp;#160;In Out of Many, One, Ruth O’Brien explains why. We are accustomed to seeing politicians supporting either a minimalist state characterized by unfettered capitalism and individual rights or a relatively strong welfare state and regulatory capitalism. Obama, O’Brien argues, represents the values of a lesser-known third tradition in American political thought that defies the usual left-right categorization.Bearing traces of Baruch Spinoza, John Dewey, and Saul Alinsky, Obama’s progressivism embraces the ideas of mutual reliance and collective responsibility, and adopts an interconnected view of the individual and the state. So, while Obama might emphasize difference, he rejects identity politics, which can create permanent minorities and diminish individual agency. Analyzing Obama’s major legislative victories—financial regulation, health care, and the stimulus package—O’Brien shows how they reflect a stakeholder society that neither regulates in the manner of the New Deal nor deregulates. Instead, Obama focuses on negotiated rule making and allows executive branch agencies to fill in the details when dealing with a deadlocked Congress. Similarly, his commitment to difference and his resistance to universal mandates underlies his reluctance to advocate for human rights as much as many on the Democratic left had hoped.By establishing Obama within the context of a much longer and broader political tradition, this book sheds critical light on both the political and philosophical underpinnings of his presidency and a fundamental shift in American political thought.&amp;#160;</description>
      <content:encoded>&lt;div&gt;Feared by conservatives and embraced by liberals when he entered the White House, Barack Obama has since been battered by criticism from both sides.&amp;#160;In &lt;i&gt;Out of Many, One&lt;/i&gt;, Ruth O&amp;rsquo;Brien explains why. We are accustomed to seeing politicians supporting either a minimalist state characterized by unfettered capitalism and individual rights or a relatively strong welfare state and regulatory capitalism. Obama, O&amp;rsquo;Brien argues, represents the values of a lesser-known third tradition in American political thought that defies the usual left-right categorization.&lt;br&gt;&lt;br&gt;Bearing traces of Baruch Spinoza, John Dewey, and Saul Alinsky, Obama&amp;rsquo;s progressivism embraces the ideas of mutual reliance and collective responsibility, and adopts an interconnected view of the individual and the state. So, while Obama might emphasize difference, he rejects identity politics, which can create permanent minorities and diminish individual agency. Analyzing Obama&amp;rsquo;s major legislative victories&amp;mdash;financial regulation, health care, and the stimulus package&amp;mdash;O&amp;rsquo;Brien shows how they reflect a stakeholder society that neither regulates in the manner of the New Deal nor deregulates. Instead, Obama focuses on negotiated rule making and allows executive branch agencies to fill in the details when dealing with a deadlocked Congress. Similarly, his commitment to difference and his resistance to universal mandates underlies his reluctance to advocate for human rights as much as many on the Democratic left had hoped.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;By establishing Obama within the context of a much longer and broader political tradition, this book sheds critical light on both the political and philosophical underpinnings of his presidency and a fundamental shift in American political thought.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226041629.jpeg" length="23608" type="image/jpeg" />
      <category>Political Science: American Government and Politics</category>
      <category>Political Science: Political and Social Theory</category>
      <pubDate>Tue, 21 May 2013 05:00:00 GMT</pubDate>
      <author>Ruth O'Brien; Thomas Byrne Edsall</author>
      <guid isPermaLink="false">9780226041629</guid>
    </item>
    <item>
      <title>What Soldiers Do</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/W/bo14166482.html</link>
      <description>How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly&amp;#8212;but if you&amp;#8217;re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.That&amp;#8217;s not the picture of the Greatest Generation that we&amp;#8217;ve been given, but it&amp;#8217;s the one Mary Louise Roberts paints to devastating effect in What Soldiers Do. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread&amp;#8212;and then exploited&amp;#8212;the myth of French women as sexually experienced and available. The resulting chaos&amp;#8212;ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease&amp;#8212;horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty.&amp;#160;While never denying the achievement of D-Day, or the bravery of the soldiers who took part, What Soldiers Do reminds us that history is always more useful&amp;#8212;and more interesting&amp;#8212;when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.</description>
      <content:encoded>&lt;div&gt;How do you convince men to charge across heavily mined beaches into deadly machine-gun fire? Do you appeal to their bonds with their fellow soldiers, their patriotism, their desire to end tyranny and mass murder? Certainly&amp;#8212;but if you&amp;#8217;re the US Army in 1944, you also try another tack: you dangle the lure of beautiful French women, waiting just on the other side of the wire, ready to reward their liberators in oh so many ways.&lt;/div&gt;&lt;div&gt;&lt;br&gt;That&amp;#8217;s not the picture of the Greatest Generation that we&amp;#8217;ve been given, but it&amp;#8217;s the one Mary Louise Roberts paints to devastating effect in &lt;i&gt;What Soldiers Do&lt;/i&gt;. Drawing on an incredible range of sources, including news reports, propaganda and training materials, official planning documents, wartime diaries, and memoirs, Roberts tells the fascinating and troubling story of how the US military command systematically spread&amp;#8212;and then exploited&amp;#8212;the myth of French women as sexually experienced and available. The resulting chaos&amp;#8212;ranging from flagrant public sex with prostitutes to outright rape and rampant venereal disease&amp;#8212;horrified the war-weary and demoralized French population. The sexual predation, and the blithe response of the American military leadership, also caused serious friction between the two nations just as they were attempting to settle questions of long-term control over the liberated territories and the restoration of French sovereignty.&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;br&gt;While never denying the achievement of D-Day, or the bravery of the soldiers who took part, &lt;i&gt;What Soldiers Do&lt;/i&gt; reminds us that history is always more useful&amp;#8212;and more interesting&amp;#8212;when it is most honest, and when it goes beyond the burnished beauty of nostalgia to grapple with the real lives and real mistakes of the people who lived it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226923093.jpeg" length="50204" type="image/jpeg" />
      <category>History: American History</category>
      <category>History: European History</category>
      <category>History: Military History</category>
      <pubDate>Fri, 17 May 2013 05:00:00 GMT</pubDate>
      <author>Mary Louise Roberts</author>
      <guid isPermaLink="false">9780226923093</guid>
    </item>
    <item>
      <title>Leo Strauss and the Rediscovery of Maimonides</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/L/bo14216935.html</link>
      <description>In Leo Strauss and the Rediscovery of Maimonides, Kenneth Hart Green explores the critical role played by Maimonides in shaping Leo Strauss’s thought. In uncovering the esoteric tradition employed in Maimonides’s Guide of the Perplexed, Strauss made the radical realization that other ancient and medieval philosophers might be concealing their true thoughts through literary artifice. Maimonides and al-Farabi, he saw, allowed their message to be altered by dogmatic considerations only to the extent required by moral and political imperatives and were in fact avid advocates for enlightenment. Strauss also revealed Maimonides’s potential relevance to contemporary concerns, especially his paradoxical conviction that one must confront the conflict between reason and revelation rather than resolve it.  An invaluable companion to Green’s comprehensive collection of Strauss’s writings on Maimonides, this volume shows how Strauss confronted the commonly accepted approaches to the medieval philosopher, resulting in both a new understanding of Maimonides and a new depth and direction for his own thought. It will be welcomed by anyone engaged with the work of either philosopher.</description>
      <content:encoded>&lt;div&gt;In &lt;i&gt;Leo Strauss and the Rediscovery of Maimonides&lt;/i&gt;, Kenneth Hart Green explores the critical role played by Maimonides in shaping Leo Strauss&amp;rsquo;s thought. In uncovering the esoteric tradition employed in Maimonides&amp;rsquo;s &lt;i&gt;Guide of the Perplexed&lt;/i&gt;, Strauss made the radical realization that other ancient and medieval philosophers might be concealing their true thoughts through literary artifice. Maimonides and al-Farabi, he saw, allowed their message to be altered by dogmatic considerations only to the extent required by moral and political imperatives and were in fact avid advocates for enlightenment. Strauss also revealed Maimonides&amp;rsquo;s potential relevance to contemporary concerns, especially his paradoxical conviction that one must confront the conflict between reason and revelation rather than resolve it.&lt;br /&gt; &lt;br /&gt; An invaluable companion to Green&amp;rsquo;s comprehensive collection of Strauss&amp;rsquo;s writings on Maimonides, this volume shows how Strauss confronted the commonly accepted approaches to the medieval philosopher, resulting in both a new understanding of Maimonides and a new depth and direction for his own thought. It will be welcomed by anyone engaged with the work of either philosopher.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226307015.jpeg" length="35742" type="image/jpeg" />
      <category>Philosophy: History and Classic Works</category>
      <category>Political Science: Classic Political Thought</category>
      <category>Religion: Judaism</category>
      <pubDate>Thu, 16 May 2013 05:00:00 GMT</pubDate>
      <author>Kenneth Hart Green</author>
      <guid isPermaLink="false">9780226307015</guid>
    </item>
    <item>
      <title>Nature and Nurture of Love</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/N/bo15112774.html</link>
      <description>The notion that maternal care and love will determine a child’s emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists—anything from the fear of romantic commitment to serial killing—stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual’s emotional development? And what does this vision of mother love entail for children and mothers?&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;In The Nature and Nurture of Love, Marga Vicedo examines scientific views about children’s emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby’s ethological theory of attachment behavior. Vicedo tracks the development of Bowlby’s work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz’s studies of imprinting in geese, Harry Harlow’s experiments with monkeys, and Mary Ainsworth’s observations of children and mothers in Uganda and the United States. Vicedo’s historical analysis reveals that important psychoanalysts and animal researchers opposed the project of turning emotions into biological instincts. Despite those criticisms, she argues that attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound—and negative—consequences for mothers and for the valuation of mother love.</description>
      <content:encoded>&lt;div&gt;The notion that maternal care and love will determine a child&amp;rsquo;s emotional well-being and future personality has become ubiquitous. In countless stories and movies we find that the problems of the protagonists&amp;mdash;anything from the fear of romantic commitment to serial killing&amp;mdash;stem from their troubled relationships with their mothers during childhood. How did we come to hold these views about the determinant power of mother love over an individual&amp;rsquo;s emotional development? And what does this vision of mother love entail for children and mothers?&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;The Nature and Nurture of Love&lt;/i&gt;, Marga Vicedo examines scientific views about children&amp;rsquo;s emotional needs and mother love from World War II until the 1970s, paying particular attention to John Bowlby&amp;rsquo;s ethological theory of attachment behavior. Vicedo tracks the development of Bowlby&amp;rsquo;s work as well as the interdisciplinary research that he used to support his theory, including Konrad Lorenz&amp;rsquo;s studies of imprinting in geese, Harry Harlow&amp;rsquo;s experiments with monkeys, and Mary Ainsworth&amp;rsquo;s observations of children and mothers in Uganda and the United States. Vicedo&amp;rsquo;s historical analysis reveals that important psychoanalysts and animal researchers opposed the project of turning emotions into biological instincts. Despite those criticisms, she argues that attachment theory was paramount in turning mother love into a biological need. This shift introduced a new justification for the prescriptive role of biology in human affairs and had profound&amp;mdash;and negative&amp;mdash;consequences for mothers and for the valuation of mother love.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226020556.jpeg" length="17314" type="image/jpeg" />
      <category>Biological Sciences: Behavioral Biology</category>
      <category>History: American History</category>
      <category>History of Science</category>
      <pubDate>Thu, 16 May 2013 05:00:00 GMT</pubDate>
      <author>Marga Vicedo</author>
      <guid isPermaLink="false">9780226020556</guid>
    </item>
    <item>
      <title>Occupy</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/O/bo15483776.html</link>
      <description>Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In Occupy, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors’ lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide. &amp;nbsp; “You break through the screen like Alice in Wonderland,” Taussig writes in the opening essay, “and now you can’t leave or do without it.” Following Taussig’s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter—by rejecting the very discourse and strategy of politics—Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument. &amp;nbsp; Occupy stands not as a primer on or an authoritative account of 2011’s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment—an occupation itself.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Mic check! Mic check!&lt;/i&gt; Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In &lt;i&gt;Occupy&lt;/i&gt;, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors&amp;rsquo; lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;&amp;ldquo;You break through the screen like Alice in Wonderland,&amp;rdquo; Taussig writes in the opening essay, &amp;ldquo;and now you can&amp;rsquo;t leave or do without it.&amp;rdquo; Following Taussig&amp;rsquo;s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter&amp;mdash;by rejecting the very discourse and strategy of politics&amp;mdash;Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;&lt;i&gt;Occupy&lt;/i&gt; stands not as a primer on or an authoritative account of 2011&amp;rsquo;s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment&amp;mdash;an occupation itself.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226042749.JPEG" length="20570" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Art: Art Criticism</category>
      <category>Education: Education--Economics, Law, Politics</category>
      <category>Law and Legal Studies: Law and Society</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>W. J. T. Mitchell; Bernard E. Harcourt; Michael Taussig</author>
      <guid isPermaLink="false">9780226042602</guid>
    </item>
    <item>
      <title>Restoring Justice</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo15507513.html</link>
      <description>In the wake of Watergate, Gerald Ford appointed eminent lawyer and scholar Edward H. Levi to the post of attorney general—and thus gave him the onerous task of restoring legitimacy to a discredited Department of Justice. Levi was famously fair-minded and free of political baggage, and his inspired addresses during this tumultuous time were critical to rebuilding national trust. They reassured a tense and troubled nation that the Department of Justice would act in accordance with the principles underlying its name, operating as a nonpartisan organization under the strict rule of law.  &amp;nbsp; For Restoring Justice, Jack Fuller has carefully chosen from among Levi’s speeches a selection that sets out the attorney general’s view of the considerable challenges he faced: restoring public confidence through discussion and acts of justice, combating the corrosive skepticism of the time, and ensuring that the executive branch would behave judicially. Also included are addresses and Congressional testimonies that speak to issues that were hotly debated at the time, including electronic surveillance, executive privilege, separation of powers, antitrust enforcement, and the guidelines governing the FBI—many of which remain relevant today. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;  Serving at an almost unprecedentedly difficult time, Levi was among the most admired attorney generals of the modern era. Published here for the first time, the speeches in Restoring Justice offer a superb sense of the man and his work. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;In the wake of Watergate, Gerald Ford appointed eminent lawyer and scholar Edward H. Levi to the post of attorney general&amp;mdash;and thus gave him the onerous task of restoring legitimacy to a discredited Department of Justice. Levi was famously fair-minded and free of political baggage, and his inspired addresses during this tumultuous time were critical to rebuilding national trust. They reassured a tense and troubled nation that the Department of Justice would act in accordance with the principles underlying its name, operating as a nonpartisan organization under the strict rule of law. &lt;br /&gt; &amp;nbsp;&lt;/div&gt; &lt;div&gt;For &lt;i&gt;Restoring Justice&lt;/i&gt;, Jack Fuller has carefully chosen from among Levi&amp;rsquo;s speeches a selection that sets out the attorney general&amp;rsquo;s view of the considerable challenges he faced: restoring public confidence through discussion and acts of justice, combating the corrosive skepticism of the time, and ensuring that the executive branch would behave judicially. Also included are addresses and Congressional testimonies that speak to issues that were hotly debated at the time, including electronic surveillance, executive privilege, separation of powers, antitrust enforcement, and the guidelines governing the FBI&amp;mdash;many of which remain relevant today. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/div&gt; &lt;div&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &lt;br /&gt; Serving at an almost unprecedentedly difficult time, Levi was among the most admired attorney generals of the modern era. Published here for the first time, the speeches in &lt;i&gt;Restoring Justice&lt;/i&gt; offer a superb sense of the man and his work.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226041315.jpeg" length="29761" type="image/jpeg" />
      <category>Law and Legal Studies: General Legal Studies</category>
      <category>Law and Legal Studies: Legal History</category>
      <category>Political Science: Judicial Politics</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Edward H. Levi; Jack Fuller; Larry Kramer</author>
      <guid isPermaLink="false">9780226041315</guid>
    </item>
    <item>
      <title>Breakfast Book</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15581940.html</link>
      <description>You’ve heard it from doctors, nutritionists, and your mom: breakfast is the most important meal of the day. It’s also one of the most diverse, varying greatly from family to family and region to region, even while individuals tend to eat the same thing every day. While Americans traditionally like to chow down on eggs, cereal, and doughnuts, the Japanese eat rice and miso soup, and New Zealanders enjoy porridge. But while we know bacon and sausage links belong alongside pancakes and waffles in the early morning hours, we don’t know how breakfast came to be. Taking a multifaceted approach to the story of the morning meal, The Breakfast Book collects narratives of breakfast in an attempt to pin down the mottled history of eating in the A.M. &amp;nbsp; In search of what people have thought and written—and tasted—about breakfast, Andrew Dalby traces the meal’s origins back to the Neolithic revolution. He follows the trail of toast crumbs from the ancient Near East and classical Greece to modern Europe and across the globe, rediscovering stories of breakfast in three thousand years of fiction, memoirs, and art. Using a multitude of entertaining breakfast facts, anecdotes, and images, he reveals why breakfast is so often the backdrop for unexpected meetings, why so many people eat breakfast out, and why this often silent meal is also so reassuring. &amp;nbsp; Featuring a selection of historic and contemporary breakfast recipes from around the world, The Breakfast Book is the first book to explore the history of this inimitable meal and will make an ideal morning companion to crumpets, deviled kidneys, and spanakopita alike.</description>
      <content:encoded>&lt;div&gt;You&amp;rsquo;ve heard it from doctors, nutritionists, and your mom: breakfast is the most important meal of the day. It&amp;rsquo;s also one of the most diverse, varying greatly from family to family and region to region, even while individuals tend to eat the same thing every day. While Americans traditionally like to chow down on eggs, cereal, and doughnuts, the Japanese eat rice and miso soup, and New Zealanders enjoy porridge. But while we know bacon and sausage links belong alongside pancakes and waffles in the early morning hours, we don&amp;rsquo;t know how breakfast came to be. Taking a multifaceted approach to the story of the morning meal, &lt;i&gt;The Breakfast Book&lt;/i&gt; collects narratives of breakfast in an attempt to pin down the mottled history of eating in the A.M.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;In search of what people have thought and written&amp;mdash;and tasted&amp;mdash;about breakfast, Andrew Dalby traces the meal&amp;rsquo;s origins back to the Neolithic revolution. He follows the trail of toast crumbs from the ancient Near East and classical Greece to modern Europe and across the globe, rediscovering stories of breakfast in three thousand years of fiction, memoirs, and art. Using a multitude of entertaining breakfast facts, anecdotes, and images, he reveals why breakfast is so often the backdrop for unexpected meetings, why so many people eat breakfast out, and why this often silent meal is also so reassuring.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;p&gt;Featuring a selection of historic and contemporary breakfast recipes from around the world, &lt;i&gt;The Breakfast Book&lt;/i&gt; is the first book to explore the history of this inimitable meal and will make an ideal morning companion to crumpets, deviled kidneys, and &lt;i&gt;spanakopita&lt;/i&gt; alike.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230863.jpg" length="30163" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Andrew Dalby</author>
      <guid isPermaLink="false">9781780230863</guid>
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    <item>
      <title>'Avant-garde' Art Groups in China, 1979-1989</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/A/bo15567031.html</link>
      <description>This book gives a critical account of four of the most significant avant-garde Chinese art groups and associations of the late 1970s and ’80s. It is made up largely of conversations conducted by the author with members of these organizations that provide insight into the circumstances of artistic production during the decade leading up to the Tiananmen Square Massacre of 1989. The conversations are supported by an extended introduction and other comprehensive notes that give a detailed overview of the historical circumstances under which the groups and associations developed.</description>
      <content:encoded>&lt;div&gt;This book gives a critical account of four of the most significant avant-garde Chinese art groups and associations of the late 1970s and &amp;rsquo;80s. It is made up largely of conversations conducted by the author with members of these organizations that provide insight into the circumstances of artistic production during the decade leading up to the Tiananmen Square Massacre of 1989. The conversations are supported by an extended introduction and other comprehensive notes that give a detailed overview of the historical circumstances under which the groups and associations developed.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507156.jpg" length="55063" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>History: Asian History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Paul Gladston</author>
      <guid isPermaLink="false">9781841507156</guid>
    </item>
    <item>
      <title>Cinema Makers</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo14235791.html</link>
      <description>The Cinema Makers investigates how cinema spectators in southeastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema "events," writing about film, and making films themselves. Drawing on a corpus of interviews with cinema activists in Germany, Austria, and the former Yugoslavia, Anna Schober compares the activities and artistic productions they staged in cities such as Vienna, Cologne, Munich, Berlin, Hamburg, Ljubljana, Belgrade, Novi Sad, Subotica, Zagreb, and Sarajevo. The resulting study illuminates the differences and similarities in the development of political culture—and cinema’s role in that development—in European countries with pluralist-democratic, one-party socialist, and post-socialist traditions.</description>
      <content:encoded>&lt;p&gt;&lt;i&gt;The Cinema Makers&lt;/i&gt; investigates how cinema spectators in southeastern and central European cities became cinema makers through such practices as squatting in existing cinema spaces, organizing cinema &amp;quot;events,&amp;quot; writing about film, and making films themselves. Drawing on a corpus of interviews with cinema activists in Germany, Austria, and the former Yugoslavia, Anna Schober compares the activities and artistic productions they staged in cities such as Vienna, Cologne, Munich, Berlin, Hamburg, Ljubljana, Belgrade, Novi Sad, Subotica, Zagreb, and Sarajevo. The resulting study illuminates the differences and similarities in the development of political culture&amp;mdash;and cinema&amp;rsquo;s role in that development&amp;mdash;in European countries with pluralist-democratic, one-party socialist, and post-socialist traditions.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505152.jpg" length="59973" type="image/jpeg" />
      <category>Film Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Anna Schober</author>
      <guid isPermaLink="false">9781841505152</guid>
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    <item>
      <title>Poverty, Ethics and Justice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo12425607.html</link>
      <description>Poverty violates fundamental human values through its impact on individuals and on human environments, and it goes against the core values of democratic societies. Drawing on numerous scientific studies as well as his own experience witnessing the systematic poverty in his home country of South Africa, H. P. P. [Hennie] L&amp;ouml;tter presents a holistic profile of poverty and its effects on human lives all the while accounting for the complexity of each individual case. He argues that shared ethical values must guide the planning and distribution of aid and that our society must reevaluate our notions of justice and reimagine the role of the state in order to enable collective human responsibility for poverty’s successful eradication.</description>
      <content:encoded>&lt;div&gt;Poverty violates fundamental human values through its impact on individuals and on human environments, and it goes against the core values of democratic societies. Drawing on numerous scientific studies as well as his own experience witnessing the systematic poverty in his home country of South Africa, H. P. P. [Hennie] L&amp;ouml;tter presents a holistic profile of poverty and its effects on human lives all the while accounting for the complexity of each individual case. He argues that shared ethical values must guide the planning and distribution of aid and that our society must reevaluate our notions of justice and reimagine the role of the state in order to enable collective human responsibility for poverty&amp;rsquo;s successful eradication.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708324004.jpg" length="43234" type="image/jpeg" />
      <category>Philosophy: Philosophy of Society</category>
      <category>Political Science: Political and Social Theory</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>H. P. P. [Hennie] Lötter</author>
      <guid isPermaLink="false">9780708325711</guid>
    </item>
    <item>
      <title>Open Roads, Closed Borders</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo14235055.html</link>
      <description>This is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France’s former colonies, Europe, and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa, and East and West. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;This is the first collection of essays about French-language road movies, a particularly rich yet critically neglected cinematic category. These films, the contributors argue, offer important perspectives on contemporary French ideas about national identity, France&amp;rsquo;s former colonies, Europe, and the rest of the world. Taken together, the essays illustrate how travel and road motifs have enabled directors of various national origins and backgrounds to reimagine space and move beyond simple oppositions such as Islam and secularism, local and global, home and away, France and Africa, and East and West.&lt;br /&gt; &amp;nbsp;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841506623.jpg" length="61896" type="image/jpeg" />
      <category>Film Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Michael Gott; Thibaut Schilt</author>
      <guid isPermaLink="false">9781841506623</guid>
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    <item>
      <title>Ostrich</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo14441175.html</link>
      <description>Ostriches may not be able to fly, but they loom large in the bird kingdom. They are the world’s tallest and heaviest living birds, and they lay the largest eggs. With their long legs, ostriches are also fleet of foot, running up to 43 miles per hour, and formidable fighters—an ostrich kick can kill. But since the beginning of history, these extraordinary and outlandish birds have also been exploited by humans for their eggs, meat, skin, and feathers. In Ostrich, Edgar Williams provides a singular, comprehensive insight into the natural history, behavior, and habitat of this monumental bird. &amp;nbsp; Williams describes how the demand for ostrich feathers was so great during the Victorian era that vast fortunes were made from ostrich farming, particularly in South Africa and the United States. After fashions changed following World War I, farmers lost their fortunes, but the now domesticated ostrich found a new purpose—today, ostrich farmers produce plumes and leather for luxury markets, as well as meat for grocery stores. In addition to telling its, Williams reveals how the ostrich has been featured in culture, from its representations in cave paintings, medieval manuscripts, and the Bayeux tapestry to its use in advertising and cartoons. Featuring many striking illustrations, Ostrich will interest nature lovers, artists, and fashionistas alike.</description>
      <content:encoded>&lt;div&gt;Ostriches may not be able to fly, but they loom large in the bird kingdom. They are the world&amp;rsquo;s tallest and heaviest living birds, and they lay the largest eggs. With their long legs, ostriches are also fleet of foot, running up to 43 miles per hour, and formidable fighters&amp;mdash;an ostrich kick can kill. But since the beginning of history, these extraordinary and outlandish birds have also been exploited by humans for their eggs, meat, skin, and feathers. In &lt;i&gt;Ostrich&lt;/i&gt;, Edgar Williams provides a singular, comprehensive insight into the natural history, behavior, and habitat of this monumental bird.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;Williams describes how the demand for ostrich feathers was so great during the Victorian era that vast fortunes were made from ostrich farming, particularly in South Africa and the United States. After fashions changed following World War I, farmers lost their fortunes, but the now domesticated ostrich found a new purpose&amp;mdash;today, ostrich farmers produce plumes and leather for luxury markets, as well as meat for grocery stores. In addition to telling its, Williams reveals how the ostrich has been featured in culture, from its representations in cave paintings, medieval manuscripts, and the Bayeux tapestry to its use in advertising and cartoons. Featuring many striking illustrations, &lt;i&gt;Ostrich&lt;/i&gt; will interest nature lovers, artists, and fashionistas alike.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230399.jpg" length="21418" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Edgar Williams</author>
      <guid isPermaLink="false">9781780230399</guid>
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    <item>
      <title>Old Man's Guide to Health and Longer Life</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo15609940.html</link>
      <description>Tho' vegetables may be thought innocent, there are many cases in which they prove hurtful. &amp;nbsp; Carrots are to be avoided, for no old stomach can digest them. &amp;nbsp; It isn’t fun getting old, but, as the joke has it, being old is better than the alternative. Most of us worry about getting older, and there is an endless supply of guides out there claiming to hold the tips that will ensure wellness and vitality during our golden years. But before Dr. Oz and protein shakes, aging men turned to physician John Hill and The Old Man’s Guide to Health and Longer Life. &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; First published in the mid-eighteenth century, The Old Man’s Guide to Health and Longer Life is a lifestyle guide to longevity and good health for old men. Written in an age when the majority of the population didn’t live to see their fortieth birthday, Hill’s book provides practical advice on diet, exercise, and lifestyle, including sleep and emotional health, as well as illuminating insight into the thinking on health and longevity in the mid-eighteenth century. Some of the more prescriptive advice has the hysterical tone expected from eighteenth-century guides and manuals—“The pine-apple, the most pleasant of all fruit, is the most dangerous.”—but more surprising is how full of genuinely good advice the book is and how much of it reads like modern-day health literature. This includes such insightful sayings as: “A warm bath and a glass of wine if you are having difficulty getting to sleep”; “Use medicines only as a last resort—address diet and lifestyle first to resolve illness”; and “Quiet, good humour, and complacency of temper will prevent half the diseases of old people; and cure many of the others.” &amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp; Full of both sage wisdom and what now seem ridiculous regimens, The Old Man’s Guide to Health and Longer Life will be the perfect gift for a man of more mature years. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Tho' vegetables may be thought innocent, there are many cases in which they prove hurtful.&lt;/i&gt;&lt;/div&gt; &lt;div&gt;&lt;i&gt;&amp;nbsp;&lt;/i&gt;&lt;/div&gt; &lt;div&gt;&lt;i&gt;Carrots are to be avoided, for no old stomach can digest them.&lt;/i&gt;&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;It isn&amp;rsquo;t fun getting old, but, as the joke has it, being old is better than the alternative. Most of us worry about getting older, and there is an endless supply of guides out there claiming to hold the tips that will ensure wellness and vitality during our golden years. But before Dr. Oz and protein shakes, aging men turned to physician John Hill and &lt;i&gt;The Old Man&amp;rsquo;s Guide to Health and Longer Life&lt;/i&gt;.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&lt;/div&gt; &lt;div&gt;First published in the mid-eighteenth century, &lt;i&gt;The Old Man&amp;rsquo;s Guide to Health and Longer Life&lt;/i&gt; is a lifestyle guide to longevity and good health for old men. Written in an age when the majority of the population didn&amp;rsquo;t live to see their fortieth birthday, Hill&amp;rsquo;s book provides practical advice on diet, exercise, and lifestyle, including sleep and emotional health, as well as illuminating insight into the thinking on health and longevity in the mid-eighteenth century. Some of the more prescriptive advice has the hysterical tone expected from eighteenth-century guides and manuals&amp;mdash;&amp;ldquo;The pine-apple, the most pleasant of all fruit, is the most dangerous.&amp;rdquo;&amp;mdash;but more surprising is how full of genuinely good advice the book is and how much of it reads like modern-day health literature. This includes such insightful sayings as: &amp;ldquo;A warm bath and a glass of wine if you are having difficulty getting to sleep&amp;rdquo;; &amp;ldquo;Use medicines only as a last resort&amp;mdash;address diet and lifestyle first to resolve illness&amp;rdquo;; and &amp;ldquo;Quiet, good humour, and complacency of temper will prevent half the diseases of old people; and cure many of the others.&amp;rdquo;&lt;/div&gt; &lt;div&gt;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp;&amp;nbsp; &amp;nbsp;&lt;/div&gt; &lt;div&gt;Full of both sage wisdom and what now seem ridiculous regimens, &lt;i&gt;The Old Man&amp;rsquo;s Guide to Health and Longer Life &lt;/i&gt;will be the perfect gift for a man of more mature years.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712358989.jpg" length="32804" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: General History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>John Hill</author>
      <guid isPermaLink="false">9780712358989</guid>
    </item>
    <item>
      <title>Nanoart</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/N/bo15565344.html</link>
      <description>Examining art that intersects with science and seeks to make visible what cannot ordinarily be seen with the naked eye, provides thorough insight into new understandings of materiality and life. This book includes an extensive overview of the history of nanoart from the work of Umberto Boccioni right up to present-day artists. The author looks specifically at art inspired by nanotechnological research made possible by the Scanning Tunneling Microscope and Atomic Force Microscope in the 1980s, as well as the development of other instruments of nanotechnological experimentation. Nanoart is a sustained consideration of this fascinating artistic approach that challenge how we see and understand our world. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;Examining art that intersects with science and seeks to make visible what cannot ordinarily be seen with the naked eye, provides thorough insight into new understandings of materiality and life. This book includes an extensive overview of the history of nanoart from the work of Umberto Boccioni right up to present-day artists. The author looks specifically at art inspired by nanotechnological research made possible by the Scanning Tunneling Microscope and Atomic Force Microscope in the 1980s, as well as the development of other instruments of nanotechnological experimentation. &lt;i&gt;Nanoart&lt;/i&gt; is a sustained consideration of this fascinating artistic approach that challenge how we see and understand our world.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507088.jpg" length="35979" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Physical Sciences : Astronomy and Astrophysics : Experimental and Applied Physics : History and Philosophy of Physical Sciences : Physics and Astronomy : Physics--Popular Books : Theoretical Physics</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Paul Thomas</author>
      <guid isPermaLink="false">9781841507088</guid>
    </item>
    <item>
      <title>Environmental Law and Policy in Wales</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo15484042.html</link>
      <description>Environmental Law and Policy in Wales addresses key law and policy issues that have arisen over the last several years in Wales in response to the changing climate. Editors Patrick Bishop and Mark Stallworthy bring together leading members of the Welsh environmental law academy to deliberate on the development of environmental protection legislation in Wales and its effect on sustainability in the near future and beyond. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Environmental Law and Policy in Wales&lt;/i&gt; addresses key law and policy issues that have arisen over the last several years in Wales in response to the changing climate. Editors Patrick Bishop and Mark Stallworthy bring together leading members of the Welsh environmental law academy to deliberate on the development of environmental protection legislation in Wales and its effect on sustainability in the near future and beyond.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325803.jpg" length="23658" type="image/jpeg" />
      <category>Earth Sciences: Environment</category>
      <category>Political Science: Public Policy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Patrick Bishop; Mark Stallworthy</author>
      <guid isPermaLink="false">9780708325803</guid>
    </item>
    <item>
      <title>Dark Company</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo14415992.html</link>
      <description>&amp;nbsp;“Of course I had to end up here . . .”  Over  ten rainy nights, Thomas, an ex-bargeman who used to be skipper of his  own boat, walks the muddy fields of the landlocked German interior and  remembers the events that lost him his home, his boat, and his  livelihood: his apprenticeship in the cold halls of the Royal Naval  College in London; the dangers of the mean streets and waterfront of New  York in the 1970s, and Poland under martial law; Germany after the  reunification, when for a year or so it seemed that the whole country  drifted rudderless, drawn by the current of history to who knows where.  In this novel from Gert Losch&amp;uuml;tz, Thomas remembers childhood, his first  love, and the warnings of his grandfather: Beware the dark company!  This mysterious band of men and women dressed in black cast a shadow  over his story, as he wrestles with the secrets, the unplumbed depths of  his soul, the hazards lurking below a seemingly placid surface, and  throughout it all, the rain, falling night after night.  Dark Company is a superb example of a distinctly German tradition in weird fiction which claims its roots in Kafka and Herbert Rosendorfer. &amp;nbsp;</description>
      <content:encoded>&lt;p&gt;&amp;nbsp;&amp;ldquo;Of course I had to end up here . . .&amp;rdquo;&lt;br /&gt; &lt;br /&gt; Over  ten rainy nights, Thomas, an ex-bargeman who used to be skipper of his  own boat, walks the muddy fields of the landlocked German interior and  remembers the events that lost him his home, his boat, and his  livelihood: his apprenticeship in the cold halls of the Royal Naval  College in London; the dangers of the mean streets and waterfront of New  York in the 1970s, and Poland under martial law; Germany after the  reunification, when for a year or so it seemed that the whole country  drifted rudderless, drawn by the current of history to who knows where.  In this novel from Gert Losch&amp;uuml;tz, Thomas remembers childhood, his first  love, and the warnings of his grandfather: Beware the dark company!  This mysterious band of men and women dressed in black cast a shadow  over his story, as he wrestles with the secrets, the unplumbed depths of  his soul, the hazards lurking below a seemingly placid surface, and  throughout it all, the rain, falling night after night.&lt;br /&gt; &lt;br /&gt; &lt;i&gt;Dark Company&lt;/i&gt; is a superb example of a distinctly German tradition in weird fiction which claims its roots in Kafka and Herbert Rosendorfer.&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420855.jpg" length="42095" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Gert Loschütz; Samuel P. Willcocks</author>
      <guid isPermaLink="false">9780857420855</guid>
    </item>
    <item>
      <title>David Gorlæus (1591-1612)</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo15623039.html</link>
      <description>When David Gorl&amp;aelig;us, a prospective theology student, passed away tragically at twenty-one years old, he left behind two highly innovative manuscripts, which were published posthumously in 1620 and 1651, respectively. As his identity was unknown, seventeenth-century readers understood him both as an anti-Aristotelian thinker and a precursor of Descartes. In contrast, by the twentieth century, historians depicted him as an atomist, natural scientist, and even a chemist. David Gorl&amp;aelig;us (1591–1612) seeks to pull together what is known of this enigmatic figure. Combining multiple historical sources, Christoph L&amp;uuml;thy provides a narrative of Gorl&amp;aelig;us’s life that casts light on his exceptional body of work and places it firmly at the intersection between philosophy, the nascent natural sciences, and theology.  “Christoph L&amp;uuml;thy is the first to tell the complete story of David Gorl&amp;aelig;us and to reconstruct his image on the basis of all remaining sources. Showing in a convincing way that Gorl&amp;aelig;us is one of the key figures in the renewal of atomistic philosophy in the seventeenth century and a major influence on many philosophers that are much better known, he leaves us with the melancholy picture of someone who died too young to become one of the heroes of the scientific revolution.”—Theo Verbeek, Utrecht University</description>
      <content:encoded>&lt;div&gt; &lt;div&gt;When David Gorl&amp;aelig;us, a prospective theology student, passed away tragically at twenty-one years old, he left behind two highly innovative manuscripts, which were published posthumously in 1620 and 1651, respectively. As his identity was unknown, seventeenth-century readers understood him both as an anti-Aristotelian thinker and a precursor of Descartes. In contrast, by the twentieth century, historians depicted him as an atomist, natural scientist, and even a chemist. &lt;i&gt;David Gorl&amp;aelig;us (1591&amp;ndash;1612)&lt;/i&gt; seeks to pull together what is known of this enigmatic figure. Combining multiple historical sources, Christoph L&amp;uuml;thy provides a narrative of Gorl&amp;aelig;us&amp;rsquo;s life that casts light on his exceptional body of work and places it firmly at the intersection between philosophy, the nascent natural sciences, and theology.&lt;br /&gt; &lt;br /&gt; &amp;ldquo;Christoph L&amp;uuml;thy is the first to tell the complete story of David Gorl&amp;aelig;us and to reconstruct his image on the basis of all remaining sources. Showing in a convincing way that Gorl&amp;aelig;us is one of the key figures in the renewal of atomistic philosophy in the seventeenth century and a major influence on many philosophers that are much better known, he leaves us with the melancholy picture of someone who died too young to become one of the heroes of the scientific revolution.&amp;rdquo;&amp;mdash;Theo Verbeek, Utrecht University&lt;/div&gt; &lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089644381.jpg" length="74595" type="image/jpeg" />
      <category>Biography and Letters</category>
      <category>History: European History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Christoph Lüthy</author>
      <guid isPermaLink="false">9789089644381</guid>
    </item>
    <item>
      <title>Gorilla</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo14440824.html</link>
      <description>Since coming to international prominence in the mid-nineteenth century when English, French, and American scientists first encountered them, the gorilla’s physical resemblance to humans has struck a deep chord. Gorillas quickly came to dominate evolutionary debates and grew prevalent in literature, art, film, and popular culture—they are the focus of movies such as Congo and the inspiration for the video game character Donkey Kong and DC Comics super villain Gorilla Grodd. In Gorilla, Ted Grott and Kathryn Weir provide a compelling and unsettling account of our relationship with these highly intelligent animals as they fight extinction due to habitat destruction, commercial hunting, and disease. &amp;nbsp; Gott and Weir describe how early European observations of gorillas in their native Africa were the genesis of literary and artistic representations such as King Kong. At the same time, gorillas became symbolic of sexuality and subconscious, uncontrolled urges, and influenced theories of criminality. It was not until Dian Fossey’s research in the 1960s and 1970s that many misconceptions about the gorilla—especially their violence—were dispelled. A notable history of the gorilla’s influence on our culture and its plight at the hands of humans, Gorilla will appeal to any animal lover wanting to learn more about this noble creature and its uncertain future.</description>
      <content:encoded>&lt;div&gt;Since coming to international prominence in the mid-nineteenth century when English, French, and American scientists first encountered them, the gorilla&amp;rsquo;s physical resemblance to humans has struck a deep chord. Gorillas quickly came to dominate evolutionary debates and grew prevalent in literature, art, film, and popular culture&amp;mdash;they are the focus of movies such as &lt;i&gt;Congo&lt;/i&gt; and the inspiration for the video game character Donkey Kong and DC Comics super villain Gorilla Grodd. In &lt;i&gt;Gorilla&lt;/i&gt;, Ted Grott and Kathryn Weir provide a compelling and unsettling account of our relationship with these highly intelligent animals as they fight extinction due to habitat destruction, commercial hunting, and disease.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;Gott and Weir describe how early European observations of gorillas in their native Africa were the genesis of literary and artistic representations such as King Kong. At the same time, gorillas became symbolic of sexuality and subconscious, uncontrolled urges, and influenced theories of criminality. It was not until Dian Fossey&amp;rsquo;s research in the 1960s and 1970s that many misconceptions about the gorilla&amp;mdash;especially their violence&amp;mdash;were dispelled. A notable history of the gorilla&amp;rsquo;s influence on our culture and its plight at the hands of humans, &lt;i&gt;Gorilla&lt;/i&gt; will appeal to any animal lover wanting to learn more about this noble creature and its uncertain future.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230290.jpg" length="26148" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Ted Gott; Kathryn Weir</author>
      <guid isPermaLink="false">9781780230290</guid>
    </item>
    <item>
      <title>George Eliot and the Gothic Novel</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo15485025.html</link>
      <description>George Eliot and the Gothic Novel tracks George Eliot’s reading of gothic and sensational literature and her responses to them in her own works. Royce Mahawatte focuses on the frightening, startling, and melodramatic elements of Eliot’s fiction, placing Eliot within a culture of mid-Victorian sensationalism and highlighting the connections between her and authors like Mary Braddon, Wilkie Collins, and Edward Bulwer Lytton. Mahawatte argues that suspenseful and popular tropes play a significant role in Eliot’s literary ethics and creativity and that our understanding of the author’s writing needs to be broadened to include her extensive and complex engagement with the gothic tradition.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;George Eliot and the Gothic Novel &lt;/i&gt;tracks George Eliot&amp;rsquo;s reading of gothic and sensational literature and her responses to them in her own works. Royce Mahawatte focuses on the frightening, startling, and melodramatic elements of Eliot&amp;rsquo;s fiction, placing Eliot within a culture of mid-Victorian sensationalism and highlighting the connections between her and authors like Mary Braddon, Wilkie Collins, and Edward Bulwer Lytton. Mahawatte argues that suspenseful and popular tropes play a significant role in Eliot&amp;rsquo;s literary ethics and creativity and that our understanding of the author&amp;rsquo;s writing needs to be broadened to include her extensive and complex engagement with the gothic tradition.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325766.jpg" length="24566" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Women's Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Royce Mahawatte</author>
      <guid isPermaLink="false">9780708325766</guid>
    </item>
    <item>
      <title>Literary Lacan</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo13219182.html</link>
      <description>The relationship between literature and psychology is long and  richly complex, and no more so than in the work of Jacques Lacan, the  most controversial psychoanalyst since Freud. The Literary Lacan: From Literature to ‘Lituraterre’ and Beyond is  dedicated to assessing Lacan’s significant contribution to literary  studies and the contribution, in turn, of literature to Lacanian  psychoanalysis. &amp;nbsp; The first essays in this collection provide close readings of  Lacan’s literature-related work, specifically his work on Hamlet, his  homage to Marguerite Duras and Lewis Carroll, his concept of Lituraterre,  and his seminar on James Joyce. Other essays examine Lacan’s theories  in conjunction with works of major writers such as Samuel Beckett. The  book concludes with essays that investigate Lacan and literature more  broadly, including the applicability of literature to psychoanalysis. &amp;nbsp; With well-known contributors including Slavoj Zizek, Jacques-Alain  Miller, Russell Grigg and Ellie Ragland, this volume will appeal not  only to specialists in literary and Lacanian theory but also to students  and enthusiasts of the master and the literature that inspired him.</description>
      <content:encoded>&lt;div&gt;The relationship between literature and psychology is long and  richly complex, and no more so than in the work of Jacques Lacan, the  most controversial psychoanalyst since Freud. &lt;i&gt;The Literary Lacan: From Literature to &amp;lsquo;Lituraterre&amp;rsquo; and Beyond &lt;/i&gt;is  dedicated to assessing Lacan&amp;rsquo;s significant contribution to literary  studies and the contribution, in turn, of literature to Lacanian  psychoanalysis.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;The first essays in this collection provide close readings of  Lacan&amp;rsquo;s literature-related work, specifically his work on Hamlet, his  homage to Marguerite Duras and Lewis Carroll, his concept of &lt;i&gt;Lituraterre&lt;/i&gt;,  and his seminar on James Joyce. Other essays examine Lacan&amp;rsquo;s theories  in conjunction with works of major writers such as Samuel Beckett. The  book concludes with essays that investigate Lacan and literature more  broadly, including the applicability of literature to psychoanalysis.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;With well-known contributors including Slavoj Zizek, Jacques-Alain  Miller, Russell Grigg and Ellie Ragland, this volume will appeal not  only to specialists in literary and Lacanian theory but also to students  and enthusiasts of the master and the literature that inspired him.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420374.jpg" length="67346" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Psychology: General Psychology</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Santanu Biswas</author>
      <guid isPermaLink="false">9780857420374</guid>
    </item>
    <item>
      <title>Local Portraiture</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo14376668.html</link>
      <description>This thoughtfully and  meticulously researched book explores the work of indigenous Iranian  photographers and the way in which their photographs reflect their  society and surroundings. In order to highlight how photography reflects  local culture, Carmen P&amp;eacute;rez Gonz&amp;aacute;lez, a photographer herself, offers a  comparative visual analysis of nineteenth-century Iranian photographs  and paintings created during the same time period and in the same place  in order to show that aesthetic preferences are rooted in the  socio-cultural habits of artists. &amp;nbsp;This lushly illustrated book  is a testimony to the unique power and historical value of photographic  portraits and their enduring power to capture local realities.</description>
      <content:encoded>&lt;div&gt;This thoughtfully and  meticulously researched book explores the work of indigenous Iranian  photographers and the way in which their photographs reflect their  society and surroundings. In order to highlight how photography reflects  local culture, Carmen P&amp;eacute;rez Gonz&amp;aacute;lez, a photographer herself, offers a  comparative visual analysis of nineteenth-century Iranian photographs  and paintings created during the same time period and in the same place  in order to show that aesthetic preferences are rooted in the  socio-cultural habits of artists. &lt;i&gt;&amp;nbsp;&lt;/i&gt;This lushly illustrated book  is a testimony to the unique power and historical value of photographic  portraits and their enduring power to capture local realities. &lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/87/28/9789087281564.jpg" length="48096" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>History: Middle Eastern History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Carmen Pérez González</author>
      <guid isPermaLink="false">9789087281564</guid>
    </item>
    <item>
      <title>Louis I. Kahn - Silence and Light</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo15605073.html</link>
      <description>Louis I. Kahn (1901–74) was one of the foremost architects in America during the twentieth century. His notable buildings include the Yale Study Center; the Salk Institute in Pasadena, California; and the Exeter Library in Exeter, New Hampshire. On February 12, 1969, Kahn gave a lecture at the School of Architecture at Swiss Federal Institute of Technology in Z&amp;uuml;rich. Entitled Silence and Light, the lecture explains Kah's spiritual understanding of architecture, which goes far deeper than simply constructing buildings. He also gives a remarkably prescient account of a belief in sustainable architecture that prefigures the twenty-first century’s focus on green technology. The lecture is represented in transcripts into five different languages (German, Italian, English, French, and Spanish), as well as an audio recording of Kahn giving the lecture in English included on CD.&amp;nbsp;To complement the original text, the editor has included a preface written by Kahn’s close friend and fellow architect Balkrishna V. Doshi, as well as many of Kahn’s own images and drawings, some of which have never been published before.</description>
      <content:encoded>&lt;div&gt;Louis I. Kahn (1901&amp;ndash;74) was one of the foremost architects in America during the twentieth century. His notable buildings include the Yale Study Center; the Salk Institute in Pasadena, California; and the Exeter Library in Exeter, New Hampshire. On February 12, 1969, Kahn gave a lecture at the School of Architecture at Swiss Federal Institute of Technology in Z&amp;uuml;rich. Entitled &lt;i&gt;Silence and Light, &lt;/i&gt;the lecture explains Kah's spiritual understanding of architecture, which goes far deeper than simply constructing buildings. He also gives a remarkably prescient account of a belief in sustainable architecture that prefigures the twenty-first century&amp;rsquo;s focus on green technology. The lecture is represented in transcripts into five different languages (German, Italian, English, French, and Spanish), as well as an audio recording of Kahn giving the lecture in English included on CD.&amp;nbsp;To complement the original text, the editor has included a preface written by Kahn&amp;rsquo;s close friend and fellow architect Balkrishna V. Doshi, as well as many of Kahn&amp;rsquo;s own images and drawings, some of which have never been published before.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/39/06/02/9783906027180.jpg" length="27250" type="image/jpeg" />
      <category>Architecture : American Architecture : Architecture--Biography : Architecture--Criticism : British Architecture : European Architecture : History of Architecture : Middle Eastern, African, and Asian Architecture</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Alessandro Vassella</author>
      <guid isPermaLink="false">9783906027180</guid>
    </item>
    <item>
      <title>Legend</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/L/bo15700709.html</link>
      <description>In this strikingly original memoir, Marie Bronsard reweaves the history  of her family—and the legend of her grandmother—leaving no stone  unturned and no skeleton in the closet.  Egocentric and  domineering, Bronsard’s grandmother was once a vibrant and sensual  beauty. In Indochina at the end of the Second World War, she thrived in  the social life of the French colony, but her young soldier husband  sought a quieter existence, finding solace in the companionship of their  adolescent daughter, Bronsard’s mother. The consequences of this choice  reverberate throughout the family. But far from being an airing of  grievance or dirty laundry, Bronsard’s memoir has the air of  catharsis—here, the pain, secrets, and comic moments of Bronsard’s  family are remembered with gentle humor, understanding, and affection. A  wry irony tempers emotion, and it is in these pages that the author at  last finds it possible to name the woman of the legend and perhaps bring  her grandmother a measure of peace.</description>
      <content:encoded>&lt;div&gt;In this strikingly original memoir, Marie Bronsard reweaves the history  of her family&amp;mdash;and the legend of her grandmother&amp;mdash;leaving no stone  unturned and no skeleton in the closet.&lt;br /&gt; &lt;br /&gt; Egocentric and  domineering, Bronsard&amp;rsquo;s grandmother was once a vibrant and sensual  beauty. In Indochina at the end of the Second World War, she thrived in  the social life of the French colony, but her young soldier husband  sought a quieter existence, finding solace in the companionship of their  adolescent daughter, Bronsard&amp;rsquo;s mother. The consequences of this choice  reverberate throughout the family. But far from being an airing of  grievance or dirty laundry, Bronsard&amp;rsquo;s memoir has the air of  catharsis&amp;mdash;here, the pain, secrets, and comic moments of Bronsard&amp;rsquo;s  family are remembered with gentle humor, understanding, and affection. A  wry irony tempers emotion, and it is in these pages that the author at  last finds it possible to name the woman of the legend and perhaps bring  her grandmother a measure of peace.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857421029.jpg" length="45299" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Marie Bronsard; Sonia Alland</author>
      <guid isPermaLink="false">9780857421029</guid>
    </item>
    <item>
      <title>Memories from the Twentieth Century</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo14415138.html</link>
      <description>In these three short books—Servabo: A Fin De Si&amp;egrave;cle Memoir, Miss Kirchgessner, and The Medlar Tree,  collected in one volume in English for the first time—Luigi Pinto  retraces a life marked, often in spite of itself, by politics. At once  intransigent and ironic, these autobiographical texts are written “to  reorder in the imagination things that don’t add up in reality.”   From  the idyll of his Sardinian childhood to the transformative experience  of the anti-Fascist resistance, and from post-war militancy to the  dismal regression of Italian culture, Pintor captures memories that are  intensely personal and inseparable from political and intellectual  experience. Episodes and observations recur across all three books, but  the tropes of autobiography are insistently displaced. Sparse and  evocative prose, borrowing from the aphorism and fable, struggles to  give form to personal and political despair, while Pintor never relents  on the attachments and convictions that shape a life.</description>
      <content:encoded>&lt;div&gt;In these three short books&amp;mdash;&lt;i&gt;Servabo: A Fin De Si&amp;egrave;cle Memoir&lt;/i&gt;, &lt;i&gt;Miss Kirchgessner&lt;/i&gt;, and &lt;i&gt;The Medlar Tree&lt;/i&gt;,  collected in one volume in English for the first time&amp;mdash;Luigi Pinto  retraces a life marked, often in spite of itself, by politics. At once  intransigent and ironic, these autobiographical texts are written &amp;ldquo;to  reorder in the imagination things that don&amp;rsquo;t add up in reality.&amp;rdquo; &lt;br /&gt; &lt;br /&gt; From  the idyll of his Sardinian childhood to the transformative experience  of the anti-Fascist resistance, and from post-war militancy to the  dismal regression of Italian culture, Pintor captures memories that are  intensely personal and inseparable from political and intellectual  experience. Episodes and observations recur across all three books, but  the tropes of autobiography are insistently displaced. Sparse and  evocative prose, borrowing from the aphorism and fable, struggles to  give form to personal and political despair, while Pintor never relents  on the attachments and convictions that shape a life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420817.jpg" length="53220" type="image/jpeg" />
      <category>Biography and Letters</category>
      <category>Literature and Literary Criticism: Romance Languages</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Luigi Pintor; Gregory Elliot</author>
      <guid isPermaLink="false">9780857420817</guid>
    </item>
    <item>
      <title>Mutability</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo14416882.html</link>
      <description>A chronicle of motherhood and infancy, Brady’s Mutability  marks the excesses of attention and love in this unique relationship,  the gradual unfurling of one person into two.&amp;nbsp;In poems and prose, these  scripts offer a “model of duplicity,” revealing how the beginnings of  language, the spaces which open up through movement, the undeniable  possibility of harm, and the unbearable intimacy between mother and  child challenge the premise of individual autonomy. Seeking “a writing  of honest particularity, not clean, in a form which would catch rather  than cauterize this pouring,” Mutability brilliantly captures the experience of motherhood. &amp;nbsp; At  the same time, Brady explores the child-space, a utopian place of  discovery and adaptation, as an arena of risk, violence, possession, and  privation.&amp;nbsp;Carefully observing the consequences of “the beginning of  all possibility, and the beginning of its finitude,” the book notes the  child’s discovery of being a new person to “the discovery of an exit.”  Brady’s unique and moving book celebrates and investigates life’s most  essential relationship.</description>
      <content:encoded>&lt;div&gt;A chronicle of motherhood and infancy, Brady&amp;rsquo;s &lt;i&gt;Mutability&lt;/i&gt;  marks the excesses of attention and love in this unique relationship,  the gradual unfurling of one person into two.&amp;nbsp;In poems and prose, these  scripts offer a &amp;ldquo;model of duplicity,&amp;rdquo; revealing how the beginnings of  language, the spaces which open up through movement, the undeniable  possibility of harm, and the unbearable intimacy between mother and  child challenge the premise of individual autonomy. Seeking &amp;ldquo;a writing  of honest particularity, not clean, in a form which would catch rather  than cauterize this pouring,&amp;rdquo; &lt;i&gt;Mutability&lt;/i&gt; brilliantly captures the experience of motherhood.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;At  the same time, Brady explores the child-space, a utopian place of  discovery and adaptation, as an arena of risk, violence, possession, and  privation.&amp;nbsp;Carefully observing the consequences of &amp;ldquo;the beginning of  all possibility, and the beginning of its finitude,&amp;rdquo; the book notes the  child&amp;rsquo;s discovery of being a new person to &amp;ldquo;the discovery of an exit.&amp;rdquo;  Brady&amp;rsquo;s unique and moving book celebrates and investigates life&amp;rsquo;s most  essential relationship.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420909.jpg" length="71523" type="image/jpeg" />
      <category>Literature and Literary Criticism: Poetry</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Andrea Brady</author>
      <guid isPermaLink="false">9780857420909</guid>
    </item>
    <item>
      <title>Monastic Wales</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15484824.html</link>
      <description>Monastic Wales brings together an interdisciplinary team of scholars, working in the areas of history, archaeology, literature, and material culture, to investigate the importance of medieval monasteries in the shaping of Welsh culture, politics, society, and economy. It demonstrates the importance of Welsh monasteries and nunneries, chronicling the many and diverse ways in which religious men and women and their communities contributed to the shaping of the equally diverse regions we now call Wales. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Monastic Wales &lt;/i&gt;brings together an interdisciplinary team of scholars, working in the areas of history, archaeology, literature, and material culture, to investigate the importance of medieval monasteries in the shaping of Welsh culture, politics, society, and economy. It demonstrates the importance of Welsh monasteries and nunneries, chronicling the many and diverse ways in which religious men and women and their communities contributed to the shaping of the equally diverse regions we now call Wales.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325827.jpg" length="26958" type="image/jpeg" />
      <category>History: British and Irish History</category>
      <category>Medieval Studies</category>
      <category>Religion: Religion and Society</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Janet Burton; Karen Stöber</author>
      <guid isPermaLink="false">9780708325827</guid>
    </item>
    <item>
      <title>Medieval Dogs</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15608444.html</link>
      <description>Perhaps at no other time in Western history have animals played such a dominant role in the visual and literary arts as they did during the Middle Ages. Animals were prevalent and essential in all aspects of medieval life, and as a result, they were employed by artists for a variety of purposes: to illustrate saint’s lives, populate farm scenes, act as characters in fables, and even crawl among the very letters forming the text. And while artists used a host of animals, both real and fantastic, for these purposes, one of the most popular animals was man’s best friend.  Dogs were as important to humans during the Middle Ages as they are today, and this new book celebrates that association through their appearance in medieval manuscripts. A follow-up book to Kathleen Walker-Meikle’s Medieval Cats, published by the British Library in 2011, Medieval Dogs presents a wealth of dog imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of dogs and many stories of people and their pets in the Middle Ages.  Among the themes explored in the accompanying text are the roles of the medieval dog, dog breeds, dogs and saints, the names of dogs, canine faithfulness, veterinary care of dogs, dog feeding, the mourning of dogs and burial practices, and medieval poetry about dogs, with translations of some short poems included here. Medieval Dogs is sure to charm dog lovers and medievalists alike.</description>
      <content:encoded>&lt;div&gt;Perhaps at no other time in Western history have animals played such a dominant role in the visual and literary arts as they did during the Middle Ages. Animals were prevalent and essential in all aspects of medieval life, and as a result, they were employed by artists for a variety of purposes: to illustrate saint&amp;rsquo;s lives, populate farm scenes, act as characters in fables, and even crawl among the very letters forming the text. And while artists used a host of animals, both real and fantastic, for these purposes, one of the most popular animals was man&amp;rsquo;s best friend.&lt;br /&gt; &lt;br /&gt; Dogs were as important to humans during the Middle Ages as they are today, and this new book celebrates that association through their appearance in medieval manuscripts. A follow-up book to Kathleen Walker-Meikle&amp;rsquo;s &lt;i&gt;Medieval Cats&lt;/i&gt;, published by the British Library in 2011, &lt;i&gt;Medieval Dogs&lt;/i&gt; presents a wealth of dog imagery from a variety of medieval sources and is peppered with fascinating facts about the medieval view of dogs and many stories of people and their pets in the Middle Ages.&lt;br /&gt; &lt;br /&gt; Among the themes explored in the accompanying text are the roles of the medieval dog, dog breeds, dogs and saints, the names of dogs, canine faithfulness, veterinary care of dogs, dog feeding, the mourning of dogs and burial practices, and medieval poetry about dogs, with translations of some short poems included here. &lt;i&gt;Medieval Dogs&lt;/i&gt; is sure to charm dog lovers and medievalists alike.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712358927.jpg" length="87595" type="image/jpeg" />
      <category>Medieval Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Kathleen Walker-Meikle</author>
      <guid isPermaLink="false">9780712358927</guid>
    </item>
    <item>
      <title>Mao's Golden Mangoes and the Cultural Revolution</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15616713.html</link>
      <description>In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the “Worker-Peasant Mao Zedong though Propaganda Teams,” who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this gift was to dismiss the Student Red Guards, who had been leaders of the proletarian movement in China, and in their stead to install workers as the permanent guardians of China’s education system. During the following weeks, the mangoes were distributed to several factories, where they were treated as though they were religious relics. The golden mango was thus a powerful emblem of the power and respect accorded to the proletariat under Mao’s rule.  Mao’s Gold Mangoes and the Cultural Revolution is the catalog for an exhibition of the same title at the Museum Rietberg in Z&amp;uuml;rich, which explores the golden mangoes’ reverberations throughout Chinese culture for years to come. Included texts focus on the historical narrative of the golden mangoes’ rise to fame; first-person accounts of both students and factory workers; an examination the National Day Parade in 1968, which used the symbol of the mangoes prominently; a critical essay on the 1976 film The Song of the Mango; and an in-depth comparative study of working conditions in China from the late 1960s and today. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;In August 1968, the Pakistani foreign minister visited Beijing and presented Chairman Mao Zedong with a crate of mangoes as a diplomatic gesture. The next day, Mao sent the mangoes to the &amp;ldquo;Worker-Peasant Mao Zedong though Propaganda Teams,&amp;rdquo; who had been stationed at Quinghua University to put down warring factions of Red Guards ten days previously. The message of this gift was to dismiss the Student Red Guards, who had been leaders of the proletarian movement in China, and in their stead to install workers as the permanent guardians of China&amp;rsquo;s education system. During the following weeks, the mangoes were distributed to several factories, where they were treated as though they were religious relics. The golden mango was thus a powerful emblem of the power and respect accorded to the proletariat under Mao&amp;rsquo;s rule.&lt;/div&gt; &lt;div&gt;&lt;br /&gt; &lt;i&gt;Mao&amp;rsquo;s Gold Mangoes and the Cultural Revolution &lt;/i&gt;is the catalog for an exhibition of the same title at the Museum Rietberg in Z&amp;uuml;rich, which explores the golden mangoes&amp;rsquo; reverberations throughout Chinese culture for years to come. Included texts focus on the historical narrative of the golden mangoes&amp;rsquo; rise to fame; first-person accounts of both students and factory workers; an examination the National Day Parade in 1968, which used the symbol of the mangoes prominently; a critical essay on the 1976 film &lt;i&gt;The Song of the Mango&lt;/i&gt;; and an in-depth comparative study of working conditions in China from the late 1960s and today.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/38/58/81/9783858817327.jpg" length="94032" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>History: Asian History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Alfreda Murck</author>
      <guid isPermaLink="false">9783858817327</guid>
    </item>
    <item>
      <title>Female Gothic Histories</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo15484353.html</link>
      <description>Female Gothic Histories is an important new study of the ways in which women writers have used the gothic novel to symbolize and counter their exclusion from traditional historical narratives. Beginning with a detailed reading of Sophia Lee’s critically neglected The Recess, one of the earliest historical gothic fictions, Diana Wallace traces the development of this form from works by Elizabeth Gaskell, Vernon Lee, Daphne du Maurier, and the modern gothics of Victoria Holt, to the phenomenally popular novels of Sarah Waters.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Female Gothic Histories&lt;/i&gt; is an important new study of the ways in which women writers have used the gothic novel to symbolize and counter their exclusion from traditional historical narratives. Beginning with a detailed reading of Sophia Lee&amp;rsquo;s critically neglected &lt;i&gt;The Recess&lt;/i&gt;, one of the earliest historical gothic fictions, Diana Wallace traces the development of this form from works by Elizabeth Gaskell, Vernon Lee, Daphne du Maurier, and the modern gothics of Victoria Holt, to the phenomenally popular novels of Sarah Waters.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325742.jpg" length="26177" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Women's Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Diana Wallace</author>
      <guid isPermaLink="false">9780708325742</guid>
    </item>
    <item>
      <title>Family Troubles?</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo15549289.html</link>
      <description>As the everyday lives of children and young people are increasingly understood as matters of public policy and concern, the question of how we can understand the difference between "normal" family troubles and troubled or troubling families has become more important. In this timely and thought-provoking book, a wide range of contributors address topics such as infant care, sibling conflict, divorce, disability, illness, substance abuse, violence, kinship care, and forced marriage, in an effort to explore how the concept of trouble features in normal families and how the concept of normal features in troubled families.</description>
      <content:encoded>&lt;div&gt;As the everyday lives of children and young people are increasingly understood as matters of public policy and concern, the question of how we can understand the difference between &amp;quot;normal&amp;quot; family troubles and troubled or troubling families has become more important. In this timely and thought-provoking book, a wide range of contributors address topics such as infant care, sibling conflict, divorce, disability, illness, substance abuse, violence, kinship care, and forced marriage, in an effort to explore how the concept of trouble features in normal families and how the concept of normal features in troubled families.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447304432.jpg" length="73435" type="image/jpeg" />
      <category>Sociology: Sociology--Marriage and Family</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Jane Ribbens McCarthy; Carol-Ann Hooper; Val Gillies</author>
      <guid isPermaLink="false">9781447304432</guid>
    </item>
    <item>
      <title>Quorum</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/Q/bo14417062.html</link>
      <description>Quorum, the latest book from William Fuller, is a collection of  vivid detours and deadpan visions arranged into forty-five sonnet-like  poems. Employing an ear “that hears not what the eye / sees not, in  detail,” the poet makes his rounds through a menagerie of abstract  persons and personified abstractions, carefully feeding them “their  weight in flowers,” to achieve the idiosyncratic consistency of a world  transected by allusive filaments of “clouds that don’t exist.”  Metaphysical wit freezes up the system and then gives it a liquidity. But  “there’s a trace of something else that slips in,” which the poet seems  at pains to not identify. If it’s not quite song, neither is it simply irony, nor is it a desire to exceed these, although all are required to make a quorum.  &amp;nbsp; "Fuller’s  work is engaging on a deep level like only the great works are.  [D]efinitely one of the best books that I have come across lately and is  one that should be on any reader’s shelf."—William Allegrezza on Watchword  &amp;nbsp;</description>
      <content:encoded>&lt;p&gt;&lt;i&gt;Quorum&lt;/i&gt;, the latest book from William Fuller, is a collection of  vivid detours and deadpan visions arranged into forty-five sonnet-like  poems. Employing an ear &amp;ldquo;that hears not what the eye / sees not, in  detail,&amp;rdquo; the poet makes his rounds through a menagerie of abstract  persons and personified abstractions, carefully feeding them &amp;ldquo;their  weight in flowers,&amp;rdquo; to achieve the idiosyncratic consistency of a world  transected by allusive filaments of &amp;ldquo;clouds that don&amp;rsquo;t exist.&amp;rdquo;  Metaphysical wit freezes up the system and then gives it a liquidity. But  &amp;ldquo;there&amp;rsquo;s a trace of something else that slips in,&amp;rdquo; which the poet seems  at pains to not identify. If it&amp;rsquo;s not quite song, neither is it simply irony, nor is it a desire to exceed these, although all are required to make a quorum.&lt;/p&gt; &lt;div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;&amp;quot;Fuller&amp;rsquo;s  work is engaging on a deep level like only the great works are.  [D]efinitely one of the best books that I have come across lately and is  one that should be on any reader&amp;rsquo;s shelf.&amp;quot;&amp;mdash;William Allegrezza on &lt;i&gt;Watchword&lt;/i&gt;&lt;/div&gt; &lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420916.jpg" length="633870" type="image/jpeg" />
      <category>Literature and Literary Criticism: Poetry</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>William Fuller</author>
      <guid isPermaLink="false">9780857420916</guid>
    </item>
    <item>
      <title>Politics of Civil Society</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo15551601.html</link>
      <description>In this fully revised edition of his groundbreaking book, Fred Powell looks behind “the mirror of power” to discover the real civil society—or Big Society—that lies beneath it. Articulating three forms of civil society—radical, liberal, and conservative—he examines a complex interplay between state and community, arguing that citizens contend for power via civil society. This is both a historic pursuit dating to antiquity and a contemporary democratic struggle between competing visions of modernity, the stakes of which are no less than “real” politics themselves as experienced by everyday citizens. The second edition includes a new concluding chapter on practical and policy implications.</description>
      <content:encoded>&lt;div&gt;In this fully revised edition of his groundbreaking book, Fred Powell looks behind &amp;ldquo;the mirror of power&amp;rdquo; to discover the real civil society&amp;mdash;or Big Society&amp;mdash;that lies beneath it. Articulating three forms of civil society&amp;mdash;radical, liberal, and conservative&amp;mdash;he examines a complex interplay between state and community, arguing that citizens contend for power via civil society. This is both a historic pursuit dating to antiquity and a contemporary democratic struggle between competing visions of modernity, the stakes of which are no less than &amp;ldquo;real&amp;rdquo; politics themselves as experienced by everyday citizens. The second edition includes a new concluding chapter on practical and policy implications.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447307150.jpg" length="54896" type="image/jpeg" />
      <category>Political Science: Public Policy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Fred Powell</author>
      <guid isPermaLink="false">9781447307143</guid>
    </item>
    <item>
      <title>Politics of Civil Society</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo15551601.html</link>
      <description>In this fully revised edition of his groundbreaking book, Fred Powell looks behind “the mirror of power” to discover the real civil society—or Big Society—that lies beneath it. Articulating three forms of civil society—radical, liberal, and conservative—he examines a complex interplay between state and community, arguing that citizens contend for power via civil society. This is both a historic pursuit dating to antiquity and a contemporary democratic struggle between competing visions of modernity, the stakes of which are no less than “real” politics themselves as experienced by everyday citizens. The second edition includes a new concluding chapter on practical and policy implications.</description>
      <content:encoded>&lt;div&gt;In this fully revised edition of his groundbreaking book, Fred Powell looks behind &amp;ldquo;the mirror of power&amp;rdquo; to discover the real civil society&amp;mdash;or Big Society&amp;mdash;that lies beneath it. Articulating three forms of civil society&amp;mdash;radical, liberal, and conservative&amp;mdash;he examines a complex interplay between state and community, arguing that citizens contend for power via civil society. This is both a historic pursuit dating to antiquity and a contemporary democratic struggle between competing visions of modernity, the stakes of which are no less than &amp;ldquo;real&amp;rdquo; politics themselves as experienced by everyday citizens. The second edition includes a new concluding chapter on practical and policy implications.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447307150.jpg" length="54896" type="image/jpeg" />
      <category>Political Science: Public Policy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Fred Powell</author>
      <guid isPermaLink="false">9781447307150</guid>
    </item>
    <item>
      <title>Pop Goes the Avant-Garde</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo13220284.html</link>
      <description>Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China  is the first comprehensive review of the history and development of  avant-garde drama and theater in the People’s Republic of China since  1976. Drawing on a range of critical perspectives in the fields of  comparative literature, theater, performance, and culture studies, the  book explores key artistic movements and phenomena that have emerged in  China’s major cultural centers in the last several decades. &amp;nbsp; It surveys the work of China’s most influential dramatists,  directors and performance groups, with a special focus on Beijing-based  playwright, director and filmmaker Meng Jinghui—the former enfant terrible  of Beijing theater, who is now one of Asia’s foremost theater  personalities. Through an extensive critique of theories of modernism  and the avant-garde, the author reassesses the meanings, functions and  socio-historical significance of this work in non-Western contexts by  proposing a new theoretical construct—the pop avant-garde—and exploring  new ways to understand and conceptualize aesthetic practices beyond  Euro-American cultures and critical discourses.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Pop Goes the Avant-Garde: Experimental Theatre in Contemporary China&lt;/i&gt;  is the first comprehensive review of the history and development of  avant-garde drama and theater in the People&amp;rsquo;s Republic of China since  1976. Drawing on a range of critical perspectives in the fields of  comparative literature, theater, performance, and culture studies, the  book explores key artistic movements and phenomena that have emerged in  China&amp;rsquo;s major cultural centers in the last several decades.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;It surveys the work of China&amp;rsquo;s most influential dramatists,  directors and performance groups, with a special focus on Beijing-based  playwright, director and filmmaker Meng Jinghui&amp;mdash;the former &lt;i&gt;enfant terrible&lt;/i&gt;  of Beijing theater, who is now one of Asia&amp;rsquo;s foremost theater  personalities. Through an extensive critique of theories of modernism  and the avant-garde, the author reassesses the meanings, functions and  socio-historical significance of this work in non-Western contexts by  proposing a new theoretical construct&amp;mdash;the pop avant-garde&amp;mdash;and exploring  new ways to understand and conceptualize aesthetic practices beyond  Euro-American cultures and critical discourses.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420459.jpg" length="37750" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Rossella Ferrari</author>
      <guid isPermaLink="false">9780857420459</guid>
    </item>
    <item>
      <title>How Europe Shapes British Public Policy</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/H/bo15549457.html</link>
      <description>How Europe Shapes British Public Policy examines how the European Union became a sectarian issue for citizens of the UK. It analyzes the effects of EU membership in the shaping of key areas, including trade and privatization, the single market, the environment, and the development and implementation of a devolved and decentralized governance. Discussing the ways UK citizens have grown politically disengaged as a result of EU political practices and policy making, it goes on to examine the implications this has had for the depoliticization of government and civil services.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;How Europe Shapes British Public Policy&lt;/i&gt; examines how the European Union became a sectarian issue for citizens of the UK. It analyzes the effects of EU membership in the shaping of key areas, including trade and privatization, the single market, the environment, and the development and implementation of a devolved and decentralized governance. Discussing the ways UK citizens have grown politically disengaged as a result of EU political practices and policy making, it goes on to examine the implications this has had for the depoliticization of government and civil services.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447300465.jpg" length="67668" type="image/jpeg" />
      <category>Political Science: Public Policy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Janice Morphet</author>
      <guid isPermaLink="false">9781447300465</guid>
    </item>
    <item>
      <title>International Garden Photographer of the Year</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/I/bo15562603.html</link>
      <description>The International Garden Photographer of the Year competition has blossomed into one of the premiere showcases for nature and landscape photography, receiving thousands of entries from both professional and amateur participants. The competition encourages photos that take fresh approaches to their subjects, pushing the boundaries of garden photography. New categories this year are Wildflower Landscapes and Wildlife in the Garden, joining others such as Beautiful Gardens, Greening the City, and a special Young Garden Photographer of the Year.   This eagerly anticipated sixth collection of finalists brings together an exceptional group of photos, ranging from a split-second shot of hummingbird wings to eerily beautiful x-rays of flowers. Photos spill across the pages, allowing readers to pore over every detail. And though the beauty of the images can speak for itself, each photo comes with descriptions that tell how the photographer caught each moment and what camera and settings were used. The collection reminds us that despite advances in technology, the people behind the cameras are still the true talent.   This year’s best photos will be shown in exhibitions across the world, with shows in New York City, London, Edinburgh, Sydney, Nuremburg, Lisbon, and more. With a winning combination of beautiful images and insight into the photographer’s process, this collection will be a welcome addition to the bookshelf of any gardener, nature lover, or photography enthusiast.</description>
      <content:encoded>&lt;div&gt;The International Garden Photographer of the Year competition has blossomed into one of the premiere showcases for nature and landscape photography, receiving thousands of entries from both professional and amateur participants. The competition encourages photos that take fresh approaches to their subjects, pushing the boundaries of garden photography. New categories this year are Wildflower Landscapes and Wildlife in the Garden, joining others such as Beautiful Gardens, Greening the City, and a special Young Garden Photographer of the Year. &lt;br /&gt; &lt;br /&gt; This eagerly anticipated sixth collection of finalists brings together an exceptional group of photos, ranging from a split-second shot of hummingbird wings to eerily beautiful x-rays of flowers. Photos spill across the pages, allowing readers to pore over every detail. And though the beauty of the images can speak for itself, each photo comes with descriptions that tell how the photographer caught each moment and what camera and settings were used. The collection reminds us that despite advances in technology, the people behind the cameras are still the true talent. &lt;br /&gt; &lt;br /&gt; This year&amp;rsquo;s best photos will be shown in exhibitions across the world, with shows in New York City, London, Edinburgh, Sydney, Nuremburg, Lisbon, and more. With a winning combination of beautiful images and insight into the photographer&amp;rsquo;s process, this collection will be a welcome addition to the bookshelf of any gardener, nature lover, or photography enthusiast.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/42/46/9781842464823.jpg" length="52137" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>Biological Sciences: Botany</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Philip Smith</author>
      <guid isPermaLink="false">9781842464823</guid>
    </item>
    <item>
      <title>Illustrating Shakespeare</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/I/bo15607582.html</link>
      <description>For centuries, artists have been drawn to the plays of Shakespeare, translating his lines into brushstrokes and interpreting his characters and scenes in their own vision. From Henry Fuseli’s Macbeth Consulting the Vision of the Armed Head and William Blake’s Brutus and the Ghost of Caesar to Eug&amp;egrave;ne Delacroix’s Othello and Desdemona and John Millais’s Ophelia, these works will forever influence our reception of the Bard.  In Illustrating Shakespeare, Peter Whitfield draws on an extraordinary array of historical evidence to chronicle the way artists have embraced Shakespeare over the years. Whitfield shows how some artists succeeded in capturing the psychological truth of the dramas, while others merely dressed them up to suit the taste of their time. In addition, he reveals how the history of Shakespearean art parallels that of theater production. The artistic tradition spawned by Shakespeare’s plays is extremely important to his legacy, making this gorgeous volume a must-read for scholars and fans alike.</description>
      <content:encoded>&lt;div&gt;For centuries, artists have been drawn to the plays of Shakespeare, translating his lines into brushstrokes and interpreting his characters and scenes in their own vision. From Henry Fuseli&amp;rsquo;s &lt;i&gt;Macbeth Consulting the Vision of the Armed Head &lt;/i&gt;and William Blake&amp;rsquo;s &lt;i&gt;Brutus and the Ghost of Caesar &lt;/i&gt;to Eug&amp;egrave;ne Delacroix&amp;rsquo;s &lt;i&gt;Othello and Desdemona &lt;/i&gt;and John Millais&amp;rsquo;s &lt;i&gt;Ophelia&lt;/i&gt;, these works will forever influence our reception of the Bard.&lt;br /&gt; &lt;br /&gt; In &lt;i&gt;Illustrating Shakespeare&lt;/i&gt;, Peter Whitfield draws on an extraordinary array of historical evidence to chronicle the way artists have embraced Shakespeare over the years. Whitfield shows how some artists succeeded in capturing the psychological truth of the dramas, while others merely dressed them up to suit the taste of their time. In addition, he reveals how the history of Shakespearean art parallels that of theater production. The artistic tradition spawned by Shakespeare&amp;rsquo;s plays is extremely important to his legacy, making this gorgeous volume a must-read for scholars and fans alike.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712358897.jpg" length="141427" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Peter Whitfield</author>
      <guid isPermaLink="false">9780712358897</guid>
    </item>
    <item>
      <title>Spoken Word: Short Stories Volume 2</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15610168.html</link>
      <description>Following the success of its first set of authors reading their own short stories, the British Library is proud to present a second volume featuring a further dozen stories. As before, the majority of the recordings take the form of historic broadcasts sourced from the BBC, to which a handful of rare live recordings have been added. The stories range from humorous anecdotes to more extended pieces investigating social issues, and the twelve authors include such prestigious names as Beryl Bainbridge, Julian Barnes, E. M. Forster, Alasdair Gray, W. Somerset Maugham, Sean O’Faolain, Harold Pinter, Alan Sillitoe, Osbert Sitwell, Rose Tremain, William Trevor, and Fay Weldon. All the recordings are being made available for the first time.</description>
      <content:encoded>&lt;div&gt;Following the success of its first set of authors reading their own short stories, the British Library is proud to present a second volume featuring a further dozen stories. As before, the majority of the recordings take the form of historic broadcasts sourced from the BBC, to which a handful of rare live recordings have been added. The stories range from humorous anecdotes to more extended pieces investigating social issues, and the twelve authors include such prestigious names as Beryl Bainbridge, Julian Barnes, E. M. Forster, Alasdair Gray, W. Somerset Maugham, Sean O&amp;rsquo;Faolain, Harold Pinter, Alan Sillitoe, Osbert Sitwell, Rose Tremain, William Trevor, and Fay Weldon. All the recordings are being made available for the first time.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712351256.jpg" length="46209" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>The British Library</author>
      <guid isPermaLink="false">9780712351256</guid>
    </item>
    <item>
      <title>Ware's Victorian Dictionary of Slang and Phrase</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15601244.html</link>
      <description>Acutely aware of the changes affecting English at the end of the Victorian era, writer and journalist J. Redding Ware set out to record words and turns of phrase from all walks of life, from the curses in common use by sailors to the rhyming slang of the street and the jargon of the theater dandies. In doing so, he extended the lifespan of words like “air-hole,” “lally-gagging,” and “bow-wow mutton.”   First published in 1909 and reproduced here with a new introduction by Oxford English Dictionary editor John Simpson, Ware’s Victorian Dictionary of Slang and Phrase reflects the rich history of unofficial English. Many of the expressions are obsolete; one is not likely to have the misfortune of encountering a “parlour jumper.” Order a “shant of bivvy” at the pub and you’ll be met with a blank stare. But some of the entries reveal the origins of expressions still in use today, such as calling someone a “bad egg” to indicate that they are dishonest or of ill-repute. While showing the significant influence of American English on Victorian slang, the Dictionary also demonstrates how impressively innovative its speakers were.   A treasure trove of everyday language of the nineteenth century, this book has much to offer in terms of insight into the intriguing history of English and will be of interest to anyone with a passion for words.</description>
      <content:encoded>&lt;div&gt;Acutely aware of the changes affecting English at the end of the Victorian era, writer and journalist J. Redding Ware set out to record words and turns of phrase from all walks of life, from the curses in common use by sailors to the rhyming slang of the street and the jargon of the theater dandies. In doing so, he extended the lifespan of words like &amp;ldquo;air-hole,&amp;rdquo; &amp;ldquo;lally-gagging,&amp;rdquo; and &amp;ldquo;bow-wow mutton.&amp;rdquo; &lt;br /&gt; &lt;br /&gt; First published in 1909 and reproduced here with a new introduction by &lt;i&gt;Oxford English Dictionary&lt;/i&gt; editor John Simpson, &lt;i&gt;Ware&amp;rsquo;s Victorian Dictionary of Slang and Phrase&lt;/i&gt; reflects the rich history of unofficial English. Many of the expressions are obsolete; one is not likely to have the misfortune of encountering a &amp;ldquo;parlour jumper.&amp;rdquo; Order a &amp;ldquo;shant of bivvy&amp;rdquo; at the pub and you&amp;rsquo;ll be met with a blank stare. But some of the entries reveal the origins of expressions still in use today, such as calling someone a &amp;ldquo;bad egg&amp;rdquo; to indicate that they are dishonest or of ill-repute. While showing the significant influence of American English on Victorian slang, the &lt;i&gt;Dictionary&lt;/i&gt; also demonstrates how impressively innovative its speakers were. &lt;br /&gt; &lt;br /&gt; A treasure trove of everyday language of the nineteenth century, this book has much to offer in terms of insight into the intriguing history of English and will be of interest to anyone with a passion for words.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/51/24/9781851242627.jpg" length="84152" type="image/jpeg" />
      <category>Reference and Bibliography</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>J. Redding Ware</author>
      <guid isPermaLink="false">9781851242627</guid>
    </item>
    <item>
      <title>Starlite Terrace</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo14579763.html</link>
      <description>In a rundown Los Angeles apartment building—the titular  Starlite Terrace—Patrick Roth unfurls the tragic linked stories of Rex,  Moss, Gary and June, four neighbors, in a sort of burlesque of the  Hollywood modern. In each of their singular collisions with fame, Roth’s  dark prose presages a universal and mythical fate of desperation.&amp;nbsp;  In “The Man at Noah’s Window,” Rex shares the story of his father, a supposed hand double for Gary Cooper in High Noon.  In “Eclipse of the Sun,” Moss, who lives in fear of the next holocaust,  awaits a visit from the long-lost daughter he has tracked down. In  “Rider on the Storm,” Gary, a rock drummer and born-again Christian, who  “almost played” on the Turtles’ 60s-hit “Happy Together,” strives to  find escape from his personal guilt. And in “The Woman in the Sea of  Stars,” June, a former Hollywood studio secretary whose husband once  cheated on her with Marilyn Monroe, makes the best of a disconnected  life until she emerges reborn through ashes strewn in the illuminated  swimming pool of the Starlite Terrace.  In  each of these four tales of wanna-bes and almost-weres, Roth's L.A.  portraits unfold in rare style, and, in Krishna Winston’s masterful  translation, the hopeless, loveless perversion of an Ed Ruscha-inspired  California becomes a compelling pageant of all-American grotesques that  is not to be missed. &amp;nbsp;</description>
      <content:encoded>&lt;p&gt;In a rundown Los Angeles apartment building&amp;mdash;the titular  Starlite Terrace&amp;mdash;Patrick Roth unfurls the tragic linked stories of Rex,  Moss, Gary and June, four neighbors, in a sort of burlesque of the  Hollywood modern. In each of their singular collisions with fame, Roth&amp;rsquo;s  dark prose presages a universal and mythical fate of desperation.&amp;nbsp;&lt;br /&gt; &lt;br /&gt; In &amp;ldquo;The Man at Noah&amp;rsquo;s Window,&amp;rdquo; Rex shares the story of his father, a supposed hand double for Gary Cooper in &lt;i&gt;High Noon&lt;/i&gt;.  In &amp;ldquo;Eclipse of the Sun,&amp;rdquo; Moss, who lives in fear of the next holocaust,  awaits a visit from the long-lost daughter he has tracked down. In  &amp;ldquo;Rider on the Storm,&amp;rdquo; Gary, a rock drummer and born-again Christian, who  &amp;ldquo;almost played&amp;rdquo; on the Turtles&amp;rsquo; 60s-hit &amp;ldquo;Happy Together,&amp;rdquo; strives to  find escape from his personal guilt. And in &amp;ldquo;The Woman in the Sea of  Stars,&amp;rdquo; June, a former Hollywood studio secretary whose husband once  cheated on her with Marilyn Monroe, makes the best of a disconnected  life until she emerges reborn through ashes strewn in the illuminated  swimming pool of the Starlite Terrace.&lt;br /&gt; &lt;br /&gt; In  each of these four tales of wanna-bes and almost-weres, Roth's L.A.  portraits unfold in rare style, and, in Krishna Winston&amp;rsquo;s masterful  translation, the hopeless, loveless perversion of an Ed Ruscha-inspired  California becomes a compelling pageant of all-American grotesques that  is not to be missed.&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420824.jpg" length="30764" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Patrick Roth; Krishna Winston</author>
      <guid isPermaLink="false">9780857420824</guid>
    </item>
    <item>
      <title>Spanish Civil War</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15484202.html</link>
      <description>While the intricate relationship between history, memory, and representation is of central concern in contemporary society in general, it is perhaps more alive in Spain than in any other European country. The seventy-fifth anniversary of the Spanish Civil War has reignited interest in this field. The Spanish Civil War: Exhuming a Buried Past features cutting-edge, interdisciplinary research on the political, historical, cultural, and literary legacy of the Spanish Civil War by a mixture of new and leading scholars from Europe, North America, and New Zealand. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;While the intricate relationship between history, memory, and representation is of central concern in contemporary society in general, it is perhaps more alive in Spain than in any other European country. The seventy-fifth anniversary of the Spanish Civil War has reignited interest in this field. &lt;i&gt;The Spanish Civil War: Exhuming a Buried Past &lt;/i&gt;features cutting-edge, interdisciplinary research on the political, historical, cultural, and literary legacy of the Spanish Civil War by a mixture of new and leading scholars from Europe, North America, and New Zealand.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325780.jpg" length="31656" type="image/jpeg" />
      <category>History: European History</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Anindya Raychaudhuri</author>
      <guid isPermaLink="false">9780708325780</guid>
    </item>
    <item>
      <title>Reclaiming Individualism</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15549842.html</link>
      <description>Reclaiming Individualism reviews the scope of individualist approaches to public policy, considering how they shape contemporary policy practices. It argues for a concept of individualism based on rights, human dignity, shared interests, and social protection, providing a thorough analysis and classification of individualism as applied to social and public policy. An important resource for those working or studying in these fields, it is a powerful restatement of some of the key values that led to the establishment of individualism as such a strong social force.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Reclaiming Individualism&lt;/i&gt; reviews the scope of individualist approaches to public policy, considering how they shape contemporary policy practices. It argues for a concept of individualism based on rights, human dignity, shared interests, and social protection, providing a thorough analysis and classification of individualism as applied to social and public policy. An important resource for those working or studying in these fields, it is a powerful restatement of some of the key values that led to the establishment of individualism as such a strong social force.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447309086.jpg" length="58350" type="image/jpeg" />
      <category>Political Science: Public Policy</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Paul Spicker</author>
      <guid isPermaLink="false">9781447309086</guid>
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    <item>
      <title>Marcel Proust</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15580188.html</link>
      <description>Marcel Proust (1871–1922) spent fourteen years creating In Search of Lost Time, his seven-volume magnum opus. He died when it was only half in print, unable to see it become one of the most important literary works of the twentieth century. Over eighty years later, the work still garners extraordinary levels of critical attention, and Proust’s habits, health, and sexual preferences still keep commentators and fans occupied. In this concise biography, Adam Watt explores the life of a writer whose every experience was stored, dissected, and redeployed within a vast fictional work.&amp;#160;After considering Proust’s earlier years of personal and aesthetic experiment, Watt provides an engaging account of two intertwined processes taking place against the vibrant backdrop of Belle &amp;Eacute;poque Paris and World War I: the progress of In Search of Lost Time and the simultaneous decline of its author. He demonstrates how Proust’s own periods of ill health and isolation reflected his narrator’s thoughts on desire, love, and loss, as well as his contemplation of beauty, memory, aging, and the possibility of happiness. Drawing on the author’s immense correspondence, the accounts of his contemporaries, and the insights of recent scholarship, Marcel Proust offers a rewarding new portrait of the novelist once described as “the most complicated man in Paris.”</description>
      <content:encoded>&lt;div&gt;Marcel Proust (1871&amp;ndash;1922) spent fourteen years creating &lt;i&gt;In Search of Lost Time&lt;/i&gt;, his seven-volume magnum opus. He died when it was only half in print, unable to see it become one of the most important literary works of the twentieth century. Over eighty years later, the work still garners extraordinary levels of critical attention, and Proust&amp;rsquo;s habits, health, and sexual preferences still keep commentators and fans occupied. In this concise biography, Adam Watt explores the life of a writer whose every experience was stored, dissected, and redeployed within a vast fictional work.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;After considering Proust&amp;rsquo;s earlier years of personal and aesthetic experiment, Watt provides an engaging account of two intertwined processes taking place against the vibrant backdrop of Belle &amp;Eacute;poque Paris and World War I: the progress of &lt;i&gt;In Search of Lost Time&lt;/i&gt; and the simultaneous decline of its author. He demonstrates how Proust&amp;rsquo;s own periods of ill health and isolation reflected his narrator&amp;rsquo;s thoughts on desire, love, and loss, as well as his contemplation of beauty, memory, aging, and the possibility of happiness. Drawing on the author&amp;rsquo;s immense correspondence, the accounts of his contemporaries, and the insights of recent scholarship, &lt;i&gt;Marcel Proust&lt;/i&gt; offers a rewarding new portrait of the novelist once described as &amp;ldquo;the most complicated man in Paris.&amp;rdquo;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230948.jpg" length="20453" type="image/jpeg" />
      <category>Biography and Letters</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Adam Watt</author>
      <guid isPermaLink="false">9781780230948</guid>
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    <item>
      <title>Thresherphobe</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15612535.html</link>
      <description>In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O’Hara and Kenneth Koch to explore life’s emotional mysteries—both dire and hilarious—from the perpetual dissolving of our past to the perpetual frustration of our cravings for ego-triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday’s voice-driven poetry wants to find insight—or at least a stay against confusion—through personality without being trapped in personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can; let posterity (if any!) say we rambled truly.</description>
      <content:encoded>&lt;div&gt;In his sixth collection, Mark Halliday continues to seek ways of using the smart playfulness of such poets as Frank O&amp;rsquo;Hara and Kenneth Koch to explore life&amp;rsquo;s emotional mysteries&amp;mdash;both dire and hilarious&amp;mdash;from the perpetual dissolving of our past to the perpetual frustration of our cravings for ego-triumph, for sublime connection with an erotically idealized Other, and for peace of spirit. Animated by belief in the possible truths to be reached in interpersonal speech, Halliday&amp;rsquo;s voice-driven poetry wants to find insight&amp;mdash;or at least a stay against confusion&amp;mdash;&lt;i&gt;through&lt;/i&gt; personality without being trapped &lt;i&gt;in&lt;/i&gt; personality. History will leave much of what we are on the threshing floor, Halliday notes, but in the meantime we do what we can; let posterity (if any!) say we rambled truly.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226038704.jpeg" length="26224" type="image/jpeg" />
      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <category>Literature and Literary Criticism: Poetry</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Mark Halliday</author>
      <guid isPermaLink="false">9780226038704</guid>
    </item>
    <item>
      <title>Collaborating Planner?</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15551211.html</link>
      <description>This book aims to understand how both specific planning and broader public sector reforms have been experienced and understood by chartered town planners working at local levels of authority across Great Britain. Each chapter outlines the reaction by professionals to reforms promoted by successive central and devolved governments over the last decade, before considering the broader issues of what this tells us about how modernization is rolled out by frontline public servants. This book fills a glaring gap in scholarship and makes ideal reading for students and researchers interested in the UK planning system.</description>
      <content:encoded>&lt;div&gt;This book aims to understand how both specific planning and broader public sector reforms have been experienced and understood by chartered town planners working at local levels of authority across Great Britain. Each chapter outlines the reaction by professionals to reforms promoted by successive central and devolved governments over the last decade, before considering the broader issues of what this tells us about how modernization is rolled out by frontline public servants. This book fills a glaring gap in scholarship and makes ideal reading for students and researchers interested in the UK planning system.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447305118.jpg" length="75579" type="image/jpeg" />
      <category>Sociology: Urban and Rural Sociology</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Ben Clifford; Mark Tewdwr-Jones</author>
      <guid isPermaLink="false">9781447305118</guid>
    </item>
    <item>
      <title>Edward Pugh of Ruthin 1763-1813</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo15484555.html</link>
      <description>Born in Ruthin, Denbighshire, Edward Pugh (1763–1813) was a Welsh-speaking artist and writer who worked as a miniaturist in London, exhibiting frequently at the Royal Academy. But Pugh’s passion was the landscape, and he painted remarkable views of North Wales that not only captivate but also reveal the development of the Welsh economy and Welsh national consciousness. Pugh also wrote and illustrated a fascinating, informative, and humorous account of a tour of North Wales around 1800—one of the only travel books written at that time by someone who could actually converse with the inhabitants.&amp;#160;&amp;#160;Edward Pugh of Ruthin 1763–1813 is the first book to consider the work of this nearly forgotten Welsh artist and writer in detail, linking the history of art in Wales with the social history of the country. John Barrell shows how Pugh’s pictures and writings portray rural life and social change in Wales during his lifetime, from the effects of the war with France on industry and poverty, to the need to develop and modernize the Welsh economy, to the power of the landowners. Almost all of the pictures and accounts we have today of late eighteenth and early nineteenth century North Wales were made by English artists and writers, and none of these, as Barrell demonstrates, can tell us about life in North Wales with the same depth and authenticity as does Pugh.</description>
      <content:encoded>&lt;div&gt;Born in Ruthin, Denbighshire, Edward Pugh (1763&amp;ndash;1813) was a Welsh-speaking artist and writer who worked as a miniaturist in London, exhibiting frequently at the Royal Academy. But Pugh&amp;rsquo;s passion was the landscape, and he painted remarkable views of North Wales that not only captivate but also reveal the development of the Welsh economy and Welsh national consciousness. Pugh also wrote and illustrated a fascinating, informative, and humorous account of a tour of North Wales around 1800&amp;mdash;one of the only travel books written at that time by someone who could actually converse with the inhabitants.&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Edward Pugh of Ruthin 1763&amp;ndash;1813&lt;/i&gt; is the first book to consider the work of this nearly forgotten Welsh artist and writer in detail, linking the history of art in Wales with the social history of the country. John Barrell shows how Pugh&amp;rsquo;s pictures and writings portray rural life and social change in Wales during his lifetime, from the effects of the war with France on industry and poverty, to the need to develop and modernize the Welsh economy, to the power of the landowners. Almost all of the pictures and accounts we have today of late eighteenth and early nineteenth century North Wales were made by English artists and writers, and none of these, as Barrell demonstrates, can tell us about life in North Wales with the same depth and authenticity as does Pugh.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325667.jpg" length="31174" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>John Barrell</author>
      <guid isPermaLink="false">9780708325667</guid>
    </item>
    <item>
      <title>Up North</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/U/bo16420701.html</link>
      <description>For everyone from school age to professional, there is no greater pleasure than the summer vacation, the chance to pack our suitcases and escape from workaday life and domestic chores; we look forward to it during the long slog and count down the days on our calendars. But the idea of travel for relaxation is actually a relatively modern concept. The construction of the vast American railroad network that made quick travel over long distances feasible combined with the rise of the middle class, which brought with it the time and money to afford travel, established the phenomenon of summer leisure touring in the late 1800s. As such, the word vacation came to mean not just a school holiday, but travel for pleasure. With the rise of leisure travel came the rise of the tourist destination, resort towns catering specifically to the needs and desires of this new kind of traveler.&amp;#160;Up North looks specifically at the history of two such resort communities on the shores of Lake Huron in Michigan. Like the Hamptons that lure New Yorkers and the Lake Michigan beaches that attract Chicagoans, the communities along Lake Huron were a hot spot of summer fun for thousands of St. Louisans. Focusing on the heyday of Lake Huron beaches between 1880 and 1950, Up North brings together local newspaper columns from the time and excerpts from letters and diaries to paint a vivid portrait of life at these summer resorts. Douglas Scott Brookes’s family vacationed along the Lake Huron Beaches for generations, and in this book he weaves together his family’s experiences with the larger story of the rise of vacationing in America. He examines why summer vacations became popular in the late 1800s, and he seeks to explain what kept tourists coming back, often to the same place year after year, establishing family traditions.&amp;#160;A fascinating perspective on the history of leisure travel in America, Up North celebrates our common need to get away from the humdrum, and it will be welcome reading for all of us daydreaming of crystalline lakeshores.</description>
      <content:encoded>&lt;div&gt;For everyone from school age to professional, there is no greater pleasure than the summer vacation, the chance to pack our suitcases and escape from workaday life and domestic chores; we look forward to it during the long slog and count down the days on our calendars. But the idea of travel for relaxation is actually a relatively modern concept. The construction of the vast American railroad network that made quick travel over long distances feasible combined with the rise of the middle class, which brought with it the time and money to afford travel, established the phenomenon of summer leisure touring in the late 1800s. As such, the word vacation came to mean not just a school holiday, but travel for pleasure. With the rise of leisure travel came the rise of the tourist destination, resort towns catering specifically to the needs and desires of this new kind of traveler.&lt;/div&gt;&lt;div&gt;&lt;i&gt;&amp;#160;&lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Up North&lt;/i&gt; looks specifically at the history of two such resort communities on the shores of Lake Huron in Michigan. Like the Hamptons that lure New Yorkers and the Lake Michigan beaches that attract Chicagoans, the communities along Lake Huron were a hot spot of summer fun for thousands of St. Louisans. Focusing on the heyday of Lake Huron beaches between 1880 and 1950, &lt;i&gt;Up North&lt;/i&gt; brings together local newspaper columns from the time and excerpts from letters and diaries to paint a vivid portrait of life at these summer resorts. Douglas Scott Brookes&amp;rsquo;s family vacationed along the Lake Huron Beaches for generations, and in this book he weaves together his family&amp;rsquo;s experiences with the larger story of the rise of vacationing in America. He examines why summer vacations became popular in the late 1800s, and he seeks to explain what kept tourists coming back, often to the same place year after year, establishing family traditions.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;A fascinating perspective on the history of leisure travel in America, &lt;i&gt;Up North&lt;/i&gt; celebrates our common need to get away from the humdrum, and it will be welcome reading for all of us daydreaming of crystalline lakeshores.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/83/98/9781883982744.jpg" length="77906" type="image/jpeg" />
      <category>History: American History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Douglas Scott Brookes</author>
      <guid isPermaLink="false">9781883982744</guid>
    </item>
    <item>
      <title>Preserving and Exhibiting Media Art</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo14545096.html</link>
      <description>This vibrantly illustrated introduction to the emerging field of the  preservation and presentation of media art brings together the  contributions of authors from all over Europe and the United States.  This&amp;#160;volume can serve as a textbook for students in advanced degree  programs in media art and museum studies, as well as an invaluable  introduction for general readers. A potent combination of incisive  scholarly articles and focused case studies, Preserving and Exhibiting Media Art offers a comprehensive overview of the history, theory, and practical skills of preserving media art.</description>
      <content:encoded>&lt;div&gt;This vibrantly illustrated introduction to the emerging field of the  preservation and presentation of media art brings together the  contributions of authors from all over Europe and the United States.  This&amp;#160;volume can serve as a textbook for students in advanced degree  programs in media art and museum studies, as well as an invaluable  introduction for general readers. A potent combination of incisive  scholarly articles and focused case studies, &lt;i&gt;Preserving and Exhibiting Media Art &lt;/i&gt;offers a comprehensive overview of the history, theory, and practical skills of preserving media art.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089642912.jpg" length="56862" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Film Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Vinzenz Hediger; Barbara Le Maitre; Julia Noordegraaf; Cosetta G. Saba</author>
      <guid isPermaLink="false">9789089642912</guid>
    </item>
    <item>
      <title>Power to the People</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo6177974.html</link>
      <description>Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole—helping to motivate the masses and proliferate ideas. Power to the People presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago.&amp;#160;From the psychedelic pages of the Oracle, Haight-Ashbury’s paper of choice, to the fiery editorials of the Black Panther Party Paper, these papers were remarkable for their editors’ fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock ‘n’ roll. Assembled by renowned graphic designer Geoff Kaplan, Power to the People pays homage in its layout to the radical press. Beyond its unparalleled images, Power to the People includes essays&amp;#160;by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. Power to the People treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.&amp;#160;No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. Power to the People is not just a major compendium of art from the ’60s and ’70s—it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.</description>
      <content:encoded>&lt;div&gt;Though we think of the 1960s and the early &amp;lsquo;70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. This vibrant new media was essential to the counterculture revolution as a whole&amp;mdash;helping to motivate the masses and proliferate ideas. &lt;i&gt;Power to the People&lt;/i&gt; presents more than 700 full-color images and excerpts from these astonishing publications, many of which have not been seen since they were first published almost fifty years ago.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;From the psychedelic pages of the&lt;i&gt; Oracle, &lt;/i&gt;Haight-Ashbury&amp;rsquo;s paper of choice, to the fiery editorials of the&lt;i&gt; Black Panther Party Paper, &lt;/i&gt;these papers were remarkable for their editors&amp;rsquo; fervent belief in freedom of expression and their DIY philosophy. They were also extraordinary for their graphic innovations. Experimental typography and wildly inventive layouts reflect an alternative media culture as much informed by the space age, television, and socialism as it was by the great trinity of sex, drugs, and rock &amp;lsquo;n&amp;rsquo; roll. Assembled by renowned graphic designer Geoff Kaplan, &lt;i&gt;Power to the People&lt;/i&gt; pays homage in its layout to the radical press. Beyond its unparalleled images, &lt;i&gt;Power to the People &lt;/i&gt;includes essays&amp;#160;by Gwen Allen, Bob Ostertag, and Fred Turner, as well as a series of recollections edited by Pamela M. Lee, all of which comment on the critical impact of the alternative press in the social and popular movements of those turbulent years. &lt;i&gt;Power to the People&lt;/i&gt; treats the design practices of that moment as activism in its own right that offers a vehement challenge to the dominance of official media and a critical form of self-representation.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;No other book surveys in such variety the highly innovative graphic design of the underground press, and certainly no other book captures the era with such an unmatched eye toward its aesthetic and look. &lt;i&gt;Power to the People &lt;/i&gt;is not just a major compendium of art from the &amp;rsquo;60s and &amp;rsquo;70s&amp;mdash;it showcases how the radical media graphically fashioned the image of a countercultural revolution that still resounds to this day.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/42/9780226424354.jpeg" length="27113" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Art: Design</category>
      <category>Media Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Geoff Kaplan</author>
      <guid isPermaLink="false">9780226424354</guid>
    </item>
    <item>
      <title>Perú: Cerros de Kampankis</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo17027486.html</link>
      <description>&amp;#160;The Kampankis mountains are a knife-thin ridge in northern Peru that rises 1,435 m above the surrounding Amazon lowlands. For three weeks, a group of researchers explored both the biological diversity and cultural values of the Cerros de Kampankis landscape, with the aim of promoting the long-term conservation of the area by the local Awaj&amp;uacute;n and Wampis indigenous peoples. Field Museum and Peruvian scientists recorded over 1,700 species of plants, fishes, amphibians, reptiles, birds, and mammals, including 25 species that appear to be new to science. The report is presented in Spanish and English, and includes conservation recommendations, a technical report on the biological and social findings, appendices, and an executive summary in Wampis and Awaj&amp;uacute;n.&amp;#160;&amp;#160;</description>
      <content:encoded>&lt;div&gt;&amp;#160;&lt;/div&gt;The Kampankis mountains are a knife-thin ridge in northern Peru that rises 1,435 m above the surrounding Amazon lowlands. For three weeks, a group of researchers explored both the biological diversity and cultural values of the Cerros de Kampankis landscape, with the aim of promoting the long-term conservation of the area by the local Awaj&amp;uacute;n and Wampis indigenous peoples. Field Museum and Peruvian scientists recorded over 1,700 species of plants, fishes, amphibians, reptiles, birds, and mammals, including 25 species that appear to be new to science. The report is presented in Spanish and English, and includes conservation recommendations, a technical report on the biological and social findings, appendices, and an executive summary in Wampis and Awaj&amp;uacute;n.&amp;#160;&amp;#160;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/09/82/84/9780982841921.jpg" length="33229" type="image/jpeg" />
      <category>Biological Sciences: Biology--Systematics</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Nigel Pitman</author>
      <guid isPermaLink="false">9780982841921</guid>
    </item>
    <item>
      <title>Magnetic</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo17057706.html</link>
      <description>In this in-depth study of what makes a museum an organization successful, Anne Bergeron and Beth Tuttle look at so-called “magnetic” organizations, namely ones that combine a powerful internal alignment with a compelling vision so that they are able to attract critical resources, such as talented and committed employees, loyal audiences, engaged donors, powerful goodwill from the community at large, and the financial capital required to sustain programmatic excellence and growth.&amp;#160;Magnetic: The Art and Science of Engagement&amp;#160;analyzes six American museums: Children’s Museum in Pittsburgh; Chrysler Museum of Art in Norfolk, Virginia; Conner Prairie Interactive History Park in Indiana; The Franklin Institute in Philadelphia; Natural Science Center of Greensboro in North Carolina; and Philbrook Museum of Art in Tulsa, Oklahoma.&amp;#160; Each of these has embraced a shift in ideology and set a new course that has enabled them to achieve a positive reputation and a fruitful engagement with the community. This philosophy of magnetism provides a model not only for museum administration but also for all types of organizations—from corporations to nonprofits—that wish to maximize their involvement with their customers and the wider public while strengthening their own organizational infrastructure.&amp;#160;&amp;#160;</description>
      <content:encoded>&lt;div&gt;In this in-depth study of what makes a museum an organization successful, Anne Bergeron and Beth Tuttle look at so-called &amp;ldquo;magnetic&amp;rdquo; organizations, namely ones that combine a powerful internal alignment with a compelling vision so that they are able to attract critical resources, such as talented and committed employees, loyal audiences, engaged donors, powerful goodwill from the community at large, and the financial capital required to sustain programmatic excellence and growth.&amp;#160;&lt;i&gt;Magnetic: The Art and Science of Engagement&amp;#160;&lt;/i&gt;analyzes six American museums: Children&amp;rsquo;s Museum in Pittsburgh; Chrysler Museum of Art in Norfolk, Virginia; Conner Prairie Interactive History Park in Indiana; The Franklin Institute in Philadelphia; Natural Science Center of Greensboro in North Carolina; and Philbrook Museum of Art in Tulsa, Oklahoma.&amp;#160; Each of these has embraced a shift in ideology and set a new course that has enabled them to achieve a positive reputation and a fruitful engagement with the community. This philosophy of magnetism provides a model not only for museum administration but also for all types of organizations&amp;mdash;from corporations to nonprofits&amp;mdash;that wish to maximize their involvement with their customers and the wider public while strengthening their own organizational infrastructure.&amp;#160;&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/19/33/25/9781933253831.jpg" length="78307" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Economics and Business: Business--Business Economics and Management Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Anne Bergeron; Beth Tuttle</author>
      <guid isPermaLink="false">9781933253831</guid>
    </item>
    <item>
      <title>Stuck in Place</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365260.html</link>
      <description>&amp;#160;In the 1960s, many believed that the civil rights movement’s successes would foster a new era of racial equality in America. Four decades later, the degree of racial inequality has barely changed. To understand what went wrong, Patrick Sharkey argues that we have to understand what has happened to African American communities over the last several decades. In Stuck in Place, Sharkey describes how political decisions and social policies have led to severe disinvestment from black neighborhoods, persistent segregation, declining economic opportunities, and a growing link between African American communities and the criminal justice system.&amp;#160;As a result, neighborhood inequality that existed in the 1970s has been passed down to the current generation of African Americans. Some of the most persistent forms of racial inequality, such as gaps in income and test scores, can only be explained by considering the neighborhoods in which black and white families have lived over multiple generations. This multigenerational nature of neighborhood inequality also means that a new kind of urban policy is necessary for our nation’s cities. Sharkey argues for urban policies that have the potential to create transformative and sustained changes in urban communities and the families that live within them, and he outlines a durable urban policy agenda to move in that direction.&amp;#160;</description>
      <content:encoded>&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;div&gt;In the 1960s, many believed that the civil rights movement&amp;rsquo;s successes would foster a new era of racial equality in America. Four decades later, the degree of racial inequality has barely changed. To understand what went wrong, Patrick Sharkey argues that we have to understand what has happened to African American communities over the last several decades. In &lt;i&gt;Stuck in Place, &lt;/i&gt;Sharkey describes how political decisions and social policies have led to severe disinvestment from black neighborhoods, persistent segregation, declining economic opportunities, and a growing link between African American communities and the criminal justice system.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;As a result, neighborhood inequality that existed in the 1970s has been passed down to the current generation of African Americans. Some of the most persistent forms of racial inequality, such as gaps in income and test scores, can only be explained by considering the neighborhoods in which black and white families have lived over multiple generations. This multigenerational nature of neighborhood inequality also means that a new kind of urban policy is necessary for our nation&amp;rsquo;s cities. Sharkey argues for urban policies that have the potential to create transformative and sustained changes in urban communities and the families that live within them, and he outlines a durable urban policy agenda to move in that direction.&lt;/div&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924250.jpeg" length="26818" type="image/jpeg" />
      <category>Sociology: Race, Ethnic, and Minority Relations</category>
      <category>Sociology: Social Organization--Stratification, Mobility</category>
      <category>Sociology: Urban and Rural Sociology</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Patrick Sharkey</author>
      <guid isPermaLink="false">9780226924243</guid>
    </item>
    <item>
      <title>David Nash</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo15562413.html</link>
      <description>Over a forty-year span, a select group of trees has found new life beyond their natural ones as part of David Nash’s stunning sculptures. Using only materials that have met an organic end, Nash has shaped and scorched, chiseled and chopped to create fascinating and often epic sculptures. Thanks to a year-long residency at the Royal Botanic Gardens, Kew, the public had a unique chance to see Nash in action as he worked to create an evolving exhibition in one of the world’s greatest gardens. Capturing all of this and more is the retrospective David Nash: A Natural Gallery. It serves as a visual interpretation of Nash’s work, both during his residency at the Gardens and his artistic career as a whole. The book chronicles the exhibits Nash created over his year at Kew, with rich photographs that show the works developing over time and their interplay with the changing seasonal background. Older works are also featured with explanations that detail Nash’s process, including where the source materials were found, what tools were used, and interpretations of the work. The book also includes essays that explore different facets of Nash’s art and practice, in which academics and critics offer their analysis of the methods used by Nash and his commitment to the environment, which he calls our “outer skin.” Together, the striking images and insightful analyses give readers a special glimpse of the creative processes as Nash creates his ethereal statements about humanity’s relationship with nature.</description>
      <content:encoded>&lt;div&gt;Over a forty-year span, a select group of trees has found new life beyond their natural ones as part of David Nash&amp;rsquo;s stunning sculptures. Using only materials that have met an organic end, Nash has shaped and scorched, chiseled and chopped to create fascinating and often epic sculptures. Thanks to a year-long residency at the Royal Botanic Gardens, Kew, the public had a unique chance to see Nash in action as he worked to create an evolving exhibition in one of the world&amp;rsquo;s greatest gardens. &lt;br&gt;&lt;br&gt;Capturing all of this and more is the retrospective &lt;i&gt;David Nash: A Natural Gallery&lt;/i&gt;. It serves as a visual interpretation of Nash&amp;rsquo;s work, both during his residency at the Gardens and his artistic career as a whole. The book chronicles the exhibits Nash created over his year at Kew, with rich photographs that show the works developing over time and their interplay with the changing seasonal background. Older works are also featured with explanations that detail Nash&amp;rsquo;s process, including where the source materials were found, what tools were used, and interpretations of the work. The book also includes essays that explore different facets of Nash&amp;rsquo;s art and practice, in which academics and critics offer their analysis of the methods used by Nash and his commitment to the environment, which he calls our &amp;ldquo;outer skin.&amp;rdquo; Together, the striking images and insightful analyses give readers a special glimpse of the creative processes as Nash creates his ethereal statements about humanity&amp;rsquo;s relationship with nature.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/42/46/9781842464632.jpg" length="75355" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Michelle Payne</author>
      <guid isPermaLink="false">9781842464632</guid>
    </item>
    <item>
      <title>Rise of the Vampire</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15583389.html</link>
      <description>Before Bella and Edward; Stefan and Damon Salvatore; and Abraham Lincoln, Vampire Hunter, there was Lestat and Louis, The Lost Boys, and Buffy Summers. Before True Blood and Let the Right One In, there was Dark Shadows and Anne Rice’s Vampire Chronicles. And then there is the most prominent of them all: Dracula, immortalized by Bram Stoker in 1897. Whether they’re evil, bloodsucking monsters or sparkling like diamonds in the sunlight, vampires have been capturing our imagination since their modest beginnings in the rustic fantasies of southeastern Europe in the early eighteenth century. Today, they’re everywhere, appearing even in movies in Japan and Korea and in reggae music in Jamaica and South Africa. Why have vampires gone viral in recent years?&amp;#160;In The Rise of the Vampire, Erik Butler seeks to explain our enduring fascination with the creatures of the night. Exploring why a being of humble origins has achieved success of such monstrous proportions, Butler considers the vampire in myth, literature, film, journalism, political cartoons, music, television, and video games. He describes how and why they have come to give expression to the darker side of human life—though vampires evoke age-old mystery, they also embody many of the uncertainties of the modern world. Butler also ponders the role global markets and digital technology have played in making vampires a worldwide phenomenon.&amp;#160;Whether you’re a fan of classic vampire tales or new additions to the mythology, The Rise of the Vampire is a fascinating look at our collective obsession with the undead.</description>
      <content:encoded>&lt;div&gt;Before Bella and Edward; Stefan and Damon Salvatore; and &lt;i&gt;Abraham Lincoln, Vampire Hunter&lt;/i&gt;, there was Lestat and Louis, &lt;i&gt;The Lost Boys&lt;/i&gt;, and Buffy Summers. Before &lt;i&gt;True Blood&lt;/i&gt; and &lt;i&gt;Let the Right One In&lt;/i&gt;, there was &lt;i&gt;Dark Shadows &lt;/i&gt;and Anne Rice&amp;rsquo;s &lt;i&gt;Vampire Chronicles&lt;/i&gt;. And then there is the most prominent of them all: Dracula, immortalized by Bram Stoker in 1897. Whether they&amp;rsquo;re evil, bloodsucking monsters or sparkling like diamonds in the sunlight, vampires have been capturing our imagination since their modest beginnings in the rustic fantasies of southeastern Europe in the early eighteenth century. Today, they&amp;rsquo;re everywhere, appearing even in movies in Japan and Korea and in reggae music in Jamaica and South Africa. Why have vampires gone viral in recent years?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;The Rise of the Vampire&lt;/i&gt;, Erik Butler seeks to explain our enduring fascination with the creatures of the night. Exploring why a being of humble origins has achieved success of such monstrous proportions, Butler considers the vampire in myth, literature, film, journalism, political cartoons, music, television, and video games. He describes how and why they have come to give expression to the darker side of human life&amp;mdash;though vampires evoke age-old mystery, they also embody many of the uncertainties of the modern world. Butler also ponders the role global markets and digital technology have played in making vampires a worldwide phenomenon.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;Whether you&amp;rsquo;re a fan of classic vampire tales or new additions to the mythology, &lt;i&gt;The Rise of the Vampire&lt;/i&gt; is a fascinating look at our collective obsession with the undead.</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231105.jpg" length="16379" type="image/jpeg" />
      <category>History: General History</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Erik Butler</author>
      <guid isPermaLink="false">9781780231105</guid>
    </item>
    <item>
      <title>Billion-Dollar Fish</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/B/bo15233156.html</link>
      <description>Alaska pollock is everywhere. If you’re eating fish but you don’t know what kind it is, it’s almost certainly pollock. Prized for its generic fish taste, pollock masquerades as crab meat in california rolls and seafood salads, and it feeds millions as fish sticks in school cafeterias and Filet-O-Fish sandwiches at McDonald’s. That ubiquity has made pollock the most lucrative fish harvest in America—the fishery in the United States alone has an annual value of over one billion dollars. But even as the money rolls in, pollock is in trouble: in the last few years, the pollock population has declined by more than half, and some scientists are predicting the fishery’s eventual collapse.&amp;#160;In Billion-Dollar Fish, Kevin M. Bailey combines his years of firsthand pollock research with a remarkable talent for storytelling to offer the first natural history of Alaska pollock. Crucial to understanding the pollock fishery, he shows, is recognizing what aspects of its natural history make pollock so very desirable to fish, while at the same time making it resilient, yet highly vulnerable to overfishing. Bailey delves into the science, politics, and economics surrounding Alaska pollock in the Bering Sea, detailing the development of the fishery, the various political machinations that have led to its current management, and, perhaps most important, its impending demise. He approaches his subject from multiple angles, bringing in the perspectives of fishermen, politicians, environmentalists, and biologists, and drawing on revealing interviews with players who range from Greenpeace activists to fishing industry lawyers.&amp;#160;Seamlessly weaving the biology and ecology of pollock with the history and politics of the fishery, as well as Bailey’s own often raucous tales about life at sea, Billion-Dollar Fish is a book for every person interested in the troubled relationship between fish and humans, from the depths of the sea to the dinner plate.</description>
      <content:encoded>&lt;div&gt;Alaska pollock is everywhere. If you&amp;rsquo;re eating fish but you don&amp;rsquo;t know what kind it is, it&amp;rsquo;s almost certainly pollock. Prized for its generic fish taste, pollock masquerades as crab meat in california rolls and seafood salads, and it feeds millions as fish sticks in school cafeterias and Filet-O-Fish sandwiches at McDonald&amp;rsquo;s. That ubiquity has made pollock the most lucrative fish harvest in America&amp;mdash;the fishery in the United States alone has an annual value of over one billion dollars. But even as the money rolls in, pollock is in trouble: in the last few years, the pollock population has declined by more than half, and some scientists are predicting the fishery&amp;rsquo;s eventual collapse.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Billion-Dollar Fish&lt;/i&gt;, Kevin M. Bailey combines his years of firsthand pollock research with a remarkable talent for storytelling to offer the first natural history of Alaska pollock. Crucial to understanding the pollock fishery, he shows, is recognizing what aspects of its natural history make pollock so very desirable to fish, while at the same time making it resilient, yet highly vulnerable to overfishing. Bailey delves into the science, politics, and economics surrounding Alaska pollock in the Bering Sea, detailing the development of the fishery, the various political machinations that have led to its current management, and, perhaps most important, its impending demise. He approaches his subject from multiple angles, bringing in the perspectives of fishermen, politicians, environmentalists, and biologists, and drawing on revealing interviews with players who range from Greenpeace activists to fishing industry lawyers.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Seamlessly weaving the biology and ecology of pollock with the history and politics of the fishery, as well as Bailey&amp;rsquo;s own often raucous tales about life at sea, &lt;i&gt;Billion-Dollar Fish&lt;/i&gt; is a book for every person interested in the troubled relationship between fish and humans, from the depths of the sea to the dinner plate.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226022345.jpeg" length="31514" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <category>Biological Sciences: Conservation</category>
      <category>Earth Sciences: Oceanography and Hydrology</category>
      <category>Economics and Business: Business--Industry and Labor</category>
      <pubDate>Wed, 15 May 2013 05:00:00 GMT</pubDate>
      <author>Kevin M. Bailey</author>
      <guid isPermaLink="false">9780226022345</guid>
    </item>
    <item>
      <title>Occupy</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/O/bo15483776.html</link>
      <description>Mic check! Mic check! Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In Occupy, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors’ lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide. &amp;nbsp; “You break through the screen like Alice in Wonderland,” Taussig writes in the opening essay, “and now you can’t leave or do without it.” Following Taussig’s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter—by rejecting the very discourse and strategy of politics—Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument. &amp;nbsp; Occupy stands not as a primer on or an authoritative account of 2011’s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment—an occupation itself.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Mic check! Mic check!&lt;/i&gt; Lacking amplification in Zuccotti Park, Occupy Wall Street protestors addressed one another by repeating and echoing speeches throughout the crowd. In &lt;i&gt;Occupy&lt;/i&gt;, W. J. T. Mitchell, Bernard E. Harcourt, and Michael Taussig take the protestors&amp;rsquo; lead and perform their own resonant call-and-response, playing off of each other in three essays that engage the extraordinary Occupy movement that has swept across the world, examining everything from self-immolations in the Middle East to the G8 crackdown in Chicago to the many protest signs still visible worldwide.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;&amp;ldquo;You break through the screen like Alice in Wonderland,&amp;rdquo; Taussig writes in the opening essay, &amp;ldquo;and now you can&amp;rsquo;t leave or do without it.&amp;rdquo; Following Taussig&amp;rsquo;s artful blend of participatory ethnography and poetic meditation on Zuccotti Park, political and legal scholar Harcourt examines the crucial difference between civil and political disobedience. He shows how by effecting the latter&amp;mdash;by rejecting the very discourse and strategy of politics&amp;mdash;Occupy Wall Street protestors enacted a radical new form of protest. Finally, media critic and theorist Mitchell surveys the global circulation of Occupy images across mass and social media and looks at contemporary works by artists such as Antony Gormley and how they engage the body politic, ultimately examining the use of empty space itself as a revolutionary monument.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;&lt;i&gt;Occupy&lt;/i&gt; stands not as a primer on or an authoritative account of 2011&amp;rsquo;s revolutions, but as a snapshot, a second draft of history, beyond journalism and the polemics of the moment&amp;mdash;an occupation itself.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226042749.JPEG" length="20570" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Art: Art Criticism</category>
      <category>Education: Education--Economics, Law, Politics</category>
      <category>Law and Legal Studies: Law and Society</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Tue, 14 May 2013 05:00:00 GMT</pubDate>
      <author>W. J. T. Mitchell; Bernard E. Harcourt; Michael Taussig</author>
      <guid isPermaLink="false">9780226042749</guid>
    </item>
    <item>
      <title>Attila</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo8419852.html</link>
      <description>Verdi’s Attila, his ninth opera, had its premiere at Venice’s Teatro La Fenice in March 1846. Based on the German play Attila, King of the Huns, the libretto has its own storied history: as Verdi fell seriously ill before the work’s completion, the main librettist moved permanently to Madrid, leaving the last act of Attila only a sketch. It was then that Verdi called upon Francesco Maria Piave, the librettist for two of his earlier works, who at the composer’s behest scratched plans for a large choral finale and decided instead to concentrate on the dramatic roles of the protagonists. In years since, Attila has become one of Verdi’s most popular and oft-staged early works. The composers’ inimitable vitality, soaring arcs of melody, grand choruses, and passion are here amply apparent. This critical edition, based on Verdi’s autograph full score preserved at the British Library, restores the opera’s original text and accurately reflects the composers’ colorful and elaborate musical setting, while Helen Greenwald’s masterful introduction discusses the opera’s origins, sources, and performance questions, and her critical commentary details editorial problems and their solutions.</description>
      <content:encoded>&lt;div&gt;Verdi&amp;rsquo;s &lt;i&gt;Attila&lt;/i&gt;, his ninth opera, had its premiere at Venice&amp;rsquo;s Teatro La Fenice in March 1846. Based on the German play &lt;i&gt;Attila, King of the Huns&lt;/i&gt;, the libretto has its own storied history: as Verdi fell seriously ill before the work&amp;rsquo;s completion, the main librettist moved permanently to Madrid, leaving the last act of &lt;i&gt;Attila &lt;/i&gt;only a sketch. It was then that Verdi called upon Francesco Maria Piave, the librettist for two of his earlier works, who at the composer&amp;rsquo;s behest scratched plans for a large choral finale and decided instead to concentrate on the dramatic roles of the protagonists.&lt;/div&gt; &lt;p&gt;In years since, &lt;i&gt;Attila &lt;/i&gt;has become one of Verdi&amp;rsquo;s most popular and oft-staged early works. The composers&amp;rsquo; inimitable vitality, soaring arcs of melody, grand choruses, and passion are here amply apparent. This critical edition, based on Verdi&amp;rsquo;s autograph full score preserved at the British Library, restores the opera&amp;rsquo;s original text and accurately reflects the composers&amp;rsquo; colorful and elaborate musical setting, while Helen Greenwald&amp;rsquo;s masterful introduction discusses the opera&amp;rsquo;s origins, sources, and performance questions, and her critical commentary details editorial problems and their solutions.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/85/9780226853321.jpeg" length="12883" type="image/jpeg" />
      <category>Music: Music Editions</category>
      <pubDate>Tue, 14 May 2013 05:00:00 GMT</pubDate>
      <author>Giuseppe Verdi; Helen Greenwald; Temistocle Solera; Maria Piave</author>
      <guid isPermaLink="false">9780226853321</guid>
    </item>
    <item>
      <title>Place That Matters Yet</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15288758.html</link>
      <description>A Place That Matters Yet unearths the little-known story of Johannesburg’s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. &amp;nbsp; Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of “three-dimensional thinking,” which aimed to transcend binaries and thus—quite explicitly—racism. Unfortunately, Gubbins died within weeks of the museum’s opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a post-apartheid institution, Byala showcases it as a rich—and problematic—archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;A Place That Matters Yet&lt;/i&gt; unearths the little-known story of Johannesburg&amp;rsquo;s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philosophical notion of &amp;ldquo;three-dimensional thinking,&amp;rdquo; which aimed to transcend binaries and thus&amp;mdash;quite explicitly&amp;mdash;racism. Unfortunately, Gubbins died within weeks of the museum&amp;rsquo;s opening, and his hopes would go unrealized as the museum fell in line with emergent apartheid politics. Following the museum through this transformation and on to its 1994 reconfiguration as a post-apartheid institution, Byala showcases it as a rich&amp;mdash;and problematic&amp;mdash;archive of both material culture and the ideas that surround that culture, arguing for its continued importance in the establishment of a unified South Africa.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226030302.jpeg" length="38895" type="image/jpeg" />
      <category>African Studies</category>
      <category>Anthropology: General Anthropology</category>
      <pubDate>Mon, 13 May 2013 05:00:00 GMT</pubDate>
      <author>Sara Byala</author>
      <guid isPermaLink="false">9780226030302</guid>
    </item>
    <item>
      <title>Practicing Literary Theory in the Middle Ages</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15288876.html</link>
      <description>Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work’s sociopolitical heft and meaning. In Practicing Literary Theory in the Middle Ages, Eleanor Johnson reveals that aesthetics—the formal aspects of literary language that make it sense-perceptible—are indeed inextricable from ethics in the writing of medieval literature.&amp;#160;Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius—specifically his famous prison text, Consolation of Philosophy—to the late medieval English tradition. Johnson argues that Boethius’s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts—including Chaucer’s Troilus and Criseyde and portions of the Canterbury Tales, Thomas Usk’s Testament of Love, John Gower’s Confessio amantis, and Thomas Hoccleve’s autobiographical poetry—and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.</description>
      <content:encoded>&lt;div&gt;Literary scholars often avoid the category of the aesthetic in discussions of ethics, believing that purely aesthetic judgments can vitiate analyses of a literary work&amp;rsquo;s sociopolitical heft and meaning. In &lt;i&gt;Practicing Literary Theory in the Middle Ages&lt;/i&gt;, Eleanor Johnson reveals that aesthetics&amp;mdash;the formal aspects of literary language that make it sense-perceptible&amp;mdash;are indeed inextricable from ethics in the writing of medieval literature.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Johnson brings a keen formalist eye to bear on the prosimetric form: the mixing of prose with lyrical poetry. This form descends from the writings of the sixth-century Christian philosopher Boethius&amp;mdash;specifically his famous prison text, &lt;i&gt;Consolation of Philosophy&lt;/i&gt;&amp;mdash;to the late medieval English tradition. Johnson argues that Boethius&amp;rsquo;s text had a broad influence not simply on the thematic and philosophical content of subsequent literary writing, but also on the specific aesthetic construction of several vernacular traditions. She demonstrates the underlying prosimetric structures in a variety of Middle English texts&amp;mdash;including Chaucer&amp;rsquo;s &lt;i&gt;Troilus and Criseyde &lt;/i&gt;and portions of the &lt;i&gt;Canterbury Tales&lt;/i&gt;, Thomas Usk&amp;rsquo;s &lt;i&gt;Testament of Love&lt;/i&gt;, John Gower&amp;rsquo;s &lt;i&gt;Confessio amantis&lt;/i&gt;, and Thomas Hoccleve&amp;rsquo;s autobiographical poetry&amp;mdash;and asks how particular formal choices work, how they resonate with medieval literary-theoretical ideas, and how particular poems and prose works mediate the tricky business of modeling ethical transformation for a readership.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226015842.jpeg" length="28969" type="image/jpeg" />
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <category>Literature and Literary Criticism: Poetry</category>
      <category>Medieval Studies</category>
      <pubDate>Sat, 11 May 2013 05:00:00 GMT</pubDate>
      <author>Eleanor Johnson</author>
      <guid isPermaLink="false">9780226015842</guid>
    </item>
    <item>
      <title>Arbitrary Rule</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo15112794.html</link>
      <description>Slavery appears as a figurative construct during the English revolution of the mid-seventeenth century, and again in the American and French revolutions, when radicals represent their treatment as a form of political slavery. What, if anything, does figurative, political slavery have to do with transatlantic slavery? In Arbitrary Rule, Mary Nyquist explores connections between political and chattel slavery by excavating the tradition of Western political thought that justifies actively opposing tyranny. She argues that as powerful rhetorical and conceptual constructs, Greco-Roman political liberty and slavery reemerge at the time of early modern Eurocolonial expansion; they help to create racialized “free” national identities and their “unfree” counterparts in non-European nations represented as inhabiting an earlier, privative age.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Arbitrary Rule is the first book to tackle political slavery’s discursive complexity, engaging Eurocolonialism, political philosophy, and literary studies, areas of study too often kept apart. Nyquist proceeds through analyses not only of texts that are canonical in political thought—by Aristotle, Cicero, Hobbes, and Locke—but also of literary works by Euripides, Buchanan, Vondel, Montaigne, and Milton, together with a variety of colonialist and political writings, with special emphasis on tracts written during the English revolution. She illustrates how “antityranny discourse,” which originated in democratic Athens, was adopted by republican Rome, and revived in early modern Western Europe, provided members of a “free” community with a means of protesting a threatened reduction of privileges or of consolidating a collective, political identity. Its semantic complexity, however, also enabled it to legitimize racialized enslavement and imperial expansion.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Throughout, Nyquist demonstrates how principles relating to political slavery and tyranny are bound up with a Roman jurisprudential doctrine that sanctions the power of life and death held by the slaveholder over slaves and, by extension, the state, its representatives, or its laws over its citizenry.</description>
      <content:encoded>&lt;div&gt;Slavery appears as a figurative construct during the English revolution of the mid-seventeenth century, and again in the American and French revolutions, when radicals represent their treatment as a form of political slavery. What, if anything, does figurative, political slavery have to do with transatlantic slavery? In &lt;i&gt;Arbitrary Rule&lt;/i&gt;, Mary Nyquist explores connections between political and chattel slavery by excavating the tradition of Western political thought that justifies actively opposing tyranny. She argues that as powerful rhetorical and conceptual constructs, Greco-Roman political liberty and slavery reemerge at the time of early modern Eurocolonial expansion; they help to create racialized &amp;ldquo;free&amp;rdquo; national identities and their &amp;ldquo;unfree&amp;rdquo; counterparts in non-European nations represented as inhabiting an earlier, privative age.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Arbitrary Rule&lt;/i&gt; is the first book to tackle political slavery&amp;rsquo;s discursive complexity, engaging Eurocolonialism, political philosophy, and literary studies, areas of study too often kept apart. Nyquist proceeds through analyses not only of texts that are canonical in political thought&amp;mdash;by Aristotle, Cicero, Hobbes, and Locke&amp;mdash;but also of literary works by Euripides, Buchanan, Vondel, Montaigne, and Milton, together with a variety of colonialist and political writings, with special emphasis on tracts written during the English revolution. She illustrates how &amp;ldquo;antityranny discourse,&amp;rdquo; which originated in democratic Athens, was adopted by republican Rome, and revived in early modern Western Europe, provided members of a &amp;ldquo;free&amp;rdquo; community with a means of protesting a threatened reduction of privileges or of consolidating a collective, political identity. Its semantic complexity, however, also enabled it to legitimize racialized enslavement and imperial expansion.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;br&gt;Throughout, Nyquist demonstrates how principles relating to political slavery and tyranny are bound up with a Roman jurisprudential doctrine that sanctions the power of life and death held by the slaveholder over slaves and, by extension, the state, its representatives, or its laws over its citizenry.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226015538.jpeg" length="41121" type="image/jpeg" />
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Medieval Studies</category>
      <category>Political Science: Political and Social Theory</category>
      <pubDate>Fri, 10 May 2013 05:00:00 GMT</pubDate>
      <author>Mary Nyquist</author>
      <guid isPermaLink="false">9780226015538</guid>
    </item>
    <item>
      <title>Scramble for the Amazon and the "Lost Paradise" of Euclides da Cunha</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo8352731.html</link>
      <description>The fortunes of the late nineteenth century&amp;#8217;s imperial and industrial powers depended on a single raw material&amp;#8212;rubber&amp;#8212;with only one source: the Amazon basin. And so began the scramble for the Amazon&amp;#8212;a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest&amp;#8217;s riches. In the midst of this struggle, Euclides da Cunha, engineer, journalist, geographer, political theorist, and one of Brazil&amp;#8217;s most celebrated writers, led a survey expedition to the farthest reaches of the river, among the world&amp;#8217;s most valuable, dangerous, and little-known landscapes.&amp;#160;The Scramble for the Amazon tells the story of da Cunha&amp;#8217;s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism he named the Lost Paradise. Da Cunha intended his epic to unveil the Amazon&amp;#8217;s explorers, spies, natives, and brutal geopolitics, but, as Susanna B. Hecht recounts, he never completed it&amp;#8212;his wife&amp;#8217;s lover shot him dead upon his return.&amp;#160;At once the biography of an extraordinary writer, a masterly chronicle of the social, political, and environmental history of the Amazon, and a superb translation of the remaining pieces of da Cunha&amp;#8217;s project, The Scramble for the Amazon is a work of thrilling intellectual ambition.</description>
      <content:encoded>&lt;div&gt;&lt;/div&gt;&lt;div&gt;The fortunes of the late nineteenth century&amp;#8217;s imperial and industrial powers depended on a single raw material&amp;#8212;rubber&amp;#8212;with only one source: the Amazon basin. And so began the scramble for the Amazon&amp;#8212;a decades-long conflict that found Britain, France, Belgium, and the United States fighting with and against the new nations of Peru, Bolivia, and Brazil for the forest&amp;#8217;s riches. In the midst of this struggle, Euclides da Cunha, engineer, journalist, geographer, political theorist, and one of Brazil&amp;#8217;s most celebrated writers, led a survey expedition to the farthest reaches of the river, among the world&amp;#8217;s most valuable, dangerous, and little-known landscapes.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;The Scramble for the Amazon &lt;/i&gt;tells the story of da Cunha&amp;#8217;s terrifying journey, the unfinished novel born from it, and the global strife that formed the backdrop for both. Haunted by his broken marriage, da Cunha trekked through a beautiful region thrown into chaos by guerrilla warfare, starving migrants, and native slavery. All the while, he worked on his masterpiece, a nationalist synthesis of geography, philosophy, biology, and journalism he named the &lt;i&gt;Lost Paradise&lt;/i&gt;. Da Cunha intended his epic to unveil the Amazon&amp;#8217;s explorers, spies, natives, and brutal geopolitics, but, as Susanna B. Hecht recounts, he never completed it&amp;#8212;his wife&amp;#8217;s lover shot him dead upon his return.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;At once the biography of an extraordinary writer, a masterly chronicle of the social, political, and environmental history of the Amazon, and a superb translation of the remaining pieces of da Cunha&amp;#8217;s project, &lt;i&gt;The Scramble for the Amazon&lt;/i&gt; is a work of thrilling intellectual ambition.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/32/9780226322810.jpeg" length="33975" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Biological Sciences: Tropical Biology and Conservation</category>
      <category>History: Discoveries and Exploration</category>
      <category>History: Latin American History</category>
      <pubDate>Thu, 09 May 2013 05:00:00 GMT</pubDate>
      <author>Susanna B. Hecht</author>
      <guid isPermaLink="false">9780226322810</guid>
    </item>
    <item>
      <title>These Kids</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15357231.html</link>
      <description>Few would deny that getting ahead is a legitimate goal of learning, but the phrase implies a cruel hierarchy: a student does not simply get ahead, but gets ahead of others. In These Kids, Kysa Nygreen turns a critical eye on this paradox. Offering the voices and viewpoints of students at a “last chance” high school in California, she tells the story of students who have, in fact, been left behind. &amp;nbsp; Detailing a youth-led participatory action research project that she coordinated, Nygreen uncovers deep barriers to educational success that are embedded within educational discourse itself. Struggling students internalize descriptions of themselves as “at risk,” “low achieving,” or “troubled”—and by adopting the very language of educators, they also adopt its constraints and presumption of failure. Showing how current educational discourse does not, ultimately, provide an adequate vision of change for students at the bottom of the educational hierarchy, she levies a powerful argument that social justice in education is impossible today precisely because of how we talk about it.</description>
      <content:encoded>&lt;div&gt;Few would deny that getting ahead is a legitimate goal of learning, but the phrase implies a cruel hierarchy: a student does not simply get ahead, but gets ahead of others. In &lt;i&gt;These Kids&lt;/i&gt;, Kysa Nygreen turns a critical eye on this paradox. Offering the voices and viewpoints of students at a &amp;ldquo;last chance&amp;rdquo; high school in California, she tells the story of students who have, in fact, been left behind.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;Detailing a youth-led participatory action research project that she coordinated, Nygreen uncovers deep barriers to educational success that are embedded within educational discourse itself. Struggling students internalize descriptions of themselves as &amp;ldquo;at risk,&amp;rdquo; &amp;ldquo;low achieving,&amp;rdquo; or &amp;ldquo;troubled&amp;rdquo;&amp;mdash;and by adopting the very language of educators, they also adopt its constraints and presumption of failure. Showing how current educational discourse does not, ultimately, provide an adequate vision of change for students at the bottom of the educational hierarchy, she levies a powerful argument that social justice in education is impossible today precisely because of how we talk about it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226031569.jpeg" length="43146" type="image/jpeg" />
      <category>Education: Curriculum and Methodology</category>
      <category>Education: Pre-School, Elementary and Secondary Education</category>
      <category>Sociology: Individual, State and Society</category>
      <category>Sociology: Social Organization--Stratification, Mobility</category>
      <pubDate>Tue, 07 May 2013 05:00:00 GMT</pubDate>
      <author>Kysa Nygreen</author>
      <guid isPermaLink="false">9780226031422</guid>
    </item>
    <item>
      <title>These Kids</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15357231.html</link>
      <description>Few would deny that getting ahead is a legitimate goal of learning, but the phrase implies a cruel hierarchy: a student does not simply get ahead, but gets ahead of others. In These Kids, Kysa Nygreen turns a critical eye on this paradox. Offering the voices and viewpoints of students at a “last chance” high school in California, she tells the story of students who have, in fact, been left behind. &amp;nbsp; Detailing a youth-led participatory action research project that she coordinated, Nygreen uncovers deep barriers to educational success that are embedded within educational discourse itself. Struggling students internalize descriptions of themselves as “at risk,” “low achieving,” or “troubled”—and by adopting the very language of educators, they also adopt its constraints and presumption of failure. Showing how current educational discourse does not, ultimately, provide an adequate vision of change for students at the bottom of the educational hierarchy, she levies a powerful argument that social justice in education is impossible today precisely because of how we talk about it.</description>
      <content:encoded>&lt;div&gt;Few would deny that getting ahead is a legitimate goal of learning, but the phrase implies a cruel hierarchy: a student does not simply get ahead, but gets ahead of others. In &lt;i&gt;These Kids&lt;/i&gt;, Kysa Nygreen turns a critical eye on this paradox. Offering the voices and viewpoints of students at a &amp;ldquo;last chance&amp;rdquo; high school in California, she tells the story of students who have, in fact, been left behind.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;div&gt;Detailing a youth-led participatory action research project that she coordinated, Nygreen uncovers deep barriers to educational success that are embedded within educational discourse itself. Struggling students internalize descriptions of themselves as &amp;ldquo;at risk,&amp;rdquo; &amp;ldquo;low achieving,&amp;rdquo; or &amp;ldquo;troubled&amp;rdquo;&amp;mdash;and by adopting the very language of educators, they also adopt its constraints and presumption of failure. Showing how current educational discourse does not, ultimately, provide an adequate vision of change for students at the bottom of the educational hierarchy, she levies a powerful argument that social justice in education is impossible today precisely because of how we talk about it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226031569.jpeg" length="43146" type="image/jpeg" />
      <category>Education: Curriculum and Methodology</category>
      <category>Education: Pre-School, Elementary and Secondary Education</category>
      <category>Sociology: Individual, State and Society</category>
      <category>Sociology: Social Organization--Stratification, Mobility</category>
      <pubDate>Tue, 07 May 2013 05:00:00 GMT</pubDate>
      <author>Kysa Nygreen</author>
      <guid isPermaLink="false">9780226031569</guid>
    </item>
    <item>
      <title>Stung!</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo15220175.html</link>
      <description>Our oceans are becoming increasingly inhospitable to life—growing toxicity and rising temperatures coupled with overfishing have led many marine species to the brink of collapse. And yet there is one creature that is thriving in this seasick environment: the beautiful, dangerous, and now incredibly numerous jellyfish. As foremost jellyfish expert Lisa-ann Gershwin describes in Stung!, the jellyfish population bloom is highly indicative of the tragic state of the world’s ocean waters, while also revealing the incredible tenacity of these remarkable creatures.&amp;#160;Recent documentaries about swarms of giant jellyfish invading Japanese fishing grounds and summertime headlines about armadas of stinging jellyfish in the Mediterranean and Chesapeake are only the beginning—jellyfish are truly taking over the oceans. Despite their often dazzling appearance, jellyfish are simple creatures with simple needs: namely, fewer predators and competitors, warmer waters to encourage rapid growth, and more places for their larvae to settle and grow. In general, oceans that are less favorable to fish are more favorable to jellyfish, and these are the very conditions that we are creating through mechanized trawling, habitat degradation, coastal construction, pollution, and climate change.&amp;#160;Despite their role as harbingers of marine destruction, jellyfish are truly enthralling creatures in their own right, and in Stung!, Gershwin tells stories of jellyfish both attractive and deadly while illuminating many interesting and unusual facts about their behaviors and environmental adaptations. She takes readers back to the Proterozoic era, when jellyfish were the top predator in the marine ecosystem—at a time when there were no fish, no mammals, and no turtles; and she explores the role jellies have as middlemen of destruction, moving swiftly into vulnerable ecosystems. The story of the jellyfish, as Gershwin makes clear, is also the story of the world’s oceans, and Stung! provides a unique and urgent look at their inseparable histories—and future.</description>
      <content:encoded>&lt;div&gt;Our oceans are becoming increasingly inhospitable to life&amp;mdash;growing toxicity and rising temperatures coupled with overfishing have led many marine species to the brink of collapse. And yet there is one creature that is thriving in this seasick environment: the beautiful, dangerous, and now incredibly numerous jellyfish. As foremost jellyfish expert Lisa-ann Gershwin describes in &lt;i&gt;Stung!, &lt;/i&gt;the jellyfish population bloom is highly indicative of the tragic state of the world&amp;rsquo;s ocean waters, while also revealing the incredible tenacity of these remarkable creatures.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Recent documentaries about swarms of giant jellyfish invading Japanese fishing grounds and summertime headlines about armadas of stinging jellyfish in the Mediterranean and Chesapeake are only the beginning&amp;mdash;jellyfish are truly taking over the oceans. Despite their often dazzling appearance, jellyfish are simple creatures with simple needs: namely, fewer predators and competitors, warmer waters to encourage rapid growth, and more places for their larvae to settle and grow. In general, oceans that are less favorable to fish are more favorable to jellyfish, and these are the very conditions that we are creating through mechanized trawling, habitat degradation, coastal construction, pollution, and climate change.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Despite their role as harbingers of marine destruction, jellyfish are truly enthralling creatures in their own right, and in &lt;i&gt;Stung!&lt;/i&gt;, Gershwin tells stories of jellyfish both attractive and deadly while illuminating many interesting and unusual facts about their behaviors and environmental adaptations. She takes readers back to the Proterozoic era, when jellyfish were the top predator in the marine ecosystem&amp;mdash;at a time when there were no fish, no mammals, and no turtles; and she explores the role jellies have as middlemen of destruction, moving swiftly into vulnerable ecosystems. The story of the jellyfish, as Gershwin makes clear, is also the story of the world&amp;rsquo;s oceans, and &lt;i&gt;Stung! &lt;/i&gt;provides a unique and urgent look at their inseparable histories&amp;mdash;and future.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226020105.jpeg" length="39340" type="image/jpeg" />
      <category>Biological Sciences: Ecology</category>
      <category>Biological Sciences: Natural History</category>
      <pubDate>Tue, 07 May 2013 05:00:00 GMT</pubDate>
      <author>Lisa-ann Gershwin; Sylvia Earle</author>
      <guid isPermaLink="false">9780226020105</guid>
    </item>
    <item>
      <title>Top Student, Top School?</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15506888.html</link>
      <description>Most of us think that valedictorians can write their own ticket. By reaching the top of their class they have proven their merit, so their next logical step should be to attend the nation’s very best universities. Yet in Top Student, Top School?, Alexandria Walton Radford reveals that many valedictorians do not enroll in prestigious institutions. Employing an original five-state study that surveyed nine hundred public high school valedictorians, she sets out to determine when and why valedictorians end up at less selective schools, showing that social class makes all the difference.&amp;#160;Radford traces valedictorians’ paths to college and presents damning evidence that high schools do not provide sufficient guidance on crucial factors affecting college selection, such as reputation, financial aid, and even the application process itself. Left in a bewildering environment of seemingly similar options, many students depend on their parents for assistance—and this allows social class to rear its head and have a profound impact on where students attend. Simply put, parents from less affluent backgrounds are far less informed about differences in colleges’ quality, the college application process, and financial aid options, which significantly limits their child’s chances of attending a competitive school, even when their child has already managed to become valedictorian.&amp;#160;Top Student, Top School? pinpoints an overlooked yet critical juncture in the education process, one that stands as a barrier to class mobility. By focusing solely on valedictorians, it shows that students’ paths diverge by social class even when they are similarly well-prepared academically, and this divergence is traceable to specific failures by society, failures that we can and should address.</description>
      <content:encoded>&lt;div&gt;Most of us think that valedictorians can write their own ticket. By reaching the top of their class they have proven their merit, so their next logical step should be to attend the nation&amp;rsquo;s very best universities. Yet in &lt;i&gt;Top Student, Top School?&lt;/i&gt;, Alexandria Walton Radford reveals that many valedictorians do not enroll in prestigious institutions. Employing an original five-state study that surveyed nine hundred public high school valedictorians, she sets out to determine when and why valedictorians end up at less selective schools, showing that social class makes all the difference.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Radford traces valedictorians&amp;rsquo; paths to college and presents damning evidence that high schools do not provide sufficient guidance on crucial factors affecting college selection, such as reputation, financial aid, and even the application process itself. Left in a bewildering environment of seemingly similar options, many students depend on their parents for assistance&amp;mdash;and this allows social class to rear its head and have a profound impact on where students attend. Simply put, parents from less affluent backgrounds are far less informed about differences in colleges&amp;rsquo; quality, the college application process, and financial aid options, which significantly limits their child&amp;rsquo;s chances of attending a competitive school, even when their child has already managed to become valedictorian.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Top Student, Top School?&lt;/i&gt; pinpoints an overlooked yet critical juncture in the education process, one that stands as a barrier to class mobility. By focusing solely on valedictorians, it shows that students&amp;rsquo; paths diverge by social class even when they are similarly well-prepared academically, and this divergence is traceable to specific failures by society, failures that we can and should address.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226041001.jpeg" length="28626" type="image/jpeg" />
      <category>Education: Higher Education</category>
      <category>Education: Pre-School, Elementary and Secondary Education</category>
      <category>Sociology: Social Organization--Stratification, Mobility</category>
      <pubDate>Mon, 06 May 2013 05:00:00 GMT</pubDate>
      <author>Alexandria Walton Radford</author>
      <guid isPermaLink="false">9780226040950</guid>
    </item>
    <item>
      <title>Does Science Need a Global Language?</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo10984617.html</link>
      <description>In early 2012, the global scientific community erupted with news that the elusive Higgs boson had likely been found, providing potent validation for the Standard Model of how the universe works. Scientists from more than one hundred countries contributed to this discovery—proving, beyond any doubt, that a new era in science had arrived, an era of multinationalism and cooperative reach. Globalization, the Internet, and digital technology all play a role in making this new era possible, but something more fundamental is also at work. In all scientific endeavors lies the ancient drive for sharing ideas and knowledge, and now this can be accomplished in a single tongue—English. But is this a good thing?  In Does Science Need a Global Language?, Scott L. Montgomery seeks to answer this question by investigating the phenomenon of global English in science, how and why it came about, the forms in which it appears, what advantages and disadvantages it brings, and what its future might be. He also examines the consequences of a global tongue, considering especially emerging and developing nations, where research is still at a relatively early stage and English is not yet firmly established.  Throughout the book, he includes important insights from a broad range of perspectives in linguistics, history, education, geopolitics, and more. Each chapter includes striking and revealing anecdotes from the front-line experiences of today’s scientists, some of whom have struggled with the reality of global scientific English. He explores topics such as student mobility, publication trends, world Englishes, language endangerment, and second language learning, among many others. What he uncovers will challenge readers to rethink their assumptions about the direction of contemporary science, as well as its future.&amp;nbsp; &amp;nbsp;</description>
      <content:encoded>&lt;p&gt;In early 2012, the global scientific community erupted with news that the elusive Higgs boson had likely been found, providing potent validation for the Standard Model of how the universe works. Scientists from more than one hundred countries contributed to this discovery&amp;mdash;proving, beyond any doubt, that a new era in science had arrived, an era of multinationalism and cooperative reach. Globalization, the Internet, and digital technology all play a role in making this new era possible, but something more fundamental is also at work. In all scientific endeavors lies the ancient drive for sharing ideas and knowledge, and now this can be accomplished in a single tongue&amp;mdash;English. But is this a good thing?&lt;br /&gt; &lt;br /&gt; In &lt;i&gt;Does Science Need a Global Language?&lt;/i&gt;, Scott L. Montgomery seeks to answer this question by investigating the phenomenon of global English in science, how and why it came about, the forms in which it appears, what advantages and disadvantages it brings, and what its future might be. He also examines the consequences of a global tongue, considering especially emerging and developing nations, where research is still at a relatively early stage and English is not yet firmly established.&lt;br /&gt; &lt;br /&gt; Throughout the book, he includes important insights from a broad range of perspectives in linguistics, history, education, geopolitics, and more. Each chapter includes striking and revealing anecdotes from the front-line experiences of today&amp;rsquo;s scientists, some of whom have struggled with the reality of global scientific English. He explores topics such as student mobility, publication trends, world Englishes, language endangerment, and second language learning, among many others. What he uncovers will challenge readers to rethink their assumptions about the direction of contemporary science, as well as its future.&amp;nbsp;&lt;/p&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/53/9780226535036.jpeg" length="27885" type="image/jpeg" />
      <category>Cognitive Science: Language</category>
      <category>Language and Linguistics: General Language and Linguistics</category>
      <pubDate>Mon, 06 May 2013 05:00:00 GMT</pubDate>
      <author>Scott L. Montgomery; David Crystal</author>
      <guid isPermaLink="false">9780226535036</guid>
    </item>
    <item>
      <title>Top Student, Top School?</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo15506888.html</link>
      <description>Most of us think that valedictorians can write their own ticket. By reaching the top of their class they have proven their merit, so their next logical step should be to attend the nation’s very best universities. Yet in Top Student, Top School?, Alexandria Walton Radford reveals that many valedictorians do not enroll in prestigious institutions. Employing an original five-state study that surveyed nine hundred public high school valedictorians, she sets out to determine when and why valedictorians end up at less selective schools, showing that social class makes all the difference.&amp;#160;Radford traces valedictorians’ paths to college and presents damning evidence that high schools do not provide sufficient guidance on crucial factors affecting college selection, such as reputation, financial aid, and even the application process itself. Left in a bewildering environment of seemingly similar options, many students depend on their parents for assistance—and this allows social class to rear its head and have a profound impact on where students attend. Simply put, parents from less affluent backgrounds are far less informed about differences in colleges’ quality, the college application process, and financial aid options, which significantly limits their child’s chances of attending a competitive school, even when their child has already managed to become valedictorian.&amp;#160;Top Student, Top School? pinpoints an overlooked yet critical juncture in the education process, one that stands as a barrier to class mobility. By focusing solely on valedictorians, it shows that students’ paths diverge by social class even when they are similarly well-prepared academically, and this divergence is traceable to specific failures by society, failures that we can and should address.</description>
      <content:encoded>&lt;div&gt;Most of us think that valedictorians can write their own ticket. By reaching the top of their class they have proven their merit, so their next logical step should be to attend the nation&amp;rsquo;s very best universities. Yet in &lt;i&gt;Top Student, Top School?&lt;/i&gt;, Alexandria Walton Radford reveals that many valedictorians do not enroll in prestigious institutions. Employing an original five-state study that surveyed nine hundred public high school valedictorians, she sets out to determine when and why valedictorians end up at less selective schools, showing that social class makes all the difference.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Radford traces valedictorians&amp;rsquo; paths to college and presents damning evidence that high schools do not provide sufficient guidance on crucial factors affecting college selection, such as reputation, financial aid, and even the application process itself. Left in a bewildering environment of seemingly similar options, many students depend on their parents for assistance&amp;mdash;and this allows social class to rear its head and have a profound impact on where students attend. Simply put, parents from less affluent backgrounds are far less informed about differences in colleges&amp;rsquo; quality, the college application process, and financial aid options, which significantly limits their child&amp;rsquo;s chances of attending a competitive school, even when their child has already managed to become valedictorian.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Top Student, Top School?&lt;/i&gt; pinpoints an overlooked yet critical juncture in the education process, one that stands as a barrier to class mobility. By focusing solely on valedictorians, it shows that students&amp;rsquo; paths diverge by social class even when they are similarly well-prepared academically, and this divergence is traceable to specific failures by society, failures that we can and should address.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226041001.jpeg" length="28626" type="image/jpeg" />
      <category>Education: Higher Education</category>
      <category>Education: Pre-School, Elementary and Secondary Education</category>
      <category>Sociology: Social Organization--Stratification, Mobility</category>
      <pubDate>Thu, 02 May 2013 05:00:00 GMT</pubDate>
      <author>Alexandria Walton Radford</author>
      <guid isPermaLink="false">9780226041001</guid>
    </item>
    <item>
      <title>Chicago Business and Industry</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo5586857.html</link>
      <description>From its humble beginnings as a fur-trading outpost, Chicago has become one of the foremost centers of world finance and trade. With its blue-collar work ethic and an economic history that extends into virtually every segment of American industry, it certainly lives up to its moniker as the City That Works.   Drawing on the award-winning Encyclopedia of Chicago, Janice L. Reiff has compiled a unique history of work in the Windy City. Beginning with an overview of the city’s commercial development, Chicago Business and Industry considers how key industries shaped—and were shaped by—both the local and global economies. The city’s phenomenal population growth, its proximity to water, and its development of railroads made Chicago one of the most productive markets for lumber and grain throughout the nineteenth century. The region’s once-booming steel industry, on the other hand, suffered a dramatic decline in the second half of the twentieth century, when already weakened demand met with increasing international competition. Chicago Business and Industry chronicles the Chicago region’s changing fortunes from its beginning.   Reiff has compiled and updated essays from the Encyclopedia covering the city’s most historically famous—and infamous—companies, from the Union Stock Yard to Montgomery Ward to the Board of Trade. The book concludes with a historical account of labor types and issues in the city, with attention to such topics as health-care workers, unemployment, and unionization. Today, Groupon and a host of other high-tech firms have led some experts to christen Chicago the Silicon Valley of the Midwest. Reiff’s new introduction takes account of these and other recent trends.   Engaging, accessible, and packed with fascinating facts, Chicago Business and Industry invites readers into the history and diversity of work in the city, helping them understand how Chicago became Chicago.</description>
      <content:encoded>&lt;div&gt;From its humble beginnings as a fur-trading outpost, Chicago has become one of the foremost centers of world finance and trade. With its blue-collar work ethic and an economic history that extends into virtually every segment of American industry, it certainly lives up to its moniker as the City That Works. &lt;br /&gt; &lt;br /&gt; Drawing on the award-winning &lt;i&gt;Encyclopedia of Chicago&lt;/i&gt;, Janice L. Reiff has compiled a unique history of work in the Windy City. Beginning with an overview of the city&amp;rsquo;s commercial development, &lt;i&gt;Chicago Business and Industry&lt;/i&gt; considers how key industries shaped&amp;mdash;and were shaped by&amp;mdash;both the local and global economies. The city&amp;rsquo;s phenomenal population growth, its proximity to water, and its development of railroads made Chicago one of the most productive markets for lumber and grain throughout the nineteenth century. The region&amp;rsquo;s once-booming steel industry, on the other hand, suffered a dramatic decline in the second half of the twentieth century, when already weakened demand met with increasing international competition. &lt;i&gt;Chicago Business and Industry&lt;/i&gt; chronicles the Chicago region&amp;rsquo;s changing fortunes from its beginning. &lt;br /&gt; &lt;br /&gt; Reiff has compiled and updated essays from the &lt;i&gt;Encyclopedia&lt;/i&gt; covering the city&amp;rsquo;s most historically famous&amp;mdash;and infamous&amp;mdash;companies, from the Union Stock Yard to Montgomery Ward to the Board of Trade. The book concludes with a historical account of labor types and issues in the city, with attention to such topics as health-care workers, unemployment, and unionization. Today, Groupon and a host of other high-tech firms have led some experts to christen Chicago the Silicon Valley of the Midwest. Reiff&amp;rsquo;s new introduction takes account of these and other recent trends. &lt;br /&gt; &lt;br /&gt; Engaging, accessible, and packed with fascinating facts, &lt;i&gt;Chicago Business and Industry&lt;/i&gt; invites readers into the history and diversity of work in the city, helping them understand how Chicago became Chicago.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/70/9780226709369.jpeg" length="24427" type="image/jpeg" />
      <category>Economics and Business: Economics--History</category>
      <category>Reference and Bibliography</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Janice L. Reiff</author>
      <guid isPermaLink="false">9780226709369</guid>
    </item>
    <item>
      <title>Marking Modern Times</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/M/bo14942177.html</link>
      <description>The public spaces and buildings of the United States are home to  many thousands of timepieces—bells, time balls, and clock faces—that  tower over urban streets, peek out from lobbies, and gleam in store  windows. And in the streets and squares beneath them, men, women, and  children wear wristwatches of all kinds. Americans have decorated their  homes with clocks and included them in their poetry, sermons, stories,  and songs. And as political instruments, social tools, and cultural  symbols, these personal and public timekeepers have enjoyed a broad  currency in art, life, and culture. &amp;nbsp; In Marking Modern Times,  Alexis McCrossen relates how the American preoccupation with time led  people from across social classes to acquire watches and clocks. While  noting the difficulties in regulating and synchronizing so many  timepieces, McCrossen expands our understanding of the development of  modern time discipline, delving into the ways we have standardized time  and describing how timekeepers have served as political, social, and  cultural tools in a society that doesn’t merely value time, but regards  access to time as a natural-born right, a privilege of being an  American. &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;The public spaces and buildings of the United States are home to  many thousands of timepieces&amp;mdash;bells, time balls, and clock faces&amp;mdash;that  tower over urban streets, peek out from lobbies, and gleam in store  windows. And in the streets and squares beneath them, men, women, and  children wear wristwatches of all kinds. Americans have decorated their  homes with clocks and included them in their poetry, sermons, stories,  and songs. And as political instruments, social tools, and cultural  symbols, these personal and public timekeepers have enjoyed a broad  currency in art, life, and culture.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;div&gt;In &lt;i&gt;Marking Modern Times&lt;/i&gt;,  Alexis McCrossen relates how the American preoccupation with time led  people from across social classes to acquire watches and clocks. While  noting the difficulties in regulating and synchronizing so many  timepieces, McCrossen expands our understanding of the development of  modern time discipline, delving into the ways we have standardized time  and describing how timekeepers have served as political, social, and  cultural tools in a society that doesn&amp;rsquo;t merely value time, but regards  access to time as a natural-born right, a privilege of being an  American.&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226014869.jpeg" length="36098" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History: History of Technology</category>
      <category>History: Urban History</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Alexis McCrossen</author>
      <guid isPermaLink="false">9780226014869</guid>
    </item>
    <item>
      <title>Longevity Seekers</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/L/bo13920974.html</link>
      <description>People have searched for the fountain of youth everywhere from Bimini to St. Augustine. But for a steadfast group of scientists, the secret to a long life lies elsewhere: in the lowly lab worm. By suppressing the function of just a few key genes, these scientists were able to lengthen worms’ lifespans up to tenfold, while also controlling the onset of many of the physical problems that beset old age. As the global population ages, the potential impact of this discovery on society is vast—as is the potential for profit.  With The Longevity Seekers, science writer Ted Anton takes readers inside this tale that began with worms and branched out to snare innovative minds from California to Crete, investments from big biotech, and endorsements from TV personalities like Oprah and Dr. Oz. Some of the research was remarkable, such as the discovery of an enzyme in humans that stops cells from aging. And some, like an oft-cited study touting the compound resveratrol, found in red wine—proved highly controversial, igniting a&amp;nbsp;science war over truth, credit, and potential profit. As the pace of discovery accelerated, so too did powerful personal rivalries and public fascination, driven by the hope that a longer, healthier life was right around the corner. Anton has spent years interviewing and working with the scientists at the frontier of longevity science, and this book offers a behind-the-scenes look at the state-of-the-art research and the impact it might have on global public health, society, and even our friends and family.  With spectacular science and an unforgettable cast of characters, The Longevity Seekers has all the elements of a great story and sheds light on discoveriesthat could fundamentally reshape human life. &amp;nbsp; &amp;nbsp;</description>
      <content:encoded>&lt;div&gt;People have searched for the fountain of youth everywhere from Bimini to St. Augustine. But for a steadfast group of scientists, the secret to a long life lies elsewhere: in the lowly lab worm. By suppressing the function of just a few key genes, these scientists were able to lengthen worms&amp;rsquo; lifespans up to tenfold, while also controlling the onset of many of the physical problems that beset old age. As the global population ages, the potential impact of this discovery on society is vast&amp;mdash;as is the potential for profit.&lt;br /&gt; &lt;br /&gt; With &lt;i&gt;The Longevity Seekers&lt;/i&gt;, science writer Ted Anton takes readers inside this tale that began with worms and branched out to snare innovative minds from California to Crete, investments from big biotech, and endorsements from TV personalities like Oprah and Dr. Oz. Some of the research was remarkable, such as the discovery of an enzyme in humans that stops cells from aging. And some, like an oft-cited study touting the compound resveratrol, found in red wine&amp;mdash;proved highly controversial, igniting a&amp;nbsp;science war over truth, credit, and potential profit. As the pace of discovery accelerated, so too did powerful personal rivalries and public fascination, driven by the hope that a longer, healthier life was right around the corner. Anton has spent years interviewing and working with the scientists at the frontier of longevity science, and this book offers a behind-the-scenes look at the state-of-the-art research and the impact it might have on global public health, society, and even our friends and family.&lt;/div&gt; &lt;div&gt;&lt;br /&gt; With spectacular science and an unforgettable cast of characters, &lt;i&gt;The Longevity Seekers &lt;/i&gt;has all the elements of a great story and sheds light on discoveriesthat could fundamentally reshape human life.&lt;/div&gt; &lt;div&gt;&amp;nbsp;&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226020938.jpeg" length="52471" type="image/jpeg" />
      <category>Biological Sciences: Evolutionary Biology</category>
      <category>Biological Sciences: Microbiology</category>
      <category>Medical Science</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Ted Anton</author>
      <guid isPermaLink="false">9780226020938</guid>
    </item>
    <item>
      <title>Bitter Wormwood</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo16124380.html</link>
      <description>Kohima, 2007. A young man has just been gunned down in cold  blood—the latest casualty in the conflict that has brutalized the people  of Nagaland, in the neglected northeastern corner of India. Rich in  culture and history, Bitter Wormwood traces the story of one  man’s life from 1937 until 2007, offering poignant insight into the  human cost behind the political headlines of one of India’s most  beautiful regions.   In a gripping story that brings to  life the processes that propel social change and transform communities,  Easterine Kire skillfully renders the small incidents of Mose’s  childhood, his family, and the routines and rituals of traditional  village life, painting an evocative picture of a peaceful way of life,  now long-vanished. The coming of radio into Mose’s family house marks  the beginning of the changes that will connect them to the wider world.  They learn of partition, independence, a land called America. Mose and  his friends become involved in the Naga struggle for independence, and  are caught in a maelstrom of violence that ends up ripping communities  apart.</description>
      <content:encoded>&lt;div&gt;Kohima, 2007. A young man has just been gunned down in cold  blood&amp;mdash;the latest casualty in the conflict that has brutalized the people  of Nagaland, in the neglected northeastern corner of India. Rich in  culture and history, &lt;i&gt;Bitter Wormwood&lt;/i&gt; traces the story of one  man&amp;rsquo;s life from 1937 until 2007, offering poignant insight into the  human cost behind the political headlines of one of India&amp;rsquo;s most  beautiful regions. &lt;br /&gt; &lt;br /&gt; In a gripping story that brings to  life the processes that propel social change and transform communities,  Easterine Kire skillfully renders the small incidents of Mose&amp;rsquo;s  childhood, his family, and the routines and rituals of traditional  village life, painting an evocative picture of a peaceful way of life,  now long-vanished. The coming of radio into Mose&amp;rsquo;s family house marks  the beginning of the changes that will connect them to the wider world.  They learn of partition, independence, a land called America. Mose and  his friends become involved in the Naga struggle for independence, and  are caught in a maelstrom of violence that ends up ripping communities  apart.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/93/81/01/9789381017029.jpg" length="50997" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Easterine Kire</author>
      <guid isPermaLink="false">9789381017029</guid>
    </item>
    <item>
      <title>Subject of Murder</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14637101.html</link>
      <description>The subject of murder has always held a particular fascination for  us. But, since at least the nineteenth century, we have seen the  murderer as different from the ordinary citizen—a special individual,  like an artist or a genius, who exists apart from the moral majority, a  sovereign self who obeys only the destructive urge, sometimes even  commanding cult followings. In contemporary culture, we continue to  believe that there is something different and exceptional about killers,  but is the murderer such a distinctive type? Are they degenerate beasts  or supermen as they have been depicted on the page and the screen? Or  are murderers something else entirely?In The Subject of Murder,  Lisa Downing explores the ways in which the figure of the murderer has  been made to signify a specific kind of social subject in Western  modernity. Drawing on the work of Foucault in her studies of the lives  and crimes of killers in Europe and the United States, Downing  interrogates the meanings of media and texts produced about and by  murderers. Upending the usual treatment of murderers as isolated figures  or exceptional individuals, Downing argues that they are ordinary  people, reflections of our society at the intersections of gender,  agency, desire, and violence.</description>
      <content:encoded>&lt;div&gt;The subject of murder has always held a particular fascination for  us. But, since at least the nineteenth century, we have seen the  murderer as different from the ordinary citizen&amp;mdash;a special individual,  like an artist or a genius, who exists apart from the moral majority, a  sovereign self who obeys only the destructive urge, sometimes even  commanding cult followings. In contemporary culture, we continue to  believe that there is something different and exceptional about killers,  but is the murderer such a distinctive type? Are they degenerate beasts  or supermen as they have been depicted on the page and the screen? Or  are murderers something else entirely?&lt;br&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;The Subject of Murder&lt;/i&gt;,  Lisa Downing explores the ways in which the figure of the murderer has  been made to signify a specific kind of social subject in Western  modernity. Drawing on the work of Foucault in her studies of the lives  and crimes of killers in Europe and the United States, Downing  interrogates the meanings of media and texts produced about and by  murderers. Upending the usual treatment of murderers as isolated figures  or exceptional individuals, Downing argues that they are ordinary  people, reflections of our society at the intersections of gender,  agency, desire, and violence.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/00/9780226003542.jpeg" length="29259" type="image/jpeg" />
      <category>Criminology</category>
      <category>Culture Studies</category>
      <category>Gender and Sexuality</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Lisa Downing</author>
      <guid isPermaLink="false">9780226003405</guid>
    </item>
    <item>
      <title>Cairo to Constantinople</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15670595.html</link>
      <description>In the spring of 1862, Queen Victoria commissioned the leading British photographer Francis Bedford to accompany her son and heir, the future King Edward VII, on an ambitious journey across the Middle East. This beautifully illustrated book traces their tour throughout Egypt, Palestine, Turkey, and Greece alongside excerpts from Prince Edward’s diary and other newly discovered archival material, published here for the first time. Over the course of several months, Bedford produced more than two hundred negatives, including images of architecture and stunning landscapes, from a breathtaking view of the Garden of Gethsemane to shots of the Great Pyramid and the Sphinx. He was the first Christian granted permission to photograph sacred sites in Jerusalem. Bedford also captured many photographs of the people he encountered on the tour, both locals and members of the royal party. Cairo to Constantinople is the first book to focus on the photographs taken during Prince Edward’s travels in the Middle East. Taken during a time of great change in the area, these extraordinary photographs will fascinate anyone with an interest in the history of the Middle East or in photography’s role in documenting civilization.</description>
      <content:encoded>&lt;div&gt;In the spring of 1862, Queen Victoria commissioned the leading British photographer Francis Bedford to accompany her son and heir, the future King Edward VII, on an ambitious journey across the Middle East. This beautifully illustrated book traces their tour throughout Egypt, Palestine, Turkey, and Greece alongside excerpts from Prince Edward&amp;rsquo;s diary and other newly discovered archival material, published here for the first time. &lt;br&gt;&lt;br&gt;Over the course of several months, Bedford produced more than two hundred negatives, including images of architecture and stunning landscapes, from a breathtaking view of the Garden of Gethsemane to shots of the Great Pyramid and the Sphinx. He was the first Christian granted permission to photograph sacred sites in Jerusalem. Bedford also captured many photographs of the people he encountered on the tour, both locals and members of the royal party. &lt;br&gt;&lt;br&gt;&lt;i&gt;Cairo to Constantinople&lt;/i&gt; is the first book to focus on the photographs taken during Prince Edward&amp;rsquo;s travels in the Middle East. Taken during a time of great change in the area, these extraordinary photographs will fascinate anyone with an interest in the history of the Middle East or in photography&amp;rsquo;s role in documenting civilization.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/19/05/68/9781905686186.jpg" length="42942" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>History: Middle Eastern History</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Sophie Gordon</author>
      <guid isPermaLink="false">9781905686186</guid>
    </item>
    <item>
      <title>Disturbing Practices</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo14637048.html</link>
      <description>For decades, the history of sexuality has been a multidisciplinary  project serving competing agendas. Lesbian, gay, and queer scholars have  produced powerful narratives by tracing the homosexual or queer  subject as continuous or discontinuous. Yet organizing historical work  around categories of identity as normal or abnormal often obscures how  sexual matters were known or talked about in the past.&amp;nbsp;Set against the  backdrop of women’s work experiences, friendships, and communities  during World War I, Disturbing Practices draws on a substantial  body of new archival material to expose the roadblocks still present in  current practices and imagine new alternatives. &amp;nbsp; In this  landmark book, Laura Doan clarifies the ethical value and political  purpose of identity history—and indeed its very capacity to give rise to  innovative practices borne of sustained exchange between queer studies  and critical history.&amp;nbsp;Disturbing Practices insists on taking  seriously the imperative to step outside the logic of identity to  address questions as yet unasked about the modern sexual past.</description>
      <content:encoded>&lt;div&gt;For decades, the history of sexuality has been a multidisciplinary  project serving competing agendas. Lesbian, gay, and queer scholars have  produced powerful narratives by tracing the homosexual or queer  subject as continuous or discontinuous. Yet organizing historical work  around categories of identity as normal or abnormal often obscures how  sexual matters were known or talked about in the past.&amp;nbsp;Set against the  backdrop of women&amp;rsquo;s work experiences, friendships, and communities  during World War I, &lt;i&gt;Disturbing Practices&lt;/i&gt; draws on a substantial  body of new archival material to expose the roadblocks still present in  current practices and imagine new alternatives.&lt;br /&gt; &amp;nbsp;&lt;/div&gt; &lt;div&gt;In this  landmark book, Laura Doan clarifies the ethical value and political  purpose of identity history&amp;mdash;and indeed its very capacity to give rise to  innovative practices borne of sustained exchange between queer studies  and critical history.&amp;nbsp;&lt;i&gt;Disturbing Practices&lt;/i&gt; insists on taking  seriously the imperative to step outside the logic of identity to  address questions as yet unasked about the modern sexual past.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/00/9780226001616.jpeg" length="26482" type="image/jpeg" />
      <category>Gay and Lesbian Studies</category>
      <category>Gender and Sexuality</category>
      <category>History: British and Irish History</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Laura Doan</author>
      <guid isPermaLink="false">9780226001586</guid>
    </item>
    <item>
      <title>Disturbing Practices</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo14637048.html</link>
      <description>For decades, the history of sexuality has been a multidisciplinary  project serving competing agendas. Lesbian, gay, and queer scholars have  produced powerful narratives by tracing the homosexual or queer  subject as continuous or discontinuous. Yet organizing historical work  around categories of identity as normal or abnormal often obscures how  sexual matters were known or talked about in the past.&amp;nbsp;Set against the  backdrop of women’s work experiences, friendships, and communities  during World War I, Disturbing Practices draws on a substantial  body of new archival material to expose the roadblocks still present in  current practices and imagine new alternatives. &amp;nbsp; In this  landmark book, Laura Doan clarifies the ethical value and political  purpose of identity history—and indeed its very capacity to give rise to  innovative practices borne of sustained exchange between queer studies  and critical history.&amp;nbsp;Disturbing Practices insists on taking  seriously the imperative to step outside the logic of identity to  address questions as yet unasked about the modern sexual past.</description>
      <content:encoded>&lt;div&gt;For decades, the history of sexuality has been a multidisciplinary  project serving competing agendas. Lesbian, gay, and queer scholars have  produced powerful narratives by tracing the homosexual or queer  subject as continuous or discontinuous. Yet organizing historical work  around categories of identity as normal or abnormal often obscures how  sexual matters were known or talked about in the past.&amp;nbsp;Set against the  backdrop of women&amp;rsquo;s work experiences, friendships, and communities  during World War I, &lt;i&gt;Disturbing Practices&lt;/i&gt; draws on a substantial  body of new archival material to expose the roadblocks still present in  current practices and imagine new alternatives.&lt;br /&gt; &amp;nbsp;&lt;/div&gt; &lt;div&gt;In this  landmark book, Laura Doan clarifies the ethical value and political  purpose of identity history&amp;mdash;and indeed its very capacity to give rise to  innovative practices borne of sustained exchange between queer studies  and critical history.&amp;nbsp;&lt;i&gt;Disturbing Practices&lt;/i&gt; insists on taking  seriously the imperative to step outside the logic of identity to  address questions as yet unasked about the modern sexual past.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/00/9780226001616.jpeg" length="26482" type="image/jpeg" />
      <category>Gay and Lesbian Studies</category>
      <category>Gender and Sexuality</category>
      <category>History: British and Irish History</category>
      <pubDate>Wed, 01 May 2013 05:00:00 GMT</pubDate>
      <author>Laura Doan</author>
      <guid isPermaLink="false">9780226001616</guid>
    </item>
    <item>
      <title>Greek Tragedies 1</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo15694105.html</link>
      <description>Greek Tragedies, Volume I contains Aeschylus&amp;#8217;s &amp;#8220;Agamemnon,&amp;#8221; translated by Richmond Lattimore; Aeschylus&amp;#8217;s &amp;#8220;Prometheus Bound,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; and Euripides&amp;#8217;s &amp;#8220;Hippolytus,&amp;#8221; translated by David Grene.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Greek Tragedies, Volume I&lt;/i&gt; contains Aeschylus&amp;#8217;s &amp;#8220;Agamemnon,&amp;#8221; translated by Richmond Lattimore; Aeschylus&amp;#8217;s &amp;#8220;Prometheus Bound,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; and Euripides&amp;#8217;s &amp;#8220;Hippolytus,&amp;#8221; translated by David Grene.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226035284.jpeg" length="41355" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Mon, 29 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226035147</guid>
    </item>
    <item>
      <title>Power to Do Justice</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo5550091.html</link>
      <description>English law underwent rapid transformation in the sixteenth century, in response to the Reformation and also to heightened litigation and legal professionalization. As the common law became more comprehensive and systematic, the principle of jurisdiction came under particular strain. When the common law engaged with other court systems in England, when it encountered territories like Ireland and France, or when it confronted the ocean as a juridical space, the law revealed its qualities of ingenuity and improvisation. In other words, as Bradin Cormack argues, jurisdictional crisis made visible the law&amp;#8217;s resemblance to the literary arts.&amp;#160;&amp;#160; A Power to Do Justice shows how Renaissance writers engaged the practical and conceptual dynamics of jurisdiction, both as a subject for critical investigation and as a frame for articulating literature&amp;#8217;s sense of itself. Reassessing the relation between English literature and law from More to Shakespeare, Cormack argues that where literary texts attend to jurisdiction, they dramatize how boundaries and limits are the very precondition of law&amp;#8217;s power, even as they clarify the forms of intensification that make literary space a reality.Tracking cultural responses to Renaissance jurisdictional thinking and legal centralization, A Power to Do Justice makes theoretical, literary-historical, and methodological contributions that set a new standard for law and the humanities and for the cultural history of early modern law and literature.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;English law underwent rapid transformation in the sixteenth century, in response to the Reformation and also to heightened litigation and legal professionalization. As the common law became more comprehensive and systematic, the principle of jurisdiction came under particular strain. When the common law engaged with other court systems in England, when it encountered territories like Ireland and France, or when it confronted the ocean as a juridical space, the law revealed its qualities of ingenuity and improvisation. In other words, as Bradin Cormack argues, jurisdictional crisis made visible the law&amp;#8217;s resemblance to the literary arts.&lt;i&gt;&amp;#160;&amp;#160; &lt;br&gt;A Power to Do Justice &lt;/i&gt;shows how Renaissance writers engaged the practical and conceptual dynamics of jurisdiction, both as a subject for critical investigation and as a frame for articulating literature&amp;#8217;s sense of itself. Reassessing the relation between English literature and law from More to Shakespeare, Cormack argues that where literary texts attend to jurisdiction, they dramatize how boundaries and limits are the very precondition of law&amp;#8217;s power, even as they clarify the forms of intensification that make literary space a reality.&lt;br&gt;&lt;br&gt;Tracking cultural responses to Renaissance jurisdictional thinking and legal centralization, &lt;i&gt;A Power to Do Justice&lt;/i&gt; makes theoretical, literary-historical, and methodological contributions that set a new standard for law and the humanities and for the cultural history of early modern law and literature. &lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/06/9780226061542.jpeg" length="33527" type="image/jpeg" />
      <category>History: European History</category>
      <category>Law and Legal Studies: Legal History</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <pubDate>Fri, 26 Apr 2013 05:00:00 GMT</pubDate>
      <author>Bradin Cormack</author>
      <guid isPermaLink="false">9780226061542</guid>
    </item>
    <item>
      <title>Political Tone</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15233236.html</link>
      <description>It’s not what you say, but how you say it. Solving problems with  words is the essence of politics, and finding the right words for the  moment can make or break a politician’s career. Yet very little has been  said in political science about the elusive element of tone.In Political Tone,  Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range  of texts—from speeches and debates to advertising and print and  broadcast campaign coverage— using a sophisticated computer program,  DICTION, that parses their content for semantic features like realism,  commonality, and certainty, as well as references to religion, party, or  patriotic terms. Beginning with a look at how societal forces like  diversity and modernity manifest themselves as political tones in the  contexts of particular leaders and events, the authors proceed to  consider how individual leaders have used tone to convey their messages:  How did Bill Clinton’s clever dexterity help him recover from the  Monica Lewinsky scandal? How did Barack Obama draw on his experience as a  talented community activist to overcome his inexperience as a national  leader? And how does Sarah Palin’s wandering tone indicate that she  trusts her listeners and is open to their ideas?By focusing not on the substance of political arguments but on how they were phrased, Political Tone provides powerful and unexpected insights into American politics.</description>
      <content:encoded>&lt;div&gt;It&amp;rsquo;s not what you say, but how you say it. Solving problems with  words is the essence of politics, and finding the right words for the  moment can make or break a politician&amp;rsquo;s career. Yet very little has been  said in political science about the elusive element of tone.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Political Tone&lt;/i&gt;,  Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range  of texts&amp;mdash;from speeches and debates to advertising and print and  broadcast campaign coverage&amp;mdash; using a sophisticated computer program,  DICTION, that parses their content for semantic features like realism,  commonality, and certainty, as well as references to religion, party, or  patriotic terms. Beginning with a look at how societal forces like  diversity and modernity manifest themselves as political tones in the  contexts of particular leaders and events, the authors proceed to  consider how individual leaders have used tone to convey their messages:  How did Bill Clinton&amp;rsquo;s clever dexterity help him recover from the  Monica Lewinsky scandal? How did Barack Obama draw on his experience as a  talented community activist to overcome his inexperience as a national  leader? And how does Sarah Palin&amp;rsquo;s wandering tone indicate that she  trusts her listeners and is open to their ideas?&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;By focusing not on the substance of political arguments but on how they were phrased, &lt;i&gt;Political Tone &lt;/i&gt;provides powerful and unexpected insights into American politics.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226023151.jpeg" length="45015" type="image/jpeg" />
      <category>Media Studies</category>
      <category>Rhetoric and Communication</category>
      <pubDate>Thu, 25 Apr 2013 05:00:00 GMT</pubDate>
      <author>Roderick P. Hart; Jay P. Childers; Colene J. Lind</author>
      <guid isPermaLink="false">9780226023151</guid>
    </item>
    <item>
      <title>Political Tone</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15233236.html</link>
      <description>It’s not what you say, but how you say it. Solving problems with  words is the essence of politics, and finding the right words for the  moment can make or break a politician’s career. Yet very little has been  said in political science about the elusive element of tone.In Political Tone,  Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range  of texts—from speeches and debates to advertising and print and  broadcast campaign coverage— using a sophisticated computer program,  DICTION, that parses their content for semantic features like realism,  commonality, and certainty, as well as references to religion, party, or  patriotic terms. Beginning with a look at how societal forces like  diversity and modernity manifest themselves as political tones in the  contexts of particular leaders and events, the authors proceed to  consider how individual leaders have used tone to convey their messages:  How did Bill Clinton’s clever dexterity help him recover from the  Monica Lewinsky scandal? How did Barack Obama draw on his experience as a  talented community activist to overcome his inexperience as a national  leader? And how does Sarah Palin’s wandering tone indicate that she  trusts her listeners and is open to their ideas?By focusing not on the substance of political arguments but on how they were phrased, Political Tone provides powerful and unexpected insights into American politics.</description>
      <content:encoded>&lt;div&gt;It&amp;rsquo;s not what you say, but how you say it. Solving problems with  words is the essence of politics, and finding the right words for the  moment can make or break a politician&amp;rsquo;s career. Yet very little has been  said in political science about the elusive element of tone.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Political Tone&lt;/i&gt;,  Roderick P. Hart, Jay P. Childers, and Colene J. Lind analyze a range  of texts&amp;mdash;from speeches and debates to advertising and print and  broadcast campaign coverage&amp;mdash; using a sophisticated computer program,  DICTION, that parses their content for semantic features like realism,  commonality, and certainty, as well as references to religion, party, or  patriotic terms. Beginning with a look at how societal forces like  diversity and modernity manifest themselves as political tones in the  contexts of particular leaders and events, the authors proceed to  consider how individual leaders have used tone to convey their messages:  How did Bill Clinton&amp;rsquo;s clever dexterity help him recover from the  Monica Lewinsky scandal? How did Barack Obama draw on his experience as a  talented community activist to overcome his inexperience as a national  leader? And how does Sarah Palin&amp;rsquo;s wandering tone indicate that she  trusts her listeners and is open to their ideas?&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;By focusing not on the substance of political arguments but on how they were phrased, &lt;i&gt;Political Tone &lt;/i&gt;provides powerful and unexpected insights into American politics.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226023151.jpeg" length="45015" type="image/jpeg" />
      <category>Media Studies</category>
      <category>Rhetoric and Communication</category>
      <pubDate>Thu, 25 Apr 2013 05:00:00 GMT</pubDate>
      <author>Roderick P. Hart; Jay P. Childers; Colene J. Lind</author>
      <guid isPermaLink="false">9780226023014</guid>
    </item>
    <item>
      <title>Marketing Schools, Marketing Cities</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/M/bo15112913.html</link>
      <description>Discuss real estate with any young family and the subject of schools is certain to come up—in fact, it will likely be a crucial factor in determining where that family lives. Not merely institutions of learning, schools have increasingly become a sign of a neighborhood’s vitality, and city planners have ever more explicitly promoted “good schools” as a means of attracting more affluent families to urban areas, a dynamic process that Maia Bloomfield Cucchiara critically examines in Marketing Schools, Marketing Cities.&amp;#160;Focusing on Philadelphia’s Center City Schools Initiative, she shows how education policy makes overt attempts to prevent, or at least slow, middle-class flight to the suburbs. Navigating complex ethical terrain, she balances the successes of such policies in strengthening urban schools and communities against the inherent social injustices they propagate—the further marginalization and disempowerment of lowerclass families. By asking what happens when affluent parents become “valued customers,” Marketing Schools, Marketing Cities uncovers a problematic relationship between public institutions and private markets, where the former are used to leverage the latter to effect urban transformations.</description>
      <content:encoded>&lt;div&gt;Discuss real estate with any young family and the subject of schools is certain to come up&amp;mdash;in fact, it will likely be a crucial factor in determining where that family lives. Not merely institutions of learning, schools have increasingly become a sign of a neighborhood&amp;rsquo;s vitality, and city planners have ever more explicitly promoted &amp;ldquo;good schools&amp;rdquo; as a means of attracting more affluent families to urban areas, a dynamic process that Maia Bloomfield Cucchiara critically examines in &lt;i&gt;Marketing Schools, Marketing Cities&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Focusing on Philadelphia&amp;rsquo;s Center City Schools Initiative, she shows how education policy makes overt attempts to prevent, or at least slow, middle-class flight to the suburbs. Navigating complex ethical terrain, she balances the successes of such policies in strengthening urban schools and communities against the inherent social injustices they propagate&amp;mdash;the further marginalization and disempowerment of lowerclass families. By asking what happens when affluent parents become &amp;ldquo;valued customers,&amp;rdquo; &lt;i&gt;Marketing Schools, Marketing Cities&lt;/i&gt; uncovers a problematic relationship between public institutions and private markets, where the former are used to leverage the latter to effect urban transformations.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226016825.jpeg" length="31436" type="image/jpeg" />
      <category>Education: Education--Economics, Law, Politics</category>
      <category>Education: Pre-School, Elementary and Secondary Education</category>
      <category>Sociology: Social Institutions</category>
      <pubDate>Tue, 23 Apr 2013 05:00:00 GMT</pubDate>
      <author>Maia Bloomfield Cucchiara</author>
      <guid isPermaLink="false">9780226016658</guid>
    </item>
    <item>
      <title>Women in the Club</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/W/bo15233103.html</link>
      <description>In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a “war on women,” while Republicans countered that Democratic policies actually undermined women’s rights. The women of the Senate wielded particular power, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights.The first book to examine the impact of gender differences in the Senate, Women in the Club is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women’s rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party’s position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams championing or defending their party’s record in an effort to reach various groups of voters.</description>
      <content:encoded>&lt;p&gt;In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a &amp;ldquo;war on women,&amp;rdquo; while Republicans countered that Democratic policies actually undermined women&amp;rsquo;s rights. The women of the Senate wielded particular power, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights.&lt;/p&gt;&lt;p&gt;The first book to examine the impact of gender differences in the Senate, &lt;i&gt;Women in the Club&lt;/i&gt; is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women&amp;rsquo;s rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party&amp;rsquo;s position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams championing or defending their party&amp;rsquo;s record in an effort to reach various groups of voters.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226022826.jpeg" length="25025" type="image/jpeg" />
      <category>Political Science: American Government and Politics</category>
      <category>Women's Studies</category>
      <pubDate>Tue, 23 Apr 2013 05:00:00 GMT</pubDate>
      <author>Michele L. Swers</author>
      <guid isPermaLink="false">9780226022796</guid>
    </item>
    <item>
      <title>Leo Strauss on Maimonides</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/L/bo14216907.html</link>
      <description>Leo Strauss is widely recognized as one of the foremost interpreters of Maimonides. His studies of the medieval Jewish philosopher led to his rediscovery of esotericism and deepened his sense that the tension between reason and revelation was central to modern political thought. His writings throughout the twentieth century were chiefly responsible for restoring Maimonides as a philosophical thinker of the first rank. Yet, to appreciate the extent of Strauss’s contribution to the scholarship on Maimonides, one has traditionally had to seek out essays he published separately spanning almost fifty years.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; With Leo Strauss on Maimonides, Kenneth Hart Green presents for the first time a comprehensive, annotated collection of Strauss’s writings on Maimonides, comprising sixteen essays, three of which appear in English for the first time. Green has also provided careful translations of materials that had originally been quoted in Hebrew, Arabic, Latin, German, and French; written an informative introduction highlighting the original contributions found in each essay; and brought references to out-of-print editions fully up to date. The result will become the standard edition of Strauss’s writings on Maimonides.</description>
      <content:encoded>&lt;div&gt;Leo Strauss is widely recognized as one of the foremost interpreters of Maimonides. His studies of the medieval Jewish philosopher led to his rediscovery of esotericism and deepened his sense that the tension between reason and revelation was central to modern political thought. His writings throughout the twentieth century were chiefly responsible for restoring Maimonides as a philosophical thinker of the first rank. Yet, to appreciate the extent of Strauss&amp;rsquo;s contribution to the scholarship on Maimonides, one has traditionally had to seek out essays he published separately spanning almost fifty years.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;br&gt;With &lt;i&gt;Leo Strauss on Maimonides&lt;/i&gt;, Kenneth Hart Green presents for the first time a comprehensive, annotated collection of Strauss&amp;rsquo;s writings on Maimonides, comprising sixteen essays, three of which appear in English for the first time. Green has also provided careful translations of materials that had originally been quoted in Hebrew, Arabic, Latin, German, and French; written an informative introduction highlighting the original contributions found in each essay; and brought references to out-of-print editions fully up to date. The result will become the standard edition of Strauss&amp;rsquo;s writings on Maimonides.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/77/9780226776774.jpeg" length="15372" type="image/jpeg" />
      <category>Philosophy: History and Classic Works</category>
      <category>Political Science: Classic Political Thought</category>
      <category>Religion: Judaism</category>
      <pubDate>Tue, 23 Apr 2013 05:00:00 GMT</pubDate>
      <author>Leo Strauss; Kenneth Hart Green</author>
      <guid isPermaLink="false">9780226776774</guid>
    </item>
    <item>
      <title>Gentleman Troubadours and Andean Pop Stars</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo14365483.html</link>
      <description>Exploring Peru’s lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru’s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.&amp;#160;Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city’s huayno music into the country’s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.</description>
      <content:encoded>&lt;div&gt;Exploring Peru&amp;rsquo;s lively music industry and the studio producers, radio DJs, and program directors that drive it, &lt;i&gt;Gentleman Troubadours and Andean Pop Stars&lt;/i&gt; is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru&amp;rsquo;s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city&amp;rsquo;s huayno music into the country&amp;rsquo;s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, &lt;i&gt;Gentleman Troubadours and Andean Pop Stars&lt;/i&gt; is a deep account of the real people behind cultural change.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226923963.jpeg" length="42903" type="image/jpeg" />
      <category>Latin American Studies</category>
      <category>Media Studies</category>
      <category>Music: Ethnomusicology</category>
      <pubDate>Tue, 23 Apr 2013 05:00:00 GMT</pubDate>
      <author>Joshua Tucker</author>
      <guid isPermaLink="false">9780226923963</guid>
    </item>
    <item>
      <title>Gusto for Things</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo9035480.html</link>
      <description>We live in a material world—our homes are filled with things, from electronics to curios and hand-me-downs, that disclose as much about us and our aspirations as they do about current trends. But we are not the first: the early modern period was a time of expanding consumption, when objects began to play an important role in defining gender as well as social status. Gusto for Things reconstructs the material lives of seventeenth-century Romans, exploring new ways of thinking about the meaning of things as a historical phenomenon.&amp;#160;Through creative use of account books, inventories, wills, and other records, Renata Ago examines early modern attitudes toward possessions, asking what people did with their things, why they wrote about them, and how they passed objects on to their heirs. While some inhabitants of Rome were connoisseurs of the paintings, books, and curiosities that made the city famous, Ago shows that men and women of lesser means also filled their homes with a more modest array of goods. She also discovers the genealogies of certain categories of things—for instance, books went from being classed as luxury goods to a category all their own—and considers what that reveals about the early modern era. An animated investigation into the relationship between people and the things they buy, Gusto for Things paints an illuminating portrait of the meaning of objects in preindustrial Europe.</description>
      <content:encoded>&lt;div&gt;We live in a material world&amp;mdash;our homes are filled with things, from electronics to curios and hand-me-downs, that disclose as much about us and our aspirations as they do about current trends. But we are not the first: the early modern period was a time of expanding consumption, when objects began to play an important role in defining gender as well as social status. &lt;i&gt;Gusto for Things&lt;/i&gt; reconstructs the material lives of seventeenth-century Romans, exploring new ways of thinking about the meaning of &lt;i&gt;things&lt;/i&gt; as a historical phenomenon.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Through creative use of account books, inventories, wills, and other records, Renata Ago examines early modern attitudes toward possessions, asking what people did with their things, why they wrote about them, and how they passed objects on to their heirs. While some inhabitants of Rome were connoisseurs of the paintings, books, and curiosities that made the city famous, Ago shows that men and women of lesser means also filled their homes with a more modest array of goods. She also discovers the genealogies of certain categories of things&amp;mdash;for instance, books went from being classed as luxury goods to a category all their own&amp;mdash;and considers what that reveals about the early modern era. An animated investigation into the relationship between people and the things they buy, &lt;i&gt;Gusto for Things&lt;/i&gt; paints an illuminating portrait of the meaning of objects in preindustrial Europe.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226010571.jpeg" length="31500" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: European History</category>
      <category>History: History of Technology</category>
      <pubDate>Mon, 22 Apr 2013 05:00:00 GMT</pubDate>
      <author>Renata Ago; Bradford Bouley; Corey Tazzara; Paula Findlen</author>
      <guid isPermaLink="false">9780226010571</guid>
    </item>
    <item>
      <title>Women in the Club</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/W/bo15233103.html</link>
      <description>In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a “war on women,” while Republicans countered that Democratic policies actually undermined women’s rights. The women of the Senate wielded particular power, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights.The first book to examine the impact of gender differences in the Senate, Women in the Club is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women’s rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party’s position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams championing or defending their party’s record in an effort to reach various groups of voters.</description>
      <content:encoded>&lt;p&gt;In the run-up to the 2012 presidential election, Democrats and Republicans were locked in a fierce battle for the female vote. Democrats charged Republicans with waging a &amp;ldquo;war on women,&amp;rdquo; while Republicans countered that Democratic policies actually undermined women&amp;rsquo;s rights. The women of the Senate wielded particular power, planning press conferences, appearing on political programs, and taking to the Senate floor over gender-related issues such as workplace equality and reproductive rights.&lt;/p&gt;&lt;p&gt;The first book to examine the impact of gender differences in the Senate, &lt;i&gt;Women in the Club&lt;/i&gt; is an eye-opening exploration of how women are influencing policy and politics in this erstwhile male bastion of power. Gender, Michele L. Swers shows, is a fundamental factor for women in the Senate, interacting with both party affiliation and individual ideology to shape priorities on policy. Women, for example, are more active proponents of social welfare and women&amp;rsquo;s rights. But the effects of gender extend beyond mere policy preferences. Senators also develop their priorities with an eye to managing voter expectations about their expertise and advancing their party&amp;rsquo;s position on a given issue. The election of women in increasing numbers has also coincided with the evolution of the Senate as a highly partisan institution. The stark differences between the parties on issues pertaining to gender have meant that Democratic and Republican senators often assume very different roles as they reconcile their policy views on gender issues with the desire to act as members of partisan teams championing or defending their party&amp;rsquo;s record in an effort to reach various groups of voters.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226022826.jpeg" length="25025" type="image/jpeg" />
      <category>Political Science: American Government and Politics</category>
      <category>Women's Studies</category>
      <pubDate>Mon, 22 Apr 2013 05:00:00 GMT</pubDate>
      <author>Michele L. Swers</author>
      <guid isPermaLink="false">9780226022826</guid>
    </item>
    <item>
      <title>Population Fluctuations in Rodents</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo14707139.html</link>
      <description>How did rodent outbreaks in Germany help to end World War I? What caused the destructive outbreak of rodents in Oregon and California in the late 1950s, the large population outbreak of lemmings in Scandinavia in 2010, and the great abundance of field mice in Scotland in the spring of 2011? Population fluctuations, or outbreaks, of rodents constitute one of the classic problems of animal ecology, and in Population Fluctuations in Rodents, Charles J. Krebs sifts through the last eighty years of research to draw out exactly what we know about rodent outbreaks and what should be the agenda for future research.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Krebs has synthesized the research in this area, focusing mainly on the voles and lemmings of the Northern Hemisphere—his primary area of expertise—but also referring to the literature on rats and mice. He covers the patterns of changes in reproduction and mortality and the mechanisms that cause these changes—including predation, disease, food shortage, and social behavior—and discusses how landscapes can affect population changes, methodically presenting the hypotheses related to each topic before determining whether or not the data supports them. He ends on an expansive note, by turning his gaze outward and discussing how the research on rodent populations can apply to other terrestrial mammals. Geared toward advanced undergraduate students, graduate students, and practicing ecologists interested in rodent population studies, this book will also appeal to researchers seeking to manage rodent populations and to understand outbreaks in both natural and urban settings—or, conversely, to protect endangered species.</description>
      <content:encoded>&lt;div&gt;How did rodent outbreaks in Germany help to end World War I? What caused the destructive outbreak of rodents in Oregon and California in the late 1950s, the large population outbreak of lemmings in Scandinavia in 2010, and the great abundance of field mice in Scotland in the spring of 2011? Population fluctuations, or outbreaks, of rodents constitute one of the classic problems of animal ecology, and in &lt;i&gt;Population Fluctuations in Rodents&lt;/i&gt;, Charles J. Krebs sifts through the last eighty years of research to draw out exactly what we know about rodent outbreaks and what should be the agenda for future research.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Krebs has synthesized the research in this area, focusing mainly on the voles and lemmings of the Northern Hemisphere&amp;mdash;his primary area of expertise&amp;mdash;but also referring to the literature on rats and mice. He covers the patterns of changes in reproduction and mortality and the mechanisms that cause these changes&amp;mdash;including predation, disease, food shortage, and social behavior&amp;mdash;and discusses how landscapes can affect population changes, methodically presenting the hypotheses related to each topic before determining whether or not the data supports them. He ends on an expansive note, by turning his gaze outward and discussing how the research on rodent populations can apply to other terrestrial mammals. Geared toward advanced undergraduate students, graduate students, and practicing ecologists interested in rodent population studies, this book will also appeal to researchers seeking to manage rodent populations and to understand outbreaks in both natural and urban settings&amp;mdash;or, conversely, to protect endangered species.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226010359.jpeg" length="43368" type="image/jpeg" />
      <category>Biological Sciences: Behavioral Biology</category>
      <category>Biological Sciences: Biology--Systematics</category>
      <category>Biological Sciences: Ecology</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Charles J. Krebs</author>
      <guid isPermaLink="false">9780226010359</guid>
    </item>
    <item>
      <title>Aeschylus II</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo13489462.html</link>
      <description>Aeschylus II contains “The Oresteia,” translated by Richmond Lattimore, and fragments of “Proteus,” translated by Mark Griffith.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Aeschylus II&lt;/i&gt; contains &amp;ldquo;The Oresteia,&amp;rdquo; translated by Richmond Lattimore, and fragments of &amp;ldquo;Proteus,&amp;rdquo; translated by Mark Griffith.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311470.jpeg" length="26887" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Aeschylus; David Grene; Richmond Lattimore; Mark Griffith; Glenn W. Most</author>
      <guid isPermaLink="false">9780226311463</guid>
    </item>
    <item>
      <title>Aeschylus II</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo13489462.html</link>
      <description>Aeschylus II contains “The Oresteia,” translated by Richmond Lattimore, and fragments of “Proteus,” translated by Mark Griffith.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Aeschylus II&lt;/i&gt; contains &amp;ldquo;The Oresteia,&amp;rdquo; translated by Richmond Lattimore, and fragments of &amp;ldquo;Proteus,&amp;rdquo; translated by Mark Griffith.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311470.jpeg" length="26887" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Aeschylus; David Grene; Richmond Lattimore; Mark Griffith; Glenn W. Most</author>
      <guid isPermaLink="false">9780226311470</guid>
    </item>
    <item>
      <title>Aeschylus I</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo15288655.html</link>
      <description>Aeschylus I contains “The Persians,” translated by Seth Benardete; “The Seven Against Thebes,” translated by David Grene; “The Suppliant Maidens,” translated by Seth Benardete; and “Prometheus Bound,” translated by David Grene.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Aeschylus I&lt;/i&gt; contains &amp;ldquo;The Persians,&amp;rdquo; translated by Seth Benardete; &amp;ldquo;The Seven Against Thebes,&amp;rdquo; translated by David Grene; &amp;ldquo;The Suppliant Maidens,&amp;rdquo; translated by Seth Benardete; and &amp;ldquo;Prometheus Bound,&amp;rdquo; translated by David Grene.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311449.jpeg" length="26336" type="image/jpeg" />
      <category>Classical Studies</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Aeschylus; David Grene; Richmond Lattimore; Mark Griffith; Glenn W. Most</author>
      <guid isPermaLink="false">9780226311432</guid>
    </item>
    <item>
      <title>Aeschylus I</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo15288655.html</link>
      <description>Aeschylus I contains “The Persians,” translated by Seth Benardete; “The Seven Against Thebes,” translated by David Grene; “The Suppliant Maidens,” translated by Seth Benardete; and “Prometheus Bound,” translated by David Grene.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Aeschylus I&lt;/i&gt; contains &amp;ldquo;The Persians,&amp;rdquo; translated by Seth Benardete; &amp;ldquo;The Seven Against Thebes,&amp;rdquo; translated by David Grene; &amp;ldquo;The Suppliant Maidens,&amp;rdquo; translated by Seth Benardete; and &amp;ldquo;Prometheus Bound,&amp;rdquo; translated by David Grene.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311449.jpeg" length="26336" type="image/jpeg" />
      <category>Classical Studies</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Aeschylus; David Grene; Richmond Lattimore; Mark Griffith; Glenn W. Most</author>
      <guid isPermaLink="false">9780226311449</guid>
    </item>
    <item>
      <title>Euripides II</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo11944037.html</link>
      <description>Euripides II contains the plays “Andromache,” translated by Deborah Roberts; “Hecuba,” translated by William Arrowsmith; “The Suppliant Women,” translated by Frank William Jones; and “Electra,” translated by Emily Townsend Vermeule.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides II&lt;/i&gt; contains the plays &amp;ldquo;Andromache,&amp;rdquo; translated by Deborah Roberts; &amp;ldquo;Hecuba,&amp;rdquo; translated by William Arrowsmith; &amp;ldquo;The Suppliant Women,&amp;rdquo; translated by Frank William Jones; and &amp;ldquo;Electra,&amp;rdquo; translated by Emily Townsend Vermeule.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308784.jpeg" length="24284" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226308777</guid>
    </item>
    <item>
      <title>Euripides II</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo11944037.html</link>
      <description>Euripides II contains the plays “Andromache,” translated by Deborah Roberts; “Hecuba,” translated by William Arrowsmith; “The Suppliant Women,” translated by Frank William Jones; and “Electra,” translated by Emily Townsend Vermeule.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides II&lt;/i&gt; contains the plays &amp;ldquo;Andromache,&amp;rdquo; translated by Deborah Roberts; &amp;ldquo;Hecuba,&amp;rdquo; translated by William Arrowsmith; &amp;ldquo;The Suppliant Women,&amp;rdquo; translated by Frank William Jones; and &amp;ldquo;Electra,&amp;rdquo; translated by Emily Townsend Vermeule.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308784.jpeg" length="24284" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
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    <item>
      <title>Euripides I</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo13444067.html</link>
      <description>Euripides I contains the plays “Alcestis,” translated by Richmond Lattimore; “Medea,” translated by Oliver Taplin; “The Children of Heracles,” translated by Mark Griffith; and “Hippolytus,” translated by David Grene.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides I&lt;/i&gt; contains the plays &amp;ldquo;Alcestis,&amp;rdquo; translated by Richmond Lattimore; &amp;ldquo;Medea,&amp;rdquo; translated by Oliver Taplin; &amp;ldquo;The Children of Heracles,&amp;rdquo; translated by Mark Griffith; and &amp;ldquo;Hippolytus,&amp;rdquo; translated by David Grene.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308807.jpeg" length="25157" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
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    <item>
      <title>Euripides I</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo13444067.html</link>
      <description>Euripides I contains the plays “Alcestis,” translated by Richmond Lattimore; “Medea,” translated by Oliver Taplin; “The Children of Heracles,” translated by Mark Griffith; and “Hippolytus,” translated by David Grene.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides I&lt;/i&gt; contains the plays &amp;ldquo;Alcestis,&amp;rdquo; translated by Richmond Lattimore; &amp;ldquo;Medea,&amp;rdquo; translated by Oliver Taplin; &amp;ldquo;The Children of Heracles,&amp;rdquo; translated by Mark Griffith; and &amp;ldquo;Hippolytus,&amp;rdquo; translated by David Grene.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308807.jpeg" length="25157" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226308807</guid>
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    <item>
      <title>Euripides III</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14542625.html</link>
      <description>Euripides III contains the plays “Heracles,” translated by William Arrowsmith; “The Trojan Women,” translated by Richmond Lattimore; “Iphigenia among the Taurians,” translated by Anne Carson; and “Ion,” translated by Ronald Frederick Willetts.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides III&lt;/i&gt; contains the plays &amp;ldquo;Heracles,&amp;rdquo; translated by William Arrowsmith; &amp;ldquo;The Trojan Women,&amp;rdquo; translated by Richmond Lattimore; &amp;ldquo;Iphigenia among the Taurians,&amp;rdquo; translated by Anne Carson; and &amp;ldquo;Ion,&amp;rdquo; translated by Ronald Frederick Willetts.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308821.jpeg" length="25853" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
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    <item>
      <title>Euripides III</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14542625.html</link>
      <description>Euripides III contains the plays “Heracles,” translated by William Arrowsmith; “The Trojan Women,” translated by Richmond Lattimore; “Iphigenia among the Taurians,” translated by Anne Carson; and “Ion,” translated by Ronald Frederick Willetts.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides III&lt;/i&gt; contains the plays &amp;ldquo;Heracles,&amp;rdquo; translated by William Arrowsmith; &amp;ldquo;The Trojan Women,&amp;rdquo; translated by Richmond Lattimore; &amp;ldquo;Iphigenia among the Taurians,&amp;rdquo; translated by Anne Carson; and &amp;ldquo;Ion,&amp;rdquo; translated by Ronald Frederick Willetts.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308821.jpeg" length="25853" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
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    </item>
    <item>
      <title>Euripides IV</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14821417.html</link>
      <description>Euripides IV contains the plays “Helen,” translated by Richmond Lattimore; “The Phoenician Women,” translated by Elizabeth Wyckoff; and “Orestes,” translated by William Arrowsmith.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides IV&lt;/i&gt; contains the plays &amp;ldquo;Helen,&amp;rdquo; translated by Richmond Lattimore; &amp;ldquo;The Phoenician Women,&amp;rdquo; translated by Elizabeth Wyckoff; and &amp;ldquo;Orestes,&amp;rdquo; translated by William Arrowsmith.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308968.jpeg" length="25728" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226308968</guid>
    </item>
    <item>
      <title>Euripides V</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14821499.html</link>
      <description>Euripides V includes the plays “The Bacchae,” translated by William Arrowsmith; “Iphigenia in Aulis,” translated by Charles R. Walker; “The Cyclops,” translated by William Arrowsmith; and “Rhesus,” translated by Richmond Lattimore.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides V&lt;/i&gt; includes the plays &amp;ldquo;The Bacchae,&amp;rdquo; translated by William Arrowsmith; &amp;ldquo;Iphigenia in Aulis,&amp;rdquo; translated by Charles R. Walker; &amp;ldquo;The Cyclops,&amp;rdquo; translated by William Arrowsmith; and &amp;ldquo;Rhesus,&amp;rdquo; translated by Richmond Lattimore.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308982.jpeg" length="23338" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226308975</guid>
    </item>
    <item>
      <title>Euripides V</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14821499.html</link>
      <description>Euripides V includes the plays “The Bacchae,” translated by William Arrowsmith; “Iphigenia in Aulis,” translated by Charles R. Walker; “The Cyclops,” translated by William Arrowsmith; and “Rhesus,” translated by Richmond Lattimore.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides V&lt;/i&gt; includes the plays &amp;ldquo;The Bacchae,&amp;rdquo; translated by William Arrowsmith; &amp;ldquo;Iphigenia in Aulis,&amp;rdquo; translated by Charles R. Walker; &amp;ldquo;The Cyclops,&amp;rdquo; translated by William Arrowsmith; and &amp;ldquo;Rhesus,&amp;rdquo; translated by Richmond Lattimore.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308982.jpeg" length="23338" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226308982</guid>
    </item>
    <item>
      <title>Euripides IV</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14821417.html</link>
      <description>Euripides IV contains the plays “Helen,” translated by Richmond Lattimore; “The Phoenician Women,” translated by Elizabeth Wyckoff; and “Orestes,” translated by William Arrowsmith.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Euripides IV&lt;/i&gt; contains the plays &amp;ldquo;Helen,&amp;rdquo; translated by Richmond Lattimore; &amp;ldquo;The Phoenician Women,&amp;rdquo; translated by Elizabeth Wyckoff; and &amp;ldquo;Orestes,&amp;rdquo; translated by William Arrowsmith.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/30/9780226308968.jpeg" length="25728" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Euripides; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226308951</guid>
    </item>
    <item>
      <title>Greek Tragedies 1</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo15694105.html</link>
      <description>Greek Tragedies, Volume I contains Aeschylus&amp;#8217;s &amp;#8220;Agamemnon,&amp;#8221; translated by Richmond Lattimore; Aeschylus&amp;#8217;s &amp;#8220;Prometheus Bound,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; and Euripides&amp;#8217;s &amp;#8220;Hippolytus,&amp;#8221; translated by David Grene.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Greek Tragedies, Volume I&lt;/i&gt; contains Aeschylus&amp;#8217;s &amp;#8220;Agamemnon,&amp;#8221; translated by Richmond Lattimore; Aeschylus&amp;#8217;s &amp;#8220;Prometheus Bound,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; Sophocles&amp;#8217;s &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; and Euripides&amp;#8217;s &amp;#8220;Hippolytus,&amp;#8221; translated by David Grene.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226035284.jpeg" length="41355" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226035284</guid>
    </item>
    <item>
      <title>Greek Tragedies 2</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo15694378.html</link>
      <description>Greek Tragedies, Volume II contains Aeschylus’s “The Libation Bearers,” translated by Richmond Lattimore; Sophocles’s “Electra,” translated by David Grene; Euripides’s “Iphigenia among the Taurians,” translated by Anne Carson; Euripides’s “Electra,” translated by Emily Townsend Vermeule; and Euripides’s “The Trojan Women,” translated by Richmond Lattimore.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Greek Tragedies, Volume II&lt;/i&gt; contains Aeschylus&amp;rsquo;s &amp;ldquo;The Libation Bearers,&amp;rdquo; translated by Richmond Lattimore; Sophocles&amp;rsquo;s &amp;ldquo;Electra,&amp;rdquo; translated by David Grene; Euripides&amp;rsquo;s &amp;ldquo;Iphigenia among the Taurians,&amp;rdquo; translated by Anne Carson; Euripides&amp;rsquo;s &amp;ldquo;Electra,&amp;rdquo; translated by Emily Townsend Vermeule; and Euripides&amp;rsquo;s &amp;ldquo;The Trojan Women,&amp;rdquo; translated by Richmond Lattimore.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226035598.jpeg" length="40271" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226035451</guid>
    </item>
    <item>
      <title>Greek Tragedies 2</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo15694378.html</link>
      <description>Greek Tragedies, Volume II contains Aeschylus’s “The Libation Bearers,” translated by Richmond Lattimore; Sophocles’s “Electra,” translated by David Grene; Euripides’s “Iphigenia among the Taurians,” translated by Anne Carson; Euripides’s “Electra,” translated by Emily Townsend Vermeule; and Euripides’s “The Trojan Women,” translated by Richmond Lattimore.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Greek Tragedies, Volume II&lt;/i&gt; contains Aeschylus&amp;rsquo;s &amp;ldquo;The Libation Bearers,&amp;rdquo; translated by Richmond Lattimore; Sophocles&amp;rsquo;s &amp;ldquo;Electra,&amp;rdquo; translated by David Grene; Euripides&amp;rsquo;s &amp;ldquo;Iphigenia among the Taurians,&amp;rdquo; translated by Anne Carson; Euripides&amp;rsquo;s &amp;ldquo;Electra,&amp;rdquo; translated by Emily Townsend Vermeule; and Euripides&amp;rsquo;s &amp;ldquo;The Trojan Women,&amp;rdquo; translated by Richmond Lattimore.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226035598.jpeg" length="40271" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226035598</guid>
    </item>
    <item>
      <title>Greek Tragedies 3</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo15694546.html</link>
      <description>Greek Tragedies, Volume III contains Aeschylus’s “The Eumenides,” translated by Richmond Lattimore; Sophocles’s “Philoctetes,” translated by David Grene; Sophocles’s “Oedipus at Colonus,” translated by Robert Fitzgerald; Euripides’s “The Bacchae,” translated by William Arrowsmith; and Euripides’s “Alecestis,” translated by Richmond Lattimore.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Greek Tragedies, Volume III&lt;/i&gt; contains Aeschylus&amp;rsquo;s &amp;ldquo;The Eumenides,&amp;rdquo; translated by Richmond Lattimore; Sophocles&amp;rsquo;s &amp;ldquo;Philoctetes,&amp;rdquo; translated by David Grene; Sophocles&amp;rsquo;s &amp;ldquo;Oedipus at Colonus,&amp;rdquo; translated by Robert Fitzgerald; Euripides&amp;rsquo;s &amp;ldquo;The Bacchae,&amp;rdquo; translated by William Arrowsmith; and Euripides&amp;rsquo;s &amp;ldquo;Alecestis,&amp;rdquo; translated by Richmond Lattimore.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226035932.jpeg" length="36103" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226035765</guid>
    </item>
    <item>
      <title>Greek Tragedies 3</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo15694546.html</link>
      <description>Greek Tragedies, Volume III contains Aeschylus’s “The Eumenides,” translated by Richmond Lattimore; Sophocles’s “Philoctetes,” translated by David Grene; Sophocles’s “Oedipus at Colonus,” translated by Robert Fitzgerald; Euripides’s “The Bacchae,” translated by William Arrowsmith; and Euripides’s “Alecestis,” translated by Richmond Lattimore.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Greek Tragedies, Volume III&lt;/i&gt; contains Aeschylus&amp;rsquo;s &amp;ldquo;The Eumenides,&amp;rdquo; translated by Richmond Lattimore; Sophocles&amp;rsquo;s &amp;ldquo;Philoctetes,&amp;rdquo; translated by David Grene; Sophocles&amp;rsquo;s &amp;ldquo;Oedipus at Colonus,&amp;rdquo; translated by Robert Fitzgerald; Euripides&amp;rsquo;s &amp;ldquo;The Bacchae,&amp;rdquo; translated by William Arrowsmith; and Euripides&amp;rsquo;s &amp;ldquo;Alecestis,&amp;rdquo; translated by Richmond Lattimore.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/03/9780226035932.jpeg" length="36103" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226035932</guid>
    </item>
    <item>
      <title>Sophocles II</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo15357295.html</link>
      <description>Sophocles II contains the plays “Ajax,” translated by John Moore; “The Women of Trachis,” translated by Michael Jameson; “Electra,” translated by David Grene; “Philoctetes,” translated by David Grene; and “The Trackers,” translated by Mark Griffith.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Sophocles II &lt;/i&gt;contains the plays &amp;ldquo;Ajax,&amp;rdquo; translated by John Moore; &amp;ldquo;The Women of Trachis,&amp;rdquo; translated by Michael Jameson; &amp;ldquo;Electra,&amp;rdquo; translated by David Grene; &amp;ldquo;Philoctetes,&amp;rdquo; translated by David Grene; and &amp;ldquo;The Trackers,&amp;rdquo; translated by Mark Griffith.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311555.jpeg" length="26269" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sophocles; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226311548</guid>
    </item>
    <item>
      <title>Sophocles II</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo15357295.html</link>
      <description>Sophocles II contains the plays “Ajax,” translated by John Moore; “The Women of Trachis,” translated by Michael Jameson; “Electra,” translated by David Grene; “Philoctetes,” translated by David Grene; and “The Trackers,” translated by Mark Griffith.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&amp;#160;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&amp;#160;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Sophocles II &lt;/i&gt;contains the plays &amp;ldquo;Ajax,&amp;rdquo; translated by John Moore; &amp;ldquo;The Women of Trachis,&amp;rdquo; translated by Michael Jameson; &amp;ldquo;Electra,&amp;rdquo; translated by David Grene; &amp;ldquo;Philoctetes,&amp;rdquo; translated by David Grene; and &amp;ldquo;The Trackers,&amp;rdquo; translated by Mark Griffith.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;rsquo; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;rsquo;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311555.jpeg" length="26269" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sophocles; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226311555</guid>
    </item>
    <item>
      <title>Sophocles I</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14823116.html</link>
      <description>Sophocles I contains the plays &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; and &amp;#8220;Oedipus at Colonus,&amp;#8221; translated by Robert Fitzgerald.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Sophocles I&lt;/i&gt; contains the plays &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; and &amp;#8220;Oedipus at Colonus,&amp;#8221; translated by Robert Fitzgerald.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311517.jpeg" length="26723" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sophocles; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226311517</guid>
    </item>
    <item>
      <title>Sophocles I</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14823116.html</link>
      <description>Sophocles I contains the plays &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; and &amp;#8220;Oedipus at Colonus,&amp;#8221; translated by Robert Fitzgerald.&amp;#160;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Sophocles I&lt;/i&gt; contains the plays &amp;#8220;Antigone,&amp;#8221; translated by Elizabeth Wyckoff; &amp;#8220;Oedipus the King,&amp;#8221; translated by David Grene; and &amp;#8220;Oedipus at Colonus,&amp;#8221; translated by Robert Fitzgerald.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;div&gt;Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;div&gt;In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides&amp;#8217; &lt;i&gt;Medea&lt;/i&gt;, &lt;i&gt;The Children of Heracles&lt;/i&gt;, &lt;i&gt;Andromache&lt;/i&gt;, and &lt;i&gt;Iphigenia among the Taurians&lt;/i&gt;, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles&amp;#8217;s satyr-drama &lt;i&gt;The Trackers&lt;/i&gt;. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/31/9780226311517.jpeg" length="26723" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Literature and Literary Criticism: Classical Languages</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sophocles; Mark Griffith; Glenn W. Most; David Grene; Richmond Lattimore</author>
      <guid isPermaLink="false">9780226311500</guid>
    </item>
    <item>
      <title>Gentleman Troubadours and Andean Pop Stars</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo14365483.html</link>
      <description>Exploring Peru’s lively music industry and the studio producers, radio DJs, and program directors that drive it, Gentleman Troubadours and Andean Pop Stars is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru’s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.&amp;#160;Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city’s huayno music into the country’s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, Gentleman Troubadours and Andean Pop Stars is a deep account of the real people behind cultural change.</description>
      <content:encoded>&lt;div&gt;Exploring Peru&amp;rsquo;s lively music industry and the studio producers, radio DJs, and program directors that drive it, &lt;i&gt;Gentleman Troubadours and Andean Pop Stars&lt;/i&gt; is a fascinating account of the deliberate development of artistic taste. Focusing on popular huayno music and the ways it has been promoted to Peru&amp;rsquo;s emerging middle class, Joshua Tucker tells a complex story of identity making and the marketing forces entangled with it, providing crucial insights into the dynamics among art, class, and ethnicity that reach far beyond the Andes.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Tucker focuses on the music of Ayacucho, Peru, examining how media workers and intellectuals there transformed the city&amp;rsquo;s huayno music into the country&amp;rsquo;s most popular style. By marketing contemporary huayno against its traditional counterpart, these agents, Tucker argues, have paradoxically reinforced ethnic hierarchies at the same time that they have challenged them. Navigating between a burgeoning Andean bourgeoisie and a music industry eager to sell them symbols of newfound sophistication, &lt;i&gt;Gentleman Troubadours and Andean Pop Stars&lt;/i&gt; is a deep account of the real people behind cultural change.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226923963.jpeg" length="42903" type="image/jpeg" />
      <category>Latin American Studies</category>
      <category>Media Studies</category>
      <category>Music: Ethnomusicology</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Joshua Tucker</author>
      <guid isPermaLink="false">9780226923956</guid>
    </item>
    <item>
      <title>Stuck in Place</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365260.html</link>
      <description>&amp;#160;In the 1960s, many believed that the civil rights movement’s successes would foster a new era of racial equality in America. Four decades later, the degree of racial inequality has barely changed. To understand what went wrong, Patrick Sharkey argues that we have to understand what has happened to African American communities over the last several decades. In Stuck in Place, Sharkey describes how political decisions and social policies have led to severe disinvestment from black neighborhoods, persistent segregation, declining economic opportunities, and a growing link between African American communities and the criminal justice system.&amp;#160;As a result, neighborhood inequality that existed in the 1970s has been passed down to the current generation of African Americans. Some of the most persistent forms of racial inequality, such as gaps in income and test scores, can only be explained by considering the neighborhoods in which black and white families have lived over multiple generations. This multigenerational nature of neighborhood inequality also means that a new kind of urban policy is necessary for our nation’s cities. Sharkey argues for urban policies that have the potential to create transformative and sustained changes in urban communities and the families that live within them, and he outlines a durable urban policy agenda to move in that direction.&amp;#160;</description>
      <content:encoded>&lt;p&gt;&amp;#160;&lt;/p&gt;&lt;div&gt;In the 1960s, many believed that the civil rights movement&amp;rsquo;s successes would foster a new era of racial equality in America. Four decades later, the degree of racial inequality has barely changed. To understand what went wrong, Patrick Sharkey argues that we have to understand what has happened to African American communities over the last several decades. In &lt;i&gt;Stuck in Place, &lt;/i&gt;Sharkey describes how political decisions and social policies have led to severe disinvestment from black neighborhoods, persistent segregation, declining economic opportunities, and a growing link between African American communities and the criminal justice system.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;As a result, neighborhood inequality that existed in the 1970s has been passed down to the current generation of African Americans. Some of the most persistent forms of racial inequality, such as gaps in income and test scores, can only be explained by considering the neighborhoods in which black and white families have lived over multiple generations. This multigenerational nature of neighborhood inequality also means that a new kind of urban policy is necessary for our nation&amp;rsquo;s cities. Sharkey argues for urban policies that have the potential to create transformative and sustained changes in urban communities and the families that live within them, and he outlines a durable urban policy agenda to move in that direction.&lt;/div&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924250.jpeg" length="26818" type="image/jpeg" />
      <category>Sociology: Race, Ethnic, and Minority Relations</category>
      <category>Sociology: Social Organization--Stratification, Mobility</category>
      <category>Sociology: Urban and Rural Sociology</category>
      <pubDate>Fri, 19 Apr 2013 05:00:00 GMT</pubDate>
      <author>Patrick Sharkey</author>
      <guid isPermaLink="false">9780226924250</guid>
    </item>
    <item>
      <title>Secret Science</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo6043475.html</link>
      <description>The discovery of the New World raised many questions for early modern scientists: What did these lands contain? Where did they lie in relation to Europe? Who lived there, and what were their inhabitants like? Imperial expansion necessitated changes in the way scientific knowledge was gathered, and Spanish cosmographers in particular were charged with turning their observations of the New World into a body of knowledge that could be used for governing the largest empire the world had ever known.As Mar&amp;#237;a M. Portuondo here shows, this cosmographic knowledge had considerable strategic, defensive, and monetary value that royal scientists were charged with safeguarding from foreign and internal enemies. Cosmography was thus a secret science, but despite the limited dissemination of this body of knowledge, royal cosmographers applied alternative epistemologies and new methodologies that changed the discipline, and, in the process, how Europeans understood the natural world.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;p&gt;The discovery of the New World raised many questions for early modern scientists: What did these lands contain? Where did they lie in relation to Europe? Who lived there, and what were their inhabitants like? Imperial expansion necessitated changes in the way scientific knowledge was gathered, and Spanish cosmographers in particular were charged with turning their observations of the New World into a body of knowledge that could be used for governing the largest empire the world had ever known.&lt;/p&gt;&lt;p&gt;As Mar&amp;#237;a M. Portuondo here shows, this cosmographic knowledge had considerable strategic, defensive, and monetary value that royal scientists were charged with safeguarding from foreign and internal enemies. Cosmography was thus a secret science, but despite the limited dissemination of this body of knowledge, royal cosmographers applied alternative epistemologies and new methodologies that changed the discipline, and, in the process, how Europeans understood the natural world. &lt;/p&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226055404.jpeg" length="11107" type="image/jpeg" />
      <category>Geography: Cartography</category>
      <category>History: Discoveries and Exploration</category>
      <category>History: European History</category>
      <category>History: Latin American History</category>
      <pubDate>Thu, 18 Apr 2013 05:00:00 GMT</pubDate>
      <author>María M. Portuondo</author>
      <guid isPermaLink="false">9780226055404</guid>
    </item>
    <item>
      <title>City Water, City Life</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo15233177.html</link>
      <description>A city is more than a massing of citizens, a layout of buildings  and streets, or an arrangement of political, economic, and social  institutions. It is also an infrastructure of ideas, an embodiment of  the beliefs, values, and aspirations of the people who created it. In City Water, City Life,  celebrated historian Carl Smith explores this infrastructure of ideas  through an insightful examination of the development of the first  successful waterworks systems in Philadelphia, Boston, and Chicago  between the 1790s and the 1860s.In this period the United States began its rapid transformation  from rural to urban.&amp;#160;Through an analysis of a broad range of verbal and  visual sources, Smith shows how the discussion, design, and use of  waterworks reveal how Americans framed their conceptions of urban  democracy and how they understood the natural and the built environment,  individual health and the well-being of society, and the qualities of  time and history. As citizens debated matters of thirst, finance, and  health, they also negotiated abstract questions of secular and sacred,  real and ideal, immanent and transcendent, practical and moral.By examining the place of water in the nineteenth-century  consciousness, Smith illuminates how city dwellers perceived themselves  during the great age of American urbanization.&amp;#160;But City Water, City Life  is more than a history of urbanization.&amp;#160;It is also a refreshing  meditation on water as a necessity, as a resource for commerce and  industry, and as an essential—and central—part of how we define our  civilization.</description>
      <content:encoded>&lt;div&gt;A city is more than a massing of citizens, a layout of buildings  and streets, or an arrangement of political, economic, and social  institutions. It is also an infrastructure of ideas, an embodiment of  the beliefs, values, and aspirations of the people who created it. In &lt;i&gt;City Water, City Life&lt;/i&gt;,  celebrated historian Carl Smith explores this infrastructure of ideas  through an insightful examination of the development of the first  successful waterworks systems in Philadelphia, Boston, and Chicago  between the 1790s and the 1860s.&lt;/div&gt;&lt;br&gt;&lt;div&gt;In this period the United States began its rapid transformation  from rural to urban.&amp;#160;Through an analysis of a broad range of verbal and  visual sources, Smith shows how the discussion, design, and use of  waterworks reveal how Americans framed their conceptions of urban  democracy and how they understood the natural and the built environment,  individual health and the well-being of society, and the qualities of  time and history. As citizens debated matters of thirst, finance, and  health, they also negotiated abstract questions of secular and sacred,  real and ideal, immanent and transcendent, practical and moral.&lt;/div&gt;&lt;br&gt;&lt;div&gt;By examining the place of water in the nineteenth-century  consciousness, Smith illuminates how city dwellers perceived themselves  during the great age of American urbanization.&amp;#160;But &lt;i&gt;City Water, City Life&lt;/i&gt;  is more than a history of urbanization.&amp;#160;It is also a refreshing  meditation on water as a necessity, as a resource for commerce and  industry, and as an essential&amp;mdash;and central&amp;mdash;part of how we define our  civilization.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226022512.jpeg" length="40860" type="image/jpeg" />
      <category>Chicago and Illinois</category>
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <category>Literature and Literary Criticism: American and Canadian Literature</category>
      <pubDate>Wed, 17 Apr 2013 05:00:00 GMT</pubDate>
      <author>Carl Smith</author>
      <guid isPermaLink="false">9780226022512</guid>
    </item>
    <item>
      <title>Vegetables</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/V/bo8607658.html</link>
      <description>From Michael Pollan to locavores, Whole Foods to farmers' markets,&amp;#160; today cooks and foodies alike are paying more attention than ever before to the history of the food they bring into their kitchens—and especially to vegetables. Whether it’s an heirloom tomato, curled cabbage, or succulent squash, from a farmers' market or a backyard plot, the humble vegetable offers more than just nutrition—it also represents a link with long tradition of farming and gardening, nurturing and breeding.In this charming new book, those veggies finally get their due. In capsule biographies of eleven different vegetables—artichokes, beans, chard, cabbage, cardoons, carrots, chili peppers, Jerusalem artichokes, peas, pumpkins, and tomatoes—Evelyne Bloch-Dano explores the world of vegetables in all its facets, from science and agriculture to history, culture, and, of course, cooking. From the importance of peppers in early international trade to the most recent findings in genetics, from the cultural cachet of cabbage to Proust’s devotion to beef-and-carrot stew, to the surprising array of vegetables that preceded the pumpkin as the avatar of All Hallow’s Eve, Bloch-Dano takes readers on a dazzling tour of the fascinating stories behind our daily repasts.Spicing her cornucopia with an eye for anecdote and a ready wit, Bloch-Dano has created a feast that’s sure to satisfy gardeners, chefs, and eaters alike.</description>
      <content:encoded>&lt;p&gt;From Michael Pollan to locavores, Whole Foods to farmers' markets,&amp;#160; today cooks and foodies alike are paying more attention than ever before to the history of the food they bring into their kitchens&amp;mdash;and especially to vegetables. Whether it&amp;rsquo;s an heirloom tomato, curled cabbage, or succulent squash, from a farmers' market or a backyard plot, the humble vegetable offers more than just nutrition&amp;mdash;it also represents a link with long tradition of farming and gardening, nurturing and breeding.&lt;/p&gt;&lt;p&gt;In this charming new book, those veggies finally get their due. In capsule biographies of eleven different vegetables&amp;mdash;artichokes, beans, chard, cabbage, cardoons, carrots, chili peppers, Jerusalem artichokes, peas, pumpkins, and tomatoes&amp;mdash;Evelyne Bloch-Dano explores the world of vegetables in all its facets, from science and agriculture to history, culture, and, of course, cooking. From the importance of peppers in early international trade to the most recent findings in genetics, from the cultural cachet of cabbage to Proust&amp;rsquo;s devotion to beef-and-carrot stew, to the surprising array of vegetables that preceded the pumpkin as the avatar of All Hallow&amp;rsquo;s Eve, Bloch-Dano takes readers on a dazzling tour of the fascinating stories behind our daily repasts.&lt;/p&gt;&lt;p&gt;Spicing her cornucopia with an eye for anecdote and a ready wit, Bloch-Dano has created a feast that&amp;rsquo;s sure to satisfy gardeners, chefs, and eaters alike.&lt;/p&gt;&lt;div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226059945.jpeg" length="18158" type="image/jpeg" />
      <category>Biological Sciences: Botany</category>
      <category>Biological Sciences: Natural History</category>
      <category>History: General History</category>
      <category>Food and Gastronomy</category>
      <pubDate>Wed, 17 Apr 2013 05:00:00 GMT</pubDate>
      <author>Evelyne Bloch-Dano; Teresa Lavender Fagan</author>
      <guid isPermaLink="false">9780226059952</guid>
    </item>
    <item>
      <title>Relentless Evolution</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo15112984.html</link>
      <description>At a glance, most species seem adapted to the environment in which they live. Yet species relentlessly evolve, and populations within species evolve in different ways. Evolution, as it turns out, is much more dynamic than biologists realized just a few decades ago.&amp;#160;In Relentless Evolution, John N. Thompson explores why adaptive evolution never ceases and why natural selection acts on species in so many different ways. Thompson presents a view of life in which ongoing evolution is essential and inevitable. Each chapter focuses on one of the major problems in adaptive evolution: How fast is evolution? How strong is natural selection? How do species co-opt the genomes of other species as they adapt? Why does adaptive evolution sometimes lead to more, rather than less, genetic variation within populations? How does the process of adaptation drive the evolution of new species? How does coevolution among species continually reshape the web of life? And, more generally, how are our views of adaptive evolution changing?&amp;#160;Relentless Evolution draws on studies of all the major forms of life—from microbes that evolve in microcosms within a few weeks to plants and animals that sometimes evolve in detectable ways within a few decades. It shows evolution not as a slow and stately process, but rather as a continual and sometimes frenetic process that favors yet more evolutionary change.</description>
      <content:encoded>&lt;div&gt;At a glance, most species seem adapted to the environment in which they live. Yet species relentlessly evolve, and populations within species evolve in different ways. Evolution, as it turns out, is much more dynamic than biologists realized just a few decades ago.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Relentless Evolution&lt;/i&gt;, John N. Thompson explores why adaptive evolution never ceases and why natural selection acts on species in so many different ways. Thompson presents a view of life in which ongoing evolution is essential and inevitable. Each chapter focuses on one of the major problems in adaptive evolution: How fast is evolution? How strong is natural selection? How do species co-opt the genomes of other species as they adapt? Why does adaptive evolution sometimes lead to more, rather than less, genetic variation within populations? How does the process of adaptation drive the evolution of new species? How does coevolution among species continually reshape the web of life? And, more generally, how are our views of adaptive evolution changing?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Relentless Evolution&lt;/i&gt; draws on studies of all the major forms of life&amp;mdash;from microbes that evolve in microcosms within a few weeks to plants and animals that sometimes evolve in detectable ways within a few decades. It shows evolution not as a slow and stately process, but rather as a continual and sometimes frenetic process that favors yet more evolutionary change.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226018751.jpeg" length="53806" type="image/jpeg" />
      <category>Biological Sciences: Ecology</category>
      <category>Biological Sciences: Evolutionary Biology</category>
      <category>Biological Sciences: Natural History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>John N. Thompson</author>
      <guid isPermaLink="false">9780226018614</guid>
    </item>
    <item>
      <title>Building the Client's Relational Base</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15530453.html</link>
      <description>This book makes a challenging—but hopeful—argument for anyone with a client relationship: sustainable and accountable interpersonal relationships are a precondition for health and well-being. It argues that there are always opportunities to deepen the quality and range of the client connection. Compellingly written, it brings a host of case studies to life, weaving insights from critical theory and social epidemiology into explorations of the practical actions that any professional committed to strengthening the relational base of their clients can take.</description>
      <content:encoded>&lt;div&gt;This book makes a challenging&amp;mdash;but hopeful&amp;mdash;argument for anyone with a client relationship: sustainable and accountable interpersonal relationships are a precondition for health and well-being. It argues that there are always opportunities to deepen the quality and range of the client connection. Compellingly written, it brings a host of case studies to life, weaving insights from critical theory and social epidemiology into explorations of the practical actions that any professional committed to strengthening the relational base of their clients can take.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847428622.jpg" length="63018" type="image/jpeg" />
      <category>Social Work</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Furlong</author>
      <guid isPermaLink="false">9781847428615</guid>
    </item>
    <item>
      <title>Building the Client's Relational Base</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15530453.html</link>
      <description>This book makes a challenging—but hopeful—argument for anyone with a client relationship: sustainable and accountable interpersonal relationships are a precondition for health and well-being. It argues that there are always opportunities to deepen the quality and range of the client connection. Compellingly written, it brings a host of case studies to life, weaving insights from critical theory and social epidemiology into explorations of the practical actions that any professional committed to strengthening the relational base of their clients can take.</description>
      <content:encoded>&lt;div&gt;This book makes a challenging&amp;mdash;but hopeful&amp;mdash;argument for anyone with a client relationship: sustainable and accountable interpersonal relationships are a precondition for health and well-being. It argues that there are always opportunities to deepen the quality and range of the client connection. Compellingly written, it brings a host of case studies to life, weaving insights from critical theory and social epidemiology into explorations of the practical actions that any professional committed to strengthening the relational base of their clients can take.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847428622.jpg" length="63018" type="image/jpeg" />
      <category>Social Work</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Mark Furlong</author>
      <guid isPermaLink="false">9781847428622</guid>
    </item>
    <item>
      <title>Black Swan Lake</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15564698.html</link>
      <description>Rod Giblett came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, Black Swan Lake traces the life of the plants and animals of the surrounding area through the seasons. Presenting a wetlands calendar that charts the yearly cycle of the rising, falling, and drying waters of this internationally significant wetland, this book is a modern-day Walden. The first book to provide a cultural and natural history of this place—taking into account the indigenous people’s concept of the seasons (six instead of four)—Black Swan Lake will be enjoyed by conservationists, as well as others seeking connection with place, plants, and animals in their own bioregion.</description>
      <content:encoded>&lt;div&gt;Rod Giblett came to live by Forrestdale Lake in southwestern Australia in 1986. Based in part on a nature journal he kept for several years, &lt;i&gt;Black Swan Lake&lt;/i&gt; traces the life of the plants and animals of the surrounding area through the seasons. Presenting a wetlands calendar that charts the yearly cycle of the rising, falling, and drying waters of this internationally significant wetland, this book is a modern-day &lt;i&gt;Walden&lt;/i&gt;. The first book to provide a cultural and natural history of this place&amp;mdash;taking into account the indigenous people&amp;rsquo;s concept of the seasons (six instead of four)&amp;mdash;&lt;i&gt;Black Swan Lake&lt;/i&gt; will be enjoyed by conservationists, as well as others seeking connection with place, plants, and animals in their own bioregion.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507040.jpg" length="48062" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <category>Culture Studies</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Rod Giblett</author>
      <guid isPermaLink="false">9781841507040</guid>
    </item>
    <item>
      <title>Beef</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/B/bo15580380.html</link>
      <description>Hamburgers, pot roast, stew, steak, brisket—these mouthwatering dishes all have cows in common. But while the answer to the question, “Where’s the beef?” may be, “everywhere,” links to obesity and heart disease, mad-cow disease, and global warming have caused consumers to turn a suspicious eye onto the ubiquitous meat. Arguing that beef farming, cooking, and eating is found in virtually every country, Beef delves into the social, cultural, and economic factors that have shaped the production and consumption of beef throughout history.&amp;#160;Lorna Piatti-Farnell shows how the class status of beef has changed over time, revealing that the meat that was once the main component in everyday stews is today showcased in elaborate dishes by five-star chefs. She considers the place beef has occupied in art, literature, and historical cookbooks, while also paying attention to the ethical issues in beef production and contemplating its future. Featuring images of beef in art and cuisine and palate-pleasing recipes from around the world, Beef will appeal to the taste buds of amateur grillers and iron chefs alike.</description>
      <content:encoded>&lt;div&gt;Hamburgers, pot roast, stew, steak, brisket&amp;mdash;these mouthwatering dishes all have cows in common. But while the answer to the question, &amp;ldquo;Where&amp;rsquo;s the beef?&amp;rdquo; may be, &amp;ldquo;everywhere,&amp;rdquo; links to obesity and heart disease, mad-cow disease, and global warming have caused consumers to turn a suspicious eye onto the ubiquitous meat. Arguing that beef farming, cooking, and eating is found in virtually every country, &lt;i&gt;Beef &lt;/i&gt;delves into the social, cultural, and economic factors that have shaped the production and consumption of beef throughout history.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Lorna Piatti-Farnell shows how the class status of beef has changed over time, revealing that the meat that was once the main component in everyday stews is today showcased in elaborate dishes by five-star chefs. She considers the place beef has occupied in art, literature, and historical cookbooks, while also paying attention to the ethical issues in beef production and contemplating its future. Featuring images of beef in art and cuisine and palate-pleasing recipes from around the world, &lt;i&gt;Beef&lt;/i&gt; will appeal to the taste buds of amateur grillers and iron chefs alike.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230818.jpg" length="24770" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Lorna Piatti-Farnell</author>
      <guid isPermaLink="false">9781780230818</guid>
    </item>
    <item>
      <title>Colossal</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15582543.html</link>
      <description>Peter Mason takes a bold, multidisciplinary approach in this account of the idea of the colossal in culture. He gathers instances of the colossal throughout history&amp;#8212;including the obelisks of Egypt, the Colossus of Rhodes, the Roman Colosseum, the heads of the Olmecs, and the stone statues of Easter Island&amp;#8212;using historical and archaeological evidence to position them within the context of time and culture. Mason establishes a vision of the colossal that encompasses both the colossal in scale and another, overlooked sense of the word: the archaic Greek kolossos, a ritual effigy, and its modern equivalents.Combining fascinating detail with a rigorous account that spans three millennia, The Colossal argues that the artist who best understood and tapped into the kolossos was Alberto Giacometti. Mason shows that the Swiss sculptor and painter&amp;#8217;s work articulated themes of death and mourning in ways rarely seen since the art of archaic Greece, themes most evident in his enigmatic work, The Cube. From the monolithic sculptures of long-dead civilizations to Giacometti&amp;#8217;s imposing and unsettling heads, The Colossal is an innovative book that traces unexplored thematic threads through visual history.</description>
      <content:encoded>&lt;div&gt;Peter Mason takes a bold, multidisciplinary approach in this account of the idea of the colossal in culture. He gathers instances of the colossal throughout history&amp;#8212;including the obelisks of Egypt, the Colossus of Rhodes, the Roman Colosseum, the heads of the Olmecs, and the stone statues of Easter Island&amp;#8212;using historical and archaeological evidence to position them within the context of time and culture. Mason establishes a vision of the colossal that encompasses both the colossal in scale and another, overlooked sense of the word: the archaic Greek &lt;i&gt;kolossos&lt;/i&gt;, a ritual effigy, and its modern equivalents.&lt;br&gt;&lt;br&gt;Combining fascinating detail with a rigorous account that spans three millennia, &lt;i&gt;The Colossal&lt;/i&gt; argues that the artist who best understood and tapped into the &lt;i&gt;kolossos&lt;/i&gt; was Alberto Giacometti. Mason shows that the Swiss sculptor and painter&amp;#8217;s work articulated themes of death and mourning in ways rarely seen since the art of archaic Greece, themes most evident in his enigmatic work, &lt;i&gt;The Cube&lt;/i&gt;. From the monolithic sculptures of long-dead civilizations to Giacometti&amp;#8217;s imposing and unsettling heads, &lt;i&gt;The Colossal&lt;/i&gt; is an innovative book that traces unexplored thematic threads through visual history.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231082.jpg" length="42368" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>History: General History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Peter Mason</author>
      <guid isPermaLink="false">9781780231082</guid>
    </item>
    <item>
      <title>CITES and Cacti</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo15645924.html</link>
      <description>International demand for the uniquely spiky cactus family has brought them far beyond their desert homes. However, because of their appeal and medicinal potential, many species of cacti are endangered. The Convention on International Trade in Endangered Species of Wild Fauna and Flora, or CITES, has set extensive guidelines on how this plant family can be traded. This guide walks readers through the regulations, detailing the major groups of cacti in trade, their distribution, conservation status, use, and likelihood of illegal trade. Intended for enforcement agencies, commercial nurserymen, traders, collectors and amateur growers, CITES and Cacti includes identification tips and a fully illustrated PowerPoint that can serve as a training presentation, complete with speaker’s notes.</description>
      <content:encoded>&lt;div&gt;International demand for the uniquely spiky cactus family has brought them far beyond their desert homes. However, because of their appeal and medicinal potential, many species of cacti are endangered. The Convention on International Trade in Endangered Species of Wild Fauna and Flora, or CITES, has set extensive guidelines on how this plant family can be traded. &lt;br&gt;&lt;br&gt;This guide walks readers through the regulations, detailing the major groups of cacti in trade, their distribution, conservation status, use, and likelihood of illegal trade. Intended for enforcement agencies, commercial nurserymen, traders, collectors and amateur growers, &lt;i&gt;CITES and Cacti&lt;/i&gt; includes identification tips and a fully illustrated PowerPoint that can serve as a training presentation, complete with speaker&amp;rsquo;s notes.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/42/46/9781842464854.jpg" length="80059" type="image/jpeg" />
      <category>Biological Sciences: Botany</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Maurizio Sajeva; H. Noel McGough; Lucy Garrett; Giulia Sajeva; Jonas Lüthy; Maurice Tse-Laurence; Catherine Rutherford</author>
      <guid isPermaLink="false">9781842464854</guid>
    </item>
    <item>
      <title>Champions for Children</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo16019107.html</link>
      <description>Many books have been written about Victorian child-care pioneers, but few biographical studies have been published about recent innovators in this crucial field. In the revised edition of this classic book, Bob Holman looks at the lives of six inspirational individuals who made significant contributions to the well-being of disadvantaged children over the course of the twentieth century. Providing an engaging account of his own life—which has been dedicated to improving the lives of children—he makes recommendations for policy and services geared toward tackling family and child poverty.</description>
      <content:encoded>&lt;div&gt;Many books have been written about Victorian child-care pioneers, but few biographical studies have been published about recent innovators in this crucial field. In the revised edition of this classic book, Bob Holman looks at the lives of six inspirational individuals who made significant contributions to the well-being of disadvantaged children over the course of the twentieth century. Providing an engaging account of his own life&amp;mdash;which has been dedicated to improving the lives of children&amp;mdash;he makes recommendations for policy and services geared toward tackling family and child poverty.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447309147.jpg" length="61227" type="image/jpeg" />
      <category>Sociology: Social Change, Social Movements, Political Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Bob Holman</author>
      <guid isPermaLink="false">9781447309147</guid>
    </item>
    <item>
      <title>Child Protection</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo16126392.html</link>
      <description>As they intervene in families to reduce the risk of harm to children, child-protection social workers are confronting increasingly high levels of hostility and aggression from some parents. Child Protection details applied theories of aggression in conjunction with the skills required for dealing with anger, conflict, and aggressive acts. Employing tools and reflective exercises to assist the application of theory to day-to-day child-protection practice, this indispensable and practical text is ideal for social work students, practitioners, and academics specializing in child protection.</description>
      <content:encoded>&lt;div&gt;As they intervene in families to reduce the risk of harm to children, child-protection social workers are confronting increasingly high levels of hostility and aggression from some parents. &lt;i&gt;Child Protection&lt;/i&gt; details applied theories of aggression in conjunction with the skills required for dealing with anger, conflict, and aggressive acts. Employing tools and reflective exercises to assist the application of theory to day-to-day child-protection practice, this indispensable and practical text is ideal for social work students, practitioners, and academics specializing in child protection.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847429230.jpg" length="52856" type="image/jpeg" />
      <category>Social Work</category>
      <category>Sociology: Sociology--Marriage and Family</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Siobhan E. Laird</author>
      <guid isPermaLink="false">9781847429223</guid>
    </item>
    <item>
      <title>Child Protection</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo16126392.html</link>
      <description>As they intervene in families to reduce the risk of harm to children, child-protection social workers are confronting increasingly high levels of hostility and aggression from some parents. Child Protection details applied theories of aggression in conjunction with the skills required for dealing with anger, conflict, and aggressive acts. Employing tools and reflective exercises to assist the application of theory to day-to-day child-protection practice, this indispensable and practical text is ideal for social work students, practitioners, and academics specializing in child protection.</description>
      <content:encoded>&lt;div&gt;As they intervene in families to reduce the risk of harm to children, child-protection social workers are confronting increasingly high levels of hostility and aggression from some parents. &lt;i&gt;Child Protection&lt;/i&gt; details applied theories of aggression in conjunction with the skills required for dealing with anger, conflict, and aggressive acts. Employing tools and reflective exercises to assist the application of theory to day-to-day child-protection practice, this indispensable and practical text is ideal for social work students, practitioners, and academics specializing in child protection.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847429230.jpg" length="52856" type="image/jpeg" />
      <category>Social Work</category>
      <category>Sociology: Sociology--Marriage and Family</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Siobhan E. Laird</author>
      <guid isPermaLink="false">9781847429230</guid>
    </item>
    <item>
      <title>Contesting Nation</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo17290142.html</link>
      <description>An innovative collection of essays on the turmoil spreading across South Asia, Contesting Nation  sheds light on how violence—in wars of direct and indirect  conquest—marks the present. Featuring contributions by distinguished  South Asian women scholars, the book offers inspired, gendered, and  contested histories of the present, exploring nation-making and its  intersections with projects of militarization and cultural assertion,  modernization, and globalization.The contributors to this  volume consider such turbulent events as the Gujarat carnage of 2002,  post-9/11 mobilizations, and the wars in Afghanistan and Iraq, shedding  light on the force with which brutal events encompass lives and  disfigure communities. This powerful book examines the very borders such  brutality maintains and its intimate and lasting effects on bodies and  memories.</description>
      <content:encoded>&lt;div&gt;An innovative collection of essays on the turmoil spreading across South Asia, &lt;i&gt;Contesting Nation&lt;/i&gt;  sheds light on how violence&amp;mdash;in wars of direct and indirect  conquest&amp;mdash;marks the present. Featuring contributions by distinguished  South Asian women scholars, the book offers inspired, gendered, and  contested histories of the present, exploring nation-making and its  intersections with projects of militarization and cultural assertion,  modernization, and globalization.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;The contributors to this  volume consider such turbulent events as the Gujarat carnage of 2002,  post-9/11 mobilizations, and the wars in Afghanistan and Iraq, shedding  light on the force with which brutal events encompass lives and  disfigure communities. This powerful book examines the very borders such  brutality maintains and its intimate and lasting effects on bodies and  memories.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/81/89/01/9788189013370.jpg" length="37487" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Political Science: Political and Social Theory</category>
      <category>Women's Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Angana P. Chatterji; Lubna Nazir Chaudhry</author>
      <guid isPermaLink="false">9789381017876</guid>
    </item>
    <item>
      <title>Core and the Periphery</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo17430547.html</link>
      <description />
      <content:encoded />
      <category>Language and Linguistics: General Language and Linguistics</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Philip Hofmeister; Elisabeth Norcliffe</author>
      <guid isPermaLink="false">9781575867212</guid>
    </item>
    <item>
      <title>Clown Through Mask</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo13175133.html</link>
      <description>Richard Pochinko (1946–89) played a pioneering role in North American clown theater through the creation of an original pedagogy synthesizing modern European and indigenous Native American techniques. In Clown Through Mask, Veronica Coburn and onetime Pochinko apprentice Sue Morrison lay out the methodology of the Pochinko style of clowning and offer a bold philosophical framework for its interpretation. Morrison is today a leading teacher of Pochinko’s Clown through Mask technique and this book extends significantly the literature on this underdocumented form of theater.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;Richard Pochinko (1946&amp;ndash;89) played a pioneering role in North American clown theater through the creation of an original pedagogy synthesizing modern European and indigenous Native American techniques. In &lt;i&gt;Clown Through Mask&lt;/i&gt;, Veronica Coburn and onetime Pochinko apprentice Sue Morrison lay out the methodology of the Pochinko style of clowning and offer a bold philosophical framework for its interpretation. Morrison is today a leading teacher of Pochinko&amp;rsquo;s Clown through Mask technique and this book extends significantly the literature on this underdocumented form of theater.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505749.jpg" length="56215" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Veronica Coburn; Sue Morrison</author>
      <guid isPermaLink="false">9781841505749</guid>
    </item>
    <item>
      <title>Abolition of Species</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/A/bo13218363.html</link>
      <description>The world as we know it is over. Man’s reign on earth has come to  an end, and the reign of the animals has begun. The indifferently wise  Cyrus Golden the Lion rules the three-city state that is now what  remains of Europe. Yet, other forces stir while the king of beasts  sleeps—the last struggling human resistance, the Atlanteans with their  mysterious undersea plans; the factions of Badger, Fox and Lynx within  the empire itself; and, in the jungles across the ocean, a ceramic form  of postbiological life.&amp;#160;Welcome to the setting of Dietmar Dath’s  futuristic novel, The Abolition of Species, presenting an imaginative and highly original take on the decline and rebirth of civilization.Cyrus  the Lion sends the wolf Dmitri Stepanovich on a diplomatic mission, and  in the course of his journey he discovers truths about natural history,  war, and politics for which he was unprepared. The subsequent war that  breaks out in The Abolition of Species will come to span three  planets and thousands of years—encompassing treachery and massacres,  music and mathematics, savagery and decadence, as well as the  terraformation of Mars and Venus and the manipulation of time itself. By  turns grandiose, horrific, erotic, scathing, and visionary, The Abolition of Species is a tale of love and war after the fall of man and an epic meditation on the theory of evolution unlike any other.One  of Germany’s most celebrated contemporary writers, Dath has  distinguished himself through works that deftly combine popular  culture—particularly music—with left-wing politics and the fantastic. The Abolition of Species embodies  the best of what Dath is known for and will cement his reputation among  English readers excited to discover one of the freshest voices in  contemporary literature.</description>
      <content:encoded>&lt;div&gt;The world as we know it is over. Man&amp;rsquo;s reign on earth has come to  an end, and the reign of the animals has begun. The indifferently wise  Cyrus Golden the Lion rules the three-city state that is now what  remains of Europe. Yet, other forces stir while the king of beasts  sleeps&amp;mdash;the last struggling human resistance, the Atlanteans with their  mysterious undersea plans; the factions of Badger, Fox and Lynx within  the empire itself; and, in the jungles across the ocean, a ceramic form  of postbiological life.&amp;#160;Welcome to the setting of Dietmar Dath&amp;rsquo;s  futuristic novel, &lt;i&gt;The Abolition of Species&lt;/i&gt;, presenting an imaginative and highly original take on the decline and rebirth of civilization.&lt;/div&gt;&lt;p&gt;Cyrus  the Lion sends the wolf Dmitri Stepanovich on a diplomatic mission, and  in the course of his journey he discovers truths about natural history,  war, and politics for which he was unprepared. The subsequent war that  breaks out in &lt;i&gt;The Abolition of Species &lt;/i&gt;will come to span three  planets and thousands of years&amp;mdash;encompassing treachery and massacres,  music and mathematics, savagery and decadence, as well as the  terraformation of Mars and Venus and the manipulation of time itself. By  turns grandiose, horrific, erotic, scathing, and visionary, &lt;i&gt;The Abolition of Species&lt;/i&gt; is a tale of love and war after the fall of man and an epic meditation on the theory of evolution unlike any other.&lt;/p&gt;&lt;div&gt;One  of Germany&amp;rsquo;s most celebrated contemporary writers, Dath has  distinguished himself through works that deftly combine popular  culture&amp;mdash;particularly music&amp;mdash;with left-wing politics and the fantastic. &lt;i&gt;The Abolition of Species &lt;/i&gt;embodies  the best of what Dath is known for and will cement his reputation among  English readers excited to discover one of the freshest voices in  contemporary literature.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420329.jpg" length="51187" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Dietmar Dath; Samuel P. Willcocks</author>
      <guid isPermaLink="false">9780857420329</guid>
    </item>
    <item>
      <title>Alberto Giacometti</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/A/bo14385868.html</link>
      <description>To celebrate the fiftieth anniversary of Verlag Scheidegger and Spiess, Alberto Giacometti:Traces of a Friendshipis  being published in a revised and expanded edition, which includes over  forty previously unpublished photographs, an intimate new chapter, and  amended captions.Alberto Giacometti (1901–66) is inarguably one of the greatest  sculptors of the twentieth century. Immensely gifted and prolific,  Giacometti gave physical expression to his twin obsessions of the human  form and the alienation of modern life. Because of his canonical  position in the history of art and the reams of scholarship produced  about him, Giacometti remains to many the elusive master artist, distant  and remote on the Olympus of creative endeavor.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Ernst  Scheidegger, a friend of the sculptor, knew a very different  Giacometti. Scheidegger accompanied him to his studio, ate and drank  with him, and relaxed with him in his family home. Alberto Giacometti: Traces of a Friendship is  a document of this intimate life of Giacometti, consisting of  photographs that Scheidegger made over the course of two decades.  Scheidegger welcomes readers into Giacometti’s studio and house in  Maloja, Switzerland, allowing them rare access to the most closely held  aspects of the artist’s life. Sketching in his studio, having a cup of  coffee, his works in progress, his art in installation views, even his  sleeping cats—Scheidegger captures the essence of the artist's working  life in images that are artful in their own right.</description>
      <content:encoded>&lt;div&gt;To celebrate the fiftieth anniversary of Verlag Scheidegger and Spiess, &lt;i&gt;Alberto Giacometti:&lt;/i&gt;&lt;i&gt;Traces of a Friendship&lt;/i&gt;is  being published in a revised and expanded edition, which includes over  forty previously unpublished photographs, an intimate new chapter, and  amended captions.&lt;/div&gt;&lt;div&gt;Alberto Giacometti (1901&amp;ndash;66) is inarguably one of the greatest  sculptors of the twentieth century. Immensely gifted and prolific,  Giacometti gave physical expression to his twin obsessions of the human  form and the alienation of modern life. Because of his canonical  position in the history of art and the reams of scholarship produced  about him, Giacometti remains to many the elusive master artist, distant  and remote on the Olympus of creative endeavor.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Ernst  Scheidegger, a friend of the sculptor, knew a very different  Giacometti. Scheidegger accompanied him to his studio, ate and drank  with him, and relaxed with him in his family home. &lt;i&gt;Alberto Giacometti: &lt;/i&gt;&lt;i&gt;Traces of a Friendship &lt;/i&gt;is  a document of this intimate life of Giacometti, consisting of  photographs that Scheidegger made over the course of two decades.  Scheidegger welcomes readers into Giacometti&amp;rsquo;s studio and house in  Maloja, Switzerland, allowing them rare access to the most closely held  aspects of the artist&amp;rsquo;s life. Sketching in his studio, having a cup of  coffee, his works in progress, his art in installation views, even his  sleeping cats&amp;mdash;Scheidegger captures the essence of the artist's working  life in images that are artful in their own right.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/38/58/81/9783858813497.jpg" length="57111" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>Biography and Letters</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Ernst Scheidegger</author>
      <guid isPermaLink="false">9783858813497</guid>
    </item>
    <item>
      <title>Art in Ireland since 1910</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/A/bo14444874.html</link>
      <description>Ireland and Britain have an entwined and contentious past. Though southern Ireland broke with the Commonwealth in 1948, Northern Ireland remains a member of the United Kingdom to this day. As Fionna Barber shows in Art In Ireland since 1910,Ireland’s relationship to its closest neighbor has played a key role in the development of its visual culture. Using the work of Jack B. Yeats, William Leech, John Lavery, William Orpen, F. E. McWilliam, Francis Bacon, and others, Barberlooks at how Ireland’s art practice during the past century has been shaped by the twin forces of nationhood and modernity.&amp;#160;Barber reveals that the drive to decolonization in the Irish Free State underpinned a predominance of images of remote landscapes and rugged peasantry. She moves beyond discussions of art in Northern Ireland—often reduced to a concern with the Troubles, the period of ethno-political conflict that began in 1969, and the significance of its status as part of Britain—to consider the region’s art practice in relation to ideas of nation and the modern. Drawing parallels with artists from other former British colonies, she also looks at the theme of diaspora and migration in the work of Irish artists working in Britain during the 1950s. The first book to examine Irish art from the early twentieth century to the present day, this beautifully illustrated book adds a new dimension to our conception of this idyllic country.</description>
      <content:encoded>&lt;div&gt;Ireland and Britain have an entwined and contentious past. Though southern Ireland broke with the Commonwealth in 1948, Northern Ireland remains a member of the United Kingdom to this day. As Fionna Barber shows in &lt;i&gt;Art In Ireland since 1910&lt;/i&gt;,Ireland&amp;rsquo;s relationship to its closest neighbor has played a key role in the development of its visual culture. Using the work of Jack B. Yeats, William Leech, John Lavery, William Orpen, F. E. McWilliam, Francis Bacon, and others, Barberlooks at how Ireland&amp;rsquo;s art practice during the past century has been shaped by the twin forces of nationhood and modernity.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Barber reveals that the drive to decolonization in the Irish Free State underpinned a predominance of images of remote landscapes and rugged peasantry. She moves beyond discussions of art in Northern Ireland&amp;mdash;often reduced to a concern with the Troubles, the period of ethno-political conflict that began in 1969, and the significance of its status as part of Britain&amp;mdash;to consider the region&amp;rsquo;s art practice in relation to ideas of nation and the modern. Drawing parallels with artists from other former British colonies, she also looks at the theme of diaspora and migration in the work of Irish artists working in Britain during the 1950s. The first book to examine Irish art from the early twentieth century to the present day, this beautifully illustrated book adds a new dimension to our conception of this idyllic country.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230368.jpg" length="53490" type="image/jpeg" />
      <category>Art: European Art</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Fionna Barber</author>
      <guid isPermaLink="false">9781780230368</guid>
    </item>
    <item>
      <title>Creativity in the Classroom</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo14231687.html</link>
      <description>This volume contests the current higher educational paradigm of using objectives and outcomes as ways to measure learning. Instead, the contributors propose approaches to learning that draw upon the creative arts and humanities, including cinema, literature, dance, drama, and visual art. Such approaches, they argue, can foster deeper learning, even in subjects not normally associated with these forms of creativity. Drawing on their own practical experience in developing new educational methods, the contributors embody a refreshing alternative perspective on teaching, learning, and assessment.</description>
      <content:encoded>&lt;div&gt;This volume contests the current higher educational paradigm of using objectives and outcomes as ways to measure learning. Instead, the contributors propose approaches to learning that draw upon the creative arts and humanities, including cinema, literature, dance, drama, and visual art. Such approaches, they argue, can foster deeper learning, even in subjects not normally associated with these forms of creativity. Drawing on their own practical experience in developing new educational methods, the contributors embody a refreshing alternative perspective on teaching, learning, and assessment.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505169.jpg" length="80730" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Education: Education--General Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Paul McIntosh; Digby Warren</author>
      <guid isPermaLink="false">9781841505169</guid>
    </item>
    <item>
      <title>ConFiguring America</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo14239335.html</link>
      <description>Elvis Presley. Marilyn Monroe. LeBron James. They’re all  American, of course, but like many cultural figures who hail from the  United States, they have names and faces known the world over. ConFiguring America  brings together a series of incisive essays that analyze a wide range  of such figures: those who embody America’s tendency to produce  celebrities and iconic personalities with global reach.&amp;#160;Drawing  on theoretical insights from a variety of fields—including cultural  iconography, visual culture, star studies, and history—a diverse group  of international contributors sheds light on how these figures and their  media representations construct America’s image beyond its borders. An  important addition to an expanding field, ConFiguring America will deepen readers’ understanding of celebrity, iconography, and their worldwide implications.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;Elvis Presley. Marilyn Monroe. LeBron James. They&amp;rsquo;re all  American, of course, but like many cultural figures who hail from the  United States, they have names and faces known the world over. &lt;i&gt;ConFiguring America&lt;/i&gt;  brings together a series of incisive essays that analyze a wide range  of such figures: those who embody America&amp;rsquo;s tendency to produce  celebrities and iconic personalities with global reach.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Drawing  on theoretical insights from a variety of fields&amp;mdash;including cultural  iconography, visual culture, star studies, and history&amp;mdash;a diverse group  of international contributors sheds light on how these figures and their  media representations construct America&amp;rsquo;s image beyond its borders. An  important addition to an expanding field, &lt;i&gt;ConFiguring America&lt;/i&gt; will deepen readers&amp;rsquo; understanding of celebrity, iconography, and their worldwide implications.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841506357.jpg" length="66205" type="image/jpeg" />
      <category>Culture Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Klaus Rieser; Michael Fuchs; Michael Phillips</author>
      <guid isPermaLink="false">9781841506357</guid>
    </item>
    <item>
      <title>Purging the Poorest</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo14941776.html</link>
      <description>The building and management of public housing is often seen as a  signal failure of American public policy, but this is a vastly  oversimplified view. In&amp;#160;Purging the Poorest, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the “deserving poor.”In the 1930s, two iconic American cities, Atlanta and Chicago,  demolished their slums and established some of this country’s first  public housing. Six decades later, these same cities also led the way in  clearing public housing itself. Vale’s groundbreaking history of these  “twice-cleared” communities provides unprecedented detail about the  development, decline, and redevelopment of two of America’s most famous  housing projects: Chicago’s Cabrini-Green and Atlanta’s Techwood /Clark  Howell Homes. Vale offers the novel concept of&amp;#160;design politics&amp;#160;to  show how issues of architecture and urbanism are intimately bound up in  thinking about policy. Drawing from extensive archival research and  in-depth interviews, Vale recalibrates the larger cultural role of  public housing, revalues the contributions of public housing residents,  and reconsiders the role of design and designers.</description>
      <content:encoded>&lt;div&gt;The building and management of public housing is often seen as a  signal failure of American public policy, but this is a vastly  oversimplified view. In&amp;#160;&lt;i&gt;Purging the Poorest&lt;/i&gt;, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the &amp;ldquo;deserving poor.&amp;rdquo;&lt;/div&gt;&lt;br&gt;&lt;div&gt;In the 1930s, two iconic American cities, Atlanta and Chicago,  demolished their slums and established some of this country&amp;rsquo;s first  public housing. Six decades later, these same cities also led the way in  clearing public housing itself. Vale&amp;rsquo;s groundbreaking history of these  &amp;ldquo;twice-cleared&amp;rdquo; communities provides unprecedented detail about the  development, decline, and redevelopment of two of America&amp;rsquo;s most famous  housing projects: Chicago&amp;rsquo;s Cabrini-Green and Atlanta&amp;rsquo;s Techwood /Clark  Howell Homes. Vale offers the novel concept of&amp;#160;&lt;i&gt;design politics&lt;/i&gt;&amp;#160;to  show how issues of architecture and urbanism are intimately bound up in  thinking about policy. Drawing from extensive archival research and  in-depth interviews, Vale recalibrates the larger cultural role of  public housing, revalues the contributions of public housing residents,  and reconsiders the role of design and designers.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226012315.jpeg" length="40899" type="image/jpeg" />
      <category>Architecture: American Architecture</category>
      <category>Chicago and Illinois</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Lawrence J. Vale</author>
      <guid isPermaLink="false">9780226012315</guid>
    </item>
    <item>
      <title>Purging the Poorest</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo14941776.html</link>
      <description>The building and management of public housing is often seen as a  signal failure of American public policy, but this is a vastly  oversimplified view. In&amp;#160;Purging the Poorest, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the “deserving poor.”In the 1930s, two iconic American cities, Atlanta and Chicago,  demolished their slums and established some of this country’s first  public housing. Six decades later, these same cities also led the way in  clearing public housing itself. Vale’s groundbreaking history of these  “twice-cleared” communities provides unprecedented detail about the  development, decline, and redevelopment of two of America’s most famous  housing projects: Chicago’s Cabrini-Green and Atlanta’s Techwood /Clark  Howell Homes. Vale offers the novel concept of&amp;#160;design politics&amp;#160;to  show how issues of architecture and urbanism are intimately bound up in  thinking about policy. Drawing from extensive archival research and  in-depth interviews, Vale recalibrates the larger cultural role of  public housing, revalues the contributions of public housing residents,  and reconsiders the role of design and designers.</description>
      <content:encoded>&lt;div&gt;The building and management of public housing is often seen as a  signal failure of American public policy, but this is a vastly  oversimplified view. In&amp;#160;&lt;i&gt;Purging the Poorest&lt;/i&gt;, Lawrence J. Vale offers a new narrative of the seventy-five-year struggle to house the &amp;ldquo;deserving poor.&amp;rdquo;&lt;/div&gt;&lt;br&gt;&lt;div&gt;In the 1930s, two iconic American cities, Atlanta and Chicago,  demolished their slums and established some of this country&amp;rsquo;s first  public housing. Six decades later, these same cities also led the way in  clearing public housing itself. Vale&amp;rsquo;s groundbreaking history of these  &amp;ldquo;twice-cleared&amp;rdquo; communities provides unprecedented detail about the  development, decline, and redevelopment of two of America&amp;rsquo;s most famous  housing projects: Chicago&amp;rsquo;s Cabrini-Green and Atlanta&amp;rsquo;s Techwood /Clark  Howell Homes. Vale offers the novel concept of&amp;#160;&lt;i&gt;design politics&lt;/i&gt;&amp;#160;to  show how issues of architecture and urbanism are intimately bound up in  thinking about policy. Drawing from extensive archival research and  in-depth interviews, Vale recalibrates the larger cultural role of  public housing, revalues the contributions of public housing residents,  and reconsiders the role of design and designers.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226012315.jpeg" length="40899" type="image/jpeg" />
      <category>Architecture: American Architecture</category>
      <category>Chicago and Illinois</category>
      <category>History: American History</category>
      <category>History: Urban History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Lawrence J. Vale</author>
      <guid isPermaLink="false">9780226012452</guid>
    </item>
    <item>
      <title>Political Arithmetic</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15233037.html</link>
      <description>We take for granted today that the assessments, measurements, and forecasts of economists are crucial to the decision-making of governments and businesses alike. But less than a century ago that wasn’t the case—economists simply didn’t have the necessary information or statistical tools to understand the ever more complicated modern economy. With Political Arithmetic, Nobel Prize–winning economist Robert Fogel and his collaborators tell the story of economist Simon Kuznets, the founding of the National Bureau of Economic Research, and the creation of the concept of GNP, which for the first time enabled us to measure the performance of entire economies. The book weaves together the many strands of political and economic thought and historical pressures that together created the demand for more detailed economic thinking—Progressive-era hopes for activist government, the production demands of World War I, Herbert Hoover’s interest in business cycles as President Harding’s commerce secretary, and the catastrophic economic failures of the Great Depression—and shows how, through trial and error, measurement and analysis, economists such as Kuznets rose to the occasion and in the process built a discipline whose knowledge could be put to practical use in everyday decision-making. The product of a lifetime of studying the workings of economies and skillfully employing the tools of economics, Political Arithmetic is simultaneously a history of a key period of economic thought and a testament to the power of applied ideas.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;We take for granted today that the assessments, measurements, and forecasts of economists are crucial to the decision-making of governments and businesses alike. But less than a century ago that wasn&amp;rsquo;t the case&amp;mdash;economists simply didn&amp;rsquo;t have the necessary information or statistical tools to understand the ever more complicated modern economy. &lt;/div&gt;&lt;div&gt;&lt;br&gt;With &lt;i&gt;Political Arithmetic&lt;/i&gt;, Nobel Prize&amp;ndash;winning economist Robert Fogel and his collaborators tell the story of economist Simon Kuznets, the founding of the National Bureau of Economic Research, and the creation of the concept of GNP, which for the first time enabled us to measure the performance of entire economies. The book weaves together the many strands of political and economic thought and historical pressures that together created the demand for more detailed economic thinking&amp;mdash;Progressive-era hopes for activist government, the production demands of World War I, Herbert Hoover&amp;rsquo;s interest in business cycles as President Harding&amp;rsquo;s commerce secretary, and the catastrophic economic failures of the Great Depression&amp;mdash;and shows how, through trial and error, measurement and analysis, economists such as Kuznets rose to the occasion and in the process built a discipline whose knowledge could be put to practical use in everyday decision-making. &lt;/div&gt;&lt;div&gt;&lt;br&gt;The product of a lifetime of studying the workings of economies and skillfully employing the tools of economics, &lt;i&gt;Political Arithmetic&lt;/i&gt; is simultaneously a history of a key period of economic thought and a testament to the power of applied ideas.&lt;/div&gt;&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/25/9780226256610.jpeg" length="42798" type="image/jpeg" />
      <category>Economics and Business: Economics--Development, Growth, Planning</category>
      <category>Economics and Business: Economics--History</category>
      <category>History: History of Ideas</category>
      <category>Political Science: Comparative Politics</category>
      <category>Sociology: General Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Robert William Fogel; Enid M. Fogel; Mark Guglielmo; Nathaniel Grotte</author>
      <guid isPermaLink="false">9780226256610</guid>
    </item>
    <item>
      <title>Theme of Farewell and After-Poems</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo14166842.html</link>
      <description>Milo De Angelis, born in 1951, is one of the most important living Italian poets. With this volume, Susan Stewart and&amp;#160;Patrizio Ceccagnoli bring to English readers for the first time a facing-page edition of his most recent work: his book-length elegy,&amp;#160;Theme of Farewell, and the subsequent poems of That Wandering in&amp;#160;the Darkness of Courtyards. These two books form a sequence narrating the illness and premature death, in 2003, of the poet’s wife, the writer Giovanna Sicari, a celebrated poet in her own right; they also trace De Angelis’s turn from grief, through time, back to the world. Immediate, perceptive, and woven from the fabric of everyday life in contemporary Milan, the poems never depart from universal human emotions of despair and awakening. Throughout his long career, De&amp;#160;Angelis has renewed lyric poetry with the sheer intensity of his forms and insights, and the volumes offered here have won some of the most important Italian literary awards, including the coveted Premio Viareggio. &amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;These inexorable and beautifully crafted translations will be of interest to scholars of contemporary Italian literature, students&amp;#160;of contemporary poetry and literary translation, and those who work in comparative literature. Above all, they are bound to speak to any reader in search of a poet writing at the height of his powers of expression.</description>
      <content:encoded>&lt;div&gt;Milo De Angelis, born in 1951, is one of the most important living Italian poets. With this volume, Susan Stewart and&amp;#160;Patrizio Ceccagnoli bring to English readers for the first time a facing-page edition of his most recent work: his book-length elegy,&amp;#160;&lt;i&gt;Theme of Farewell&lt;/i&gt;, and the subsequent poems of &lt;i&gt;That Wandering in&amp;#160;the Darkness of Courtyards&lt;/i&gt;. These two books form a sequence narrating the illness and premature death, in 2003, of the poet&amp;rsquo;s wife, the writer Giovanna Sicari, a celebrated poet in her own right; they also trace De Angelis&amp;rsquo;s turn from grief, through time, back to the world. Immediate, perceptive, and woven from the fabric of everyday life in contemporary Milan, the poems never depart from universal human emotions of despair and awakening. Throughout his long career, De&amp;#160;Angelis has renewed lyric poetry with the sheer intensity of his forms and insights, and the volumes offered here have won some of the most important Italian literary awards, including the coveted Premio Viareggio. &lt;br&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;These inexorable and beautifully crafted translations will be of interest to scholars of contemporary Italian literature, students&amp;#160;of contemporary poetry and literary translation, and those who work in comparative literature. Above all, they are bound to speak to any reader in search of a poet writing at the height of his powers of expression. &lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/02/9780226020808.jpeg" length="30121" type="image/jpeg" />
      <category>Literature and Literary Criticism: Poetry</category>
      <category>Literature and Literary Criticism: Romance Languages</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Milo De Angelis; Susan Stewart; Patrizio Ceccagnoli</author>
      <guid isPermaLink="false">9780226020808</guid>
    </item>
    <item>
      <title>Portrait of the Artist as a Political Dissident</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo13171553.html</link>
      <description>In the liberal West as in socialist Yugoslavia, the films of Aleksandar Petrovic dramatize how enforced dogmatism can corrode any political system. A case study of the oft-overlooked Yugoslav director’s colorful and eventful career, A Portrait of the Artist as a Political Dissident explores how Petrovic developed specific political and social themes in his films. A response to the political vagaries of his time, these anti-dogmatic views were later to become a trademark of his work. Although interest in socialist Yugoslavia and its legacy has risen steadily since the 1990s, the history of Yugoslav cinema has been scarcely covered, and this book marks a fresh contribution to a burgeoning area of interest.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;In the liberal West as in socialist Yugoslavia, the films of Aleksandar Petrovic dramatize how enforced dogmatism can corrode any political system. A case study of the oft-overlooked Yugoslav director&amp;rsquo;s colorful and eventful career, &lt;i&gt;A Portrait of the Artist as a Political Dissident&lt;/i&gt; explores how Petrovic developed specific political and social themes in his films. A response to the political vagaries of his time, these anti-dogmatic views were later to become a trademark of his work. Although interest in socialist Yugoslavia and its legacy has risen steadily since the 1990s, the history of Yugoslav cinema has been scarcely covered, and this book marks a fresh contribution to a burgeoning area of interest.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505459.jpg" length="53154" type="image/jpeg" />
      <category>Film Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Vlastimir Sudar</author>
      <guid isPermaLink="false">9781841505459</guid>
    </item>
    <item>
      <title>Photocinema</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo13173943.html</link>
      <description>Taking as its starting point the notion of photocinema—or the  interplay of the still and moving image—the photographs, interviews, and  critical essays in this volume explore the ways in which the two media  converge and diverge, expanding the boundaries of each in interesting  and unexpected ways. The book’s innovative approach to film and  photography produces what might be termed a hybrid “third space,” where  the whole becomes much more than the sum of its individual parts,  encouraging viewers to expand their perceptions to begin to understand  the bigger picture.&amp;#160;The latest edition in Intellect’s Critical Photography series, Photocinema  represents a nuanced theoretical and practical exploration of the  experimental cinematic techniques exemplified by artists like Wim  Wenders and Hollis Frampton. In addition to new critical essays by  Victor Burgin and David Campany, the book includes interviews with  Martin Parr, Hannah Starkey, and Aaron Schumann, and a portfolio of  photographs from various new and established artists.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;Taking as its starting point the notion of photocinema&amp;mdash;or the  interplay of the still and moving image&amp;mdash;the photographs, interviews, and  critical essays in this volume explore the ways in which the two media  converge and diverge, expanding the boundaries of each in interesting  and unexpected ways. The book&amp;rsquo;s innovative approach to film and  photography produces what might be termed a hybrid &amp;ldquo;third space,&amp;rdquo; where  the whole becomes much more than the sum of its individual parts,  encouraging viewers to expand their perceptions to begin to understand  the bigger picture.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;The latest edition in Intellect&amp;rsquo;s Critical Photography series, &lt;i&gt;Photocinema&lt;/i&gt;  represents a nuanced theoretical and practical exploration of the  experimental cinematic techniques exemplified by artists like Wim  Wenders and Hollis Frampton. In addition to new critical essays by  Victor Burgin and David Campany, the book includes interviews with  Martin Parr, Hannah Starkey, and Aaron Schumann, and a portfolio of  photographs from various new and established artists.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505626.jpg" length="38808" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>Film Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Neil Campbell; Alfredo Cramerotti</author>
      <guid isPermaLink="false">9781841505626</guid>
    </item>
    <item>
      <title>Offal</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo15580631.html</link>
      <description>“Offal” has the same pronunciation as “awful”—an appropriate homophone, given that offal comprises the whole spectrum of an animal’s glands, essential organs, skin, muscle, guts, and every unmentionable in between. Yet as Nina Edwards shows in this intriguing history, offal has been consumed and enjoyed across ages and continents, often hidden by the rich variety of terms—like fois gras and sweetbread—that have evolved to veil their origins.&amp;#160;Edwards dissects the complicated relationship we have with offal and the extreme reactions it inspires, asking if we can enjoy a pig’s heart, a cow’s eyes, or a sheep’s brain when it reminds us so viscerally of our own flesh and blood. She explores the offal dishes that are specific to regional cuisines and holidays, such as Scottish haggis, Jewish chopped liver, and Southern states’ chitterlings. As she reveals, offal is a food of contradictions—it is high in nutrients but also dangerously high in cholesterol, and it can range from expensive haute cuisine to a cheap alternative for the impoverished. From tongue in Sichuan and gizzard stew in Rio de Janeiro to spicy cartilage in Calcutta, Offal sheds new light on the sometimes stomach-churning foods we consume.</description>
      <content:encoded>&lt;div&gt;&amp;ldquo;Offal&amp;rdquo; has the same pronunciation as &amp;ldquo;awful&amp;rdquo;&amp;mdash;an appropriate homophone, given that offal comprises the whole spectrum of an animal&amp;rsquo;s glands, essential organs, skin, muscle, guts, and every unmentionable in between. Yet as Nina Edwards shows in this intriguing history, offal has been consumed and enjoyed across ages and continents, often hidden by the rich variety of terms&amp;mdash;like fois gras and sweetbread&amp;mdash;that have evolved to veil their origins.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Edwards dissects the complicated relationship we have with offal and the extreme reactions it inspires, asking if we can enjoy a pig&amp;rsquo;s heart, a cow&amp;rsquo;s eyes, or a sheep&amp;rsquo;s brain when it reminds us so viscerally of our own flesh and blood. She explores the offal dishes that are specific to regional cuisines and holidays, such as Scottish haggis, Jewish chopped liver, and Southern states&amp;rsquo; chitterlings. As she reveals, offal is a food of contradictions&amp;mdash;it is high in nutrients but also dangerously high in cholesterol, and it can range from expensive haute cuisine to a cheap alternative for the impoverished. From tongue in Sichuan and gizzard stew in Rio de Janeiro to spicy cartilage in Calcutta, &lt;i&gt;Offal&lt;/i&gt; sheds new light on the sometimes stomach-churning foods we consume.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230979.jpg" length="20870" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nina Edwards</author>
      <guid isPermaLink="false">9781780230979</guid>
    </item>
    <item>
      <title>Oranges</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo15580781.html</link>
      <description>The tangy, juicy sweetness of oranges has made them a mainstay on our breakfast tables, as snacks, and even as healthy desserts. Indeed, oranges and orange juices are so ubiquitous nowadays that we take them for granted—but their journey to our supermarket shelves is a long and tantalizing story, as Clarissa Hyman reveals in Oranges. Following the orange from its origins in the Mediterranean world to the grocery produce section, Hyman illuminates the wide-ranging cultural resonance and culinary presence of the popular fruit.&amp;#160;Charting the arrival of bitter and sweet oranges in the Mediterranean, where they were seen as a gift from the gods, Hyman chronicles their dramatic voyage to the Americas and the impact they had on agriculture, garden design, and architecture along the way. She surveys the many varieties of oranges that now exist and analyzes their status as symbols of great wealth in art, an inspiration for poets and painters, and a source of natural health. Dealing with the practical complexities of orange cultivation, she details the challenges facing modern producers and consumers across the globe. Packed with delicious recipes and luscious photos, Oranges is a refreshing look at the king of citrus.</description>
      <content:encoded>&lt;div&gt;The tangy, juicy sweetness of oranges has made them a mainstay on our breakfast tables, as snacks, and even as healthy desserts. Indeed, oranges and orange juices are so ubiquitous nowadays that we take them for granted&amp;mdash;but their journey to our supermarket shelves is a long and tantalizing story, as Clarissa Hyman reveals in &lt;i&gt;Oranges&lt;/i&gt;. Following the orange from its origins in the Mediterranean world to the grocery produce section, Hyman illuminates the wide-ranging cultural resonance and culinary presence of the popular fruit.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Charting the arrival of bitter and sweet oranges in the Mediterranean, where they were seen as a gift from the gods, Hyman chronicles their dramatic voyage to the Americas and the impact they had on agriculture, garden design, and architecture along the way. She surveys the many varieties of oranges that now exist and analyzes their status as symbols of great wealth in art, an inspiration for poets and painters, and a source of natural health. Dealing with the practical complexities of orange cultivation, she details the challenges facing modern producers and consumers across the globe. Packed with delicious recipes and luscious photos, &lt;i&gt;Oranges&lt;/i&gt; is a refreshing look at the king of citrus.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230993.jpg" length="21288" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Clarissa Hyman</author>
      <guid isPermaLink="false">9781780230993</guid>
    </item>
    <item>
      <title>Our Pictures, Our Words</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/O/bo16064363.html</link>
      <description>Vibrant, dynamic, spirited, and forceful. The contemporary women’s  movement in India, which began in the late 1970s, fought valiantly  against dark times marked by violence and misogyny. But it also  celebrated—liberation, solidarity among women, and the joyous breaking  away from patriarchy. Its members sang, performed, and painted, in order  to draw attention to the vital issues of the time: dowry death, widow  immolation, acid throwing, and rape.Featuring over three hundred full color images, Our Pictures, Our Words  delivers a lavish pictorial history of the multifaceted Indian women’s  movement, conveyed through its most immediate visual representation:  posters, drawings, pamphlets, reports, brochures, stickers,  wall-writing, and photographs. The artwork reproduced here is part of  Zubaan’s six-year Poster Women project, which has attempted to locate  and archive as many posters as possible in order to visually map the  diversity of women’s causes.Over the past three decades,  women’s concerns have matured and broadened to include a range of issues  related to women’s health, sexuality, the environment, literacy, the  impact of religion and communal violence on women’s lives, political  participation, globalization, displacement, labor rights, disability  rights, class and caste issues, and many more. To capture this  many-faceted crusade, the posters in the book have been thematically  organized and annotated in detail, with information about the date the  artwork was created, the campaign it supported, the designer, the  concept behind the poster, the reaction to it, and short essays to  further document the richness of the movement.</description>
      <content:encoded>&lt;div&gt;Vibrant, dynamic, spirited, and forceful. The contemporary women&amp;rsquo;s  movement in India, which began in the late 1970s, fought valiantly  against dark times marked by violence and misogyny. But it also  celebrated&amp;mdash;liberation, solidarity among women, and the joyous breaking  away from patriarchy. Its members sang, performed, and painted, in order  to draw attention to the vital issues of the time: dowry death, widow  immolation, acid throwing, and rape.&lt;br&gt;&lt;/div&gt;&lt;div&gt;Featuring over three hundred full color images, &lt;i&gt;Our Pictures, Our Words&lt;/i&gt;  delivers a lavish pictorial history of the multifaceted Indian women&amp;rsquo;s  movement, conveyed through its most immediate visual representation:  posters, drawings, pamphlets, reports, brochures, stickers,  wall-writing, and photographs. The artwork reproduced here is part of  Zubaan&amp;rsquo;s six-year Poster Women project, which has attempted to locate  and archive as many posters as possible in order to visually map the  diversity of women&amp;rsquo;s causes.&lt;br&gt;&lt;br&gt;Over the past three decades,  women&amp;rsquo;s concerns have matured and broadened to include a range of issues  related to women&amp;rsquo;s health, sexuality, the environment, literacy, the  impact of religion and communal violence on women&amp;rsquo;s lives, political  participation, globalization, displacement, labor rights, disability  rights, class and caste issues, and many more. To capture this  many-faceted crusade, the posters in the book have been thematically  organized and annotated in detail, with information about the date the  artwork was created, the campaign it supported, the designer, the  concept behind the poster, the reaction to it, and short essays to  further document the richness of the movement.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/93/81/01/9789381017258.jpg" length="27155" type="image/jpeg" />
      <category>Gender and Sexuality</category>
      <category>History: Asian History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Laxmi Murthy; Rajashri Dasgupta</author>
      <guid isPermaLink="false">9789381017258</guid>
    </item>
    <item>
      <title>Medieval Flower Book</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo5891514.html</link>
      <description>In our modern world, the spiny-stemmed flowers, intertwined leaves, and delicate pink blossoms of the rubus fruticosus, or common blackberry bramble, might catch the eye of the casual observer or weekend gardener. Pleasant, prolific, and decorative, plants like the blackberry are looked upon as sources for harvest, landscape, and visual pleasure. To the medieval and Renaissance artist, however, these botanicals were far more. Part of a richly symbolic visual language culled from the classical era, their exquisite depiction in illuminated manuscripts of the age evoked fertility, conjured bad dreams, and even aligned itself with ancient wisdom. The popular and enduring appeal of flowers in medieval art and literature extended beyond simple botanical illustration; instead, flowers helped to tell countless stories without words through potent symbolic imagery.The Medieval Flower Book artfully presents an alphabetical collection of over one hundred of the major flowers that appear in medieval manuscripts—gathered with fascinating explanatory texts on their history, significance, and usage. The sumptuous reproductions that accompany each entry offer a visual reference to the symbolism of botanicals in medieval manuscripts that’s beyond breathtaking in its appeal. An introductory section explaining the ancient roots of practical horticulture’s expansion into cultural and spiritual realms not only places the volume in the context of gardening history, but gives the general reader insight into our enduring interest in these remarkable herbals.&amp;#160; &amp;#160;Widely appealing to all of those interested in flowers and gardening, the horticultural historian, and the student of visual culture and medieval history, The Medieval Flower Book is a fascinating and important primer on the beauty and language of florals. Extensively ranging through the canon of medieval botanicals—from acanthus and anemones to violets and wallflowers—this volume is the perfect gift for anyone interested in blossoms and blooms, and should thrill the everyday gardener and art collector alike. &amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;In our modern world, the spiny-stemmed flowers, intertwined leaves, and delicate pink blossoms of the &lt;i&gt;rubus fruticosus&lt;/i&gt;, or common blackberry bramble, might catch the eye of the casual observer or weekend gardener. Pleasant, prolific, and decorative, plants like the blackberry are looked upon as sources for harvest, landscape, and visual pleasure. To the medieval and Renaissance artist, however, these botanicals were far more. Part of a richly symbolic visual language culled from the classical era, their exquisite depiction in illuminated manuscripts of the age evoked fertility, conjured bad dreams, and even aligned itself with ancient wisdom. The popular and enduring appeal of flowers in medieval art and literature extended beyond simple botanical illustration; instead, flowers helped to tell countless stories without words through potent symbolic imagery.&lt;br&gt;&lt;i&gt;&lt;br&gt;The Medieval Flower Book &lt;/i&gt;artfully presents an alphabetical collection of over one hundred of the major flowers that appear in medieval manuscripts&amp;mdash;gathered with fascinating explanatory texts on their history, significance, and usage. The sumptuous reproductions that accompany each entry offer a visual reference to the symbolism of botanicals in medieval manuscripts that&amp;rsquo;s beyond breathtaking in its appeal. An introductory section explaining the ancient roots of practical horticulture&amp;rsquo;s expansion into cultural and spiritual realms not only places the volume in the context of gardening history, but gives the general reader insight into our enduring interest in these remarkable herbals.&amp;#160; &lt;br&gt;&amp;#160;&lt;br&gt;Widely appealing to all of those interested in flowers and gardening, the horticultural historian, and the student of visual culture and medieval history, &lt;i&gt;The Medieval Flower Book &lt;/i&gt;is a fascinating and important primer on the beauty and language of florals. Extensively ranging through the canon of medieval botanicals&amp;mdash;from acanthus and anemones to violets and wallflowers&amp;mdash;this volume is the perfect gift for anyone interested in blossoms and blooms, and should thrill the everyday gardener and art collector alike. &lt;br&gt;&amp;#160;&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/34/9780712349451.jpg" length="118424" type="image/jpeg" />
      <category>Art: European Art</category>
      <category>Biological Sciences: Botany</category>
      <category>History: European History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Celia Fisher</author>
      <guid isPermaLink="false">9780712358941</guid>
    </item>
    <item>
      <title>Narrative Literature from the Tebtunis Temple Library</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/N/bo14378211.html</link>
      <description>Centuries before the Library of Alexandria, ancient Egypt was home to numerous temple libraries, but only a single large-scale one has survived: the Tebtunis Temple library. Abandoned around 200 CE—but rediscovered by archaeologists in 1900—the library’s contents include an array of scientific, religious, and narrative literature from the first centuries of the Common Era. This collection offers some of the narrative literature found there, translated into English— much for the first time. This book contains ten narratives in total—from stories of Prince Inaros to a new version of the mythological “The Contendings of Horus and Seth.”</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;Centuries before the Library of Alexandria, ancient Egypt was home to numerous temple libraries, but only a single large-scale one has survived: the Tebtunis Temple library. Abandoned around 200 CE&amp;mdash;but rediscovered by archaeologists in 1900&amp;mdash;the library&amp;rsquo;s contents include an array of scientific, religious, and narrative literature from the first centuries of the Common Era. This collection offers some of the narrative literature found there, translated into English&amp;mdash; much for the first time. This book contains ten narratives in total&amp;mdash;from stories of Prince Inaros to a new version of the mythological &amp;ldquo;The Contendings of Horus and Seth.&amp;rdquo;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/50/9788763507806.jpg" length="30122" type="image/jpeg" />
      <category>History: Ancient and Classical History</category>
      <category>Literature and Literary Criticism : African Languages : American and Canadian Literature : Asian Languages : British and Irish Literature : Classical Languages : Dramatic Works : Fiction : General Criticism and Critical Theory : Germanic Languages : Humor : Poetry : Romance Languages : Slavic Languages</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Kim Ryholt</author>
      <guid isPermaLink="false">9788763507806</guid>
    </item>
    <item>
      <title>No Fixed Abode</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/N/bo15699453.html</link>
      <description>In recent years, social workers have raised a new concern about the  appearance of a new category among the working poor. Even employed,  there are people so overburdened by the cost of living and so under  compensated that they cannot afford a place to sleep. Contrary to  popular opinion, according to the website for the Coalition for the  Homeless, forty-four percent of the homeless in first world countries  actually have jobs.In No Fixed Abode, Marc Aug&amp;eacute;’s  pathbreaking ethnofiction—a fictional ethnography—a man named Henri  narrates his strange existence in the margins of Paris. By day he walks  the streets, lingers in conversation with the local shopkeepers, and  sits writing in caf&amp;eacute;s, but at night he takes shelter in an abandoned  house. From here, we see a progressive erosion of Henri’s identity, a  loss of bearings, and a slow degeneration of his ability to relate to  others. But then he meets the artist Dominique, whose willingness to  share her life with him raises questions about who he has become and  about what a person needs in order to be a part of society.This  is a book about how we live in geographical space and how work and  patterns of domicile affect our status and our inner being. Despite the  apparent simplicity of the fictional premise, Aug&amp;eacute;’s book asks serious  questions about the nature of our culture.</description>
      <content:encoded>&lt;div&gt;In recent years, social workers have raised a new concern about the  appearance of a new category among the working poor. Even employed,  there are people so overburdened by the cost of living and so under  compensated that they cannot afford a place to sleep. Contrary to  popular opinion, according to the website for the Coalition for the  Homeless, forty-four percent of the homeless in first world countries  actually have jobs.&lt;/div&gt;&lt;div&gt;&lt;br&gt;In &lt;i&gt;No Fixed Abode&lt;/i&gt;, Marc Aug&amp;eacute;&amp;rsquo;s  pathbreaking ethnofiction&amp;mdash;a fictional ethnography&amp;mdash;a man named Henri  narrates his strange existence in the margins of Paris. By day he walks  the streets, lingers in conversation with the local shopkeepers, and  sits writing in caf&amp;eacute;s, but at night he takes shelter in an abandoned  house. From here, we see a progressive erosion of Henri&amp;rsquo;s identity, a  loss of bearings, and a slow degeneration of his ability to relate to  others. But then he meets the artist Dominique, whose willingness to  share her life with him raises questions about who he has become and  about what a person needs in order to be a part of society.&lt;/div&gt;&lt;div&gt;&lt;br&gt;This  is a book about how we live in geographical space and how work and  patterns of domicile affect our status and our inner being. Despite the  apparent simplicity of the fictional premise, Aug&amp;eacute;&amp;rsquo;s book asks serious  questions about the nature of our culture.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420961.jpg" length="36539" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Marc Augé; Chris Turner</author>
      <guid isPermaLink="false">9780857420961</guid>
    </item>
    <item>
      <title>Essay on the Unity of Stoic Philosophy</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo14377571.html</link>
      <description>The ancient Stoics repeatedly stressed the monolithic comprehensiveness of their philosophy, and this book is the only one to provide a holistic grasp of their attempt to synthesize the whole of the human condition into a unified view. Originally published in 1962, An Essay on the Unity of Stoic Philosophy was far ahead of its time. Now a pivotal text, it lays out the core ideas of Stoicism and their interconnection against the backdrop of Aristotelian philosophy, providing a coherent understanding of the many—and sometimes divergent—philosophies the Stoics formulated. At once penetrating and lucid, Johnny Christensen’s book is brought back into print in a second edition for a new audience.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;The ancient Stoics repeatedly stressed the monolithic comprehensiveness of their philosophy, and this book is the only one to provide a holistic grasp of their attempt to synthesize the whole of the human condition into a unified view. Originally published in 1962, &lt;i&gt;An Essay on the Unity of Stoic Philosophy&lt;/i&gt; was far ahead of its time. Now a pivotal text, it lays out the core ideas of Stoicism and their interconnection against the backdrop of Aristotelian philosophy, providing a coherent understanding of the many&amp;mdash;and sometimes divergent&amp;mdash;philosophies the Stoics formulated. At once penetrating and lucid, Johnny Christensen&amp;rsquo;s book is brought back into print in a second edition for a new audience.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/53/9788763538985.jpg" length="29663" type="image/jpeg" />
      <category>Philosophy: General Philosophy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Johnny Christensen</author>
      <guid isPermaLink="false">9788763538985</guid>
    </item>
    <item>
      <title>English-Language Poetry from Wales, 1789-1806</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo15483296.html</link>
      <description>This anthology presents a selection of poetry from Wales written in English in the years following the French Revolution of 1789. Arranged chronologically, it brings together a wide selection of little-known texts, some of which are published here for the first time. A comprehensive introduction sets the poems in their cultural and historical contexts, while detailed endnotes give concise biographies of the writers—where known—and explain specific references within the texts.</description>
      <content:encoded>&lt;div&gt;This anthology presents a selection of poetry from Wales written in English in the years following the French Revolution of 1789. Arranged chronologically, it brings together a wide selection of little-known texts, some of which are published here for the first time. A comprehensive introduction sets the poems in their cultural and historical contexts, while detailed endnotes give concise biographies of the writers&amp;mdash;where known&amp;mdash;and explain specific references within the texts.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325681.jpg" length="42844" type="image/jpeg" />
      <category>History: British and Irish History</category>
      <category>Literature and Literary Criticism: Poetry</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Elizabeth Edwards</author>
      <guid isPermaLink="false">9780708325681</guid>
    </item>
    <item>
      <title>Education Debate</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/E/bo15548405.html</link>
      <description>In this fully updated edition of The Education Debate, Stephen J. Ball guides us through a flood of government initiatives and policies concerning education over the past twenty years, showing how these policy interventions have changed the landscape and meaning of education, turned children into learners and parents into consumers, and played their part in the reformation of contemporary governance. Analyzing current policies and ideas around education from a sociological approach, he addresses issues of class, choice, globalization, race, and citizenship. The book will interest student teachers, other students of politics and social policy courses, and the general reader who wants to go beyond the simplistic analyses of newspapers.&amp;#160;</description>
      <content:encoded>&lt;div&gt;In this fully updated edition of &lt;i&gt;The Education Debate&lt;/i&gt;, Stephen J. Ball guides us through a flood of government initiatives and policies concerning education over the past twenty years, showing how these policy interventions have changed the landscape and meaning of education, turned children into learners and parents into consumers, and played their part in the reformation of contemporary governance. Analyzing current policies and ideas around education from a sociological approach, he addresses issues of class, choice, globalization, race, and citizenship. The book will interest student teachers, other students of politics and social policy courses, and the general reader who wants to go beyond the simplistic analyses of newspapers.&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447306887.jpg" length="43602" type="image/jpeg" />
      <category>Education: Education--General Studies</category>
      <category>Sociology: General Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Stephen J. Ball</author>
      <guid isPermaLink="false">9781447306887</guid>
    </item>
    <item>
      <title>Dating the Sagas</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo14377771.html</link>
      <description>Anonymously written and transcribed from oral tales, the family sagas of Iceland are notoriously difficult texts to date. In this book, a host of contributors address the methodological problems inherent in dating the sagas, and in the process they offer insightful discussions of the saga form itself. Focusing on the several new written genres that developed in Iceland in the thirteenth century, they locate the dynamic position of the sagas at the intersection of oral and written traditions. In doing so, they highlight the crucial problems of philological research and the importance of accuracy in understanding literary history.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;Anonymously written and transcribed from oral tales, the family sagas of Iceland are notoriously difficult texts to date. In this book, a host of contributors address the methodological problems inherent in dating the sagas, and in the process they offer insightful discussions of the saga form itself. Focusing on the several new written genres that developed in Iceland in the thirteenth century, they locate the dynamic position of the sagas at the intersection of oral and written traditions. In doing so, they highlight the crucial problems of philological research and the importance of accuracy in understanding literary history.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/53/9788763538992.jpg" length="178140" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Medieval Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Else Mundal</author>
      <guid isPermaLink="false">9788763538992</guid>
    </item>
    <item>
      <title>Drama as Text and Performance</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo15625182.html</link>
      <description>This book is a study of August Strindberg’s famous drama Miss Julie, presented in both Swedish and English. Since it was first performed in 1888, Miss Julie has became one of the most successful plays written by Strindberg, widely considered one of the pioneers of modern drama. The book provides a penetrating analysis of the author’s text, followed by a close investigation of Ingmar Bergman’s much lauded 1985 production at the Royal Dramatic Theatre in Stockholm. Drama as Text and Performance is intended as a paradigmatic illustration of similarities and differences between the two media—textand performance and their recipients, readers and spectators.</description>
      <content:encoded>&lt;div&gt;This book is a study of August Strindberg&amp;rsquo;s famous drama &lt;i&gt;Miss Julie, &lt;/i&gt;presented in both Swedish and English. Since it was first performed in 1888, &lt;i&gt;Miss Julie &lt;/i&gt;has became one of the most successful plays written by Strindberg, widely considered one of the pioneers of modern drama. The book provides a penetrating analysis of the author&amp;rsquo;s text, followed by a close investigation of Ingmar Bergman&amp;rsquo;s much lauded 1985 production at the Royal Dramatic Theatre in Stockholm. &lt;i&gt;Drama as Text and Performance &lt;/i&gt;is intended as a paradigmatic illustration of similarities and differences between the two media&amp;mdash;textand performance and their recipients, readers and spectators.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/85/55/9789085550686.jpg" length="54005" type="image/jpeg" />
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Egil Törnqvist</author>
      <guid isPermaLink="false">9789085550686</guid>
    </item>
    <item>
      <title>Directory of World Cinema: France</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo13174119.html</link>
      <description>Artistic, intellectual, and appreciably avant-garde, the French film industry has, perhaps more than any other national cinema, been perennially at the center of international filmmaking. With its vigorous business and wide-ranging film culture, France has also been home historically to some of the most influential filmmakers and movements &amp;#8211; and, indeed, the very first motion picture was screened in Paris in 1895.This volume addresses the great directors and key artistic movements, but also ventures beyond these well-established films and figures, broadening the canon through an examination of many neglected but intriguing French films. Framing essays explore the salient stylistic elements, cultural contexts, and the various conceptions of cinema in France, from avant-gardes to filmmaking by women, from documentary and realism to the Tradition of Quality, as well as genres like comedy, crime film, and horror. Illustrated by screen shots, film reviews by leading international experts offer original approaches to both overlooked titles and acknowledged classics. Readers wishing to explore particular topics in greater depth will be grateful for the book&amp;#8217;s reading recommendations and comprehensive filmography. A visually engaging journey through one of the most dynamic, variegated, and idiosyncratic film industries, Directory of World Cinema: France is a must-have for Francophiles and cinema savants.</description>
      <content:encoded>&lt;p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;Artistic, intellectual, and appreciably avant-garde, the French film industry has, perhaps more than any other national cinema, been perennially at the center of international filmmaking. With its vigorous business and wide-ranging film culture, France has also been home historically to some of the most influential filmmakers and movements &amp;#8211; and, indeed, the very first motion picture was screened in Paris in 1895.&lt;/p&gt;&lt;p&gt;This volume addresses the great directors and key artistic movements, but also ventures beyond these well-established films and figures, broadening the canon through an examination of many neglected but intriguing French films. Framing essays explore the salient stylistic elements, cultural contexts, and the various conceptions of cinema in France, from avant-gardes to filmmaking by women, from documentary and realism to the Tradition of Quality, as well as genres like comedy, crime film, and horror. Illustrated by screen shots, film reviews by leading international experts offer original approaches to both overlooked titles and acknowledged classics. Readers wishing to explore particular topics in greater depth will be grateful for the book&amp;#8217;s reading recommendations and comprehensive filmography. &lt;/p&gt;&lt;p&gt;A visually engaging journey through one of the most dynamic, variegated, and idiosyncratic film industries, &lt;i&gt;Directory of World Cinema: France &lt;/i&gt;is a must-have for Francophiles and cinema savants.</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505633.jpg" length="52453" type="image/jpeg" />
      <category>Film Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Tim Palmer; Charlie Michael</author>
      <guid isPermaLink="false">9781841505633</guid>
    </item>
    <item>
      <title>Democracy under Attack</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo13316229.html</link>
      <description>The ongoing News International phonehacking scandal has made abundantly clear that the media’s influence over politics is both immense and largely hidden from public scrutiny. As the scandal grows, a question arises: even when they stay on the right side of the law, to what extent do the media influence the political process? In Democracy under Attack, one of the media’s own—Malcolm Dean, the Guardian’s long-standing chief monitor of social policy—expertly indicts his fellow journalists, revealing the ways their distorted coverage undermines democracy.&amp;#160;Based on four decades of upperlevel UK government briefings and interviews with over one hundred senior policy makers, Democracy under Attack overflows with incisive observations and colorful stories, culminating in a damning list of the seven deadly sins of modern journalists. Dean’s long experience and insider status inform his detailed and disturbing account of news production in Britain, revealing the connections between what goes on in newsrooms, lobbyists’ offices, and Parliament as well as how those connections decisively shape government policy.</description>
      <content:encoded>&lt;div&gt;The ongoing News International phonehacking scandal has made abundantly clear that the media&amp;rsquo;s influence over politics is both immense and largely hidden from public scrutiny. As the scandal grows, a question arises: even when they stay on the right side of the law, to what extent do the media influence the political process? In &lt;i&gt;Democracy under Attack&lt;/i&gt;, one of the media&amp;rsquo;s own&amp;mdash;Malcolm Dean, the &lt;i&gt;Guardian&amp;rsquo;&lt;/i&gt;s long-standing chief monitor of social policy&amp;mdash;expertly indicts his fellow journalists, revealing the ways their distorted coverage undermines democracy.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Based on four decades of upperlevel UK government briefings and interviews with over one hundred senior policy makers, &lt;i&gt;Democracy under Attack&lt;/i&gt; overflows with incisive observations and colorful stories, culminating in a damning list of the seven deadly sins of modern journalists. Dean&amp;rsquo;s long experience and insider status inform his detailed and disturbing account of news production in Britain, revealing the connections between what goes on in newsrooms, lobbyists&amp;rsquo; offices, and Parliament as well as how those connections decisively shape government policy.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847428486.jpg" length="50976" type="image/jpeg" />
      <category>Sociology: Social Change, Social Movements, Political Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Malcolm Dean</author>
      <guid isPermaLink="false">9781847428493</guid>
    </item>
    <item>
      <title>Fabulous Feminist</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo16062912.html</link>
      <description>The Fabulous Feminist brings together for the first time in  one volume a vast range of renowned feminist thinker Suniti Namjoshi’s  writings, starting with her most famous collection, Feminist Fables, and including excerpts from Saint Suniti and the Dragon, Mothers of Maya Dip, From the Bedside Book of Nightmares, and her series of “Aditi” books for children, such as Aditi and the Thames Dragon.Here  readers will find her fables, poetry, prose autobiography, and  children’s stories, works that are both playful and deeply serious. In  these beautifully composed and entertaining works, she ingeniously  reworks fairytales, Greek and Sanskrit mythology, literary monsters such  as Grendel’s Mother, and icons such as Saint Sebastian, all stitched  together with her vivid imagination and wisdom.&amp;#160;Writing with insight and  wit about power, about inequality, and about oppression, Namjoshi  brilliantly uses language and the literary tradition to expose what she  finds absurd and unacceptable in modern life. This provocative and  entertaining collection will be welcomed by Namjoshi’s fans and admirers  of the feminist intellectual tradition.Born in Mumbai in  1941, Suniti Namjoshi is an important figure in contemporary Indian  literature in English, a writer whose deep engagement with issues of  gender, sexual orientation, cultural identity and human rights infuses  everything she writes.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;The Fabulous Feminist&lt;/i&gt; brings together for the first time in  one volume a vast range of renowned feminist thinker Suniti Namjoshi&amp;rsquo;s  writings, starting with her most famous collection, &lt;i&gt;Feminist Fables&lt;/i&gt;, and including excerpts from &lt;i&gt;Saint Suniti and the Dragon, Mothers of Maya Dip, From the Bedside Book of Nightmares&lt;/i&gt;, and her series of &amp;ldquo;Aditi&amp;rdquo; books for children, such as &lt;i&gt;Aditi and the Thames Dragon&lt;/i&gt;.&lt;br&gt;&lt;br&gt;Here  readers will find her fables, poetry, prose autobiography, and  children&amp;rsquo;s stories, works that are both playful and deeply serious. In  these beautifully composed and entertaining works, she ingeniously  reworks fairytales, Greek and Sanskrit mythology, literary monsters such  as Grendel&amp;rsquo;s Mother, and icons such as Saint Sebastian, all stitched  together with her vivid imagination and wisdom.&amp;#160;Writing with insight and  wit about power, about inequality, and about oppression, Namjoshi  brilliantly uses language and the literary tradition to expose what she  finds absurd and unacceptable in modern life. This provocative and  entertaining collection will be welcomed by Namjoshi&amp;rsquo;s fans and admirers  of the feminist intellectual tradition.&lt;br&gt;&lt;br&gt;Born in Mumbai in  1941, Suniti Namjoshi is an important figure in contemporary Indian  literature in English, a writer whose deep engagement with issues of  gender, sexual orientation, cultural identity and human rights infuses  everything she writes.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/93/81/01/9789381017333.jpg" length="63349" type="image/jpeg" />
      <category>Gender and Sexuality</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Suniti Namjoshi</author>
      <guid isPermaLink="false">9789381017333</guid>
    </item>
    <item>
      <title>Manuscript and Print in London c.1475-1530</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo14388429.html</link>
      <description>What perceptions did people have of printed material after its introduction into England? How did these perceptions determine their own practices in dealing with books and documents—both as producers and consumers? In Manuscript and Print in London c.1475–1530, Julia Boffey explores the evolving relationship of Londoners with handwritten manuscripts and printed material after William Caxton’s establishment of a printing business at Westminster in 1476. Drawing from a wide range of surviving materials from the period, Boffey approaches textual production from the points of view of readers and writers, investigating the choices they made and shedding light on the different ways that both adapted to the availability of the new technology. Copiously illustrated with images from manuscripts and printed books, this volume will break new ground in the growing area of scholarship on print culture and the history of the book.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;What perceptions did people have of printed material after its introduction into England? How did these perceptions determine their own practices in dealing with books and documents&amp;mdash;both as producers and consumers? In &lt;i&gt;Manuscript and Print in London c.1475&amp;ndash;1530&lt;/i&gt;, Julia Boffey explores the evolving relationship of Londoners with handwritten manuscripts and printed material after William Caxton&amp;rsquo;s establishment of a printing business at Westminster in 1476. Drawing from a wide range of surviving materials from the period, Boffey approaches textual production from the points of view of readers and writers, investigating the choices they made and shedding light on the different ways that both adapted to the availability of the new technology. Copiously illustrated with images from manuscripts and printed books, this volume will break new ground in the growing area of scholarship on print culture and the history of the book.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712358811.jpg" length="47074" type="image/jpeg" />
      <category>History: British and Irish History</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Julia Boffey</author>
      <guid isPermaLink="false">9780712358811</guid>
    </item>
    <item>
      <title>Midlatitude Synoptic Meteorology</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo14593121.html</link>
      <description>The  past decade has been characterized by remarkable advances in  meteorological observation, computing techniques, and data-visualization  technology. However, the benefit of these advances can only be fully  realized with the introduction of a systematic, applied approach to  meteorological education that allows well-established theoretical  concepts to be applied to modernized observational and numerical  datasets.&amp;#160;Designed for use with the companion textbook, Midlatitude Synoptic Meteorology,  this CD-rom takes just such an educational approach, reinforcing lessons on synoptic-dynamic meteorology,  synoptically-driven mesoscale phenomena, numerical weather prediction,  ensemble prediction, and more. The PowerPoint slides and additional resources on the CD will help  form the basis of lectures and classroom work. The textbook, lecture  slides, and lab manual were developed to be used in concert, with topics  considered in an order that reinforces and builds upon new knowledge in  meteorological observation and forecasting, week to week.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;The  past decade has been characterized by remarkable advances in  meteorological observation, computing techniques, and data-visualization  technology. However, the benefit of these advances can only be fully  realized with the introduction of a systematic, applied approach to  meteorological education that allows well-established theoretical  concepts to be applied to modernized observational and numerical  datasets.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Designed for use with the companion textbook, &lt;i&gt;Midlatitude Synoptic Meteorology&lt;/i&gt;,  this CD-rom takes just such an educational approach, reinforcing lessons on synoptic-dynamic meteorology,  synoptically-driven mesoscale phenomena, numerical weather prediction,  ensemble prediction, and more. The PowerPoint slides and additional resources on the CD will help  form the basis of lectures and classroom work. The textbook, lecture  slides, and lab manual were developed to be used in concert, with topics  considered in an order that reinforces and builds upon new knowledge in  meteorological observation and forecasting, week to week.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/78/22/9781878220271.jpg" length="35095" type="image/jpeg" />
      <category>Earth Sciences: Meteorology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Gary Lackmann</author>
      <guid isPermaLink="false">9781878220271</guid>
    </item>
    <item>
      <title>Managing Community Practice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15536600.html</link>
      <description>The first edition of this book discussed the meaning, principles, and methods of managing community practice, focusing on the role and skills needed by managers. Since the first edition, there has been an increase in the structured involvement of communities in developing, delivering, and evaluating public policies and projects. This new edition updates all the chapters to address these recent developments and provides new case examples. It also includes new chapters on the manager’s role in community research and key challenges for the future.</description>
      <content:encoded>&lt;div&gt;The first edition of this book discussed the meaning, principles, and methods of managing community practice, focusing on the role and skills needed by managers. Since the first edition, there has been an increase in the structured involvement of communities in developing, delivering, and evaluating public policies and projects. This new edition updates all the chapters to address these recent developments and provides new case examples. It also includes new chapters on the manager&amp;rsquo;s role in community research and key challenges for the future.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447301257.jpg" length="58720" type="image/jpeg" />
      <category>Sociology: Social Change, Social Movements, Political Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sarah Banks; Hugh Butcher; Andrew Orton; Jim Robertson</author>
      <guid isPermaLink="false">9781447301240</guid>
    </item>
    <item>
      <title>Managing Community Practice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15536600.html</link>
      <description>The first edition of this book discussed the meaning, principles, and methods of managing community practice, focusing on the role and skills needed by managers. Since the first edition, there has been an increase in the structured involvement of communities in developing, delivering, and evaluating public policies and projects. This new edition updates all the chapters to address these recent developments and provides new case examples. It also includes new chapters on the manager’s role in community research and key challenges for the future.</description>
      <content:encoded>&lt;div&gt;The first edition of this book discussed the meaning, principles, and methods of managing community practice, focusing on the role and skills needed by managers. Since the first edition, there has been an increase in the structured involvement of communities in developing, delivering, and evaluating public policies and projects. This new edition updates all the chapters to address these recent developments and provides new case examples. It also includes new chapters on the manager&amp;rsquo;s role in community research and key challenges for the future.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447301257.jpg" length="58720" type="image/jpeg" />
      <category>Sociology: Social Change, Social Movements, Political Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sarah Banks; Hugh Butcher; Andrew Orton; Jim Robertson</author>
      <guid isPermaLink="false">9781447301257</guid>
    </item>
    <item>
      <title>Medusa</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/M/bo15583230.html</link>
      <description>With her repulsive face and head full of living, venomous snakes, Medusa is petrifying—quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dal&amp;iacute; and was the emblem of the Jacobins after the French Revolution. Today, she’s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer’s logo for men’s underwear, haute couture, and exotic dinnerware. She&amp;#160;even gives her&amp;#160;name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us?&amp;#160;David Leeming seeks to answer this question in Medusa, a biography of the mythical creature. Searching for the origins of Medusa’s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to Clash of the Titans and Dungeons and Dragons, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era.&amp;#160;Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.</description>
      <content:encoded>&lt;div&gt;With her repulsive face and head full of living, venomous snakes, Medusa is petrifying&amp;mdash;quite literally, since looking directly at her turned people to stone. Ever since Perseus cut off her head and presented it to Athena, she has been a woman of many forms: a dangerous female monster that had to be destroyed, an erotic power that could annihilate men, and, thanks to Freud, a woman whose hair was a nest of terrifying penises that signaled castration. She has been immortalized by artists from Leonardo da Vinci to Salvador Dal&amp;iacute; and was the emblem of the Jacobins after the French Revolution. Today, she&amp;rsquo;s viewed by feminists as a noble victim of patriarchy and used by Versace in the designer&amp;rsquo;s logo for men&amp;rsquo;s underwear, haute couture, and exotic dinnerware. She&amp;#160;even gives her&amp;#160;name to a sushi roll on a Disney resort menu. Why does Medusa continue to have this power to transfix us?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;David Leeming seeks to answer this question in &lt;i&gt;Medusa&lt;/i&gt;, a biography of the mythical creature. Searching for the origins of Medusa&amp;rsquo;s myth in cultures that predate ancient Greece, Leeming explores how and why the mythical figure of the gorgon has become one of the most important and enduring ideas in human history. From an oil painting by Caravaggio to &lt;i&gt;Clash of the Titans&lt;/i&gt; and &lt;i&gt;Dungeons and Dragons&lt;/i&gt;, he delves into the many depictions of Medusa, ultimately revealing that her story is a cultural dream that continues to change and develop with each new era.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Asking what the evolution of the Medusa myth discloses about our culture and ourselves, this book paints an illuminating portrait of a woman who has never ceased to enthrall.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230955.jpg" length="40761" type="image/jpeg" />
      <category>History: General History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>David Leeming</author>
      <guid isPermaLink="false">9781780230955</guid>
    </item>
    <item>
      <title>John Moores Painting Prize 2012</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/J/bo15590823.html</link>
      <description>The John Moores Painting Prize is one of the United Kingdom’s best-known painting competitions, going back to the 1950s. Previous winners have included David Hockney, Peter Doig, and Lisa Milroy. This 2012 catalog highlights the best of the UK’s painters for the year, featuring all the exhibition works of 2012 in fifty full-color plates, with a detail of the winning artwork, Stevie Smith and the Willow, by Sarah Pickstone, on the cover. It includes biographies of the artists, essays by the jurors—including BBC creative director Alan Yentob, Whitechapel Gallery director Iwona Blazwick, and artists Fiona Banner, Angela de la Cruz, and George Shaw—and images of works by all the previous John Moores main prizewinners. It also features the five winners of the 2012 John Moores Painting Prize in China.</description>
      <content:encoded>&lt;div&gt;The John Moores Painting Prize is one of the United Kingdom&amp;rsquo;s best-known painting competitions, going back to the 1950s. Previous winners have included David Hockney, Peter Doig, and Lisa Milroy. This 2012 catalog highlights the best of the UK&amp;rsquo;s painters for the year, featuring all the exhibition works of 2012 in fifty full-color plates, with a detail of the winning artwork, &lt;i&gt;Stevie Smith and the Willow&lt;/i&gt;, by Sarah Pickstone, on the cover. It includes biographies of the artists, essays by the jurors&amp;mdash;including BBC creative director Alan Yentob, Whitechapel Gallery director Iwona Blazwick, and artists Fiona Banner, Angela de la Cruz, and George Shaw&amp;mdash;and images of works by all the previous John Moores main prizewinners. It also features the five winners of the 2012 John Moores Painting Prize in China.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/19/02/70/9781902700465.jpg" length="52404" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Ann Bukantas</author>
      <guid isPermaLink="false">9781902700465</guid>
    </item>
    <item>
      <title>Fantastic and European Gothic</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo15483791.html</link>
      <description>This fascinating study examines the rise of fantastic and fr&amp;eacute;n&amp;eacute;tique literature in Europe during the nineteenth century, introducing readers to lesser-known writers like Paul F&amp;eacute;val and Charles Nodier, whose vampires, ghouls, and doppelg&amp;auml;ngers were every bit as convincing as those of the more famous Bram Stoker and Ann Radcliffe, but whose political motivations were far more serious. Matthew Gibson demonstrates how these writers used the conventions of the Gothic to attack both the French Revolution and the rise of materialism and positivism during the Enlightenment. At the same time, Gibson challenges current understandings of the fantastic and the literature of terror as promulgated by critics like Tzvetan Todorov, David Punter, and Fred Botting.</description>
      <content:encoded>&lt;div&gt;This fascinating study examines the rise of fantastic and &lt;i&gt;fr&amp;eacute;n&amp;eacute;tique&lt;/i&gt; literature in Europe during the nineteenth century, introducing readers to lesser-known writers like Paul F&amp;eacute;val and Charles Nodier, whose vampires, ghouls, and doppelg&amp;auml;ngers were every bit as convincing as those of the more famous Bram Stoker and Ann Radcliffe, but whose political motivations were far more serious. Matthew Gibson demonstrates how these writers used the conventions of the Gothic to attack both the French Revolution and the rise of materialism and positivism during the Enlightenment. At the same time, Gibson challenges current understandings of the fantastic and the literature of terror as promulgated by critics like Tzvetan Todorov, David Punter, and Fred Botting.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325728.jpg" length="32574" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Matthew Gibson</author>
      <guid isPermaLink="false">9780708325728</guid>
    </item>
    <item>
      <title>Flora Zambesiaca Volume 8 Part 5</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/F/bo15563939.html</link>
      <description>The&amp;#160;Flora Zambesiaca&amp;#160;series, published in over 200 parts, provides comprehensive descriptive accounts of the flowering plants and ferns native and naturalized in Zambia, Malawi, Mozambique, Zimbabwe, Botswana and the Caprivi Strip. Meticulous botanical illustrations illustrate an example of each genera. This is an essential tool for ecological surveys, as no other publication provides the depth and scope.&amp;#160;</description>
      <content:encoded>&lt;div&gt;The&amp;#160;&lt;i&gt;Flora Zambesiaca&lt;/i&gt;&amp;#160;series, published in over 200 parts, provides comprehensive descriptive accounts of the flowering plants and ferns native and naturalized in Zambia, Malawi, Mozambique, Zimbabwe, Botswana and the Caprivi Strip. Meticulous botanical illustrations illustrate an example of each genera. This is an essential tool for ecological surveys, as no other publication provides the depth and scope.&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/42/46/9781842464120.jpg" length="19297" type="image/jpeg" />
      <category>Biological Sciences: Botany</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>J. R. Timberlake; E. S. Martins</author>
      <guid isPermaLink="false">9781842464120</guid>
    </item>
    <item>
      <title>Portraits from the Park</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo14380860.html</link>
      <description>Chicago’s old Comiskey Park, home to the White Sox until 1990, is as essential to the city’s cultural history as it is to baseball’s. From the first day that Thomas W. Harney set out to photograph fans in the ballpark, he felt at home there, owing to memories of games with his father and grandfather. It became his ongoing subject, as well as a setting that would inspire his growing reputation as a street photographer.The sequence of portraits Harney took of White Sox fans between 1973 and the last game played at the park—September 30, 1990—captures the essence of baseball fandom: pregame excitement, exploration of the ballpark, the quiet moments in between plays, the thrill of victory, and the agony of defeat. Most importantly, these portraits capture the aura of “Old Comiskey,” a ballpark that looms large in the memories of Chicagoans and baseball fans alike.&amp;#160;</description>
      <content:encoded>&lt;p&gt;Chicago&amp;rsquo;s old Comiskey Park, home to the White Sox until 1990, is as essential to the city&amp;rsquo;s cultural history as it is to baseball&amp;rsquo;s. From the first day that Thomas W. Harney set out to photograph fans in the ballpark, he felt at home there, owing to memories of games with his father and grandfather. It became his ongoing subject, as well as a setting that would inspire his growing reputation as a street photographer.&lt;/p&gt;&lt;div&gt;The sequence of portraits Harney took of White Sox fans between 1973 and the last game played at the park&amp;mdash;September 30, 1990&amp;mdash;captures the essence of baseball fandom: pregame excitement, exploration of the ballpark, the quiet moments in between plays, the thrill of victory, and the agony of defeat. Most importantly, these portraits capture the aura of &amp;ldquo;Old Comiskey,&amp;rdquo; a ballpark that looms large in the memories of Chicagoans and baseball fans alike.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;p&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/19/35/19/9781935195399.jpg" length="42582" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>Sport and Recreation</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Thomas W. Harney</author>
      <guid isPermaLink="false">9781935195399</guid>
    </item>
    <item>
      <title>Proust and the Visual</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo15482337.html</link>
      <description>This edited collection considers the role of the visual in Marcel Proust’s In Search of Lost Time and how it contributes to the novel’s sense of modernity. The first few essays examine the philosophical implications of Proust’s quest for truth, taking up analyses of the thing, the body, and the relation between the seer and the visible. The essays in the second section concentrate on the way meaning emerges from the description of experience, as well as the cultural environment in which it is inscribed through the workings and reworkings of certain images and textures. The final essays explore how Proust’s unique approach to the visual has become in recent years the inspiration for other visual practices: film, sculpture, painting, and dance.</description>
      <content:encoded>&lt;div&gt;This edited collection considers the role of the visual in Marcel Proust&amp;rsquo;s &lt;i&gt;In Search of Lost Time&lt;/i&gt; and how it contributes to the novel&amp;rsquo;s sense of modernity. The first few essays examine the philosophical implications of Proust&amp;rsquo;s quest for truth, taking up analyses of the thing, the body, and the relation between the seer and the visible. The essays in the second section concentrate on the way meaning emerges from the description of experience, as well as the cultural environment in which it is inscribed through the workings and reworkings of certain images and textures. The final essays explore how Proust&amp;rsquo;s unique approach to the visual has become in recent years the inspiration for other visual practices: film, sculpture, painting, and dance.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325483.jpg" length="24600" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nathalie Aubert</author>
      <guid isPermaLink="false">9780708325483</guid>
    </item>
    <item>
      <title>Practical Social Pedagogy</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo15548083.html</link>
      <description>In Practical Social Pedagogy, Jan Stor&amp;oslash; shows the reader how the theories and practices of social pedagogy work together. He combines social pedagogy theories, psychology, sociology, and social work with a social constructionist perspective to help practitioners guide children and young people to cope better with the challenges they face as they grow up. Using many practical examples, he emphasizes the crucial meeting between practitioner and client as the space where the actualities of practice are determined.</description>
      <content:encoded>&lt;div&gt;In &lt;i&gt;Practical Social Pedagogy&lt;/i&gt;, Jan Stor&amp;oslash; shows the reader how the theories and practices of social pedagogy work together. He combines social pedagogy theories, psychology, sociology, and social work with a social constructionist perspective to help practitioners guide children and young people to cope better with the challenges they face as they grow up. Using many practical examples, he emphasizes the crucial meeting between practitioner and client as the space where the actualities of practice are determined.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447305392.jpg" length="69715" type="image/jpeg" />
      <category>Sociology: Sociology--Marriage and Family</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jan Storø</author>
      <guid isPermaLink="false">9781447305392</guid>
    </item>
    <item>
      <title>Practical Social Pedagogy</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo15548083.html</link>
      <description>In Practical Social Pedagogy, Jan Stor&amp;oslash; shows the reader how the theories and practices of social pedagogy work together. He combines social pedagogy theories, psychology, sociology, and social work with a social constructionist perspective to help practitioners guide children and young people to cope better with the challenges they face as they grow up. Using many practical examples, he emphasizes the crucial meeting between practitioner and client as the space where the actualities of practice are determined.</description>
      <content:encoded>&lt;div&gt;In &lt;i&gt;Practical Social Pedagogy&lt;/i&gt;, Jan Stor&amp;oslash; shows the reader how the theories and practices of social pedagogy work together. He combines social pedagogy theories, psychology, sociology, and social work with a social constructionist perspective to help practitioners guide children and young people to cope better with the challenges they face as they grow up. Using many practical examples, he emphasizes the crucial meeting between practitioner and client as the space where the actualities of practice are determined.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447305392.jpg" length="69715" type="image/jpeg" />
      <category>Sociology: Sociology--Marriage and Family</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jan Storø</author>
      <guid isPermaLink="false">9781447305385</guid>
    </item>
    <item>
      <title>Puss in Books</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/P/bo15977913.html</link>
      <description>Whether it’s a piano-playing cat, a surprised cat, or one that’s just plain adorable, some of the most-watched online videos these days feature funny felines. And it doesn’t end there; cats are ubiquitous on the Internet, inspiring meme after meme, speaking their own language, and even prompting the launch of a new film festival. But the omnipresence of the cat in pop culture is not novel. Feline references date from before 2000 BC in ancient Egypt, and since the introduction of cats to Western households they have inspired writers and artists—from the scribe of the Lindisfarne Gospels to poets of the present day.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Puss in Books is a celebration of feline wit, intelligence, aloofness, and charm as presented through cats in books, with examples from literature, folklore, and popular culture. Among the selections included in this gorgeous volume are nursery rhymes (“Hey Diddle Diddle”and “Ding Dong Bell”); poetry by Thomas Gray (“Ode on the Death of a Favourite Cat Drowned in a Tub of Goldfishes”) and T. S. Eliot (Old Possum’s Book of Practical Cats); cats in fiction by Rudyard Kipling, Lewis Carroll, and Charles Dickens; and contemporary feline characters such as Splat the Cat and, of course, the ubiquitous Puss in Boots himself.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Wonderfully illustrated in color throughout, Puss in Books is an ideal gift for every cat lover.</description>
      <content:encoded>&lt;div&gt;Whether it&amp;rsquo;s a piano-playing cat, a surprised cat, or one that&amp;rsquo;s just plain adorable, some of the most-watched online videos these days feature funny felines. And it doesn&amp;rsquo;t end there; cats are ubiquitous on the Internet, inspiring meme after meme, speaking their own language, and even prompting the launch of a new film festival. But the omnipresence of the cat in pop culture is not novel. Feline references date from before 2000 BC in ancient Egypt, and since the introduction of cats to Western households they have inspired writers and artists&amp;mdash;from the scribe of the Lindisfarne Gospels to poets of the present day.&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;/i&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Puss in Books&lt;/i&gt; is a celebration of feline wit, intelligence, aloofness, and charm as presented through cats in books, with examples from literature, folklore, and popular culture. Among the selections included in this gorgeous volume are nursery rhymes (&amp;ldquo;Hey Diddle Diddle&amp;rdquo;and &amp;ldquo;Ding Dong Bell&amp;rdquo;); poetry by Thomas Gray (&amp;ldquo;Ode on the Death of a Favourite Cat Drowned in a Tub of Goldfishes&amp;rdquo;) and T. S. Eliot (&lt;i&gt;Old Possum&amp;rsquo;s Book of Practical Cats&lt;/i&gt;); cats in fiction by Rudyard Kipling, Lewis Carroll, and Charles Dickens; and contemporary feline characters such as Splat the Cat and, of course, the ubiquitous Puss in Boots himself.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Wonderfully illustrated in color throughout, &lt;i&gt;Puss in Books&lt;/i&gt; is an ideal gift for every cat lover.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712358828.jpg" length="56860" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Catherine Britton</author>
      <guid isPermaLink="false">9780712358828</guid>
    </item>
    <item>
      <title>Heibergs and the Theater</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/H/bo14378005.html</link>
      <description>Johan Ludvig Heiberg was one of the most famous playwrights, theater critics, and essayists of the Danish Golden Age, and his wife, Johanne Luise Heiberg, was one of its greatest actresses. This first book-length study in English examines the many ways they dominated theatrical life during the period. In these essays, the contributors explore the deep connections between the Heibergs’ far-reaching philosophical and political interests and their theatrical careers. More than just a study of Golden Age theater, this book offers an important look into the ideas and arts that constituted one of the richest eras in modern history.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;Johan Ludvig Heiberg was one of the most famous playwrights, theater critics, and essayists of the Danish Golden Age, and his wife, Johanne Luise Heiberg, was one of its greatest actresses. This first book-length study in English examines the many ways they dominated theatrical life during the period. In these essays, the contributors explore the deep connections between the Heibergs&amp;rsquo; far-reaching philosophical and political interests and their theatrical careers. More than just a study of Golden Age theater, this book offers an important look into the ideas and arts that constituted one of the richest eras in modern history.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/53/9788763538978.jpg" length="43273" type="image/jpeg" />
      <category>History: European History</category>
      <category>Literature and Literary Criticism: Dramatic Works</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jon Stewart</author>
      <guid isPermaLink="false">9788763538978</guid>
    </item>
    <item>
      <title>History and Range Expansion of Peregrine Falcons in the Thule Area, Northwest Greenland</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/H/bo14378392.html</link>
      <description>This book covers the discovery and history of the northernmost breeding population of peregrine falcons in the world, located near the Thule Air Base in northwest Greenland. Drawing on thirteen years of research, the authors present a comprehensive set of findings on the biology and ecology of this remarkable population and provide critical evidence and documentation of the ways climate change is enabling profoundly new ranges for migratory populations.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;This book covers the discovery and history of the northernmost breeding population of peregrine falcons in the world, located near the Thule Air Base in northwest Greenland. Drawing on thirteen years of research, the authors present a comprehensive set of findings on the biology and ecology of this remarkable population and provide critical evidence and documentation of the ways climate change is enabling profoundly new ranges for migratory populations.&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/53/9788763539005.jpg" length="73334" type="image/jpeg" />
      <category>Biological Sciences : Anatomy : Behavioral Biology : Biochemistry : Biology--Systematics : Botany : Conservation : Ecology : Evolutionary Biology : Microbiology : Natural History : Paleobiology, Geology, and Paleontology : Physiology, Biomechanics, and Morphology : Tropical Biology and Conservation</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Kurt K. Burnham; William A. Burnham; Ian Newton; Jeff A. Johnson; Andrew G. Gosler</author>
      <guid isPermaLink="false">9788763539005</guid>
    </item>
    <item>
      <title>Hidden Stories of the Stephen Lawrence Inquiry</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/H/bo15531102.html</link>
      <description>Young people who come into contact with police officers on the streets of Britain today have little idea of the significance of the stabbing death of Stephen Lawrence in 1993. Only their parents or grandparents remember the daily news stories for several months following the stabbing of police incompetence and racism. This unique book reminds us of the importance of the Stephen Lawrence case, providing an insider’s view of the inquiry into his murder.&amp;#160;Presenting never-before-seen information about the Stephen Lawrence inquiry, panel member Richard Stone helps explain why it has not brought sufficient results, and why it has failed to change institutional racism. Using the case as a springboard, he discusses wider contemporary issues—such as policing practices and double-jeopardy rulings—and the lessons we can learn from the many details of the case that have otherwise been buried. Hardhitting and full of insights, this book makes essential reading for academics, students, researchers, and anyone interested in crime, police, and institutional racism.</description>
      <content:encoded>&lt;div&gt;Young people who come into contact with police officers on the streets of Britain today have little idea of the significance of the stabbing death of Stephen Lawrence in 1993. Only their parents or grandparents remember the daily news stories for several months following the stabbing of police incompetence and racism. This unique book reminds us of the importance of the Stephen Lawrence case, providing an insider&amp;rsquo;s view of the inquiry into his murder.&lt;br&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Presenting never-before-seen information about the Stephen Lawrence inquiry, panel member Richard Stone helps explain why it has not brought sufficient results, and why it has failed to change institutional racism. Using the case as a springboard, he discusses wider contemporary issues&amp;mdash;such as policing practices and double-jeopardy rulings&amp;mdash;and the lessons we can learn from the many details of the case that have otherwise been buried. Hardhitting and full of insights, this book makes essential reading for academics, students, researchers, and anyone interested in crime, police, and institutional racism.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447308485.jpg" length="59517" type="image/jpeg" />
      <category>Criminology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Richard Stone</author>
      <guid isPermaLink="false">9781447308485</guid>
    </item>
    <item>
      <title>Greece</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo5891277.html</link>
      <description>The remains of antiquity define Greek architecture in the popular imagination, but Greek edifices encompass far more than these ancient structures. Offered here is a comprehensive survey of modern Greek architecture of the past hundred-plus years.The book explores the buildings and architects of modern Greece, ranging from nineteenth-century neoclassical edifices to minimalist contemporary works and urban renewal projects. The ideas driving the creation of these buildings are given full attention, as the authors examine the influence of the rise of Modernism in the arts and the characteristics of regional styles, while also considering the reasons behind the bland, functional structures that have dominated Greek cityscapes since World War II. Greece situates this design survey within the nation’s tumultuous cultural and political history, including the two world wars, a military dictatorship, civil war, and the consumerist boom of the 1990s.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; A penetrating and thorough study, Greece offers a compelling account of modern Greek architecture that will be invaluable for all scholars of design and European history.&amp;#160;</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;&lt;div&gt;The remains of antiquity define Greek architecture in the popular imagination, but Greek edifices encompass far more than these ancient structures. Offered here is a comprehensive survey of modern Greek architecture of the past hundred-plus years.&lt;/div&gt;&lt;div&gt;The book explores the buildings and architects of modern Greece, ranging from nineteenth-century neoclassical edifices to minimalist contemporary works and urban renewal projects. The ideas driving the creation of these buildings are given full attention, as the authors examine the influence of the rise of Modernism in the arts and the characteristics of regional styles, while also considering the reasons behind the bland, functional structures that have dominated Greek cityscapes since World War II. &lt;i&gt;Greece&lt;/i&gt;&lt;i&gt; &lt;/i&gt;situates this design survey within the nation&amp;rsquo;s tumultuous cultural and political history, including the two world wars, a military dictatorship, civil war, and the consumerist boom of the 1990s.&lt;/div&gt;&lt;div&gt;&lt;br&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; A penetrating and thorough study, &lt;i&gt;Greece&lt;/i&gt; offers a compelling account of modern Greek architecture that will be invaluable for all scholars of design and European history.&lt;br&gt;&amp;#160;&lt;/div&gt;&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/61/89/9781861893796.jpeg" length="28544" type="image/jpeg" />
      <category>Architecture: Architecture--Criticism</category>
      <category>Architecture: European Architecture</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Alexander Tzonis; Alcestis P. Rodi</author>
      <guid isPermaLink="false">9781861893796</guid>
    </item>
    <item>
      <title>Young Muslims, Pedagogy and Islam</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/Y/bo15531495.html</link>
      <description>Written by a leading practitioner and academic in the field of youth and community work, this multidisciplinary book approaches the lives of Muslim young people from theoretical, social, and theological viewpoints. M. G. Khan moves beyond notions of gendered provision and confessional activity to ask what defines a Muslim pedagogy. He presents a theoretical frame for Muslim youth work that is accessible to informal educators and Muslims alike, providing insight and analysis of nuances that are only possible from on-the-ground engagement.</description>
      <content:encoded>&lt;div&gt;Written by a leading practitioner and academic in the field of youth and community work, this multidisciplinary book approaches the lives of Muslim young people from theoretical, social, and theological viewpoints. M. G. Khan moves beyond notions of gendered provision and confessional activity to ask what defines a Muslim pedagogy. He presents a theoretical frame for Muslim youth work that is accessible to informal educators and Muslims alike, providing insight and analysis of nuances that are only possible from on-the-ground engagement.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847428783.jpg" length="82247" type="image/jpeg" />
      <category>Sociology: Race, Ethnic, and Minority Relations</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>M. G. Khan</author>
      <guid isPermaLink="false">9781847428776</guid>
    </item>
    <item>
      <title>Young Muslims, Pedagogy and Islam</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/Y/bo15531495.html</link>
      <description>Written by a leading practitioner and academic in the field of youth and community work, this multidisciplinary book approaches the lives of Muslim young people from theoretical, social, and theological viewpoints. M. G. Khan moves beyond notions of gendered provision and confessional activity to ask what defines a Muslim pedagogy. He presents a theoretical frame for Muslim youth work that is accessible to informal educators and Muslims alike, providing insight and analysis of nuances that are only possible from on-the-ground engagement.</description>
      <content:encoded>&lt;div&gt;Written by a leading practitioner and academic in the field of youth and community work, this multidisciplinary book approaches the lives of Muslim young people from theoretical, social, and theological viewpoints. M. G. Khan moves beyond notions of gendered provision and confessional activity to ask what defines a Muslim pedagogy. He presents a theoretical frame for Muslim youth work that is accessible to informal educators and Muslims alike, providing insight and analysis of nuances that are only possible from on-the-ground engagement.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/47/42/9781847428783.jpg" length="82247" type="image/jpeg" />
      <category>Sociology: Race, Ethnic, and Minority Relations</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>M. G. Khan</author>
      <guid isPermaLink="false">9781847428783</guid>
    </item>
    <item>
      <title>Tantalisingly Close</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/T/bo13245934.html</link>
      <description>In this important new study, Imar de Vries take a historical and comparative approach in researching our intimate relationship with present-day mobile wireless technologies. By analyzing the full range of human expectations and behavior in regard to mobile devices, de Vries looks at how wireless gadgets have changed our ideas about communication, while at the same time he demonstrates how modern technology surprisingly repeats the patterns of older media. Applying a far-reaching and archaeological perspective to communication media, Tantalisingly Close looks at human desire to connect and the way that it has both shaped and been shaped by technology, past and present.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;&lt;div&gt;In this important new study, Imar de Vries take a historical and comparative approach in researching our intimate relationship with present-day mobile wireless technologies. By analyzing the full range of human expectations and behavior in regard to mobile devices, de Vries looks at how wireless gadgets have changed our ideas about communication, while at the same time he demonstrates how modern technology surprisingly repeats the patterns of older media. Applying a far-reaching and archaeological perspective to communication media, &lt;i&gt;Tantalisingly Close &lt;/i&gt;looks at human desire to connect and the way that it has both shaped and been shaped by technology, past and present.&lt;/div&gt;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/89/64/9789089643544.jpg" length="74984" type="image/jpeg" />
      <category>Media Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Imar De Vries</author>
      <guid isPermaLink="false">9789089643544</guid>
    </item>
    <item>
      <title>Turkish and Moroccan Second Generation and Their Comparison Group Peers in Amsterdam and Rotterdam</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/T/bo13305709.html</link>
      <description>This report provides technical information from a study on the lives of the second generation of Turkish and Moroccan immigrants in the Netherlands today. Respondents provided detailed information on cultural, social, and economic aspects of integration in Dutch society. This report has a methodological focus and is important to those wishing to further explore the collected data and examine aspects of the survey’s design and implementation.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;&lt;div&gt;&lt;div&gt;This report provides technical information from a study on the lives of the second generation of Turkish and Moroccan immigrants in the Netherlands today. Respondents provided detailed information on cultural, social, and economic aspects of integration in Dutch society. This report has a methodological focus and is important to those wishing to further explore the collected data and examine aspects of the survey&amp;rsquo;s design and implementation. &lt;/div&gt;&lt;/div&gt;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/90/85/55/9789085550549.jpg" length="58703" type="image/jpeg" />
      <category>Culture Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nienke E. Hornstra; George Groenewold; Laurence Lessard-Phillips</author>
      <guid isPermaLink="false">9789085550549</guid>
    </item>
    <item>
      <title>Short Guide to Working with Children and Young People</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15541685.html</link>
      <description>Childhood and youth have become increasingly important topics across a range of disciplines, professions, and studies, and The Short Guide to Working with Children and Young People is an accessible introduction to the main concepts and policies surrounding them. Surveying the key theoretical perspectives of child and youth studies, it prepares readers with new ways of thinking about working with children and young people. Clear, concise, and accessible, it allows students to make more informed choices about their career pathways.</description>
      <content:encoded>&lt;div&gt;Childhood and youth have become increasingly important topics across a range of disciplines, professions, and studies, and &lt;i&gt;The Short Guide to Working with Children and Young People&lt;/i&gt; is an accessible introduction to the main concepts and policies surrounding them. Surveying the key theoretical perspectives of child and youth studies, it prepares readers with new ways of thinking about working with children and young people. Clear, concise, and accessible, it allows students to make more informed choices about their career pathways.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447300236.jpg" length="56820" type="image/jpeg" />
      <category>Sociology: Sociology--Marriage and Family</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Liesl Conradie; Tyrrell Golding</author>
      <guid isPermaLink="false">9781447300236</guid>
    </item>
    <item>
      <title>Story of Six Rivers</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15584391.html</link>
      <description>Many of the world’s major cities sprang up on the banks of rivers. Used for water, food, irrigation, transportation, and power, rivers sustain life and connect the world together, but most of us think of them simply as waterways that must be crossed on the way to another place. Using four European and two North American rivers as examples, A Story of Six Rivers considers the place of rivers in our world and emphasizes the inextricable links between history, culture, and ecology.&amp;#160;Peter Coates explores six rivers, chosen as examples of the types of rivers found on the planet: the Danube, the second-longest river in Europe; the Spree, which flows through Berlin; the Po, which cuts eastward across northern Italy; the Mersey in northwest England; the Yukon, which runs through Canada and Alaska; and the Los Angeles in California. Creating a series of river biographies, Coates gives voice to each of these bodies of water, exploring how rivers nurture us, provide cultural and economic opportunities, and pose threats to our everyday lives. He challenges recent narratives that paint rivers as the victims of abuse, pollution, and damage at the hands of humans, focusing on change rather than devastation. Describing how humans and rivers form a symbiotic—and sometimes mutually destructive—relationship, Coates argues that rivers illustrate the limits of human authority and that their capacity to inspire us is as strong as our ability to pollute them.&amp;#160;An intimate portrait of the way these bodies of water inform our lives, A Story of Six Rivers will make us reconsider the streams and tributaries we traverse each day.</description>
      <content:encoded>&lt;div&gt;Many of the world&amp;rsquo;s major cities sprang up on the banks of rivers. Used for water, food, irrigation, transportation, and power, rivers sustain life and connect the world together, but most of us think of them simply as waterways that must be crossed on the way to another place. Using four European and two North American rivers as examples, &lt;i&gt;A Story of Six Rivers&lt;/i&gt; considers the place of rivers in our world and emphasizes the inextricable links between history, culture, and ecology.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Peter Coates explores six rivers, chosen as examples of the types of rivers found on the planet: the Danube, the second-longest river in Europe; the Spree, which flows through Berlin; the Po, which cuts eastward across northern Italy; the Mersey in northwest England; the Yukon, which runs through Canada and Alaska; and the Los Angeles in California. Creating a series of river biographies, Coates gives voice to each of these bodies of water, exploring how rivers nurture us, provide cultural and economic opportunities, and pose threats to our everyday lives. He challenges recent narratives that paint rivers as the victims of abuse, pollution, and damage at the hands of humans, focusing on change rather than devastation. Describing how humans and rivers form a symbiotic&amp;mdash;and sometimes mutually destructive&amp;mdash;relationship, Coates argues that rivers illustrate the limits of human authority and that their capacity to inspire us is as strong as our ability to pollute them.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;An intimate portrait of the way these bodies of water inform our lives, &lt;i&gt;A Story of Six Rivers&lt;/i&gt; will make us reconsider the streams and tributaries we traverse each day.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231068.jpg" length="42691" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Peter Coates</author>
      <guid isPermaLink="false">9781780231068</guid>
    </item>
    <item>
      <title>Spoken Word: William S. Burroughs and Brion Gysin</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15610398.html</link>
      <description>The latest release in the British Library’s highly acclaimed Spoken Word series of authors in their own words, The Spoken Word: William S. Burroughs and Brion Gysin is a rare collection of recordings featuring the American writer William S. Burroughs (1914–97) and the British-born artist Brion Gysin (1916–86), the man Burroughs credited with the invention of the “cut-up”   literary technique. The centerpiece of the collection is a complete, previously unissued recording of Burroughs reading live in Liverpool in 1982.&amp;#160;The disc also includes performances by Gysin of a selection of his “permutated poems,” as well as previously unheard home recordings made by the pair in Paris in 1970, all taken from tapes in the British Library collection.&amp;#160;</description>
      <content:encoded>&lt;div&gt;The latest release in the British Library&amp;rsquo;s highly acclaimed Spoken Word series of authors in their own words, &lt;i&gt;The Spoken Word: William S. Burroughs and Brion Gysin&lt;/i&gt; is a rare collection of recordings featuring the American writer William S. Burroughs (1914&amp;ndash;97) and the British-born artist Brion Gysin (1916&amp;ndash;86), the man Burroughs credited with the invention of the &amp;ldquo;cut-up&amp;rdquo;   literary technique. The centerpiece of the collection is a complete, previously unissued recording of Burroughs reading live in Liverpool in 1982.&amp;#160;The disc also includes performances by Gysin of a selection of his &amp;ldquo;permutated poems,&amp;rdquo; as well as previously unheard home recordings made by the pair in Paris in 1970, all taken from tapes in the British Library collection.&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/12/35/9780712351249.jpg" length="46067" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>The British Library</author>
      <guid isPermaLink="false">9780712351249</guid>
    </item>
    <item>
      <title>Sahmat Collective</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15661244.html</link>
      <description>Founded in 1989, the influential Delhi-based artists’ organization Sahmat has offered a platform for artists, writers, poets, musicians, and actors to create and present works that promote artistic freedom and secular, egalitarian values. A companion to an exhibit of the same name at the Smart Museum of Art, The Sahmat Collective explores the contemporary art scene in Delhi while meditating on the power of art as a tool for social change.The Sahmat Collective documents the history of the organization through a series of case studies, each presenting new scholarship, vivid images, reprints of original articles, essays, and interviews with the artists and organizers of each project. Situating the collective within not only the political sphere in India, but also contemporary art trends from around the world, this beautifully illustrated volume offers both critical essays on the art produced by Sahmat and texts on the political, social, and artistic climate in India by Smart Museum staff members, philosophers, musicians, members of Sahmat, art historians, anthropologists, and artists.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;Founded in 1989, the influential Delhi-based artists&amp;rsquo; organization Sahmat has offered a platform for artists, writers, poets, musicians, and actors to create and present works that promote artistic freedom and secular, egalitarian values. A companion to an exhibit of the same name at the Smart Museum of Art, &lt;i&gt;The Sahmat Collective&lt;/i&gt; explores the contemporary art scene in Delhi while meditating on the power of art as a tool for social change.&lt;/div&gt;&lt;div&gt;&lt;i&gt;The Sahmat Collective&lt;/i&gt; documents the history of the organization through a series of case studies, each presenting new scholarship, vivid images, reprints of original articles, essays, and interviews with the artists and organizers of each project. Situating the collective within not only the political sphere in India, but also contemporary art trends from around the world, this beautifully illustrated volume offers both critical essays on the art produced by Sahmat and texts on the political, social, and artistic climate in India by Smart Museum staff members, philosophers, musicians, members of Sahmat, art historians, anthropologists, and artists.&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/09/35/57/9780935573534.jpg" length="46149" type="image/jpeg" />
      <category>Art: Art--General Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jessica Moss; Ram Rahman</author>
      <guid isPermaLink="false">9780935573534</guid>
    </item>
    <item>
      <title>Song Seekers</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo16064746.html</link>
      <description>&amp;#160;In The Song Seekers, the debut novel by Saswati Sengupta,  the monsoon rains wash over the city of Kolkata while four women sit and  read and talk in the kitchen of Kailash, the old mansion of the  Chattopadhyays where Uma comes to live after her marriage in the summer  of 1962. It is a place of mystery to Uma. Her husband’s silence about  his mother’s murder and the childhood tragedy that beckons him from the  shadowy landing of Kailash, the embroidered handkerchiefs in an old soap  box in her father-in-law’s room, and the strange presence of the old,  green-eyed Pishi—all intrigue and mystify her. But it is only as she  begins to read aloud the traditional Chandimangal—composed by her husband’s grandfather to celebrate the goddess—that the long-buried stories begin to emerge. In The Song Seekers,  Saswati Sengupta recasts the militant goddess Chandi as a wife and  interweaves the history of the Portuguese in Bengal, the rise of print,  the swadeshi movement, and the turbulence of the 1960s in Bengal. These  disparate elements all come together as Uma discovers that the  foundation of the mansion is not only very deep, but it also masks the  stink of death.</description>
      <content:encoded>&lt;div&gt;&amp;#160;In &lt;i&gt;The Song Seekers&lt;/i&gt;, the debut novel by Saswati Sengupta,  the monsoon rains wash over the city of Kolkata while four women sit and  read and talk in the kitchen of Kailash, the old mansion of the  Chattopadhyays where Uma comes to live after her marriage in the summer  of 1962. It is a place of mystery to Uma. Her husband&amp;rsquo;s silence about  his mother&amp;rsquo;s murder and the childhood tragedy that beckons him from the  shadowy landing of Kailash, the embroidered handkerchiefs in an old soap  box in her father-in-law&amp;rsquo;s room, and the strange presence of the old,  green-eyed Pishi&amp;mdash;all intrigue and mystify her. But it is only as she  begins to read aloud the traditional &lt;i&gt;Chandimangal&amp;mdash;&lt;/i&gt;composed by her husband&amp;rsquo;s grandfather to celebrate the goddess&amp;mdash;that the long-buried stories begin to emerge. &lt;br&gt;&lt;br&gt;In &lt;i&gt;The Song Seekers&lt;/i&gt;,  Saswati Sengupta recasts the militant goddess Chandi as a wife and  interweaves the history of the Portuguese in Bengal, the rise of print,  the swadeshi movement, and the turbulence of the 1960s in Bengal. These  disparate elements all come together as Uma discovers that the  foundation of the mansion is not only very deep, but it also masks the  stink of death.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/93/81/01/9789381017036.jpg" length="90727" type="image/jpeg" />
      <category>Literature and Literary Criticism: Fiction</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Saswati Sengupta</author>
      <guid isPermaLink="false">9789381017036</guid>
    </item>
    <item>
      <title>Spectacles of Blood</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo16064954.html</link>
      <description>This superb collection of essays illuminates the film portrayal of  violence, masculinity, and power in a postcolonial context, showing how  the cinema challenges, normalizes, or contests these major issues.  Taking an interdisciplinary and comparative approach, drawing from  literature, sociology, and media studies, the essays shed light on films  about societal violence in postcolonial cultures, whether it be  terrorism, suicide bombings, the underworld, organized crime, or mob  violence.&amp;#160;The contributors to Spectacles of Blood look at  the dynamics of the representation of these issues as cinematic plots  and techniques, drawing attention to the affective value of the films in  generating and foregrounding the feelings invoked by the onscreen  violence, and the impact of these emotions on the formation of national  and cosmopolitan identity. International in scope, covering films from  Europe, Asia, and Latin America, these essays enrich both literary  studies and social studies with a nuanced borrowing and intermixing of  their primary texts and modes of interpretation.</description>
      <content:encoded>&lt;div&gt;This superb collection of essays illuminates the film portrayal of  violence, masculinity, and power in a postcolonial context, showing how  the cinema challenges, normalizes, or contests these major issues.  Taking an interdisciplinary and comparative approach, drawing from  literature, sociology, and media studies, the essays shed light on films  about societal violence in postcolonial cultures, whether it be  terrorism, suicide bombings, the underworld, organized crime, or mob  violence.&amp;#160;&lt;br&gt;&lt;br&gt;The contributors to &lt;i&gt;Spectacles of Blood&lt;/i&gt; look at  the dynamics of the representation of these issues as cinematic plots  and techniques, drawing attention to the affective value of the films in  generating and foregrounding the feelings invoked by the onscreen  violence, and the impact of these emotions on the formation of national  and cosmopolitan identity. International in scope, covering films from  Europe, Asia, and Latin America, these essays enrich both literary  studies and social studies with a nuanced borrowing and intermixing of  their primary texts and modes of interpretation.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/93/81/01/9789381017159.jpg" length="23167" type="image/jpeg" />
      <category>Film Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Swaralipi Nandi; Esha Chatterjee</author>
      <guid isPermaLink="false">9789381017159</guid>
    </item>
    <item>
      <title>United Nations Convention on the Rights of the Child in Wales</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/U/bo15483456.html</link>
      <description>This book explains the background and effects of the law adopted by the National Assembly of Wales as a result of the United Nations Convention on the Rights of the Child. It presents studies on several key policy areas where issues of children’s human rights are prominent, including child poverty, special educational needs and health provision, treatment of asylum seekers, and traveler communities. It also examines the key issues of accountability and civic participation, including the questions of involvement of children and young people.</description>
      <content:encoded>&lt;div&gt;This book explains the background and effects of the law adopted by the National Assembly of Wales as a result of the United Nations Convention on the Rights of the Child. It presents studies on several key policy areas where issues of children&amp;rsquo;s human rights are prominent, including child poverty, special educational needs and health provision, treatment of asylum seekers, and traveler communities. It also examines the key issues of accountability and civic participation, including the questions of involvement of children and young people.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325629.jpg" length="29149" type="image/jpeg" />
      <category>Political Science: Public Policy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jane Williams</author>
      <guid isPermaLink="false">9780708325629</guid>
    </item>
    <item>
      <title>Unequal Health</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/U/bo15532210.html</link>
      <description>Health inequalities are the most important inequalities of all, and in the United States and United Kingdom they have reached a formidable size. In this new book from provocative critic Daniel Dorling, health inequalities are held up as the scandal of our times. While health is generally better now than it was a century ago, the gaps in life expectancy between regions, cities—even neighborhoods—have surpassed the worst measures recorded over the past century. Drawing on international studies, annotated lectures, newspaper articles, and interviews, Dorling provides an authoritative critique of this egregious social problem, calling for immediate action against an injustice that any leading nation should be ashamed to allow.</description>
      <content:encoded>&lt;div&gt;Health inequalities are the most important inequalities of all, and in the United States and United Kingdom they have reached a formidable size. In this new book from provocative critic Daniel Dorling, health inequalities are held up as the scandal of our times. While health is generally better now than it was a century ago, the gaps in life expectancy between regions, cities&amp;mdash;even neighborhoods&amp;mdash;have surpassed the worst measures recorded over the past century. Drawing on international studies, annotated lectures, newspaper articles, and interviews, Dorling provides an authoritative critique of this egregious social problem, calling for immediate action against an injustice that any leading nation should be ashamed to allow.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447305149.jpg" length="66473" type="image/jpeg" />
      <category>Medical Science</category>
      <category>Sociology: General Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Danny Dorling</author>
      <guid isPermaLink="false">9781447305149</guid>
    </item>
    <item>
      <title>Unequal Health</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/U/bo15532210.html</link>
      <description>Health inequalities are the most important inequalities of all, and in the United States and United Kingdom they have reached a formidable size. In this new book from provocative critic Daniel Dorling, health inequalities are held up as the scandal of our times. While health is generally better now than it was a century ago, the gaps in life expectancy between regions, cities—even neighborhoods—have surpassed the worst measures recorded over the past century. Drawing on international studies, annotated lectures, newspaper articles, and interviews, Dorling provides an authoritative critique of this egregious social problem, calling for immediate action against an injustice that any leading nation should be ashamed to allow.</description>
      <content:encoded>&lt;div&gt;Health inequalities are the most important inequalities of all, and in the United States and United Kingdom they have reached a formidable size. In this new book from provocative critic Daniel Dorling, health inequalities are held up as the scandal of our times. While health is generally better now than it was a century ago, the gaps in life expectancy between regions, cities&amp;mdash;even neighborhoods&amp;mdash;have surpassed the worst measures recorded over the past century. Drawing on international studies, annotated lectures, newspaper articles, and interviews, Dorling provides an authoritative critique of this egregious social problem, calling for immediate action against an injustice that any leading nation should be ashamed to allow.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447305149.jpg" length="66473" type="image/jpeg" />
      <category>Medical Science</category>
      <category>Sociology: General Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Danny Dorling</author>
      <guid isPermaLink="false">9781447305132</guid>
    </item>
    <item>
      <title>World Without Wall Street?</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo13218112.html</link>
      <description>As the aftershocks of the latest economic meltdown reverberate  throughout the world, and people organize to physically occupy the major  financial centers of the West, few experts and even fewer governments  have dared to consider a world without the powerful markets that brought  on the crash. Yet, as Fran&amp;ccedil;ois Morin explains in A World Without Wall Street?,  this is the very step that needs to be taken as quickly as possible to  avoid a perpetual future of dehumanizing working conditions, devastated  ecosystems, and the submission of public policies to private interests.&amp;#160;&amp;#160;In this insightful and radical take on global finance, Morin  recommends nothing less than a revolutionary reconstruction of the  international monetary system. More, he recommends that the laws of  societies be reformed so that the power of management may be shared among all of the actors involved in production, not concentrated in  the hands of the few. This shift, argues Morin, will transform the  monetary system into a common good for all of humanity, rich or poor.  With Wall Street at the center of the very power structure that needs to  be dismantled, Morin takes broad aim at the purely speculative  financial games and arcane instruments by which the global economy and  its citizens are held captive. In this very timely and provocative book,  Morin bravely offers a way forward—instead of simply triaging a  hemorrhaging system, he persuasively asks us to consider a subversive  reinvention.</description>
      <content:encoded>&lt;div&gt;As the aftershocks of the latest economic meltdown reverberate  throughout the world, and people organize to physically occupy the major  financial centers of the West, few experts and even fewer governments  have dared to consider a world without the powerful markets that brought  on the crash. Yet, as Fran&amp;ccedil;ois Morin explains in &lt;i&gt;A World Without Wall Street?&lt;/i&gt;,  this is the very step that needs to be taken as quickly as possible to  avoid a perpetual future of dehumanizing working conditions, devastated  ecosystems, and the submission of public policies to private interests.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;#160;In this insightful and radical take on global finance, Morin  recommends nothing less than a revolutionary reconstruction of the  international monetary system. More, he recommends that the laws of  societies be reformed so that the power of management may be shared among all of the actors involved in production, not concentrated in  the hands of the few. This shift, argues Morin, will transform the  monetary system into a common good for all of humanity, rich or poor.  With Wall Street at the center of the very power structure that needs to  be dismantled, Morin takes broad aim at the purely speculative  financial games and arcane instruments by which the global economy and  its citizens are held captive. In this very timely and provocative book,  Morin bravely offers a way forward&amp;mdash;instead of simply triaging a  hemorrhaging system, he persuasively asks us to consider a subversive  reinvention.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420312.jpg" length="36802" type="image/jpeg" />
      <category>Economics and Business: Economics--General Theory and Principles</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>François Morin; Krzysztof Fijalkowski; Michael Richardson</author>
      <guid isPermaLink="false">9780857420312</guid>
    </item>
    <item>
      <title>Vessels and Variety</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/V/bo15561948.html</link>
      <description>Addressing topics ranging from production and distribution to iconography and museum collections,&amp;#160;Vessels and Variety&amp;#160;sheds new light on perspectives in the fields of ancient pottery studies. The contributors cover a wide span of time from the Geometric period to the Roman period, exploring both new materials from recent excavations in the Mediterranean—from southern Italy to the Black Sea—as well as new methodological approaches. With richly illustrated articles, this volume provides an important contribution to the ongoing debates on the role of pottery in ancient societies.&amp;#160;</description>
      <content:encoded>&lt;div&gt;Addressing topics ranging from production and distribution to iconography and museum collections,&amp;#160;&lt;i&gt;Vessels and Variety&lt;/i&gt;&amp;#160;sheds new light on perspectives in the fields of ancient pottery studies. The contributors cover a wide span of time from the Geometric period to the Roman period, exploring both new materials from recent excavations in the Mediterranean&amp;mdash;from southern Italy to the Black Sea&amp;mdash;as well as new methodological approaches. With richly illustrated articles, this volume provides an important contribution to the ongoing debates on the role of pottery in ancient societies.&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/53/9788763537513.jpg" length="45560" type="image/jpeg" />
      <category>Archaeology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Hanne Thomasen; Kristine Bøggild Johannsen; Annette Rathje</author>
      <guid isPermaLink="false">9788763537513</guid>
    </item>
    <item>
      <title>Why I Buy</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo14242504.html</link>
      <description>Why do we buy? How do our acts of—and ideas  about—consumption impact our selves, our institutions, and our  societies? An incisive response to these questions, Why I Buy explains how consumption came to give meaning and value to social and personal life.&amp;#160;Balancing  psychological, conceptual, and historical analyses with examples drawn  from popular culture and mass media, Rami Gabriel traces the ways in  which beliefs about the self—including dualism, individualism, and  expressivism—influence consumer behavior. These understandings of the  self, Gabriel argues, structure the values that Americans seek and find  in consumer society; they therefore have structural consequences for our  cultural, political, and economic lives. For example, Gabriel describes  how imbalances in the institutions of participatory politics have  directly resulted from a consumer society centered on powerful  nongovernmental institutions and a scattered body of disengaged citizens  whose social and individual needs are not primarily satisfied through  civic involvement. By exploring the relationship between our individual  needs and our institutions, Gabriel ultimately points the way toward  transformations that could lead to a more sustaining and sustainable  society.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;Why do we buy? How do our acts of&amp;mdash;and ideas  about&amp;mdash;consumption impact our selves, our institutions, and our  societies? An incisive response to these questions, &lt;i&gt;Why I Buy&lt;/i&gt; explains how consumption came to give meaning and value to social and personal life.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Balancing  psychological, conceptual, and historical analyses with examples drawn  from popular culture and mass media, Rami Gabriel traces the ways in  which beliefs about the self&amp;mdash;including dualism, individualism, and  expressivism&amp;mdash;influence consumer behavior. These understandings of the  self, Gabriel argues, structure the values that Americans seek and find  in consumer society; they therefore have structural consequences for our  cultural, political, and economic lives. For example, Gabriel describes  how imbalances in the institutions of participatory politics have  directly resulted from a consumer society centered on powerful  nongovernmental institutions and a scattered body of disengaged citizens  whose social and individual needs are not primarily satisfied through  civic involvement. By exploring the relationship between our individual  needs and our institutions, Gabriel ultimately points the way toward  transformations that could lead to a more sustaining and sustainable  society.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841506456.jpg" length="34797" type="image/jpeg" />
      <category>Culture Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Rami Gabriel</author>
      <guid isPermaLink="false">9781841506456</guid>
    </item>
    <item>
      <title>Women's Ghost Literature in Nineteenth-Century Britain</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15483613.html</link>
      <description>Throughout nineteenth-century Britain, female writers excelled within the genre of supernatural literature. Much of their short fiction and poetry uses ghosts as figures to symbolize the problems of gender, class, economics, and imperialism, thus making their supernatural literature something more than just a good scare. Women’s Ghost Literature in Nineteenth-Century Britain recovers and analyzes for a new audience this “social supernatural”  ghost literature, as well as the lives and literary careers of the women who wrote it.</description>
      <content:encoded>&lt;div&gt;Throughout nineteenth-century Britain, female writers excelled within the genre of supernatural literature. Much of their short fiction and poetry uses ghosts as figures to symbolize the problems of gender, class, economics, and imperialism, thus making their supernatural literature something more than just a good scare. &lt;i&gt;Women&amp;rsquo;s Ghost Literature in Nineteenth-Century Britain &lt;/i&gt;recovers and analyzes for a new audience this &amp;ldquo;social supernatural&amp;rdquo;  ghost literature, as well as the lives and literary careers of the women who wrote it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325643.jpg" length="28820" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Women's Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Melissa Edmundson Makala</author>
      <guid isPermaLink="false">9780708325643</guid>
    </item>
    <item>
      <title>Women of the Danish Golden Age</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15562160.html</link>
      <description>This broad, interdisciplinary work explores the often overlooked contributions of women to the cultural life of the Danish Golden Age. Featuring chapters on novelist Thomasine Gyllembourg, actress Johanne Luise Heiberg, and feminist writer Mathilde Fibiger, it spans three generations of women from the early to late Golden Age, examining the perceived proper role of women in Danish society at the time, including an examination of views by male Golden Age writers and thinkers such as S&amp;oslash;ren Kierkegaard and Hans Lassen Martensen. Offering a panorama of personalities, literary texts, theater performances, artworks, and sociopolitical debates,&amp;#160;Women of the Danish Golden Age&amp;#160;is a rich appreciation of the importance of women to Denmark’s cultural life during one of its most flourishing periods.&amp;#160;</description>
      <content:encoded>&lt;div&gt;This broad, interdisciplinary work explores the often overlooked contributions of women to the cultural life of the Danish Golden Age. Featuring chapters on novelist Thomasine Gyllembourg, actress Johanne Luise Heiberg, and feminist writer Mathilde Fibiger, it spans three generations of women from the early to late Golden Age, examining the perceived proper role of women in Danish society at the time, including an examination of views by male Golden Age writers and thinkers such as S&amp;oslash;ren Kierkegaard and Hans Lassen Martensen. Offering a panorama of personalities, literary texts, theater performances, artworks, and sociopolitical debates,&amp;#160;&lt;i&gt;Women of the Danish Golden Age&lt;/i&gt;&amp;#160;is a rich appreciation of the importance of women to Denmark&amp;rsquo;s cultural life during one of its most flourishing periods.&amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/87/63/53/9788763539135.jpg" length="50457" type="image/jpeg" />
      <category>History: European History</category>
      <category>Women's Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Katalin Nun</author>
      <guid isPermaLink="false">9788763539135</guid>
    </item>
    <item>
      <title>World Film Locations: Chicago</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15567600.html</link>
      <description>While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for The Dark Knight. Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone’s favorite foul-mouthed blues act ended their film’s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center. With World Film Locations: Chicago, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city’s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago’s Kartemquim Films; Elizabeth Weitzman, film critic for the New York Daily News; the BBC’s Samira Ahmed; and Steve James, director of the coming-of-age classic Hoop Dreams. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes. A fun and fact-packed read, World Film Locations: Chicago will be welcomed by film fans and anyone planning a trip to the Windy City.</description>
      <content:encoded>&lt;div&gt;While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for &lt;i&gt;The Dark Knight&lt;/i&gt;. Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone&amp;rsquo;s favorite foul-mouthed blues act ended their film&amp;rsquo;s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center. &lt;br&gt;&lt;br&gt;With &lt;i&gt;World Film Locations: Chicago&lt;/i&gt;, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city&amp;rsquo;s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago&amp;rsquo;s Kartemquim Films; Elizabeth Weitzman, film critic for the &lt;i&gt;New York Daily News&lt;/i&gt;; the BBC&amp;rsquo;s Samira Ahmed; and Steve James, director of the coming-of-age classic &lt;i&gt;Hoop Dreams&lt;/i&gt;. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes. &lt;br&gt;&lt;br&gt;A fun and fact-packed read, &lt;i&gt;World Film Locations: Chicago &lt;/i&gt;will be welcomed by film fans and anyone planning a trip to the Windy City.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507187.jpg" length="107697" type="image/jpeg" />
      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Scott Jordan Harris</author>
      <guid isPermaLink="false">9781841507187</guid>
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    <item>
      <title>World Film Locations: Glasgow</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15567755.html</link>
      <description>World Film Locations: Glasgow explores Scotland’s biggest city and the many locations in which its films are viewed, set, and shot. Taking in the important moments and movements in its rich cinematic history, this book seeks to discover the city’s culture, character, and comedy through its cinematic identity. Essays cover a variety of topics including a background of Glasgow’s cinema-goers and picture houses, the evolution of Scots comedy, and the role of the city as inspiration for grassroots and underground filmmakers, as well as big Hollywood productions. Thirty-eight films are featured, from classics like Forsyth’s Gregory’s Girl and Loach’s Carla’s Song to cult hits like Boyle’s Trainspotting. Bollywood is also represented, alongside European titles and grim Scots realism like Sweet Sixteen, My Name is Joe, and Red Road, and new titles including Fast Romance, Perfect Sense, and NEDs, making this an essential guide to Scotland in film.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;World Film Locations: Glasgow&lt;/i&gt; explores Scotland&amp;rsquo;s biggest city and the many locations in which its films are viewed, set, and shot. Taking in the important moments and movements in its rich cinematic history, this book seeks to discover the city&amp;rsquo;s culture, character, and comedy through its cinematic identity. Essays cover a variety of topics including a background of Glasgow&amp;rsquo;s cinema-goers and picture houses, the evolution of Scots comedy, and the role of the city as inspiration for grassroots and underground filmmakers, as well as big Hollywood productions. Thirty-eight films are featured, from classics like Forsyth&amp;rsquo;s &lt;i&gt;Gregory&amp;rsquo;s Girl&lt;/i&gt; and Loach&amp;rsquo;s &lt;i&gt;Carla&amp;rsquo;s Song&lt;/i&gt; to cult hits like Boyle&amp;rsquo;s &lt;i&gt;Trainspotting&lt;/i&gt;. Bollywood is also represented, alongside European titles and grim Scots realism like &lt;i&gt;Sweet Sixteen&lt;/i&gt;, &lt;i&gt;My Name is Joe&lt;/i&gt;, and &lt;i&gt;Red Road&lt;/i&gt;, and new titles including &lt;i&gt;Fast Romance&lt;/i&gt;, &lt;i&gt;Perfect Sense&lt;/i&gt;, and &lt;i&gt;NEDs&lt;/i&gt;, making this an essential guide to Scotland in film.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507194.jpg" length="91118" type="image/jpeg" />
      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nicola Balkind</author>
      <guid isPermaLink="false">9781841507194</guid>
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    <item>
      <title>World Film Locations: Venice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568062.html</link>
      <description>This book explores the rich history of films that have used the floating city as evocative backdrop and integral character. Few cities are as densely packed with picturesque cinematic locations. Extensively illustrated with maps, film stills, and present-day location photos, this book provides both a colorful guide to, and an incisive examination of, Venice on film. It contains insightful film entries describing carefully chosen scenes from each film, as well as six thematic essays, written by an impressive international selection of film critics, academics, and Venice experts. The grand and familiar tourist spots take on new significances, and the book highlights less well-known spots beyond the tourist trail, including gondola repair yards and legendary, but well-hidden, restaurants. From one of the earliest mobile shots in film history—a voyage up the Grand Canal shot in 1896—to classic depictions of the city like Summertime, Death in Venice, and Don’t Look Now, as well as recent big budget productions such as The Tourist, this book spans the history of filmmaking in Venice.</description>
      <content:encoded>&lt;div&gt;This book explores the rich history of films that have used the floating city as evocative backdrop and integral character. Few cities are as densely packed with picturesque cinematic locations. Extensively illustrated with maps, film stills, and present-day location photos, this book provides both a colorful guide to, and an incisive examination of, Venice on film. It contains insightful film entries describing carefully chosen scenes from each film, as well as six thematic essays, written by an impressive international selection of film critics, academics, and Venice experts. The grand and familiar tourist spots take on new significances, and the book highlights less well-known spots beyond the tourist trail, including gondola repair yards and legendary, but well-hidden, restaurants. From one of the earliest mobile shots in film history&amp;mdash;a voyage up the Grand Canal shot in 1896&amp;mdash;to classic depictions of the city like &lt;i&gt;Summertime&lt;/i&gt;, &lt;i&gt;Death in Venice&lt;/i&gt;, and &lt;i&gt;Don&amp;rsquo;t Look Now&lt;/i&gt;, as well as recent big budget productions such as &lt;i&gt;The Tourist&lt;/i&gt;, this book spans the history of filmmaking in Venice.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507200.jpg" length="100630" type="image/jpeg" />
      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Michael Pigott</author>
      <guid isPermaLink="false">9781841507200</guid>
    </item>
    <item>
      <title>World Film Locations: Vancouver</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568220.html</link>
      <description>Vancouver, the fourth largest film and television production center in North America, has hosted Hollywood filmmakers from Robert Altman and Dennis Hopper to Jason Reitman and Brad Bird, and is home to independent talent such as Bruce Sweeney and Mina Shum. World Film Locations: Vancouver offers insight into how so-called “runaway” productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver’s film industry throughout the ages. The volume presents Vancouver’s rich diversity and complexity, where magnificent marine and mountain views are both showcased and masked, downtown landmarks provide the backdrop for thrilling sequences, and lesser-known neighborhoods frame intriguing characters and plotlines. This book offers new perspectives on the relationship between the movies and the metropolis.</description>
      <content:encoded>&lt;div&gt;Vancouver, the fourth largest film and television production center in North America, has hosted Hollywood filmmakers from Robert Altman and Dennis Hopper to Jason Reitman and Brad Bird, and is home to independent talent such as Bruce Sweeney and Mina Shum. &lt;i&gt;World Film Locations: Vancouver&lt;/i&gt; offers insight into how so-called &amp;ldquo;runaway&amp;rdquo; productions from Hollywood use Vancouver as a stand-in for other locations and it highlights the work of Canadian filmmakers who deserve more attention. Thirty-eight analyses of different film scenes reveal the cinematic city in its myriad forms, while spotlight essays provide insight into the creativity and contradictions of Vancouver&amp;rsquo;s film industry throughout the ages. The volume presents Vancouver&amp;rsquo;s rich diversity and complexity, where magnificent marine and mountain views are both showcased and masked, downtown landmarks provide the backdrop for thrilling sequences, and lesser-known neighborhoods frame intriguing characters and plotlines. This book offers new perspectives on the relationship between the movies and the metropolis.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507217.jpg" length="101654" type="image/jpeg" />
      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Rachel Walls</author>
      <guid isPermaLink="false">9781841507217</guid>
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    <item>
      <title>World Film Locations: Marseilles</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15568620.html</link>
      <description>As France’s oldest city, Marseilles has a significant cinematic culture, dating back to the 1890s when the Lumi&amp;egrave;re brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as “the French Los Angeles.” World Film Locations: Marseilles examines the representations of this port city in cinema, through essays and film scene reviews devoted to an exploration of its topography as depicted by Jean Epstein, Jean-Luc Godard, Jean-Pierre Melville, Jean Renoir, Jean-Jacques Beineix, and many others. This volume showcases Marseilles’s diversity as articulated onscreen: from the winding streets of the Panier to the Old Port’s noisy markets, from the bustling Canebi&amp;egrave;re to the dockyards of the Grand Port Maritime, from the cliffs of Proven&amp;ccedil;al encircling the city to sun-drenched calanques leading to the dazzling cerulean sea. World Film Locations: Marseilles features maps of film scenes, high-quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics and an interview with Marseillais director Robert Gu&amp;eacute;diguian. Marseilles has been named a 2013–14 European Capital of Culture and this book is a fitting and timely tribute.</description>
      <content:encoded>&lt;div&gt;As France&amp;rsquo;s oldest city, Marseilles has a significant cinematic culture, dating back to the 1890s when the Lumi&amp;egrave;re brothers shot many films there. Due to its prolific film industry in the 1920s, Marseilles was referred to as &amp;ldquo;the French Los Angeles.&amp;rdquo; &lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;&lt;i&gt;World Film Locations: Marseilles&lt;/i&gt; examines the representations of this port city in cinema, through essays and film scene reviews devoted to an exploration of its topography as depicted by Jean Epstein, Jean-Luc Godard, Jean-Pierre Melville, Jean Renoir, Jean-Jacques Beineix, and many others. This volume showcases Marseilles&amp;rsquo;s diversity as articulated onscreen: from the winding streets of the Panier to the Old Port&amp;rsquo;s noisy markets, from the bustling Canebi&amp;egrave;re to the dockyards of the Grand Port Maritime, from the cliffs of Proven&amp;ccedil;al encircling the city to sun-drenched &lt;i&gt;calanques&lt;/i&gt; leading to the dazzling cerulean sea. &lt;i&gt;World Film Locations: Marseilles &lt;/i&gt;features maps of film scenes, high-quality screengrabs, and images of movie locations as they appear today, accompanied by original texts penned by leading international film scholars and critics and an interview with Marseillais director Robert Gu&amp;eacute;diguian. Marseilles has been named a 2013&amp;ndash;14 European Capital of Culture and this book is a fitting and timely tribute.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841507231.jpg" length="98892" type="image/jpeg" />
      <category>Film Studies</category>
      <category>Travel and Tourism: Travel Writing and Guides</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Marcelline Block</author>
      <guid isPermaLink="false">9781841507231</guid>
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    <item>
      <title>Wine</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo15580931.html</link>
      <description>Look. Swirl. Sniff. Taste. Savor. Whether you’re tasting a refreshing white or an aromatic red, these well-known steps are the only proper&amp;#160;way to take the first sip of wine.&amp;#160;Oenophiles have never been rare, but over the past decade, wine culture has exploded. Amateur wine enthusiasts join dedicated collectors at tastings and on vineyard vacations, and young professionals pack trendy wine bars. Even Hollywood has gotten in on the action—movies like Sideways, Bottle Shock, and French Kiss relate the deep love we have for a glass of pinot noir, a bottle of chardonnay, and the grapes that produce them. But how did wine surpass all other beverages to achieve global domination? In Wine, Marc Millon travels back to the origins of modern man to find the answer, discovering that this heady drink is intertwined with the roots of civilization itself.&amp;#160;Wine takes us from Transcaucasia some eight thousand years ago across the Mediterranean Sea, following wine as it spread along with classical civilization throughout Europe, and showing how, thanks to the myths of Dionysus and Bacchus, many of the major wine-producing regions were established in Western Europe. Millon then details how the Spanish conquistadors first brought European grapes to the New World to develop wines for the Catholic mass, and he depicts how wine production traveled to the distant lands of Australia and New Zealand. Today, it is even part of the burgeoning economies of India and China. Millon also explores the types of wine developed in each region, describing the many varieties of grapes and the process of fermentation and storage.&amp;#160;Crisp and concise, with a hint of cherry and a soupcon of citrus, Wine provides the perfect introduction for wine novices seeking to impress at their first tasting while offering an engaging chronicle for experts looking to learn more about this most mysterious and magical of beverages.</description>
      <content:encoded>&lt;div&gt;Look. Swirl. Sniff. Taste. Savor. Whether you&amp;rsquo;re tasting a refreshing white or an aromatic red, these well-known steps are the only proper&amp;#160;way to take the first sip of wine.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Oenophiles have never been rare, but over the past decade, wine culture has exploded. Amateur wine enthusiasts join dedicated collectors at tastings and on vineyard vacations, and young professionals pack trendy wine bars. Even Hollywood has gotten in on the action&amp;mdash;movies like &lt;i&gt;Sideways&lt;/i&gt;, &lt;i&gt;Bottle Shock&lt;/i&gt;, and &lt;i&gt;French Kiss&lt;/i&gt; relate the deep love we have for a glass of pinot noir, a bottle of chardonnay, and the grapes that produce them. But how did wine surpass all other beverages to achieve global domination? In &lt;i&gt;Wine&lt;/i&gt;, Marc Millon travels back to the origins of modern man to find the answer, discovering that this heady drink is intertwined with the roots of civilization itself.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Wine&lt;/i&gt; takes us from Transcaucasia some eight thousand years ago across the Mediterranean Sea, following wine as it spread along with classical civilization throughout Europe, and showing how, thanks to the myths of Dionysus and Bacchus, many of the major wine-producing regions were established in Western Europe. Millon then details how the Spanish conquistadors first brought European grapes to the New World to develop wines for the Catholic mass, and he depicts how wine production traveled to the distant lands of Australia and New Zealand. Today, it is even part of the burgeoning economies of India and China. Millon also explores the types of wine developed in each region, describing the many varieties of grapes and the process of fermentation and storage.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Crisp and concise, with a hint of cherry and a soupcon of citrus, &lt;i&gt;Wine&lt;/i&gt; provides the perfect introduction for wine novices seeking to impress at their first tasting while offering an engaging chronicle for experts looking to learn more about this most mysterious and magical of beverages.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780231112.jpg" length="18808" type="image/jpeg" />
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Marc Millon</author>
      <guid isPermaLink="false">9781780231112</guid>
    </item>
    <item>
      <title>Women Changing India</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/W/bo16066042.html</link>
      <description>India is changing. And at the heart of this change are its women.  The change is widespread and varied, individual and collective,  reflecting the full spectrum of women’s lives, whether in politics or in  economics, in business, or within their daily domestic work. This book  maps—in words and in one hundred and fifty marvelous color  photographs—some of the changes that are both visible and invisible in  India today.In Women Changing India, six writers  flesh out the stories captured by photographers Raghu Rai, Martine  Franck, Olivia Arthur, Alex Webb, Alessandra Sanguinetti, and Patrick  Zachmann from the world-renowned Magnum Photos. These beautiful and  evocative photographs focus on the world of women working with the help  of microloans, participating in grassroots governance, working behind  the scenes in the Mumbai film industry, and moving into new jobs, often  in male-dominated fields. Together, they are making contributions in  varied fields and imagining a new future for themselves and other women.  Featuring contributions from leading writers, Women Changing India  offers a window into the lives of women living in South Asia today,  bringing to public attention their complex realities and their  aspirations for a better world.</description>
      <content:encoded>&lt;div&gt;India is changing. And at the heart of this change are its women.  The change is widespread and varied, individual and collective,  reflecting the full spectrum of women&amp;rsquo;s lives, whether in politics or in  economics, in business, or within their daily domestic work. This book  maps&amp;mdash;in words and in one hundred and fifty marvelous color  photographs&amp;mdash;some of the changes that are both visible and invisible in  India today.&lt;br&gt;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Women Changing India&lt;/i&gt;, six writers  flesh out the stories captured by photographers Raghu Rai, Martine  Franck, Olivia Arthur, Alex Webb, Alessandra Sanguinetti, and Patrick  Zachmann from the world-renowned Magnum Photos. These beautiful and  evocative photographs focus on the world of women working with the help  of microloans, participating in grassroots governance, working behind  the scenes in the Mumbai film industry, and moving into new jobs, often  in male-dominated fields. Together, they are making contributions in  varied fields and imagining a new future for themselves and other women.  Featuring contributions from leading writers, &lt;i&gt;Women Changing India&lt;/i&gt;  offers a window into the lives of women living in South Asia today,  bringing to public attention their complex realities and their  aspirations for a better world.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/81/89/88/9788189884970.jpg" length="44129" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>Women's Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Urvashi Butalia; Anita Roy</author>
      <guid isPermaLink="false">9788189884970</guid>
    </item>
    <item>
      <title>Stanley Kubrick at Look Magazine</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo14230127.html</link>
      <description>From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for Look  magazine. Offering a comprehensive examination of the work he produced  during this period—before going on to become one of America’s most  celebrated filmmakers—Stanley Kubrick at "Look" Magazine sheds new light on the aesthetic and ideological factors that shaped his artistic voice.&amp;#160;Tracing the links between his photojournalism and films, Philippe Mather shows how working at Look  fostered Kubrick’s emerging genius for combining images and words to  tell a story. Mather then demonstrates how exploring these links  enhances our understanding of Kubrick’s approach to narrative  structure—as well as his distinctive combinations of such genres as  fiction and documentary, and fantasy and realism.&amp;#160;Beautifully written and exhaustively researched, Stanley Kubrick at "Look" Magazine features never-before-published photographs from the Look  archives and complete scans of Kubrick’s photo essays from  hard-to-obtain back issues of the magazine. It will be an indispensable  addition to the libraries of Kubrick scholars and fans.</description>
      <content:encoded>&lt;p&gt;&lt;div&gt;From 1945 to 1950, during the formative years of his career, Stanley Kubrick worked as a photojournalist for &lt;i&gt;Look&lt;/i&gt;  magazine. Offering a comprehensive examination of the work he produced  during this period&amp;mdash;before going on to become one of America&amp;rsquo;s most  celebrated filmmakers&amp;mdash;&lt;i&gt;Stanley Kubrick a&lt;/i&gt;&lt;i&gt;t &amp;quot;Look&lt;/i&gt;&lt;i&gt;&amp;quot; Magazine&lt;/i&gt; sheds new light on the aesthetic and ideological factors that shaped his artistic voice.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Tracing the links between his photojournalism and films, Philippe Mather shows how working at &lt;i&gt;Look&lt;/i&gt;  fostered Kubrick&amp;rsquo;s emerging genius for combining images and words to  tell a story. Mather then demonstrates how exploring these links  enhances our understanding of Kubrick&amp;rsquo;s approach to narrative  structure&amp;mdash;as well as his distinctive combinations of such genres as  fiction and documentary, and fantasy and realism.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Beautifully written and exhaustively researched, &lt;i&gt;Stanley Kubrick a&lt;/i&gt;&lt;i&gt;t &amp;quot;Look&lt;/i&gt;&lt;i&gt;&amp;quot; Magazine&lt;/i&gt; features never-before-published photographs from the &lt;i&gt;Look&lt;/i&gt;  archives and complete scans of Kubrick&amp;rsquo;s photo essays from  hard-to-obtain back issues of the magazine. It will be an indispensable  addition to the libraries of Kubrick scholars and fans.&lt;/div&gt;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841506111.jpg" length="48521" type="image/jpeg" />
      <category>Art: Photography</category>
      <category>Film Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Philippe D. Mather</author>
      <guid isPermaLink="false">9781841506111</guid>
    </item>
    <item>
      <title>Sustainability, Participation and Culture in Communication</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo14236886.html</link>
      <description>At a time when sustainability is on everyone’s lips, this volume is one of the first to offer an overview of sustainability and communication issues—including community mobilization, information technologies, gender and social norms, mass media, interpersonal communication, and integrated communication approaches—from a development and social change perspective. Drawing on contemporary theories of communication as well as real-world examples from development projects around the world, the contributors showcase the increasing richness and versatility of communication research and practice. Together, they make a case for adopting a more comprehensive perspective on communication in the areas of development and social change.</description>
      <content:encoded>&lt;div&gt;At a time when sustainability is on everyone&amp;rsquo;s lips, this volume is one of the first to offer an overview of sustainability and communication issues&amp;mdash;including community mobilization, information technologies, gender and social norms, mass media, interpersonal communication, and integrated communication approaches&amp;mdash;from a development and social change perspective. Drawing on contemporary theories of communication as well as real-world examples from development projects around the world, the contributors showcase the increasing richness and versatility of communication research and practice. Together, they make a case for adopting a more comprehensive perspective on communication in the areas of development and social change.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841506616.jpg" length="37937" type="image/jpeg" />
      <category>Media Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jan Servaes</author>
      <guid isPermaLink="false">9781841506616</guid>
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    <item>
      <title>Shanghai Street Style</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo14245183.html</link>
      <description>Although fashion fixtures and A-list celebrities pack the front rows at the biggest, most glamorous shows at fashion week, the most creative attire is often found not on the catwalks or inside the auditoriums but on the streets. Nowhere is this more evident than in the cosmopolitan city of Shanghai, where a vintage Vivienne Westwood frock pairs perfectly with a chic puffer, and neon brights elevate distressed denim to veritable haute couture.Shanghai Street Style marksthe inaugural volume in an exciting new street style series from Intellect. With an array of up-and-coming young designers like Coko Wan, Nio, and Helen Lee, Shanghai is swiftly cementing its status as a global fashion destination&amp;#8212;its first fashion week was in 2011&amp;#8212;and this book brings together more than one hundred full-color photographs showcasing the remarkable diversity of styles seen on its streets. Alongside the photographs are short pieces of critical commentary by Vicki Karaminas and Toni Johnson-Woods, shedding light on the city&amp;#8217;s changing culture and how this is expressed through the clothing choices of ordinary city-dwellers going about their daily routines. The result is a stunning street-level look at the trends shaping Shanghai&amp;#8217;s fascinating fashion scene, with interesting echoes of East meets West and old meets new.&amp;#160;Eye-catching, entertaining, and informative, Shanghai Street Style gets at the roots of Shanghai trendsetters&amp;#8217; distinct personal styles, identifying the ideas and important cultural forces behind the trends.</description>
      <content:encoded>&lt;p&gt;Although fashion fixtures and A-list celebrities pack the front rows at the biggest, most glamorous shows at fashion week, the most creative attire is often found not on the catwalks or inside the auditoriums but on the streets. Nowhere is this more evident than in the cosmopolitan city of Shanghai, where a vintage Vivienne Westwood frock pairs perfectly with a chic puffer, and neon brights elevate distressed denim to veritable haute couture.&lt;/p&gt;&lt;p&gt;&lt;div&gt;&lt;i&gt;Shanghai Street Style &lt;/i&gt;marksthe inaugural volume in an exciting new street style series from Intellect. With an array of up-and-coming young designers like Coko Wan, Nio, and Helen Lee, Shanghai is swiftly cementing its status as a global fashion destination&amp;#8212;its first fashion week was in 2011&amp;#8212;and this book brings together more than one hundred full-color photographs showcasing the remarkable diversity of styles seen on its streets. Alongside the photographs are short pieces of critical commentary by Vicki Karaminas and Toni Johnson-Woods, shedding light on the city&amp;#8217;s changing culture and how this is expressed through the clothing choices of ordinary city-dwellers going about their daily routines. The result is a stunning street-level look at the trends shaping Shanghai&amp;#8217;s fascinating fashion scene, with interesting echoes of East meets West and old meets new.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Eye-catching, entertaining, and informative, &lt;i&gt;Shanghai Street Style&lt;/i&gt; gets at the roots of Shanghai trendsetters&amp;#8217; distinct personal styles, identifying the ideas and important cultural forces behind the trends.&lt;/div&gt;&lt;p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/41/50/9781841505381.jpg" length="55844" type="image/jpeg" />
      <category>Art: Design</category>
      <category>Culture Studies</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Vicki Karaminas; Toni Johnson-Woods</author>
      <guid isPermaLink="false">9781841505381</guid>
    </item>
    <item>
      <title>Reckitt's Blue</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo14417242.html</link>
      <description>An iconic work of Western art, Fragonard’s L’escarpolette, or The Swing, is often reproduced and its famous foreground image of a young woman losing her slipper mid-swing is widely familiar. In Reckitt’s Blue, John  Wilkinson explores that well-known scene in a sequence of poems that engages  with the image of the flying slipper.Though born out of  visual encounters with art, the title poem of this book also examines artifacts that evoke a violent encounter, weaponry and  domestic and ritual objects from the Jolika collection of Papua New Guinean materials in San Francisco's de Young Museum. It is here that Wilkinson’s concentrated lines evidence what the critic Simon  Jarvis has called Wilkinson’s “unfree verse,” that reaches into new and  unexpected territory in both style and theme. This combination of  sensual beauty, intellectual ambition, and political acuity is like  nothing else in contemporary English-language poetry. The ‘Tornada’ that separates and stitches together these sequences meditates on fire, clay and glaze, on violence and reflective stillness.&amp;#160;“John  Wilkinson's taut, precise poems, in which lyric grace and ethical  urgency move together but never comfortably mix, amount to one of the  most significant bodies of work in contemporary poetry.”—Patrick  McGuinness&amp;#160;&amp;#160;</description>
      <content:encoded>&lt;p&gt;An iconic work of Western art, Fragonard&amp;rsquo;s &lt;i&gt;L&lt;/i&gt;&amp;rsquo;&lt;i&gt;escarpolette, &lt;/i&gt;or &lt;i&gt;The Swing,&lt;/i&gt; is often reproduced and its famous foreground image of a young woman losing her slipper mid-swing is widely familiar. In &lt;i&gt;Reckitt&amp;rsquo;s Blue&lt;/i&gt;, John  Wilkinson explores that well-known scene in a sequence of poems that engages  with the image of the flying slipper.&lt;/p&gt;&lt;div&gt;Though born out of  visual encounters with art, the title poem of this book also examines artifacts that evoke a violent encounter, weaponry and  domestic and ritual objects from the Jolika collection of Papua New Guinean materials in San Francisco's de Young Museum. It is here that Wilkinson&amp;rsquo;s concentrated lines evidence what the critic Simon  Jarvis has called Wilkinson&amp;rsquo;s &amp;ldquo;unfree verse,&amp;rdquo; that reaches into new and  unexpected territory in both style and theme. This combination of  sensual beauty, intellectual ambition, and political acuity is like  nothing else in contemporary English-language poetry. The &amp;lsquo;Tornada&amp;rsquo; that separates and stitches together these sequences meditates on fire, clay and glaze, on violence and reflective stillness.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;ldquo;John  Wilkinson's taut, precise poems, in which lyric grace and ethical  urgency move together but never comfortably mix, amount to one of the  most significant bodies of work in contemporary poetry.&amp;rdquo;&amp;mdash;Patrick  McGuinness&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;p&gt;&amp;#160;&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/08/57/42/9780857420923.jpg" length="612604" type="image/jpeg" />
      <category>Literature and Literary Criticism: Poetry</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>John Wilkinson</author>
      <guid isPermaLink="false">9780857420923</guid>
    </item>
    <item>
      <title>R. S. Thomas</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15482828.html</link>
      <description>During his lifetime R. S. Thomas (1913–2000) achieved notoriety as the Ogre of Wales, a Welsh extremist, and a poet of serial obsessions. Published to mark the centenary of his birth, this volume explores those elements that fueled Thomas’s fiercely intense imagination, including Wales, his family, and his vexed relationship with religion, as well as with his best-known character, Iago Prytherch. Here, these familiar obsessions are set in several unusual contexts that bring his poetry into startling new relief: his war poems are considered alongside his early work focusing on the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of his concerns; the intriguing “secret code”   of some of his Welsh-language references is cracked; and his painting-poems, including several hitherto unpublished, are brought to the forefront.</description>
      <content:encoded>&lt;div&gt;During his lifetime R. S. Thomas (1913&amp;ndash;2000) achieved notoriety as the Ogre of Wales, a Welsh extremist, and a poet of serial obsessions. Published to mark the centenary of his birth, this volume explores those elements that fueled Thomas&amp;rsquo;s fiercely intense imagination, including Wales, his family, and his vexed relationship with religion, as well as with his best-known character, Iago Prytherch. Here, these familiar obsessions are set in several unusual contexts that bring his poetry into startling new relief: his war poems are considered alongside his early work focusing on the English topographical tradition; comparisons with Borges and Levertov underline the international dimensions of his concerns; the intriguing &amp;ldquo;secret code&amp;rdquo;   of some of his Welsh-language references is cracked; and his painting-poems, including several hitherto unpublished, are brought to the forefront.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325704.jpg" length="29542" type="image/jpeg" />
      <category>Biography and Letters</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>M. Wynn Thomas</author>
      <guid isPermaLink="false">9780708325704</guid>
    </item>
    <item>
      <title>Rediscovering Margiad Evans</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15483130.html</link>
      <description>Margiad Evans (1909–58) was an outstanding writer of the Welsh borderlands whose work was widely admired during her lifetime. She wrote novels, short stories, poetry, and autobiographical works of great originality and nuance. Her life was transformed in later years by epilepsy, followed by the diagnosis of a brain tumor that led to her early death.&amp;#160;This major volume of essays sets out to rediscover the extraordinary work of Margiad Evans, from her use of folktale and the Gothic to the influence of her epilepsy on her creative work.</description>
      <content:encoded>&lt;div&gt;Margiad Evans (1909&amp;ndash;58) was an outstanding writer of the Welsh borderlands whose work was widely admired during her lifetime. She wrote novels, short stories, poetry, and autobiographical works of great originality and nuance. Her life was transformed in later years by epilepsy, followed by the diagnosis of a brain tumor that led to her early death.&amp;#160;This major volume of essays sets out to rediscover the extraordinary work of Margiad Evans, from her use of folktale and the Gothic to the influence of her epilepsy on her creative work.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/07/08/32/9780708325605.jpg" length="31670" type="image/jpeg" />
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Kirsti Bohata; Katie Gramich</author>
      <guid isPermaLink="false">9780708325605</guid>
    </item>
    <item>
      <title>Rethinking Community Practice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15540324.html</link>
      <description>Combining a reexamination of theory with practical tools and approaches, Rethinking Community Practice provides a new framework for community involvement strategies. Gabriel Chanan and Colin Miller show how this innovative but still amorphous movement can become more coherent, both on the ground and in public policy, by reforming community development, building neighborhood partnerships, measuring outcomes objectively, and synthesizing the best innovations of the past three decades. This is an important new perspective for local public service agencies, practitioners working in communities, and academics and students concerned with these fields.</description>
      <content:encoded>&lt;div&gt;Combining a reexamination of theory with practical tools and approaches, &lt;i&gt;Rethinking Community Practice&lt;/i&gt; provides a new framework for community involvement strategies. Gabriel Chanan and Colin Miller show how this innovative but still amorphous movement can become more coherent, both on the ground and in public policy, by reforming community development, building neighborhood partnerships, measuring outcomes objectively, and synthesizing the best innovations of the past three decades. This is an important new perspective for local public service agencies, practitioners working in communities, and academics and students concerned with these fields.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447300106.jpg" length="58617" type="image/jpeg" />
      <category>Sociology: Social Change, Social Movements, Political Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Gabriel Chanan; Colin Miller</author>
      <guid isPermaLink="false">9781447300090</guid>
    </item>
    <item>
      <title>Rethinking Community Practice</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15540324.html</link>
      <description>Combining a reexamination of theory with practical tools and approaches, Rethinking Community Practice provides a new framework for community involvement strategies. Gabriel Chanan and Colin Miller show how this innovative but still amorphous movement can become more coherent, both on the ground and in public policy, by reforming community development, building neighborhood partnerships, measuring outcomes objectively, and synthesizing the best innovations of the past three decades. This is an important new perspective for local public service agencies, practitioners working in communities, and academics and students concerned with these fields.</description>
      <content:encoded>&lt;div&gt;Combining a reexamination of theory with practical tools and approaches, &lt;i&gt;Rethinking Community Practice&lt;/i&gt; provides a new framework for community involvement strategies. Gabriel Chanan and Colin Miller show how this innovative but still amorphous movement can become more coherent, both on the ground and in public policy, by reforming community development, building neighborhood partnerships, measuring outcomes objectively, and synthesizing the best innovations of the past three decades. This is an important new perspective for local public service agencies, practitioners working in communities, and academics and students concerned with these fields.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/14/47/30/9781447300106.jpg" length="58617" type="image/jpeg" />
      <category>Sociology: Social Change, Social Movements, Political Sociology</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Gabriel Chanan; Colin Miller</author>
      <guid isPermaLink="false">9781447300106</guid>
    </item>
    <item>
      <title>Computational Introduction to Linguistics</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/C/bo16175300.html</link>
      <description>In this book, Almerindo E. Ojeda offers a unique perspective on linguistics by discussing developing computer programs that will assign particular sounds to particular meanings and, conversely, particular meanings to particular sounds. Since these assignments are to operate efficiently over unbounded domains of sound and sense, they can begin to model the two fundamental modalities of human language&amp;#8212;speaking and hearing. The computational approach adopted in this book is motivated by our struggle with one of the key problems of contemporary linguistics&amp;#8212;figuring out how it is that language emerges from the brain.</description>
      <content:encoded>&lt;div&gt;In this book, Almerindo E. Ojeda offers a unique perspective on linguistics by discussing developing computer programs that will assign particular sounds to particular meanings and, conversely, particular meanings to particular sounds. Since these assignments are to operate efficiently over unbounded domains of sound and sense, they can begin to model the two fundamental modalities of human language&amp;#8212;speaking and hearing. The computational approach adopted in this book is motivated by our struggle with one of the key problems of contemporary linguistics&amp;#8212;figuring out how it is that language emerges from the brain.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <category>Language and Linguistics: General Language and Linguistics</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Almerindo E. Ojeda</author>
      <guid isPermaLink="false">9781575866598</guid>
    </item>
    <item>
      <title>Diplomat, Actor, Translator, Spy</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo15696298.html</link>
      <description />
      <content:encoded />
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/09/56/99/9780956992055.jpg" length="40784" type="image/jpeg" />
      <category>Literature and Literary Criticism : African Languages : American and Canadian Literature : Asian Languages : British and Irish Literature : Classical Languages : Dramatic Works : Fiction : General Criticism and Critical Theory : Germanic Languages : Humor : Poetry : Romance Languages : Slavic Languages</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Bernard Turle; Dan Gunn</author>
      <guid isPermaLink="false">9780956992055</guid>
    </item>
    <item>
      <title>Shades of the Other Shore</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/S/bo15696459.html</link>
      <description />
      <content:encoded />
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/09/56/99/9780956992062.jpg" length="40312" type="image/jpeg" />
      <category>Literature and Literary Criticism : African Languages : American and Canadian Literature : Asian Languages : British and Irish Literature : Classical Languages : Dramatic Works : Fiction : General Criticism and Critical Theory : Germanic Languages : Humor : Poetry : Romance Languages : Slavic Languages</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jeffrey Greene; Ralph Petty</author>
      <guid isPermaLink="false">9780956992062</guid>
    </item>
    <item>
      <title>Swordfish</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14167016.html</link>
      <description>A perfect fish in the evolutionary sense, the broadbill swordfish derives its name from its distinctive bill—much longer and wider than the bill of any other billfish—which is flattened into the sword we all recognize. And though the majesty and allure of this warrior fish has commanded much attention—from adventurous sportfishers eager to land one to ravenous diners eager to taste one—no one has yet been bold enough to truly take on the swordfish as a biographer. Who better to do so than Richard Ellis, a master of marine natural history? Swordfish: A Biography of the Ocean Gladiator is his masterly ode to this mighty fighter. The swordfish, whose scientific name means “gladiator,” can take on anyone and&amp;#160;anything, including ships, boats, sharks, submarines, divers, and whales, and in this book Ellis regales us with tales of its vitality and strength. Ellis makes it easy to understand why it has inspired so many to take up the challenge of epic sportfishing battles as well as the longline fishing expeditions recounted by writers such as Linda Greenlaw and Sebastian Junger. Ellis shows us how the bill is used for defense—contrary to popular opinion it is not used to spear prey, but to slash and debilitate, like a skillful saber fencer. Swordfish, he explains, hunt at the surface as well as thousands of feet down in the depths, and like tuna and some sharks, have an unusual circulatory system that gives them a significant advantage over their prey, no matter the depth in which they hunt. Their adaptability enables them to swim in waters the world over—tropical, temperate, and sometimes cold—and the largest ever caught on rod and reel was landed in Chile in 1953, weighing in at 1,182 pounds (and this heavyweight fighter, like all the largest swordfish, was a female). Ellis’s detailed and fascinating, fact-filled biography takes us behind the swordfish’s huge, cornflower-blue eyes and provides a complete history of the fish from prehistoric fossils to its present-day endangerment, as our taste for swordfish has had a drastic effect on their population the world over. Throughout, the book is graced with many of Ellis’s own drawings and paintings, which capture the allure of the fish and bring its splendor and power to life for armchair fishermen and landlocked readers alike.</description>
      <content:encoded>&lt;div&gt;A perfect fish in the evolutionary sense, the broadbill swordfish derives its name from its distinctive bill&amp;mdash;much longer and wider than the bill of any other billfish&amp;mdash;which is flattened into the sword we all recognize. And though the majesty and allure of this warrior fish has commanded much attention&amp;mdash;from adventurous sportfishers eager to land one to ravenous diners eager to taste one&amp;mdash;no one has yet been bold enough to truly take on the swordfish as a biographer. Who better to do so than Richard Ellis, a master of marine natural history? &lt;i&gt;Swordfish: A Biography of the Ocean Gladiator&lt;/i&gt; is his masterly ode to this mighty fighter. &lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;The swordfish, whose scientific name means &amp;ldquo;gladiator,&amp;rdquo; can take on anyone and&amp;#160;anything, including ships, boats, sharks, submarines, divers, and whales, and in this book Ellis regales us with tales of its vitality and strength. Ellis makes it easy to understand why it has inspired so many to take up the challenge of epic sportfishing battles as well as the longline fishing expeditions recounted by writers such as Linda Greenlaw and Sebastian Junger. Ellis shows us how the bill is used for defense&amp;mdash;contrary to popular opinion it is not used to spear prey, but to slash and debilitate, like a skillful saber fencer. Swordfish, he explains, hunt at the surface as well as thousands of feet down in the depths, and like tuna and some sharks, have an unusual circulatory system that gives them a significant advantage over their prey, no matter the depth in which they hunt. Their adaptability enables them to swim in waters the world over&amp;mdash;tropical, temperate, and sometimes cold&amp;mdash;and the largest ever caught on rod and reel was landed in Chile in 1953, weighing in at 1,182 pounds (and this heavyweight fighter, like all the largest swordfish, was a female). &lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Ellis&amp;rsquo;s detailed and fascinating, fact-filled biography takes us behind the swordfish&amp;rsquo;s huge, cornflower-blue eyes and provides a complete history of the fish from prehistoric fossils to its present-day endangerment, as our taste for swordfish has had a drastic effect on their population the world over. Throughout, the book is graced with many of Ellis&amp;rsquo;s own drawings and paintings, which capture the allure of the fish and bring its splendor and power to life for armchair fishermen and landlocked readers alike.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226922904.jpeg" length="24239" type="image/jpeg" />
      <category>Biological Sciences: Ecology</category>
      <category>Biological Sciences: Evolutionary Biology</category>
      <category>Biological Sciences: Natural History</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Richard Ellis</author>
      <guid isPermaLink="false">9780226922904</guid>
    </item>
    <item>
      <title>Smart Casual</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo12946779.html</link>
      <description>Fine dining and the accolades of Michelin stars once meant chandeliers, white tablecloths, and suited waiters with elegant accents. The stuffy attitude and often scant portions were the punchlines of sitcom jokes—it was unthinkable that a gourmet chef would stoop to plate a burger or a taco in his kitchen. And yet today many of us will queue up for a seat at a loud, crowded noodle bar or eagerly seek out that farm-to-table restaurant where not only the burgers and fries are&amp;#160; organic but the ketchup is homemade—but it’s not just us: the critics will be there too, ready to award distinction. Haute has blurred with homey cuisine in the last few decades, but how did this radical change happen, and what does it say about current attitudes toward taste? Here with the answers is food writer Alison Pearlman. In Smart Casual: The Transformation of Gourmet Restaurant Style in America, Pearlman investigates what she identifies as the increasing informality in the design of contemporary American restaurants.&amp;#160;By design, Pearlman does not just mean architecture. Her argument is more expansive—she is as interested in the style and presentation of food, the business plan, and the marketing of chefs as she is in the restaurant’s floor plan or menu design. Pearlman takes us hungrily inside the kitchens and dining rooms of restaurants coast to coast—from David Chang’s Momofuku noodle bar in New York to the seasonal, French-inspired cuisine of Alice Waters and Thomas Keller in California to the deconstructed comfort food of Homaro Cantu’s Moto in Chicago—to explore the different forms and flavors this casualization is taking. Smart Casual examines the assumed correlation between taste and social status, and argues that recent upsets to these distinctions have given rise to a new idea of sophistication, one that champions the omnivorous. The boundaries between high and low have been made flexible due to our desire to eat everything, try everything, and do so in a convivial setting.&amp;#160;Through lively on-the-scene observation and interviews with major players and chefs, Smart Casual will transport readers to restaurants around the country to learn the secrets to their success and popularity. It is certain to give foodies and restaurant-goers something delectable to chew on.</description>
      <content:encoded>&lt;div&gt;Fine dining and the accolades of Michelin stars once meant chandeliers, white tablecloths, and suited waiters with elegant accents. The stuffy attitude and often scant portions were the punchlines of sitcom jokes&amp;mdash;it was unthinkable that a gourmet chef would stoop to plate a burger or a taco in his kitchen. And yet today many of us will queue up for a seat at a loud, crowded noodle bar or eagerly seek out that farm-to-table restaurant where not only the burgers and fries are&amp;#160; organic but the ketchup is homemade&amp;mdash;but it&amp;rsquo;s not just us: the critics will be there too, ready to award distinction. Haute has blurred with homey cuisine in the last few decades, but how did this radical change happen, and what does it say about current attitudes toward taste? Here with the answers is food writer Alison Pearlman. In &lt;i&gt;Smart Casual: &lt;/i&gt;&lt;i&gt;The Transformation of Gourmet Restaurant Style in America&lt;/i&gt;, Pearlman investigates what she identifies as the increasing informality in the design of contemporary American restaurants.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;By design, Pearlman does not just mean architecture. Her argument is more expansive&amp;mdash;she is as interested in the style and presentation of food, the business plan, and the marketing of chefs as she is in the restaurant&amp;rsquo;s floor plan or menu design. Pearlman takes us hungrily inside the kitchens and dining rooms of restaurants coast to coast&amp;mdash;from David Chang&amp;rsquo;s Momofuku noodle bar in New York to the seasonal, French-inspired cuisine of Alice Waters and Thomas Keller in California to the deconstructed comfort food of Homaro Cantu&amp;rsquo;s Moto in Chicago&amp;mdash;to explore the different forms and flavors this casualization is taking. &lt;i&gt;Smart Casual&lt;/i&gt; examines the assumed correlation between taste and social status, and argues that recent upsets to these distinctions have given rise to a new idea of sophistication, one that champions the omnivorous. The boundaries between high and low have been made flexible due to our desire to eat everything, try everything, and do so in a convivial setting.&lt;/div&gt;&lt;div&gt;&lt;b&gt;&amp;#160;&lt;/b&gt;&lt;/div&gt;&lt;div&gt;Through lively on-the-scene observation and interviews with major players and chefs, &lt;i&gt;Smart Casual&lt;/i&gt; will transport readers to restaurants around the country to learn the secrets to their success and popularity. It is certain to give foodies and restaurant-goers something delectable to chew on.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/65/9780226651408.jpeg" length="41804" type="image/jpeg" />
      <category>Architecture: American Architecture</category>
      <category>History: American History</category>
      <category>Food and Gastronomy</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Alison Pearlman</author>
      <guid isPermaLink="false">9780226651408</guid>
    </item>
    <item>
      <title>Dan Flavin</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/D/bo16818779.html</link>
      <description>Minimalist artist Dan Flavin (1933–96) is best known for his brightly colored fluorescent light installations, which have captivated art lovers for decades. But he was also an accomplished draftsman, and this is the first book to fully explore the central role that drawing played in Flavin’s art. Not only did Flavin produce numerous sketches for each of his light installations, he also regularly drew outdoors, primarily riverscapes and beach scenes. A number of those drawings are included in this volume, as are a group of remarkable pastels of sails, a subject he turned to when he was in his fifties. This book also draws on Flavin’s journals, in which he wrote about his passion for drawing, which he called “an intensely concentrated personal form of artistic relief.” Yet despite the importance of drawing in Flavin’s life, his drawings are little known, in part because he almost never sold—or even gave away—his drawings. Most of the works reproduced here were never shown publicly and are being published here for the first time. Offering a surprising new angle on a major artist, Dan Flavin: Drawing will surprise—and delight—his many fans.</description>
      <content:encoded>&lt;div&gt;Minimalist artist Dan Flavin (1933&amp;ndash;96) is best known for his brightly colored fluorescent light installations, which have captivated art lovers for decades. But he was also an accomplished draftsman, and this is the first book to fully explore the central role that drawing played in Flavin&amp;rsquo;s art. &lt;br&gt;&lt;/div&gt;&lt;div&gt;Not only did Flavin produce numerous sketches for each of his light installations, he also regularly drew outdoors, primarily riverscapes and beach scenes. A number of those drawings are included in this volume, as are a group of remarkable pastels of sails, a subject he turned to when he was in his fifties. This book also draws on Flavin&amp;rsquo;s journals, in which he wrote about his passion for drawing, which he called &amp;ldquo;an intensely concentrated personal form of artistic relief.&amp;rdquo; Yet despite the importance of drawing in Flavin&amp;rsquo;s life, his drawings are little known, in part because he almost never sold&amp;mdash;or even gave away&amp;mdash;his drawings. Most of the works reproduced here were never shown publicly and are being published here for the first time. &lt;br&gt;&lt;/div&gt;&lt;div&gt;Offering a surprising new angle on a major artist, &lt;i&gt;Dan Flavin: Drawing&lt;/i&gt; will surprise&amp;mdash;and delight&amp;mdash;his many fans.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/37/77/42/9783777420332.jpg" length="46401" type="image/jpeg" />
      <category>Art : American Art : Ancient and Classical Art : Art Criticism : Art--Biography : Art--General Studies : British Art : Canadian Art : Design : European Art : Middle Eastern, African, and Asian Art : Photography</category>
      <pubDate>Mon, 15 Apr 2013 05:00:00 GMT</pubDate>
      <author>Isabelle Dervaux; Friedrich Meschede</author>
      <guid isPermaLink="false">9783777420332</guid>
    </item>
    <item>
      <title>Novel Science</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/N/bo14232610.html</link>
      <description>Novel Science is the first in-depth study of the shocking, groundbreaking, and sometimes beautiful writings of the gentlemen of the “heroic age” of geology and of the contribution these men made to the literary culture of their day. For these men, literature was an essential part of the practice of science itself, as important to their efforts as mapmaking, fieldwork, and observation. The reading and writing of imaginative literatures helped them to discover, imagine, debate, and give shape and meaning to millions of years of previously undiscovered earth history.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Borrowing from the historical fictions of Walter Scott and the poetry of Lord Byron, they invented geology as a science, discovered many of the creatures we now call the dinosaurs, and were the first to unravel and map the sequence and structure of stratified rock. As Adelene Buckland shows, they did this by rejecting the grand narratives of older theories of the earth or of biblical cosmogony: theirs would be a humble science, faithfully recording minute details and leaving the big picture for future generations to paint. Buckland also reveals how these scientists—just as they had drawn inspiration from their literary predecessors—gave Victorian realist novelists such as George Eliot, Charles Kingsley, and Charles Dickens a powerful language with which to create dark and disturbing ruptures in the too-seductive sweep of story.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Novel Science&lt;/i&gt; is the first in-depth study of the shocking, groundbreaking, and sometimes beautiful writings of the gentlemen of the &amp;ldquo;heroic age&amp;rdquo; of geology and of the contribution these men made to the literary culture of their day. For these men, literature was an essential part of the practice of science itself, as important to their efforts as mapmaking, fieldwork, and observation. The reading and writing of imaginative literatures helped them to discover, imagine, debate, and give shape and meaning to millions of years of previously undiscovered earth history.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Borrowing from the historical fictions of Walter Scott and the poetry of Lord Byron, they invented geology as a science, discovered many of the creatures we now call the dinosaurs, and were the first to unravel and map the sequence and structure of stratified rock. As Adelene Buckland shows, they did this by rejecting the grand narratives of older theories of the earth or of biblical cosmogony: theirs would be a humble science, faithfully recording minute details and leaving the big picture for future generations to paint. Buckland also reveals how these scientists&amp;mdash;just as they had drawn inspiration from their literary predecessors&amp;mdash;gave Victorian realist novelists such as George Eliot, Charles Kingsley, and Charles Dickens a powerful language with which to create dark and disturbing ruptures in the too-seductive sweep of story.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/07/9780226079684.jpeg" length="34128" type="image/jpeg" />
      <category>Earth Sciences: History of Earth Sciences</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <pubDate>Fri, 12 Apr 2013 05:00:00 GMT</pubDate>
      <author>Adelene Buckland</author>
      <guid isPermaLink="false">9780226079684</guid>
    </item>
    <item>
      <title>Reasons of Conscience</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo14365130.html</link>
      <description>The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In Reasons of Conscience, Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country’s ongoing struggle to come to terms with its past informs the decisions it makes today.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Sperling brings the reader unmatched access to the offices of the German parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics—the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch’s National Ethics Council—tracing each institution’s genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories—transparency, conscience, and Germany itself—arguing that without fully considering these, we fail to understand German bioethics. He concludes with an assessment of German legislators and regulators’ attempts to incorporate criteria of ethical research into the German Stem Cell Law.</description>
      <content:encoded>&lt;div&gt;The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In &lt;i&gt;Reasons of Conscience&lt;/i&gt;, Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country&amp;rsquo;s ongoing struggle to come to terms with its past informs the decisions it makes today.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Sperling brings the reader unmatched access to the offices of the German parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics&amp;mdash;the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch&amp;rsquo;s National Ethics Council&amp;mdash;tracing each institution&amp;rsquo;s genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories&amp;mdash;transparency, conscience, and Germany itself&amp;mdash;arguing that without fully considering these, we fail to understand German bioethics. He concludes with an assessment of German legislators and regulators&amp;rsquo; attempts to incorporate criteria of ethical research into the German Stem Cell Law.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924328.jpeg" length="47419" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>History: European History</category>
      <pubDate>Fri, 12 Apr 2013 05:00:00 GMT</pubDate>
      <author>Stefan Sperling</author>
      <guid isPermaLink="false">9780226924311</guid>
    </item>
    <item>
      <title>Reasons of Conscience</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo14365130.html</link>
      <description>The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In Reasons of Conscience, Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country’s ongoing struggle to come to terms with its past informs the decisions it makes today.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;Sperling brings the reader unmatched access to the offices of the German parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics—the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch’s National Ethics Council—tracing each institution’s genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories—transparency, conscience, and Germany itself—arguing that without fully considering these, we fail to understand German bioethics. He concludes with an assessment of German legislators and regulators’ attempts to incorporate criteria of ethical research into the German Stem Cell Law.</description>
      <content:encoded>&lt;div&gt;The implicit questions that inevitably underlie German bioethics are the same ones that have pervaded all of German public life for decades: How could the Holocaust have happened? And how can Germans make sure that it will never happen again? In &lt;i&gt;Reasons of Conscience&lt;/i&gt;, Stefan Sperling considers the bioethical debates surrounding embryonic stem cell research in Germany at the turn of the twenty-first century, highlighting how the country&amp;rsquo;s ongoing struggle to come to terms with its past informs the decisions it makes today.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&lt;/div&gt;&lt;div&gt;Sperling brings the reader unmatched access to the offices of the German parliament to convey the role that morality and ethics play in contemporary Germany. He describes the separate and interactive workings of the two bodies assigned to shape German bioethics&amp;mdash;the parliamentary Enquiry Commission on Law and Ethics in Modern Medicine and the executive branch&amp;rsquo;s National Ethics Council&amp;mdash;tracing each institution&amp;rsquo;s genesis, projected image, and operations, and revealing that the content of bioethics cannot be separated from the workings of these institutions. Sperling then focuses his discussion around three core categories&amp;mdash;transparency, conscience, and Germany itself&amp;mdash;arguing that without fully considering these, we fail to understand German bioethics. He concludes with an assessment of German legislators and regulators&amp;rsquo; attempts to incorporate criteria of ethical research into the German Stem Cell Law.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924328.jpeg" length="47419" type="image/jpeg" />
      <category>Anthropology: Cultural and Social Anthropology</category>
      <category>History: European History</category>
      <pubDate>Fri, 12 Apr 2013 05:00:00 GMT</pubDate>
      <author>Stefan Sperling</author>
      <guid isPermaLink="false">9780226924328</guid>
    </item>
    <item>
      <title>Relentless Evolution</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/R/bo15112984.html</link>
      <description>At a glance, most species seem adapted to the environment in which they live. Yet species relentlessly evolve, and populations within species evolve in different ways. Evolution, as it turns out, is much more dynamic than biologists realized just a few decades ago.&amp;#160;In Relentless Evolution, John N. Thompson explores why adaptive evolution never ceases and why natural selection acts on species in so many different ways. Thompson presents a view of life in which ongoing evolution is essential and inevitable. Each chapter focuses on one of the major problems in adaptive evolution: How fast is evolution? How strong is natural selection? How do species co-opt the genomes of other species as they adapt? Why does adaptive evolution sometimes lead to more, rather than less, genetic variation within populations? How does the process of adaptation drive the evolution of new species? How does coevolution among species continually reshape the web of life? And, more generally, how are our views of adaptive evolution changing?&amp;#160;Relentless Evolution draws on studies of all the major forms of life—from microbes that evolve in microcosms within a few weeks to plants and animals that sometimes evolve in detectable ways within a few decades. It shows evolution not as a slow and stately process, but rather as a continual and sometimes frenetic process that favors yet more evolutionary change.</description>
      <content:encoded>&lt;div&gt;At a glance, most species seem adapted to the environment in which they live. Yet species relentlessly evolve, and populations within species evolve in different ways. Evolution, as it turns out, is much more dynamic than biologists realized just a few decades ago.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Relentless Evolution&lt;/i&gt;, John N. Thompson explores why adaptive evolution never ceases and why natural selection acts on species in so many different ways. Thompson presents a view of life in which ongoing evolution is essential and inevitable. Each chapter focuses on one of the major problems in adaptive evolution: How fast is evolution? How strong is natural selection? How do species co-opt the genomes of other species as they adapt? Why does adaptive evolution sometimes lead to more, rather than less, genetic variation within populations? How does the process of adaptation drive the evolution of new species? How does coevolution among species continually reshape the web of life? And, more generally, how are our views of adaptive evolution changing?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Relentless Evolution&lt;/i&gt; draws on studies of all the major forms of life&amp;mdash;from microbes that evolve in microcosms within a few weeks to plants and animals that sometimes evolve in detectable ways within a few decades. It shows evolution not as a slow and stately process, but rather as a continual and sometimes frenetic process that favors yet more evolutionary change.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226018751.jpeg" length="53806" type="image/jpeg" />
      <category>Biological Sciences: Ecology</category>
      <category>Biological Sciences: Evolutionary Biology</category>
      <category>Biological Sciences: Natural History</category>
      <pubDate>Fri, 12 Apr 2013 05:00:00 GMT</pubDate>
      <author>John N. Thompson</author>
      <guid isPermaLink="false">9780226018751</guid>
    </item>
    <item>
      <title>Symbolic Power, Politics, and Intellectuals</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365337.html</link>
      <description>Power is the central organizing principle of all social life, from  culture and education to stratification and taste. And there is no more  prominent name in the analysis of power than that of noted sociologist  Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly  held view that symbolic power—the power to dominate—is solely symbolic.  He emphasized that symbolic power helps create and maintain social  hierarchies, which form the very bedrock of political life. By the time  of his death in 2002, Bourdieu had become a leading public intellectual,  and his argument about the more subtle and influential ways that  cultural resources and symbolic categories prevail in power arrangements  and practices had gained broad recognition.In Symbolic Power, Politics, and Intellectuals,  David L. Swartz delves deeply into Bourdieu’s work to show how  central—but often overlooked—power and politics are to an understanding  of sociology. Arguing that power and politics stand at the core of  Bourdieu’s sociology, Swartz illuminates Bourdieu’s political project  for the social sciences, as well as Bourdieu’s own political activism,  explaining how sociology is not just science but also a crucial form of  political engagement.</description>
      <content:encoded>&lt;div&gt;Power is the central organizing principle of all social life, from  culture and education to stratification and taste. And there is no more  prominent name in the analysis of power than that of noted sociologist  Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly  held view that symbolic power&amp;mdash;the power to dominate&amp;mdash;is solely symbolic.  He emphasized that symbolic power helps create and maintain social  hierarchies, which form the very bedrock of political life. By the time  of his death in 2002, Bourdieu had become a leading public intellectual,  and his argument about the more subtle and influential ways that  cultural resources and symbolic categories prevail in power arrangements  and practices had gained broad recognition.&lt;/div&gt;In &lt;i&gt;Symbolic Power, Politics, and Intellectuals&lt;/i&gt;,  David L. Swartz delves deeply into Bourdieu&amp;rsquo;s work to show how  central&amp;mdash;but often overlooked&amp;mdash;power and politics are to an understanding  of sociology. Arguing that power and politics stand at the core of  Bourdieu&amp;rsquo;s sociology, Swartz illuminates Bourdieu&amp;rsquo;s political project  for the social sciences, as well as Bourdieu&amp;rsquo;s own political activism,  explaining how sociology is not just science but also a crucial form of  political engagement.&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226925011.jpeg" length="21602" type="image/jpeg" />
      <category>Political Science: Political and Social Theory</category>
      <category>Sociology: General Sociology</category>
      <category>Sociology: Individual, State and Society</category>
      <pubDate>Fri, 12 Apr 2013 05:00:00 GMT</pubDate>
      <author>David L. Swartz</author>
      <guid isPermaLink="false">9780226925004</guid>
    </item>
    <item>
      <title>Knowledge in the Time of Cholera</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/K/bo15112957.html</link>
      <description>Vomiting. Diarrhea. Dehydration. Death. Confusion. In 1832, the  arrival of cholera in the United States created widespread panic  throughout the country. For the rest of the century, epidemics swept  through American cities and towns like wildfire, killing thousands.  Physicians of all stripes offered conflicting answers to the cholera  puzzle, ineffectively responding with opiates, bleeding, quarantines,  and all manner of remedies, before the identity of the dreaded infection  was consolidated under the germ theory of disease some sixty years  later.These cholera outbreaks raised fundamental questions about medical  knowledge and its legitimacy, giving fuel to alternative medical sects  that used the confusion of the epidemic to challenge both medical  orthodoxy and the authority of the still-new American Medical  Association. In Knowledge in the Time of Cholera, Owen Whooley  tells us the story of those dark days, centering his narrative on  rivalries between medical and homeopathic practitioners and bringing to  life the battle to control public understanding of disease, professional  power, and democratic governance in nineteenth-century America.</description>
      <content:encoded>&lt;div&gt;Vomiting. Diarrhea. Dehydration. Death. Confusion. In 1832, the  arrival of cholera in the United States created widespread panic  throughout the country. For the rest of the century, epidemics swept  through American cities and towns like wildfire, killing thousands.  Physicians of all stripes offered conflicting answers to the cholera  puzzle, ineffectively responding with opiates, bleeding, quarantines,  and all manner of remedies, before the identity of the dreaded infection  was consolidated under the germ theory of disease some sixty years  later.&lt;/div&gt;&lt;br&gt;These cholera outbreaks raised fundamental questions about medical  knowledge and its legitimacy, giving fuel to alternative medical sects  that used the confusion of the epidemic to challenge both medical  orthodoxy and the authority of the still-new American Medical  Association. In &lt;i&gt;Knowledge in the Time of Cholera&lt;/i&gt;, Owen Whooley  tells us the story of those dark days, centering his narrative on  rivalries between medical and homeopathic practitioners and bringing to  life the battle to control public understanding of disease, professional  power, and democratic governance in nineteenth-century America.&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226017631.jpeg" length="37787" type="image/jpeg" />
      <category>Medical Science</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Owen Whooley</author>
      <guid isPermaLink="false">9780226017464</guid>
    </item>
    <item>
      <title>Slaves Waiting for Sale</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo12024387.html</link>
      <description>In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia.This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.</description>
      <content:encoded>&lt;p&gt;In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, &lt;i&gt;Slaves Waiting for Sale, Richmond, Virginia&lt;/i&gt;.&lt;/p&gt;&lt;div&gt;This innovative book uses Crowe&amp;rsquo;s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe&amp;rsquo;s trajectory from Richmond across the American South and back to London&amp;mdash;where his paintings were exhibited just a few weeks after the start of the Civil War&amp;mdash;Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public&amp;rsquo;s grasp of slavery in America. With almost 140 illustrations, &lt;i&gt;Slaves Waiting for Sale&lt;/i&gt; brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226055060.jpeg" length="39989" type="image/jpeg" />
      <category>Art: American Art</category>
      <category>Black Studies</category>
      <category>History: American History</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Maurie D. McInnis</author>
      <guid isPermaLink="false">9780226055060</guid>
    </item>
    <item>
      <title>Signature Derrida</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365527.html</link>
      <description>Throughout his long career, Jacques Derrida had a close, collaborative relationship with Critical Inquiry and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that Critical Inquiry encouraged. Collecting the best of Derrida’s work that was published in the journal between 1980 and 2002, Signature Derrida provides a remarkable introduction to the philosopher and the evolution of his thought.&amp;#160;These essays define three significant “periods” in Derrida’s writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like “The Law of Genre,” in which Derrida produces a kind of phenomenological narratology. Another essay, “The Linguistic Circle of Geneva,” embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida’s writing includes the essays “Of Spirit” and&amp;#160;“The Animal That Therefore I Am (More to Follow),” and three eulogies to the intellectual legacies of Michel Foucault, Louis Marin, and Emmanuel L&amp;eacute;vinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories.&amp;#160;With an introduction by Francoise Meltzer that provides an overview of the oeuvre of this singular philosopher, Signature Derrida is the most wide-ranging, and thus most representative, anthology of Derrida’s work to date.</description>
      <content:encoded>&lt;div&gt;Throughout his long career, Jacques Derrida had a close, collaborative relationship with &lt;i&gt;Critical Inquiry&lt;/i&gt; and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that &lt;i&gt;Critical Inquiry&lt;/i&gt; encouraged. Collecting the best of Derrida&amp;rsquo;s work that was published in the journal between 1980 and 2002, &lt;i&gt;Signature Derrida&lt;/i&gt; provides a remarkable introduction to the philosopher and the evolution of his thought.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;These essays define three significant &amp;ldquo;periods&amp;rdquo; in Derrida&amp;rsquo;s writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like &amp;ldquo;The Law of Genre,&amp;rdquo; in which Derrida produces a kind of phenomenological narratology. Another essay, &amp;ldquo;The Linguistic Circle of Geneva,&amp;rdquo; embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida&amp;rsquo;s writing includes the essays &amp;ldquo;Of Spirit&amp;rdquo; and&amp;#160;&amp;ldquo;The Animal That Therefore I Am (More to Follow),&amp;rdquo; and three eulogies to the intellectual legacies of Michel Foucault, Louis Marin, and Emmanuel L&amp;eacute;vinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;With an introduction by Francoise Meltzer that provides an overview of the oeuvre of this singular philosopher, &lt;i&gt;Signature Derrida &lt;/i&gt;is the most wide-ranging, and thus most representative, anthology of Derrida&amp;rsquo;s work to date.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924526.jpeg" length="30605" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jacques Derrida; Jay Williams; Françoise Meltzer</author>
      <guid isPermaLink="false">9780226924526</guid>
    </item>
    <item>
      <title>From Stone to Flesh</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/F/bo5904832.html</link>
      <description>We have come to admire Buddhism for being profound but accessible, as much a lifestyle as a religion. The credit for creating Buddhism goes to the Buddha, a figure widely respected across the Western world for his philosophical insight, his teachings of nonviolence, and his practice of meditation. But who was this Buddha, and how did he become the Buddha we know and love today?&amp;#160;Leading historian of Buddhism Donald S. Lopez Jr. tells the story of how various idols carved in stone—variously named Beddou, Codam, Xaca, and Fo—became the man of flesh and blood that we know simply as the Buddha. He reveals that the positive view of the Buddha in Europe and America is rather recent, originating a little more than a hundred and fifty years ago. For centuries, the Buddha was condemned by Western writers as the most dangerous idol of the Orient. He was a demon, the murderer of his mother, a purveyor of idolatry.&amp;#160;Lopez provides an engaging history of depictions of the Buddha from classical accounts and medieval stories to the testimonies of European travelers, diplomats, soldiers, and missionaries. He shows that centuries of hostility toward the Buddha changed dramatically in the nineteenth century, when the teachings of the Buddha, having disappeared from India by the fourteenth century, were read by European scholars newly proficient in Asian languages. At the same time, the traditional view of the Buddha persisted in Asia, where he was revered as much for his supernatural powers as for his philosophical insights. From Stone to Flesh follows the twists and turns of these Eastern and Western notions of the Buddha, leading finally to his triumph as the founder of a world religion.</description>
      <content:encoded>&lt;div&gt;We have come to admire Buddhism for being profound but accessible, as much a lifestyle as a religion. The credit for creating Buddhism goes to the Buddha, a figure widely respected across the Western world for his philosophical insight, his teachings of nonviolence, and his practice of meditation. But who was this Buddha, and how did he become the Buddha we know and love today?&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Leading historian of Buddhism Donald S. Lopez Jr. tells the story of how various idols carved in stone&amp;mdash;variously named Beddou, Codam, Xaca, and Fo&amp;mdash;became the man of flesh and blood that we know simply as the Buddha. He reveals that the positive view of the Buddha in Europe and America is rather recent, originating a little more than a hundred and fifty years ago. For centuries, the Buddha was condemned by Western writers as the most dangerous idol of the Orient. He was a demon, the murderer of his mother, a purveyor of idolatry.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Lopez provides an engaging history of depictions of the Buddha from classical accounts and medieval stories to the testimonies of European travelers, diplomats, soldiers, and missionaries. He shows that centuries of hostility toward the Buddha changed dramatically in the nineteenth century, when the teachings of the Buddha, having disappeared from India by the fourteenth century, were read by European scholars newly proficient in Asian languages. At the same time, the traditional view of the Buddha persisted in Asia, where he was revered as much for his supernatural powers as for his philosophical insights. &lt;i&gt;From Stone to Flesh&lt;/i&gt; follows the twists and turns of these Eastern and Western notions of the Buddha, leading finally to his triumph as the founder of a world religion.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/49/9780226493206.jpeg" length="20325" type="image/jpeg" />
      <category>Asian Studies: General Asian Studies</category>
      <category>History: Asian History</category>
      <category>Religion: South and East Asian Religions</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Donald S. Lopez Jr.</author>
      <guid isPermaLink="false">9780226493206</guid>
    </item>
    <item>
      <title>Fear of Food</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/F/bo12778615.html</link>
      <description>There may be no greater source of anxiety for Americans  today than  the question of what to eat and drink. Are eggs the perfect  protein, or  are they cholesterol bombs? &amp;#160;Is red wine good for my heart  or bad for my  liver? Will pesticides, additives, and processed foods  kill me? &amp;#160;Here  with some very rare and very welcome advice is food  historian Harvey  Levenstein: Stop worrying!In Fear of Food Levenstein  reveals the people and interests  who have created and exploited these  worries, causing an extraordinary  number of Americans to allow fear to  trump pleasure in dictating their  food choices. He tells of the  prominent scientists who first warned  about deadly germs and poisons in  foods, and their successors who  charged that processing foods robs  them of life-giving vitamins and  minerals. These include Nobel  Prize–winner Eli Metchnikoff, who advised  that yogurt would enable  people to live to be 140 by killing the  life-threatening germs in their  intestines, and Elmer McCollum, the  “discoverer” of vitamins, who  tailored his warnings about vitamin  deficiencies to suit the food  producers who funded him. Levenstein also  highlights how large food  companies have taken advantage of these  concerns by marketing their  products to combat the fear of the moment.  Such examples include the  co-opting of the “natural foods” movement,  which grew out of the belief  that inhabitants of a remote Himalayan  Shangri-la enjoyed remarkable  health and longevity by avoiding the very  kinds of processed food these  corporations produced, and the  physiologist Ancel Keys, originator of  the Mediterranean Diet, who  provided the basis for a powerful coalition  of scientists, doctors, food  producers, and others to convince  Americans that high-fat foods were  deadly.In Fear of Food, Levenstein  offers a much-needed voice of  reason; he expertly questions these  stories of constantly changing  advice to reveal that there are no  hard-and-fast facts when it comes to  eating. With this book, he hopes  to free us from the fears that cloud so  many of our food choices and  allow us to finally rediscover the joys of  eating something just  because it tastes good.</description>
      <content:encoded>&lt;div&gt;There may be no greater source of anxiety for Americans  today than  the question of what to eat and drink. Are eggs the perfect  protein, or  are they cholesterol bombs? &amp;#160;Is red wine good for my heart  or bad for my  liver? Will pesticides, additives, and processed foods  kill me? &amp;#160;Here  with some very rare and very welcome advice is food  historian Harvey  Levenstein: Stop worrying!&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Fear of Food &lt;/i&gt;Levenstein  reveals the people and interests  who have created and exploited these  worries, causing an extraordinary  number of Americans to allow fear to  trump pleasure in dictating their  food choices. He tells of the  prominent scientists who first warned  about deadly germs and poisons in  foods, and their successors who  charged that processing foods robs  them of life-giving vitamins and  minerals. These include Nobel  Prize&amp;ndash;winner Eli Metchnikoff, who advised  that yogurt would enable  people to live to be 140 by killing the  life-threatening germs in their  intestines, and Elmer McCollum, the  &amp;ldquo;discoverer&amp;rdquo; of vitamins, who  tailored his warnings about vitamin  deficiencies to suit the food  producers who funded him. Levenstein also  highlights how large food  companies have taken advantage of these  concerns by marketing their  products to combat the fear of the moment.  Such examples include the  co-opting of the &amp;ldquo;natural foods&amp;rdquo; movement,  which grew out of the belief  that inhabitants of a remote Himalayan  Shangri-la enjoyed remarkable  health and longevity by avoiding the very  kinds of processed food these  corporations produced, and the  physiologist Ancel Keys, originator of  the Mediterranean Diet, who  provided the basis for a powerful coalition  of scientists, doctors, food  producers, and others to convince  Americans that high-fat foods were  deadly.&lt;/div&gt;&lt;div&gt;In &lt;i&gt;Fear of Food, &lt;/i&gt;Levenstein  offers a much-needed voice of  reason; he expertly questions these  stories of constantly changing  advice to reveal that there are no  hard-and-fast facts when it comes to  eating. With this book, he hopes  to free us from the fears that cloud so  many of our food choices and  allow us to finally rediscover the joys of  eating something just  because it tastes good.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226054902.jpeg" length="26593" type="image/jpeg" />
      <category>Culture Studies</category>
      <category>History: American History</category>
      <category>History of Science</category>
      <category>Food and Gastronomy</category>
      <pubDate>Thu, 11 Apr 2013 05:00:00 GMT</pubDate>
      <author>Harvey Levenstein</author>
      <guid isPermaLink="false">9780226054902</guid>
    </item>
    <item>
      <title>Knowledge in the Time of Cholera</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/K/bo15112957.html</link>
      <description>Vomiting. Diarrhea. Dehydration. Death. Confusion. In 1832, the  arrival of cholera in the United States created widespread panic  throughout the country. For the rest of the century, epidemics swept  through American cities and towns like wildfire, killing thousands.  Physicians of all stripes offered conflicting answers to the cholera  puzzle, ineffectively responding with opiates, bleeding, quarantines,  and all manner of remedies, before the identity of the dreaded infection  was consolidated under the germ theory of disease some sixty years  later.These cholera outbreaks raised fundamental questions about medical  knowledge and its legitimacy, giving fuel to alternative medical sects  that used the confusion of the epidemic to challenge both medical  orthodoxy and the authority of the still-new American Medical  Association. In Knowledge in the Time of Cholera, Owen Whooley  tells us the story of those dark days, centering his narrative on  rivalries between medical and homeopathic practitioners and bringing to  life the battle to control public understanding of disease, professional  power, and democratic governance in nineteenth-century America.</description>
      <content:encoded>&lt;div&gt;Vomiting. Diarrhea. Dehydration. Death. Confusion. In 1832, the  arrival of cholera in the United States created widespread panic  throughout the country. For the rest of the century, epidemics swept  through American cities and towns like wildfire, killing thousands.  Physicians of all stripes offered conflicting answers to the cholera  puzzle, ineffectively responding with opiates, bleeding, quarantines,  and all manner of remedies, before the identity of the dreaded infection  was consolidated under the germ theory of disease some sixty years  later.&lt;/div&gt;&lt;br&gt;These cholera outbreaks raised fundamental questions about medical  knowledge and its legitimacy, giving fuel to alternative medical sects  that used the confusion of the epidemic to challenge both medical  orthodoxy and the authority of the still-new American Medical  Association. In &lt;i&gt;Knowledge in the Time of Cholera&lt;/i&gt;, Owen Whooley  tells us the story of those dark days, centering his narrative on  rivalries between medical and homeopathic practitioners and bringing to  life the battle to control public understanding of disease, professional  power, and democratic governance in nineteenth-century America.&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226017631.jpeg" length="37787" type="image/jpeg" />
      <category>Medical Science</category>
      <pubDate>Wed, 10 Apr 2013 05:00:00 GMT</pubDate>
      <author>Owen Whooley</author>
      <guid isPermaLink="false">9780226017631</guid>
    </item>
    <item>
      <title>Payback</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo8811560.html</link>
      <description>We call it justice—the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice.&amp;#160;What, if anything, distinguishes punishment at the hands of the government from a victim’s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in Payback: The Case for Revenge—revenge is, in fact, indistinguishable from justice.&amp;#160;&amp;#160;Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion.&amp;#160;Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf.&amp;#160;Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture—including Hamlet, The Godfather, and Braveheart—Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced.&amp;#160;Fiercely argued and highly engaging, Payback is a provocative and eye-opening cultural tour of revenge and its rewards—from Shakespeare to The Sopranos. It liberates revenge from its social stigma and proves that vengeance is indeed ours, a perfectly human and acceptable response to moral injury.&amp;#160;Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.</description>
      <content:encoded>&lt;div&gt;We call it justice&amp;mdash;the assassination of Osama bin Laden, the incarceration of corrupt politicians or financiers like Rod Blagojevich and Bernard Madoff, and the climactic slaying of cinema-screen villains by superheroes. But could we not also call it revenge? We are told that revenge is uncivilized and immoral, an impulse that individuals and societies should actively repress and replace with the order and codes of courtroom justice.&amp;#160;What, if anything, distinguishes punishment at the hands of the government from a victim&amp;rsquo;s individual desire for retribution? Are vengeance and justice really so very different? No, answers legal scholar and novelist Thane Rosenbaum in &lt;i&gt;Payback: The Case for Revenge&lt;/i&gt;&amp;mdash;revenge is, in fact, indistinguishable from justice.&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Revenge, Rosenbaum argues, is not the problem. It is, in fact, a perfectly healthy emotion.&amp;#160;Instead, the problem is the inadequacy of lawful outlets through which to express it. He mounts a case for legal systems to punish the guilty commensurate with their crimes as part of a societal moral duty to satisfy the needs of victims to feel avenged. Indeed, the legal system would better serve the public if it gave victims the sense that vengeance was being done on their behalf.&amp;#160;Drawing on a wide range of support, from recent studies in behavioral psychology and neuroeconomics, to stories of vengeance and justice denied, to revenge practices from around the world, to the way in which revenge tales have permeated popular culture&amp;mdash;including &lt;i&gt;Hamlet&lt;/i&gt;, &lt;i&gt;The Godfather&lt;/i&gt;, and &lt;i&gt;Braveheart&lt;/i&gt;&amp;mdash;Rosenbaum demonstrates that vengeance needs to be more openly and honestly discussed and lawfully practiced.&amp;#160;&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;Fiercely argued and highly engaging, &lt;i&gt;Payback &lt;/i&gt;is a provocative and eye-opening cultural tour of revenge and its rewards&amp;mdash;from Shakespeare to &lt;i&gt;The&lt;/i&gt; &lt;i&gt;Sopranos&lt;/i&gt;. It liberates revenge from its social stigma and proves that vengeance is indeed &lt;i&gt;ours&lt;/i&gt;, a perfectly human and acceptable response to moral injury.&amp;#160;Rosenbaum deftly persuades us to reconsider a misunderstood subject and, along the way, reinvigorates the debate on the shape of justice in the modern world.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/72/9780226726618.jpeg" length="29456" type="image/jpeg" />
      <category>Law and Legal Studies: Law and Society</category>
      <category>Psychology: Social Psychology</category>
      <pubDate>Wed, 10 Apr 2013 05:00:00 GMT</pubDate>
      <author>Thane Rosenbaum</author>
      <guid isPermaLink="false">9780226726618</guid>
    </item>
    <item>
      <title>Book of Barely Imagined Beings</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/B/bo15631080.html</link>
      <description>From medieval bestiaries to Borges’s Book of Imaginary Beings, we’ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer’s song. But bestiaries are more than just zany zoology—they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don’t. With The Book of Barely Imagined Beings, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson’s book—from the axolotl to the zebrafish—are, with one exception, very much with us, albeit sometimes in depleted numbers. The Book of Barely Imagined Beings transports readers to a world of real creatures that seem as if they should be made up—that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature’s “extreme survivors,” able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value—or fail to value—and what we might change. A powerful combination of wit, cutting-edge natural history, and philosophical meditation, The Book of Barely Imagined Beings is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.</description>
      <content:encoded>&lt;div&gt;From medieval bestiaries to Borges&amp;rsquo;s &lt;i&gt;Book of Imaginary Beings&lt;/i&gt;, we&amp;rsquo;ve long been enchanted by extraordinary animals, be they terrifying three-headed dogs or asps impervious to a snake charmer&amp;rsquo;s song. But bestiaries are more than just zany zoology&amp;mdash;they are artful attempts to convey broader beliefs about human beings and the natural order. Today, we no longer fear sea monsters or banshees. But from the infamous honey badger to the giant squid, animals continue to captivate us with the things they can do and the things they cannot, what we know about them and what we don&amp;rsquo;t. &lt;br&gt;&lt;br&gt;With &lt;i&gt;The Book of Barely Imagined Beings&lt;/i&gt;, Caspar Henderson offers readers a fascinating, beautifully produced modern-day menagerie. But whereas medieval bestiaries were often based on folklore and myth, the creatures that abound in Henderson&amp;rsquo;s book&amp;mdash;from the axolotl to the zebrafish&amp;mdash;are, with one exception, very much with us, albeit sometimes in depleted numbers. &lt;i&gt;The Book of Barely Imagined Beings &lt;/i&gt;transports readers to a world of real creatures that seem as if they should be made up&amp;mdash;that are somehow more astonishing than anything we might have imagined. The yeti crab, for example, uses its furry claws to farm the bacteria on which it feeds. The waterbear, meanwhile, is among nature&amp;rsquo;s &amp;ldquo;extreme survivors,&amp;rdquo; able to withstand a week unprotected in outer space. These and other strange and surprising species invite readers to reflect on what we value&amp;mdash;or fail to value&amp;mdash;and what we might change. &lt;br&gt;&lt;br&gt;A powerful combination of wit, cutting-edge natural history, and philosophical meditation, &lt;i&gt;The Book of Barely Imagined Beings&lt;/i&gt; is an infectious and inspiring celebration of the sheer ingenuity and variety of life in a time of crisis and change.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226044705.jpeg" length="47942" type="image/jpeg" />
      <category>Biological Sciences: Natural History</category>
      <category>Biological Sciences: Conservation</category>
      <category>Culture Studies</category>
      <pubDate>Wed, 10 Apr 2013 05:00:00 GMT</pubDate>
      <author>Caspar Henderson</author>
      <guid isPermaLink="false">9780226044705</guid>
    </item>
    <item>
      <title>Time Travel and Warp Drives</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/T/bo8447256.html</link>
      <description>To see video demonstrations of key concepts from the book, please visit this website: /sites/timewarp.index.html.&amp;#160;Sci-fi makes it look so easy. Receive a distress call from Alpha  Centauri? No problem: punch the warp drive and you're there in minutes.  Facing a catastrophe that can't be averted? Just pop back in the  timestream and stop it before it starts. But for those of us not lucky  enough to live in a science-fictional universe, are these ideas merely  flights of fancy—or could it really be possible to travel through time  or take shortcuts between stars?Cutting-edge physics may not be able to answer those questions yet, but it does offer up some tantalizing possibilities. In Time Travel and Warp Drives,  Allen Everett and Thomas A. Roman take readers on a clear, concise tour  of our current understanding of the nature of time and space—and  whether or not we might be able to bend them to our will. Using no math  beyond high school algebra, the authors lay out an approachable  explanation of Einstein's special relativity, then move through the  fundamental differences between traveling forward and backward in time  and the surprising theoretical connection between going back in time and  traveling faster than the speed of light. They survey a variety of  possible time machines and warp drives, including wormholes and warp  bubbles, and, in a dizzyingly creative chapter, imagine the paradoxes  that could plague a world where time travel was possible—killing your  own grandfather is only one of them!Written with a light touch and an irrepressible love of the fun of  sci-fi scenarios—but firmly rooted in the most up-to-date science, Time Travel and Warp Drives will be a delightful discovery for any science buff or armchair chrononaut.</description>
      <content:encoded>&lt;div&gt;&lt;p&gt;To see video demonstrations of key concepts from the book, please visit this website: /sites/timewarp.index.html.&amp;#160;&lt;br&gt;&lt;br&gt;Sci-fi makes it look so easy. Receive a distress call from Alpha  Centauri? No problem: punch the warp drive and you're there in minutes.  Facing a catastrophe that can't be averted? Just pop back in the  timestream and stop it before it starts. But for those of us not lucky  enough to live in a science-fictional universe, are these ideas merely  flights of fancy&amp;mdash;or could it really be possible to travel through time  or take shortcuts between stars?&lt;br&gt;&lt;br&gt;Cutting-edge physics may not be able to answer those questions yet, but it does offer up some tantalizing possibilities. In &lt;i&gt;Time Travel and Warp Drives&lt;/i&gt;,  Allen Everett and Thomas A. Roman take readers on a clear, concise tour  of our current understanding of the nature of time and space&amp;mdash;and  whether or not we might be able to bend them to our will. Using no math  beyond high school algebra, the authors lay out an approachable  explanation of Einstein's special relativity, then move through the  fundamental differences between traveling forward and backward in time  and the surprising theoretical connection between going back in time and  traveling faster than the speed of light. They survey a variety of  possible time machines and warp drives, including wormholes and warp  bubbles, and, in a dizzyingly creative chapter, imagine the paradoxes  that could plague a world where time travel was possible&amp;mdash;killing your  own grandfather is only one of them!&lt;br&gt;&lt;br&gt;Written with a light touch and an irrepressible love of the fun of  sci-fi scenarios&amp;mdash;but firmly rooted in the most up-to-date science, &lt;i&gt;Time Travel and Warp Drives &lt;/i&gt;will be a delightful discovery for any science buff or armchair chrononaut.&lt;br&gt;&lt;/p&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/22/9780226224985.jpeg" length="24629" type="image/jpeg" />
      <category>Physical Sciences: Physics and Astronomy</category>
      <category>Physical Sciences: Physics--Popular Books</category>
      <category>Physical Sciences: Astronomy and Astrophysics</category>
      <pubDate>Tue, 09 Apr 2013 05:00:00 GMT</pubDate>
      <author>Allen Everett; Thomas Roman</author>
      <guid isPermaLink="false">9780226045481</guid>
    </item>
    <item>
      <title>Genentech</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo8169877.html</link>
      <description>In the fall of 1980, Genentech, Inc., a little-known California genetic engineering company, became the overnight darling of Wall Street, raising over $38 million in its initial public stock offering. Lacking marketed products or substantial profit, the firm nonetheless saw its share price escalate from $35 to $89 in the first few minutes of trading, at that point the largest gain in stock market history. Coming at a time of economic recession and declining technological competitiveness in the United States, the event provoked banner headlines and ignited a period of speculative frenzy over biotechnology as a revolutionary means for creating new and better kinds of pharmaceuticals, untold profit, and a possible solution to national economic malaise.&amp;#160;Drawing from an unparalleled collection of interviews with early biotech players, Sally Smith Hughes offers the first book-length history of this pioneering company, depicting Genentech’s improbable creation, precarious youth, and ascent to immense prosperity. Hughes provides intimate portraits of the people significant to Genentech’s science and business, including cofounders Herbert Boyer and Robert Swanson, and in doing so sheds new light on how personality affects the growth of science. By placing Genentech’s founders, followers, opponents, victims, and beneficiaries in context, Hughes also demonstrates how science interacts with commercial and legal interests and university research, and with government regulation, venture capital, and commercial profits.&amp;#160;Integrating the scientific, the corporate, the contextual, and the personal, Genentech tells the story of biotechnology as it is not often told, as a risky and improbable entrepreneurial venture that had to overcome a number of powerful forces working against it. &amp;#160;</description>
      <content:encoded>&lt;div&gt;In the fall of 1980, Genentech, Inc., a little-known California genetic engineering company, became the overnight darling of Wall Street, raising over $38 million in its initial public stock offering. Lacking marketed products or substantial profit, the firm nonetheless saw its share price escalate from $35 to $89 in the first few minutes of trading, at that point the largest gain in stock market history. Coming at a time of economic recession and declining technological competitiveness in the United States, the event provoked banner headlines and ignited a period of speculative frenzy over biotechnology as a revolutionary means for creating new and better kinds of pharmaceuticals, untold profit, and a possible solution to national economic malaise.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Drawing from an unparalleled collection of interviews with early biotech players, Sally Smith Hughes offers the first book-length history of this pioneering company, depicting Genentech&amp;rsquo;s improbable creation, precarious youth, and ascent to immense prosperity. Hughes provides intimate portraits of the people significant to Genentech&amp;rsquo;s science and business, including cofounders Herbert Boyer and Robert Swanson, and in doing so sheds new light on how personality affects the growth of science. By placing Genentech&amp;rsquo;s founders, followers, opponents, victims, and beneficiaries in context, Hughes also demonstrates how science interacts with commercial and legal interests and university research, and with government regulation, venture capital, and commercial profits.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Integrating the scientific, the corporate, the contextual, and the personal, &lt;i&gt;Genentech&lt;/i&gt; tells the story of biotechnology as it is not often told, as a risky and improbable entrepreneurial venture that had to overcome a number of powerful forces working against it. &amp;#160;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/35/9780226359182.jpeg" length="39377" type="image/jpeg" />
      <category>Biological Sciences: Biochemistry</category>
      <category>Economics and Business: Business--Business Economics and Management Studies</category>
      <category>History: History of Technology</category>
      <category>History of Science</category>
      <pubDate>Mon, 08 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sally Smith Hughes</author>
      <guid isPermaLink="false">9780226045511</guid>
    </item>
    <item>
      <title>Anthropology</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo14522059.html</link>
      <description>Originally published in German, Christoph Wulf’s Anthropology sets its sights on a topic as ambitious as its title suggests: anthropology itself. Arguing for an interdisciplinary and intercultural approach to anthropology that incorporates science, philosophy, history, and many other disciplines, Wulf examines—with breathtaking scope—all the ways that anthropology has been understood and practiced around the globe and through the years.&amp;#160;Seeking a central way to understand anthropology in the midst of many different approaches to the discipline, Wulf concentrates on the human body. An emblem of society, culture, and time, the body is also the result of many mimetic processes—the active acquisition of cultural knowledge. By examining the role of the body in the performance of rituals, gestures, language, and other forms of imagination, he offers a bold new look at how culture is produced, handed down, and transformed. Drawing such examinations into a comprehensive and sophisticated assessment of the discipline as a whole, Anthropology looks squarely at the mystery of humankind and the ways we have attempted to understand it.</description>
      <content:encoded>&lt;div&gt;Originally published in German, Christoph Wulf&amp;rsquo;s &lt;i&gt;Anthropology&lt;/i&gt; sets its sights on a topic as ambitious as its title suggests: anthropology itself. Arguing for an interdisciplinary and intercultural approach to anthropology that incorporates science, philosophy, history, and many other disciplines, Wulf examines&amp;mdash;with breathtaking scope&amp;mdash;all the ways that anthropology has been understood and practiced around the globe and through the years.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Seeking a central way to understand anthropology in the midst of many different approaches to the discipline, Wulf concentrates on the human body. An emblem of society, culture, and time, the body is also the result of many mimetic processes&amp;mdash;the active acquisition of cultural knowledge. By examining the role of the body in the performance of rituals, gestures, language, and other forms of imagination, he offers a bold new look at how culture is produced, handed down, and transformed. Drawing such examinations into a comprehensive and sophisticated assessment of the discipline as a whole, &lt;i&gt;Anthropology&lt;/i&gt; looks squarely at the mystery of humankind and the ways we have attempted to understand it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226925073.jpeg" length="40745" type="image/jpeg" />
      <category>Anthropology: General Anthropology</category>
      <pubDate>Mon, 08 Apr 2013 05:00:00 GMT</pubDate>
      <author>Christoph Wulf; Deirdre Winter; Elizabeth Hamilton; Margitta Rouse; Richard J. Rouse</author>
      <guid isPermaLink="false">9780226925066</guid>
    </item>
    <item>
      <title>Anthropology</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo14522059.html</link>
      <description>Originally published in German, Christoph Wulf’s Anthropology sets its sights on a topic as ambitious as its title suggests: anthropology itself. Arguing for an interdisciplinary and intercultural approach to anthropology that incorporates science, philosophy, history, and many other disciplines, Wulf examines—with breathtaking scope—all the ways that anthropology has been understood and practiced around the globe and through the years.&amp;#160;Seeking a central way to understand anthropology in the midst of many different approaches to the discipline, Wulf concentrates on the human body. An emblem of society, culture, and time, the body is also the result of many mimetic processes—the active acquisition of cultural knowledge. By examining the role of the body in the performance of rituals, gestures, language, and other forms of imagination, he offers a bold new look at how culture is produced, handed down, and transformed. Drawing such examinations into a comprehensive and sophisticated assessment of the discipline as a whole, Anthropology looks squarely at the mystery of humankind and the ways we have attempted to understand it.</description>
      <content:encoded>&lt;div&gt;Originally published in German, Christoph Wulf&amp;rsquo;s &lt;i&gt;Anthropology&lt;/i&gt; sets its sights on a topic as ambitious as its title suggests: anthropology itself. Arguing for an interdisciplinary and intercultural approach to anthropology that incorporates science, philosophy, history, and many other disciplines, Wulf examines&amp;mdash;with breathtaking scope&amp;mdash;all the ways that anthropology has been understood and practiced around the globe and through the years.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Seeking a central way to understand anthropology in the midst of many different approaches to the discipline, Wulf concentrates on the human body. An emblem of society, culture, and time, the body is also the result of many mimetic processes&amp;mdash;the active acquisition of cultural knowledge. By examining the role of the body in the performance of rituals, gestures, language, and other forms of imagination, he offers a bold new look at how culture is produced, handed down, and transformed. Drawing such examinations into a comprehensive and sophisticated assessment of the discipline as a whole, &lt;i&gt;Anthropology&lt;/i&gt; looks squarely at the mystery of humankind and the ways we have attempted to understand it.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226925073.jpeg" length="40745" type="image/jpeg" />
      <category>Anthropology: General Anthropology</category>
      <pubDate>Mon, 08 Apr 2013 05:00:00 GMT</pubDate>
      <author>Christoph Wulf; Deirdre Winter; Elizabeth Hamilton; Margitta Rouse; Richard J. Rouse</author>
      <guid isPermaLink="false">9780226925073</guid>
    </item>
    <item>
      <title>Matt Saunders</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/M/bo15694769.html</link>
      <description>Berlin-based artist Matt Saunders has in recent years captured the art world’s eye with a striking series of hybrid images and animated films produced using techniques from both photography and painting. Using movie stars such as German actress Hertha Thiele and British actor Patrick McGoohan as subjects, Saunders recasts historical film and television images into new discourses about portraiture, iconography, and spectatorship.&amp;#160;Matt Saunders: Parallel Plot is both an artist’s book and a catalog that documents and reflects on a 2010 exhibition held at the Renaissance Society at the University of Chicago. Reproducing the stunning artwork from that show, the book also includes two conversations between Saunders and artist Josiah McElheny and an essay by experimental film scholar Bruce Jenkins that tackles the relationship among painting, photography, and film, as well as the dynamics of Saunders’s iconography. Offering insight into Saunders’s sophisticated working methods, this book is an evocative introduction to the work of this intriguing artist and the intertwined histories of film and photography.</description>
      <content:encoded>&lt;div&gt;Berlin-based artist Matt Saunders has in recent years captured the art world&amp;rsquo;s eye with a striking series of hybrid images and animated films produced using techniques from both photography and painting. Using movie stars such as German actress Hertha Thiele and British actor Patrick McGoohan as subjects, Saunders recasts historical film and television images into new discourses about portraiture, iconography, and spectatorship.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Matt Saunders: Parallel Plot &lt;/i&gt;is both an artist&amp;rsquo;s book and a catalog that documents and reflects on a 2010 exhibition held at the Renaissance Society at the University of Chicago. Reproducing the stunning artwork from that show, the book also includes two conversations between Saunders and artist Josiah McElheny and an essay by experimental film scholar Bruce Jenkins that tackles the relationship among painting, photography, and film, as well as the dynamics of Saunders&amp;rsquo;s iconography. Offering insight into Saunders&amp;rsquo;s sophisticated working methods, this book is an evocative introduction to the work of this intriguing artist and the intertwined histories of film and photography.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/73/9780226736037.jpeg" length="16040" type="image/jpeg" />
      <category>Art: American Art</category>
      <category>Art: Art--General Studies</category>
      <category>Film Studies</category>
      <category>Media Studies</category>
      <pubDate>Fri, 05 Apr 2013 05:00:00 GMT</pubDate>
      <author>Matt Saunders</author>
      <guid isPermaLink="false">9780226736037</guid>
    </item>
    <item>
      <title>Symbolic Power, Politics, and Intellectuals</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365337.html</link>
      <description>Power is the central organizing principle of all social life, from  culture and education to stratification and taste. And there is no more  prominent name in the analysis of power than that of noted sociologist  Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly  held view that symbolic power—the power to dominate—is solely symbolic.  He emphasized that symbolic power helps create and maintain social  hierarchies, which form the very bedrock of political life. By the time  of his death in 2002, Bourdieu had become a leading public intellectual,  and his argument about the more subtle and influential ways that  cultural resources and symbolic categories prevail in power arrangements  and practices had gained broad recognition.In Symbolic Power, Politics, and Intellectuals,  David L. Swartz delves deeply into Bourdieu’s work to show how  central—but often overlooked—power and politics are to an understanding  of sociology. Arguing that power and politics stand at the core of  Bourdieu’s sociology, Swartz illuminates Bourdieu’s political project  for the social sciences, as well as Bourdieu’s own political activism,  explaining how sociology is not just science but also a crucial form of  political engagement.</description>
      <content:encoded>&lt;div&gt;Power is the central organizing principle of all social life, from  culture and education to stratification and taste. And there is no more  prominent name in the analysis of power than that of noted sociologist  Pierre Bourdieu. Throughout his career, Bourdieu challenged the commonly  held view that symbolic power&amp;mdash;the power to dominate&amp;mdash;is solely symbolic.  He emphasized that symbolic power helps create and maintain social  hierarchies, which form the very bedrock of political life. By the time  of his death in 2002, Bourdieu had become a leading public intellectual,  and his argument about the more subtle and influential ways that  cultural resources and symbolic categories prevail in power arrangements  and practices had gained broad recognition.&lt;/div&gt;In &lt;i&gt;Symbolic Power, Politics, and Intellectuals&lt;/i&gt;,  David L. Swartz delves deeply into Bourdieu&amp;rsquo;s work to show how  central&amp;mdash;but often overlooked&amp;mdash;power and politics are to an understanding  of sociology. Arguing that power and politics stand at the core of  Bourdieu&amp;rsquo;s sociology, Swartz illuminates Bourdieu&amp;rsquo;s political project  for the social sciences, as well as Bourdieu&amp;rsquo;s own political activism,  explaining how sociology is not just science but also a crucial form of  political engagement.&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226925011.jpeg" length="21602" type="image/jpeg" />
      <category>Political Science: Political and Social Theory</category>
      <category>Sociology: General Sociology</category>
      <category>Sociology: Individual, State and Society</category>
      <pubDate>Fri, 05 Apr 2013 05:00:00 GMT</pubDate>
      <author>David L. Swartz</author>
      <guid isPermaLink="false">9780226925011</guid>
    </item>
    <item>
      <title>Prospero's Son</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/P/bo15112940.html</link>
      <description>&amp;#8220;This book is the record of a struggle between two temperaments, two consciousnesses and almost two epochs.&amp;#8221; That&amp;#8217;s how Edmund Gosse opened Father and Son, the classic 1907 book about his relationship with his father. Seth Lerer&amp;#8217;s Prospero&amp;#8217;s Son is, as fits our latter days, altogether more complicated, layered, and multivalent, but at its heart is that same problem: the fraught relationship between fathers and sons.&amp;#160;At the same time, Lerer&amp;#8217;s memoir is about the power of books and theater, the excitement of stories in a young man&amp;#8217;s life, and the transformative magic of words and performance. A flamboyantly performative father, a teacher and lifelong actor, comes to terms with his life as a gay man. A bookish boy becomes a professor of literature and an acclaimed expert on the very children&amp;#8217;s books that set him on his path in the first place. And when that boy grows up, he learns how hard it is to be a father and how much books can, and cannot, instruct him. Throughout these intertwined accounts of changing selves, Lerer returns again and again to stories&amp;#8212;the ways they teach us about discovery, deliverance, forgetting, and remembering.&amp;#160;&amp;#8220;A child is a man in small letter,&amp;#8221; wrote Bishop John Earle in the seventeenth century. &amp;#8220;His father hath writ him as his own little story.&amp;#8221; With Prospero&amp;#8217;s Son, Seth Lerer acknowledges the author of his story while simultaneously reminding us that we all confront the blank page of life on our own, as authors of our lives.</description>
      <content:encoded>&lt;div&gt;&amp;#8220;This book is the record of a struggle between two temperaments, two consciousnesses and almost two epochs.&amp;#8221; That&amp;#8217;s how Edmund Gosse opened &lt;i&gt;Father and Son&lt;/i&gt;, the classic 1907 book about his relationship with his father. Seth Lerer&amp;#8217;s &lt;i&gt;Prospero&amp;#8217;s Son&lt;/i&gt; is, as fits our latter days, altogether more complicated, layered, and multivalent, but at its heart is that same problem: the fraught relationship between fathers and sons.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;At the same time, Lerer&amp;#8217;s memoir is about the power of books and theater, the excitement of stories in a young man&amp;#8217;s life, and the transformative magic of words and performance. A flamboyantly performative father, a teacher and lifelong actor, comes to terms with his life as a gay man. A bookish boy becomes a professor of literature and an acclaimed expert on the very children&amp;#8217;s books that set him on his path in the first place. And when that boy grows up, he learns how hard it is to be a father and how much books can, and cannot, instruct him. Throughout these intertwined accounts of changing selves, Lerer returns again and again to stories&amp;#8212;the ways they teach us about discovery, deliverance, forgetting, and remembering.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&amp;#8220;A child is a man in small letter,&amp;#8221; wrote Bishop John Earle in the seventeenth century. &amp;#8220;His father hath writ him as his own little story.&amp;#8221; With &lt;i&gt;Prospero&amp;#8217;s Son&lt;/i&gt;, Seth Lerer acknowledges the author of his story while simultaneously reminding us that we all confront the blank page of life on our own, as authors of our lives.&lt;/div&gt;&lt;div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226014418.jpeg" length="28295" type="image/jpeg" />
      <category>Biography and Letters</category>
      <category>Medieval Studies</category>
      <pubDate>Fri, 05 Apr 2013 05:00:00 GMT</pubDate>
      <author>Seth Lerer</author>
      <guid isPermaLink="false">9780226014418</guid>
    </item>
    <item>
      <title>Shakespeare and the Law</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365198.html</link>
      <description>William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life, and trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, Shakespeare and the Law demonstrates that Shakespeare’s thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law’s technical workings, its underlying premises, and its social effects.&amp;#160;Shakespeare and the Law opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and contrasts between the two fields. In its second section, the book considers Shakespeare’s awareness of common law thinking and common law practice through examinations of Measure for Measure and Othello. Building and expanding on this question, the third part inquires into Shakespeare’s general attitudes toward legal systems. A judge and a former solicitor general rule on Shylock’s demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen Breyer, Judge Richard Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in Hamlet to the nature of judicial discretion.&amp;#160;Celebrating the sometimes fractious intellectual energy produced by scholars and practitioners tackling the question of Shakespeare and the law, this collection is a resource and provocation for further thinking and ongoing discussion.</description>
      <content:encoded>&lt;div&gt;William Shakespeare is inextricably linked with the law. Legal documents make up most of the records we have of his life, and trials, lawsuits, and legal terms permeate his plays. Gathering an extraordinary team of literary and legal scholars, philosophers, and even sitting judges, &lt;i&gt;Shakespeare and the Law&lt;/i&gt; demonstrates that Shakespeare&amp;rsquo;s thinking about legal concepts and legal practice points to a deep and sometimes vexed engagement with the law&amp;rsquo;s technical workings, its underlying premises, and its social effects.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;&lt;i&gt;Shakespeare and the Law &lt;/i&gt;opens with three essays that provide useful frameworks for approaching the topic, offering perspectives on law and literature that emphasize both the continuities and contrasts between the two fields. In its second section, the book considers Shakespeare&amp;rsquo;s awareness of common law thinking and common law practice through examinations of &lt;i&gt;Measure for Measure&lt;/i&gt; and &lt;i&gt;Othello&lt;/i&gt;. Building and expanding on this question, the third part inquires into Shakespeare&amp;rsquo;s general attitudes toward legal systems. A judge and a former solicitor general rule on Shylock&amp;rsquo;s demand for enforcement of his odd contract; and two essays by literary scholars take contrasting views on whether Shakespeare could imagine a functioning legal system. The fourth section looks at how law enters into conversation with issues of politics and community, both in the plays and in our own world. The volume concludes with a freewheeling colloquy among Supreme Court Justice Stephen Breyer, Judge Richard Posner, Martha C. Nussbaum, and Richard Strier that covers everything from the ghost in &lt;i&gt;Hamlet&lt;/i&gt; to the nature of judicial discretion.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Celebrating the sometimes fractious intellectual energy produced by scholars and practitioners tackling the question of Shakespeare and the law, this collection is a resource and provocation for further thinking and ongoing discussion.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924939.jpeg" length="47876" type="image/jpeg" />
      <category>Law and Legal Studies: General Legal Studies</category>
      <category>Literature and Literary Criticism: British and Irish Literature</category>
      <pubDate>Fri, 05 Apr 2013 05:00:00 GMT</pubDate>
      <author>Bradin Cormack; Martha C. Nussbaum; Richard Strier</author>
      <guid isPermaLink="false">9780226924939</guid>
    </item>
    <item>
      <title>Nazi Symbiosis</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/N/bo9397066.html</link>
      <description>The Faustian bargain&amp;#8212;in which an individual or group collaborates with an evil entity in order to obtain knowledge, power, or material gain&amp;#8212;is perhaps best exemplified by the alliance between world-renowned human geneticists and the Nazi state. Under the swastika, German scientists descended into the moral abyss, perpetrating heinous medical crimes at Auschwitz and at euthanasia hospitals. But why did biomedical researchers accept such a bargain?The Nazi Symbiosis offers a nuanced account of the myriad ways human heredity and Nazi politics reinforced each other before and during the Third Reich. Exploring the ethical and professional consequences for the scientists involved as well as the political ramifications for Nazi racial policies, Sheila Faith Weiss places genetics and eugenics in their larger international context. In questioning whether the motives that propelled German geneticists were different from the compromises that researchers from other countries and eras face, Weiss extends her argument into our modern moment, as we confront the promises and perils of genomic medicine today.</description>
      <content:encoded>&lt;p&gt;The Faustian bargain&amp;#8212;in which an individual or group collaborates with an evil entity in order to obtain knowledge, power, or material gain&amp;#8212;is perhaps best exemplified by the alliance between world-renowned human geneticists and the Nazi state. Under the swastika, German scientists descended into the moral abyss, perpetrating heinous medical crimes at Auschwitz and at euthanasia hospitals. But why did biomedical researchers accept such a bargain?&lt;/p&gt;&lt;p&gt;&lt;i&gt;The Nazi Symbiosis&lt;/i&gt; offers a nuanced account of the myriad ways human heredity and Nazi politics reinforced each other before and during the Third Reich. Exploring the ethical and professional consequences for the scientists involved as well as the political ramifications for Nazi racial policies, Sheila Faith Weiss places genetics and eugenics in their larger international context. In questioning whether the motives that propelled German geneticists were different from the compromises that researchers from other countries and eras face, Weiss extends her argument into our modern moment, as we confront the promises and perils of genomic medicine today.&lt;/p&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226055718.jpeg" length="11949" type="image/jpeg" />
      <category>History: European History</category>
      <category>History: Military History</category>
      <category>History of Science</category>
      <category>Medical Science</category>
      <pubDate>Thu, 04 Apr 2013 05:00:00 GMT</pubDate>
      <author>Sheila Faith Weiss</author>
      <guid isPermaLink="false">9780226055718</guid>
    </item>
    <item>
      <title>Signature Derrida</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/S/bo14365527.html</link>
      <description>Throughout his long career, Jacques Derrida had a close, collaborative relationship with Critical Inquiry and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that Critical Inquiry encouraged. Collecting the best of Derrida’s work that was published in the journal between 1980 and 2002, Signature Derrida provides a remarkable introduction to the philosopher and the evolution of his thought.&amp;#160;These essays define three significant “periods” in Derrida’s writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like “The Law of Genre,” in which Derrida produces a kind of phenomenological narratology. Another essay, “The Linguistic Circle of Geneva,” embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida’s writing includes the essays “Of Spirit” and&amp;#160;“The Animal That Therefore I Am (More to Follow),” and three eulogies to the intellectual legacies of Michel Foucault, Louis Marin, and Emmanuel L&amp;eacute;vinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories.&amp;#160;With an introduction by Francoise Meltzer that provides an overview of the oeuvre of this singular philosopher, Signature Derrida is the most wide-ranging, and thus most representative, anthology of Derrida’s work to date.</description>
      <content:encoded>&lt;div&gt;Throughout his long career, Jacques Derrida had a close, collaborative relationship with &lt;i&gt;Critical Inquiry&lt;/i&gt; and its editors. He saved some of his most important essays for the journal, and he relished the ensuing arguments and polemics that stemmed from the responses to his writing that &lt;i&gt;Critical Inquiry&lt;/i&gt; encouraged. Collecting the best of Derrida&amp;rsquo;s work that was published in the journal between 1980 and 2002, &lt;i&gt;Signature Derrida&lt;/i&gt; provides a remarkable introduction to the philosopher and the evolution of his thought.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;These essays define three significant &amp;ldquo;periods&amp;rdquo; in Derrida&amp;rsquo;s writing: his early, seemingly revolutionary phase; a middle stage, often autobiographical, that included spirited defense of his work; and his late period, when his persona as a public intellectual was prominent, and he wrote on topics such as animals and religion. The first period is represented by essays like &amp;ldquo;The Law of Genre,&amp;rdquo; in which Derrida produces a kind of phenomenological narratology. Another essay, &amp;ldquo;The Linguistic Circle of Geneva,&amp;rdquo; embodies the second, presenting deconstructionism at its best: Derrida shows that what was imagined to be an epistemological break in the study of linguistics was actually a repetition of earlier concepts. The final period of Derrida&amp;rsquo;s writing includes the essays &amp;ldquo;Of Spirit&amp;rdquo; and&amp;#160;&amp;ldquo;The Animal That Therefore I Am (More to Follow),&amp;rdquo; and three eulogies to the intellectual legacies of Michel Foucault, Louis Marin, and Emmanuel L&amp;eacute;vinas, in which Derrida uses the ideas of each thinker to push forward the implications of their theories.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;With an introduction by Francoise Meltzer that provides an overview of the oeuvre of this singular philosopher, &lt;i&gt;Signature Derrida &lt;/i&gt;is the most wide-ranging, and thus most representative, anthology of Derrida&amp;rsquo;s work to date.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924526.jpeg" length="30605" type="image/jpeg" />
      <category>Literature and Literary Criticism: General Criticism and Critical Theory</category>
      <category>Philosophy: General Philosophy</category>
      <pubDate>Thu, 04 Apr 2013 05:00:00 GMT</pubDate>
      <author>Jacques Derrida; Jay Williams; Françoise Meltzer</author>
      <guid isPermaLink="false">9780226924540</guid>
    </item>
    <item>
      <title>Contesting Nietzsche</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo14365242.html</link>
      <description>In this groundbreaking work, Christa Davis Acampora offers a profound rethinking of Friedrich Nietzsche’s crucial notion of the agon. Analyzing an impressive array of primary and secondary sources and synthesizing decades of Nietzsche scholarship, she shows how the agon, or contest, organized core areas of Nietzsche’s philosophy, providing a new appreciation of the subtleties of his notorious views about power. By focusing so intensely on this particular guiding interest, she offers an exciting, original vantage from which to view this iconic thinker: Contesting Nietzsche.&amp;#160;Though existence—viewed through the lens of Nietzsche’s agon—is fraught with struggle, Acampora illuminates what Nietzsche recognized as the agon’s generative benefits. It imbues the human experience with significance, meaning, and value. Analyzing Nietzsche’s elaborations of agonism—his remarks on types of contests, qualities of contestants, and the conditions in which either may thrive or deteriorate—she demonstrates how much the agon shaped his philosophical projects and critical assessments of others. The agon led him from one set of concerns to the next, from aesthetics to metaphysics to ethics to psychology, via Homer, Socrates, Saint Paul, and Wagner. In showing how one obsession catalyzed so many diverse interests, Contesting Nietzsche sheds fundamentally new light on some of this philosopher’s most difficult and paradoxical ideas.</description>
      <content:encoded>&lt;div&gt;In this groundbreaking work, Christa Davis Acampora offers a profound rethinking of Friedrich Nietzsche&amp;rsquo;s crucial notion of the &lt;i&gt;agon&lt;/i&gt;. Analyzing an impressive array of primary and secondary sources and synthesizing decades of Nietzsche scholarship, she shows how the agon, or contest, organized core areas of Nietzsche&amp;rsquo;s philosophy, providing a new appreciation of the subtleties of his notorious views about power. By focusing so intensely on this particular guiding interest, she offers an exciting, original vantage from which to view this iconic thinker: &lt;i&gt;Contesting Nietzsche&lt;/i&gt;.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Though existence&amp;mdash;viewed through the lens of Nietzsche&amp;rsquo;s agon&amp;mdash;is fraught with struggle, Acampora illuminates what Nietzsche recognized as the agon&amp;rsquo;s generative benefits. It imbues the human experience with significance, meaning, and value. Analyzing Nietzsche&amp;rsquo;s elaborations of agonism&amp;mdash;his remarks on types of contests, qualities of contestants, and the conditions in which either may thrive or deteriorate&amp;mdash;she demonstrates how much the agon shaped his philosophical projects and critical assessments of others. The agon led him from one set of concerns to the next, from aesthetics to metaphysics to ethics to psychology, via Homer, Socrates, Saint Paul, and Wagner. In showing how one obsession catalyzed so many diverse interests, &lt;i&gt;Contesting Nietzsche&lt;/i&gt; sheds fundamentally new light on some of this philosopher&amp;rsquo;s most difficult and paradoxical ideas.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226923901.jpeg" length="19516" type="image/jpeg" />
      <category>Philosophy: Ethics</category>
      <category>Philosophy: General Philosophy</category>
      <category>Philosophy: History and Classic Works</category>
      <pubDate>Wed, 03 Apr 2013 05:00:00 GMT</pubDate>
      <author>Christa Davis Acampora</author>
      <guid isPermaLink="false">9780226923901</guid>
    </item>
    <item>
      <title>Curiosity</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/C/bo15703784.html</link>
      <description>With the recent landing of the Mars rover Curiosity, it seems safe to assume that the idea of being curious is alive and well in modern science—that it’s not merely encouraged but is seen as an essential component of the scientific mission. Yet there was a time when curiosity was condemned. Neither Pandora nor Eve could resist the dangerous allure of unanswered questions, and all knowledge wasn’t equal—for millennia it was believed that there were some things we should not try to know. In the late sixteenth century this attitude began to change dramatically, and in Curiosity: How Science Became Interested in Everything, Philip Ball investigates how curiosity first became sanctioned—when it changed from a vice to a virtue and how it became permissible to ask any and every question about the world.&amp;#160;Looking closely at the sixteenth through eighteenth centuries, Ball vividly brings to life the age when modern science began, a time that spans the lives of Galileo and Isaac Newton. In this entertaining and illuminating account of the rise of science as we know it, Ball tells of scientists both legendary and lesser known, from Copernicus and Kepler to Robert Boyle, as well as the inventions and technologies that were inspired by curiosity itself, such as the telescope and the microscope. The so-called Scientific Revolution is often told as a story of great geniuses illuminating the world with flashes of inspiration. But Curiosity reveals a more complex story, in which the liberation—and subsequent taming—of curiosity was linked to magic, religion, literature, travel, trade, and empire. Ball also asks what has become of curiosity today: how it functions in science, how it is spun and packaged for consumption, how well it is being sustained, and how the changing shape of science influences the kinds of questions it may continue to ask.&amp;#160;Though proverbial wisdom tell us that it was through curiosity that our innocence was lost, that has not deterred us. Instead, it has been completely the contrary: today we spend vast sums trying to reconstruct the first instants of creation in particle accelerators, out of a pure desire to know. Ball refuses to let us take this desire for granted, and this book is a perfect homage to such an inquisitive attitude.</description>
      <content:encoded>&lt;div&gt;With the recent landing of the Mars rover Curiosity, it seems safe to assume that the idea of being curious is alive and well in modern science&amp;mdash;that it&amp;rsquo;s not merely encouraged but is seen as an essential component of the scientific mission. Yet there was a time when curiosity was condemned. Neither Pandora nor Eve could resist the dangerous allure of unanswered questions, and all knowledge wasn&amp;rsquo;t equal&amp;mdash;for millennia it was believed that there were some things we should not try to know. In the late sixteenth century this attitude began to change dramatically, and in &lt;i&gt;Curiosity: &lt;/i&gt;&lt;i&gt;How Science Became Interested in Everything, &lt;/i&gt;Philip Ball investigates how curiosity first became sanctioned&amp;mdash;when it changed from a vice to a virtue and how it became permissible to ask any and every question about the world.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Looking closely at the sixteenth through eighteenth centuries, Ball vividly brings to life the age when modern science began, a time that spans the lives of Galileo and Isaac Newton. In this entertaining and illuminating account of the rise of science as we know it, Ball tells of scientists both legendary and lesser known, from Copernicus and Kepler to Robert Boyle, as well as the inventions and technologies that were inspired by curiosity itself, such as the telescope and the microscope. The so-called Scientific Revolution is often told as a story of great geniuses illuminating the world with flashes of inspiration. But &lt;i&gt;Curiosity&lt;/i&gt; reveals a more complex story, in which the liberation&amp;mdash;and subsequent taming&amp;mdash;of curiosity was linked to magic, religion, literature, travel, trade, and empire. Ball also asks what has become of curiosity today: how it functions in science, how it is spun and packaged for consumption, how well it is being sustained, and how the changing shape of science influences the kinds of questions it may continue to ask.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Though proverbial wisdom tell us that it was through curiosity that our innocence was lost, that has not deterred us. Instead, it has been completely the contrary: today we spend vast sums trying to reconstruct the first instants of creation in particle accelerators, out of a pure desire to &lt;i&gt;know&lt;/i&gt;. Ball refuses to let us take this desire for granted, and this book is a perfect homage to such an inquisitive attitude.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/04/9780226045795.jpeg" length="58728" type="image/jpeg" />
      <category>History: History of Ideas</category>
      <category>History: General History</category>
      <category>History: History of Technology</category>
      <category>History of Science</category>
      <category>Physical Sciences: History and Philosophy of Physical Sciences</category>
      <pubDate>Wed, 03 Apr 2013 05:00:00 GMT</pubDate>
      <author>Philip Ball</author>
      <guid isPermaLink="false">9780226045795</guid>
    </item>
    <item>
      <title>Manual for Writers of Research Papers, Theses, and Dissertations, Eighth Edition</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/M/bo14821662.html</link>
      <description>A little more than seventy-five years ago, Kate L. Turabian drafted a set of guidelines to help students understand how to write, cite, and formally submit research writing. Seven editions and more than nine million copies later, the name Turabian has become synonymous with best practices in research writing and style. Her Manual for Writers continues to be the gold standard for generations of college and graduate students in virtually all academic disciplines. Now in its eighth edition, A Manual for Writers of Research Papers, Theses, and Dissertations has been fully revised to meet the needs of today&amp;#8217;s writers and researchers.The Manual retains its familiar three-part structure, beginning with an overview of the steps in the research and writing process, including formulating questions, reading critically, building arguments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources.The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of The Chicago Manual of Style. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources available, A Manual for Writers remains the essential resource for students and their teachers.</description>
      <content:encoded>&lt;div&gt;A little more than seventy-five years ago, Kate L. Turabian drafted a set of guidelines to help students understand how to write, cite, and formally submit research writing. Seven editions and more than nine million copies later, the name Turabian has become synonymous with best practices in research writing and style. Her &lt;i&gt;Manual for Writers&lt;/i&gt; continues to be the gold standard for generations of college and graduate students in virtually all academic disciplines. Now in its eighth edition, &lt;i&gt;A Manual for Writers of Research Papers, Theses, and Dissertations&lt;/i&gt; has been fully revised to meet the needs of today&amp;#8217;s writers and researchers.&lt;br&gt;&lt;br&gt;The &lt;i&gt;Manual&lt;/i&gt; retains its familiar three-part structure, beginning with an overview of the steps in the research and writing process, including formulating questions, reading critically, building arguments, and revising drafts. Part II provides an overview of citation practices with detailed information on the two main scholarly citation styles (notes-bibliography and author-date), an array of source types with contemporary examples, and detailed guidance on citing online resources.&lt;br&gt;&lt;br&gt;The final section treats all matters of editorial style, with advice on punctuation, capitalization, spelling, abbreviations, table formatting, and the use of quotations. Style and citation recommendations have been revised throughout to reflect the sixteenth edition of &lt;i&gt;The Chicago Manual of Style&lt;/i&gt;. With an appendix on paper format and submission that has been vetted by dissertation officials from across the country and a bibliography with the most up-to-date listing of critical resources available, &lt;i&gt;A Manual for Writers&lt;/i&gt; remains the essential resource for students and their teachers.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/81/9780226816371.jpeg" length="51404" type="image/jpeg" />
      <category>Language and Linguistics: Language--Reference</category>
      <category>Reference and Bibliography</category>
      <category>Rhetoric and Communication</category>
      <pubDate>Wed, 03 Apr 2013 05:00:00 GMT</pubDate>
      <author>Kate L. Turabian; Wayne C. Booth; Gregory G. Colomb; Joseph M. Williams; University of Chicago Press Staff</author>
      <guid isPermaLink="false">9780226816371</guid>
    </item>
    <item>
      <title>Bernini</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/B/bo12065735.html</link>
      <description>Sculptor, architect, painter, playwright, and scenographer, Gian   Lorenzo Bernini (1598–1680) was the last of the great universal artistic   geniuses of early modern Italy, placed by both contemporaries and   posterity in the same exalted company as Leonardo, Raphael, and   Michelangelo. And his artistic vision remains palpably present today,   through the countless statues, fountains, and buildings that transformed   Rome into the Baroque theater that continues to enthrall tourists   today.It is perhaps not surprising that this artist who   defined the Baroque should have a personal life that itself was, well,   baroque. As Franco Mormando’s dazzling biography reveals, Bernini was a   man driven by many passions, possessed of an explosive temper and a   hearty sex drive, and he lived a life as dramatic as any of his   creations. Drawing on archival sources, letters, diaries, and—with a   suitable skepticism—a hagiographic account written by Bernini’s son (who   portrays his father as a paragon of virtue and piety), Mormando leads   us through Bernini’s many feuds and love affairs, scandals and sins. He   sets Bernini’s raucous life against a vivid backdrop of Baroque Rome,   bustling and wealthy, and peopled by churchmen and bureaucrats, popes   and politicians, schemes and secrets.The result is a   seductively readable biography, stuffed with stories and teeming with   life—as wild and unforgettable as Bernini’s art. No one who has been   bewitched by the Baroque should miss it.</description>
      <content:encoded>&lt;div&gt;Sculptor, architect, painter, playwright, and scenographer, Gian   Lorenzo Bernini (1598&amp;ndash;1680) was the last of the great universal artistic   geniuses of early modern Italy, placed by both contemporaries and   posterity in the same exalted company as Leonardo, Raphael, and   Michelangelo. And his artistic vision remains palpably present today,   through the countless statues, fountains, and buildings that transformed   Rome into the Baroque theater that continues to enthrall tourists   today.&lt;/div&gt;&lt;div&gt;It is perhaps not surprising that this artist who   defined the Baroque should have a personal life that itself was, well,   baroque. As Franco Mormando&amp;rsquo;s dazzling biography reveals, Bernini was a   man driven by many passions, possessed of an explosive temper and a   hearty sex drive, and he lived a life as dramatic as any of his   creations. Drawing on archival sources, letters, diaries, and&amp;mdash;with a   suitable skepticism&amp;mdash;a hagiographic account written by Bernini&amp;rsquo;s son (who   portrays his father as a paragon of virtue and piety), Mormando leads   us through Bernini&amp;rsquo;s many feuds and love affairs, scandals and sins. He   sets Bernini&amp;rsquo;s raucous life against a vivid backdrop of Baroque Rome,   bustling and wealthy, and peopled by churchmen and bureaucrats, popes   and politicians, schemes and secrets.&lt;/div&gt;&lt;div&gt;The result is a   seductively readable biography, stuffed with stories and teeming with   life&amp;mdash;as wild and unforgettable as Bernini&amp;rsquo;s art. No one who has been   bewitched by the Baroque should miss it.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226055237.jpeg" length="6391" type="image/jpeg" />
      <category>Art: European Art</category>
      <category>Biography and Letters</category>
      <category>History: European History</category>
      <pubDate>Tue, 02 Apr 2013 05:00:00 GMT</pubDate>
      <author>Franco Mormando</author>
      <guid isPermaLink="false">9780226055237</guid>
    </item>
    <item>
      <title>Genomes and What to Make of Them</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/G/bo5705879.html</link>
      <description>The announcement in 2003 that the Human Genome Project had completed its map of the entire human genome was heralded as a stunning scientific breakthrough: our first full picture of the basic building blocks of human life. Since then, boasts about the benefits&amp;#8212;and warnings of the dangers&amp;#8212;of genomics have remained front-page news, with everyone agreeing that genomics has the potential to radically alter life as we know it.For the nonscientist, the claims and counterclaims are dizzying&amp;#8212;what does it really mean to understand the genome? Barry Barnes and John Dupr&amp;#233; offer an answer to that question and much more in Genomes and What to Make of Them, a clear and lively account of the genomic revolution and its promise. The book opens with a brief history of the science of genetics and genomics, from Mendel to Watson and Crick and all the way up to Craig Venter; from there the authors delve into the use of genomics in determining evolutionary paths&amp;#8212;and what it can tell us, for example, about how far we really have come from our ape ancestors. Barnes and Dupr&amp;#233; then consider both the power and risks of genetics, from the economic potential of plant genomes to overblown claims that certain human genes can be directly tied to such traits as intelligence or homosexuality. Ultimately, the authors argue, we are now living with a new knowledge as powerful in its way as nuclear physics&amp;shy;, and the stark choices that face us&amp;#8212;between biological warfare and gene therapy, a new eugenics or a new agricultural revolution&amp;#8212;will demand the full engagement of both scientists and citizens.&amp;#160;Written in straightforward language but without denying the complexity of the issues, Genomes and What to Make of Them is both an up-to-date primer and a blueprint for the future.</description>
      <content:encoded>&lt;div&gt;&lt;div&gt;The announcement in 2003 that the Human Genome Project had completed its map of the entire human genome was heralded as a stunning scientific breakthrough: our first full picture of the basic building blocks of human life. Since then, boasts about the benefits&amp;#8212;and warnings of the dangers&amp;#8212;of genomics have remained front-page news, with everyone agreeing that genomics has the potential to radically alter life as we know it.&lt;/div&gt;&lt;div&gt;&lt;br&gt;For the nonscientist, the claims and counterclaims are dizzying&amp;#8212;what does it really mean to understand the genome? Barry Barnes and John Dupr&amp;#233; offer an answer to that question and much more in &lt;i&gt;Genomes and What to Make of Them&lt;/i&gt;, a clear and lively account of the genomic revolution and its promise. The book opens with a brief history of the science of genetics and genomics, from Mendel to Watson and Crick and all the way up to Craig Venter; from there the authors delve into the use of genomics in determining evolutionary paths&amp;#8212;and what it can tell us, for example, about how far we really have come from our ape ancestors. Barnes and Dupr&amp;#233; then consider both the power and risks of genetics, from the economic potential of plant genomes to overblown claims that certain human genes can be directly tied to such traits as intelligence or homosexuality. Ultimately, the authors argue, we are now living with a new knowledge as powerful in its way as nuclear physics&amp;shy;, and the stark choices that face us&amp;#8212;between biological warfare and gene therapy, a new eugenics or a new agricultural revolution&amp;#8212;will demand the full engagement of both scientists and citizens.&amp;#160;&lt;br&gt;&lt;br&gt;Written in straightforward language but without denying the complexity of the issues, &lt;i&gt;Genomes and What to Make of Them&lt;/i&gt; is both an up-to-date primer and a blueprint for the future.&lt;/div&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/05/9780226054568.jpeg" length="13429" type="image/jpeg" />
      <category>Biological Sciences: Biochemistry</category>
      <category>Biological Sciences: Microbiology</category>
      <category>History of Science</category>
      <category>Medical Science</category>
      <category>Philosophy of Science</category>
      <pubDate>Tue, 02 Apr 2013 05:00:00 GMT</pubDate>
      <author>Barry Barnes; John Dupré</author>
      <guid isPermaLink="false">9780226054568</guid>
    </item>
    <item>
      <title>Aristotle's Teaching in the "Politics"</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/A/bo14941748.html</link>
      <description>With Aristotle’s Teaching in the “Politics,” Thomas L. Pangle offers a masterly new interpretation of this classic philosophical work. It is widely believed that the Politics originated as a written record of a series of lectures given by Aristotle, and scholars have relied on that fact to explain seeming inconsistencies and instances of discontinuity throughout the text. Breaking from this tradition, Pangle makes the work’s origin his starting point, reconceiving the Politics as the pedagogical tool of a master teacher.With the Politics, Pangle argues, Aristotle seeks to lead his students down a deliberately difficult path of critical thinking about civic republican life. He adopts a Socratic approach, encouraging his students—and readers—to become active participants in a dialogue. Seen from this perspective, features of the work that have perplexed previous commentators become perfectly comprehensible as artful devices of a didactic approach. Ultimately, Pangle’s close and careful analysis shows that to understand the Politics, one must first appreciate how Aristotle’s rhetorical strategy is inextricably entwined with the subject of his work.</description>
      <content:encoded>&lt;div&gt;With &lt;i&gt;Aristotle&amp;rsquo;s Teaching in the &amp;ldquo;Politics,&amp;rdquo; &lt;/i&gt;Thomas L. Pangle offers a masterly new interpretation of this classic philosophical work. It is widely believed that the &lt;i&gt;Politics&lt;/i&gt; originated as a written record of a series of lectures given by Aristotle, and scholars have relied on that fact to explain seeming inconsistencies and instances of discontinuity throughout the text. Breaking from this tradition, Pangle makes the work&amp;rsquo;s origin his starting point, reconceiving the &lt;i&gt;Politics&lt;/i&gt; as the pedagogical tool of a master teacher.&lt;br&gt;&lt;br&gt;&lt;/div&gt;&lt;div&gt;With the &lt;i&gt;Politics&lt;/i&gt;, Pangle argues, Aristotle seeks to lead his students down a deliberately difficult path of critical thinking about civic republican life. He adopts a Socratic approach, encouraging his students&amp;mdash;and readers&amp;mdash;to become active participants in a dialogue. Seen from this perspective, features of the work that have perplexed previous commentators become perfectly comprehensible as artful devices of a didactic approach. Ultimately, Pangle&amp;rsquo;s close and careful analysis shows that to understand the &lt;i&gt;Politics&lt;/i&gt;, one must first appreciate how Aristotle&amp;rsquo;s rhetorical strategy is inextricably entwined with the subject of his work.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226016030.jpeg" length="29641" type="image/jpeg" />
      <category>Classical Studies</category>
      <category>Philosophy: History and Classic Works</category>
      <category>Political Science: Classic Political Thought</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>Thomas L. Pangle</author>
      <guid isPermaLink="false">9780226016030</guid>
    </item>
    <item>
      <title>Deep Rhetoric</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo15112880.html</link>
      <description>“Rhetoric is the counterpart of logic,” claimed Aristotle.  “Rhetoric is the first part of logic rightly understood,” Martin  Heidegger concurred. “Rhetoric is the universal form of human  communication,” opined Hans-Georg Gadamer. But in Deep Rhetoric,  James Crosswhite offers a groundbreaking new conception of rhetoric, one  that builds a definitive case for an understanding of the discipline as  a philosophical enterprise beyond basic argumentation and is fully  conversant with the advances of the New Rhetoric of Cha&amp;iuml;m Perelman and  Lucie Olbrechts-Tyteca.Chapter by chapter, Deep Rhetoric  develops an understanding of rhetoric not only in its philosophical  dimension but also as a means of guiding and conducting conflicts,  achieving justice, and understanding the human condition. Along the way,  Crosswhite restores the traditional dignity and importance of the  discipline and illuminates the twentieth-century resurgence of rhetoric  among philosophers, as well as the role that rhetoric can play in future  discussions of ontology, epistemology, and ethics. At a time when the  fields of philosophy and rhetoric have diverged, Crosswhite returns them  to their common moorings and shows us an invigorating new way forward.</description>
      <content:encoded>&lt;div&gt;&amp;ldquo;Rhetoric is the counterpart of logic,&amp;rdquo; claimed Aristotle.  &amp;ldquo;Rhetoric is the first part of logic rightly understood,&amp;rdquo; Martin  Heidegger concurred. &amp;ldquo;Rhetoric is the universal form of human  communication,&amp;rdquo; opined Hans-Georg Gadamer. But in &lt;i&gt;Deep Rhetoric&lt;/i&gt;,  James Crosswhite offers a groundbreaking new conception of rhetoric, one  that builds a definitive case for an understanding of the discipline as  a philosophical enterprise beyond basic argumentation and is fully  conversant with the advances of the New Rhetoric of Cha&amp;iuml;m Perelman and  Lucie Olbrechts-Tyteca.&lt;/div&gt;&lt;div&gt;&lt;br&gt;Chapter by chapter, &lt;i&gt;Deep Rhetoric&lt;/i&gt;  develops an understanding of rhetoric not only in its philosophical  dimension but also as a means of guiding and conducting conflicts,  achieving justice, and understanding the human condition. Along the way,  Crosswhite restores the traditional dignity and importance of the  discipline and illuminates the twentieth-century resurgence of rhetoric  among philosophers, as well as the role that rhetoric can play in future  discussions of ontology, epistemology, and ethics. At a time when the  fields of philosophy and rhetoric have diverged, Crosswhite returns them  to their common moorings and shows us an invigorating new way forward.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226016481.jpeg" length="19907" type="image/jpeg" />
      <category>Rhetoric and Communication</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>James Crosswhite</author>
      <guid isPermaLink="false">9780226016481</guid>
    </item>
    <item>
      <title>Deep Rhetoric</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/D/bo15112880.html</link>
      <description>“Rhetoric is the counterpart of logic,” claimed Aristotle.  “Rhetoric is the first part of logic rightly understood,” Martin  Heidegger concurred. “Rhetoric is the universal form of human  communication,” opined Hans-Georg Gadamer. But in Deep Rhetoric,  James Crosswhite offers a groundbreaking new conception of rhetoric, one  that builds a definitive case for an understanding of the discipline as  a philosophical enterprise beyond basic argumentation and is fully  conversant with the advances of the New Rhetoric of Cha&amp;iuml;m Perelman and  Lucie Olbrechts-Tyteca.Chapter by chapter, Deep Rhetoric  develops an understanding of rhetoric not only in its philosophical  dimension but also as a means of guiding and conducting conflicts,  achieving justice, and understanding the human condition. Along the way,  Crosswhite restores the traditional dignity and importance of the  discipline and illuminates the twentieth-century resurgence of rhetoric  among philosophers, as well as the role that rhetoric can play in future  discussions of ontology, epistemology, and ethics. At a time when the  fields of philosophy and rhetoric have diverged, Crosswhite returns them  to their common moorings and shows us an invigorating new way forward.</description>
      <content:encoded>&lt;div&gt;&amp;ldquo;Rhetoric is the counterpart of logic,&amp;rdquo; claimed Aristotle.  &amp;ldquo;Rhetoric is the first part of logic rightly understood,&amp;rdquo; Martin  Heidegger concurred. &amp;ldquo;Rhetoric is the universal form of human  communication,&amp;rdquo; opined Hans-Georg Gadamer. But in &lt;i&gt;Deep Rhetoric&lt;/i&gt;,  James Crosswhite offers a groundbreaking new conception of rhetoric, one  that builds a definitive case for an understanding of the discipline as  a philosophical enterprise beyond basic argumentation and is fully  conversant with the advances of the New Rhetoric of Cha&amp;iuml;m Perelman and  Lucie Olbrechts-Tyteca.&lt;/div&gt;&lt;div&gt;&lt;br&gt;Chapter by chapter, &lt;i&gt;Deep Rhetoric&lt;/i&gt;  develops an understanding of rhetoric not only in its philosophical  dimension but also as a means of guiding and conducting conflicts,  achieving justice, and understanding the human condition. Along the way,  Crosswhite restores the traditional dignity and importance of the  discipline and illuminates the twentieth-century resurgence of rhetoric  among philosophers, as well as the role that rhetoric can play in future  discussions of ontology, epistemology, and ethics. At a time when the  fields of philosophy and rhetoric have diverged, Crosswhite returns them  to their common moorings and shows us an invigorating new way forward.&lt;/div&gt;&lt;br&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/01/9780226016481.jpeg" length="19907" type="image/jpeg" />
      <category>Rhetoric and Communication</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>James Crosswhite</author>
      <guid isPermaLink="false">9780226016344</guid>
    </item>
    <item>
      <title>Egyptian Oedipus</title>
      <link>http://press.uchicago.edu/ucp/books/book/chicago/E/bo14522093.html</link>
      <description>A contemporary of Descartes and Newton, Athanasius Kircher, S. J. (1601/2–80), was one of Europe’s most inventive and versatile scholars in the baroque era. He published more than thirty works in fields as diverse as astronomy, magnetism, cryptology, numerology, geology, and music. But Kircher is most famous—or infamous—for his quixotic attempt to decipher the Egyptian hieroglyphs and reconstruct the ancient traditions they encoded. In 1655, after more than two decades of toil, Kircher published his solution to the hieroglyphs, Oedipus Aegyptiacus, a work that has been called “one of the most learned monstrosities of all times.” Here Daniel Stolzenberg presents a new interpretation of Kircher’s hieroglyphic studies, placing them in the context of seventeenth-century scholarship on paganism and Oriental languages.&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; Situating Kircher in the social world of baroque Rome, with its scholars, artists, patrons, and censors, Stolzenberg shows how Kircher’s study of ancient paganism depended on the circulation of texts, artifacts, and people between Christian and Islamic civilizations. Along with other participants in the rise of Oriental studies, Kircher aimed to revolutionize the study of the past by mastering Near Eastern languages and recovering ancient manuscripts hidden away in the legendary libraries of Cairo and Damascus. The spectacular flaws of his scholarship have fostered an image of Kircher as an eccentric anachronism, a throwback to the Renaissance hermetic tradition. Stolzenberg argues against this view, showing how Kircher embodied essential tensions of a pivotal phase in European intellectual history, when pre-Enlightenment scholars pioneered modern empirical methods of studying the past while still working within traditional frameworks, such as biblical history and beliefs about magic and esoteric wisdom.</description>
      <content:encoded>&lt;div&gt;A contemporary of Descartes and Newton, Athanasius Kircher, S. J. (1601/2&amp;ndash;80), was one of Europe&amp;rsquo;s most inventive and versatile scholars in the baroque era. He published more than thirty works in fields as diverse as astronomy, magnetism, cryptology, numerology, geology, and music. But Kircher is most famous&amp;mdash;or infamous&amp;mdash;for his quixotic attempt to decipher the Egyptian hieroglyphs and reconstruct the ancient traditions they encoded. In 1655, after more than two decades of toil, Kircher published his solution to the hieroglyphs, &lt;i&gt;Oedipus Aegyptiacus&lt;/i&gt;, a work that has been called &amp;ldquo;one of the most learned monstrosities of all times.&amp;rdquo; Here Daniel Stolzenberg presents a new interpretation of Kircher&amp;rsquo;s hieroglyphic studies, placing them in the context of seventeenth-century scholarship on paganism and Oriental languages.&lt;/div&gt;&lt;div&gt;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160;&amp;#160; &lt;/div&gt;&lt;div&gt;Situating Kircher in the social world of baroque Rome, with its scholars, artists, patrons, and censors, Stolzenberg shows how Kircher&amp;rsquo;s study of ancient paganism depended on the circulation of texts, artifacts, and people between Christian and Islamic civilizations. Along with other participants in the rise of Oriental studies, Kircher aimed to revolutionize the study of the past by mastering Near Eastern languages and recovering ancient manuscripts hidden away in the legendary libraries of Cairo and Damascus. The spectacular flaws of his scholarship have fostered an image of Kircher as an eccentric anachronism, a throwback to the Renaissance hermetic tradition. Stolzenberg argues against this view, showing how Kircher embodied essential tensions of a pivotal phase in European intellectual history, when pre-Enlightenment scholars pioneered modern empirical methods of studying the past while still working within traditional frameworks, such as biblical history and beliefs about magic and esoteric wisdom.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/02/26/92/9780226924144.jpeg" length="33401" type="image/jpeg" />
      <category>History: History of Ideas</category>
      <category>Religion: Comparative Studies and History of Religion</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>Daniel Stolzenberg</author>
      <guid isPermaLink="false">9780226924144</guid>
    </item>
    <item>
      <title>Afterall</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/A/bo16057957.html</link>
      <description>Afterall, a journal of art, context, and enquiry&amp;#160; offers in-depth  considerations of the work of contemporary artists, along with essays  that broaden the context in which to understand it. Published three  times a year, &amp;#160;Afterall&amp;#160;also features essays on art history and critical theory.Issue 32 looks at  pictorialism today and its role as an artistic strategy. Artists  featured are James Welling, Pae White, Simryn Gill, Ahlam Shibli, David  Claerbout and Saloua Raouda Chocair. Artist Trevor Paglen contributes an  essay on image making as a form of communication, while film theorist  Maxa Zoller writes about the haptic, or what is excluded by a too-tight  focus on visuality.</description>
      <content:encoded>&lt;div&gt;&lt;i&gt;Afterall&lt;/i&gt;, a journal of art, context, and enquiry&amp;#160; offers in-depth  considerations of the work of contemporary artists, along with essays  that broaden the context in which to understand it. Published three  times a year, &amp;#160;&lt;i&gt;Afterall&lt;/i&gt;&amp;#160;also features essays on art history and critical theory.&lt;br&gt;&lt;br&gt;&lt;i&gt;Issue 32 &lt;/i&gt;looks at  pictorialism today and its role as an artistic strategy. Artists  featured are James Welling, Pae White, Simryn Gill, Ahlam Shibli, David  Claerbout and Saloua Raouda Chocair. Artist Trevor Paglen contributes an  essay on image making as a form of communication, while film theorist  Maxa Zoller writes about the haptic, or what is excluded by a too-tight  focus on visuality. &lt;/div&gt;</content:encoded>
      <category>Art: Art--General Studies</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>Nuria Enguita Mayo; Melissa Gronlund; Pablo Lafuente; Anders Kreuger; Stephanie Smith</author>
      <guid isPermaLink="false">9781846381027</guid>
    </item>
    <item>
      <title>Global Economic Crisis</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/G/bo15582892.html</link>
      <description>From Greece scrambling to meet Eurozone austerity measures to America’s sluggish job growth, there is every indication that the world has not recovered from the economic implosion of 2008. And for many of us, the details of what led to the recession—and why it has continued—remain murky. Economic historian Larry Allen clears up the subject in The Global Economic Crisis, offering an insightful and nonpartisan chronology of events and their consequences. Illuminating the interlocked economic processes that lay beneath the crisis, he analyzes the changing nature of the global financial system, central bank policies, housing bubbles, deregulation, sovereign debt crises, and more.&amp;#160;Allen begins the timeline with the economic crisis in Japan in the late 1990s, asking whether Japan’s experience could be an indicator of the outcome of the recession and what it can teach us about managing a sluggish economy. He then takes a comparative look at the economies of Brazil, China, and India. Throughout, he argues that many elements have contributed to the ongoing crisis, including the introduction of the euro, the growth of new financial instruments such as securitization, collateralized debt obligations and credit default swaps, interest rate policies, and the housing boom and subprime mortgage fiasco.&amp;#160;Lucid and informative, The Global Economic Crisis provides an impartial explanation to anyone seeking to understand the current state—and future—of the world’s economy.</description>
      <content:encoded>&lt;div&gt;From Greece scrambling to meet Eurozone austerity measures to America&amp;rsquo;s sluggish job growth, there is every indication that the world has not recovered from the economic implosion of 2008. And for many of us, the details of what led to the recession&amp;mdash;and why it has continued&amp;mdash;remain murky. Economic historian Larry Allen clears up the subject in &lt;i&gt;The Global Economic Crisis&lt;/i&gt;, offering an insightful and nonpartisan chronology of events and their consequences. Illuminating the interlocked economic processes that lay beneath the crisis, he analyzes the changing nature of the global financial system, central bank policies, housing bubbles, deregulation, sovereign debt crises, and more.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Allen begins the timeline with the economic crisis in Japan in the late 1990s, asking whether Japan&amp;rsquo;s experience could be an indicator of the outcome of the recession and what it can teach us about managing a sluggish economy. He then takes a comparative look at the economies of Brazil, China, and India. Throughout, he argues that many elements have contributed to the ongoing crisis, including the introduction of the euro, the growth of new financial instruments such as securitization, collateralized debt obligations and credit default swaps, interest rate policies, and the housing boom and subprime mortgage fiasco.&lt;/div&gt;&lt;div&gt;&amp;#160;&lt;/div&gt;&lt;div&gt;Lucid and informative, &lt;i&gt;The Global Economic Crisis&lt;/i&gt; provides an impartial explanation to anyone seeking to understand the current state&amp;mdash;and future&amp;mdash;of the world&amp;rsquo;s economy.&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/17/80/23/9781780230924.jpg" length="33534" type="image/jpeg" />
      <category>Economics and Business: Economics--International and Comparative</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>Larry Allen</author>
      <guid isPermaLink="false">9781780230924</guid>
    </item>
    <item>
      <title>Roy Strong: Self-Portrait as a Young Man</title>
      <link>http://press.uchicago.edu/ucp/books/book/distributed/R/bo15629424.html</link>
      <description>For nearly half a century, Roy Strong has been a prominent presence in Britain’s art world. Yet little is known about his life before the Swinging Sixties, when, at the age of thirty-one, he came on the scene as the revolutionary young director of London’s National Portrait Gallery. In this book, Strong recounts his early years and the stirrings of what would become a lifelong passion for art. During a childhood spent in suburban North London, Strong recalls himself as a shy and solitary boy who spent his time painting Elizabethan miniatures and Shakespearean set designs. The book follows his progression through grammar school, which he attended alongside Alan Bennett and David Hockney, and university, where he developed a love of learning and enjoyed visits to the theater, opera, and ballet. With remarkable honesty, he explores the important relationships in his life—family, friends, and a schoolteacher with whom he maintained a long correspondence—as well as his debt to figures like Cecil Beaton, Frances Yates, C. V. Wedgwood, and A. L. Rowse. Richly illustrated throughout with photographs, drawings, and letters, this book offers a compelling look at a young man poised for success.</description>
      <content:encoded>&lt;div&gt;For nearly half a century, Roy Strong has been a prominent presence in Britain&amp;rsquo;s art world. Yet little is known about his life before the Swinging Sixties, when, at the age of thirty-one, he came on the scene as the revolutionary young director of London&amp;rsquo;s National Portrait Gallery. &lt;br&gt;&lt;br&gt;In this book, Strong recounts his early years and the stirrings of what would become a lifelong passion for art. During a childhood spent in suburban North London, Strong recalls himself as a shy and solitary boy who spent his time painting Elizabethan miniatures and Shakespearean set designs. The book follows his progression through grammar school, which he attended alongside Alan Bennett and David Hockney, and university, where he developed a love of learning and enjoyed visits to the theater, opera, and ballet. With remarkable honesty, he explores the important relationships in his life&amp;mdash;family, friends, and a schoolteacher with whom he maintained a long correspondence&amp;mdash;as well as his debt to figures like Cecil Beaton, Frances Yates, C. V. Wedgwood, and A. L. Rowse. &lt;br&gt;&lt;br&gt;Richly illustrated throughout with photographs, drawings, and letters, this book offers a compelling look at a young man poised for success.&lt;br&gt;&lt;/div&gt;</content:encoded>
      <enclosure url="http://press.uchicago.edu/dms/ucp/books/jacket/978/18/51/24/9781851242825.jpg" length="54725" type="image/jpeg" />
      <category>Biography and Letters</category>
      <pubDate>Mon, 01 Apr 2013 05:00:00 GMT</pubDate>
      <author>Roy Strong</author>
      <guid isPermaLink="false">9781851242825</guid>
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