Books in Art: American Art
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Alexander Calder
"See America First"
Peter's ABC Book
Anarchist Modernism
An American Palace
Louise Bourgeois' Spider
Philip Guston's Poor Richard
American Prints, 1870-1950
Food in Painting
Writings through John Cage's Music, Poetry, and Art
Artists, Advertising, and the Borders of Art
Ellsworth Kelly
Portrait Miniatures in the National Museum of American Art
The Colorful Apocalypse
Impressionist Giverny
Selling Shaker
Home Front
Enabling Creative Chaos
Cornhusk Bags of the Plateau Indians
Outside the Box
History's Shadow
Bound to Appear
An Audience of Artists
The Transformation of the Avant-Garde
The Works of Arthur B. Davies
Decorative and Architectural Arts in Chicago, 1871-1933
Imagining an Irish Past
George Inness and the Science of Landscape
Transforming Images
Benton, Pollock, and the Politics of Modernism
Memorial Mania
Bureaucratizing the Muse
Bas Jan Ader
Pre-Columbian Art
[Grid< >Matrix]
Sharon Lockhart: Lunch Break III
Thaddeus Strode
Gregg Bordowitz: Drive
Alaska Native Art
Everyday Genius
Troubling Vision
Short Stories Illustrated by Artists
Sonneteer
Realism, Writing, Disfiguration
Graffitecture
Signs of the Apocalypse or Rapture
Art and the Crisis of Marriage
Cowboys, Indians, and the Big Picture
Chavín
American Icons
Between Montmartre and the Mudd Club
150 Years of American Painting, 1794-1944
Escape to Reality
Bedrooms of the Fallen
Producing Local Color
A Guide to Chicago's Murals
Architecture under Construction
Mapping
How New York Stole the Idea of Modern Art
Norman Rockwell
The Artist in American Society
Capital Culture
The Chicagoan
Painting the Difference
Sean Duffy
Eskimo Artists
Spiral Jetta
Mike Kelley
The Studio Reader
Machine in the Studio
Eskimo Drawings
Line, Form, Color
Chicago Modern, 1893-1945
The Eight and American Modernisms
The Cape Alitak Petroglyphs: From the Old People
Arts of Wonder
Pollock Matters
Hotel Terminus
[Collecting Systems]
Not Just a Pretty Face
Space/Sight/Self
Pay for Your Pleasures
Charles Fenderich
Re: Chicago
Sharon Lockhart: Lunch Break II
A Visitable Past
Winslow Homer
Models and Prototypes
The Politics of the Artificial
Machine Art, 1934
Henry Ossawa Tanner
Women's Culture
Slaves Waiting for Sale
River of Light
Robert Heinecken
Robert Therrien
American Art in the Barbizon Mood
Trustees of Culture
Rock of Ages, Sands of Time
Unpackaging Art of the 1980s
Pennsylvania German Art, 1683-1850
A Collection in the Making
Bed As Autobiography
Wallbangin'
The Old Guard and the Avant-Garde
Winterthur Portfolio, Volume 11
Winterthur Portfolio, Volume 12
Winterthur Portfolio, Volume 6
Winterthur Portfolio, Volume 7
Winterthur Portfolio, Volume 8
Winterthur Portfolio, Volume 9
Art of Stained Glass
Matt Saunders
The Object of Performance
Still
The Invention of Art
Since ’45
Allison Smith
Ecologies
Making the Modern
Thomas Eakins Collection of the Hirshhorn Museum and Sculpture Garden
One/Many
TV by Design
Giinaquq Like a Face
Encounters with Rauschenberg
Citizen Warhol
The Fine Arts in America
Taken by Design
The Afterlife of Piet Mondrian
Between the Black Box and the White Cube
Harlem
A. James Speyer
Mark McGinnis
Matt Volla's Unruly Drawings
A Wanderer in the Perfect City
Modern Life
Pottery Techniques of Native North America
Andy Warhol, Poetry, and Gossip in the 1960s
Untimely Ruins
Celebrating Freedom
The Inordinate Eye
Alex Katz
"See America First"
Peter's ABC Book
Anarchist Modernism
An American Palace
Louise Bourgeois' Spider
Philip Guston's Poor Richard
American Prints, 1870-1950
Food in Painting
Writings through John Cage's Music, Poetry, and Art
Artists, Advertising, and the Borders of Art
Ellsworth Kelly
Portrait Miniatures in the National Museum of American Art
The Colorful Apocalypse
Impressionist Giverny
Selling Shaker
Home Front
Enabling Creative Chaos
Cornhusk Bags of the Plateau Indians
Outside the Box
History's Shadow
Bound to Appear
An Audience of Artists
The Transformation of the Avant-Garde
The Works of Arthur B. Davies
Decorative and Architectural Arts in Chicago, 1871-1933
Imagining an Irish Past
George Inness and the Science of Landscape
Transforming Images
Benton, Pollock, and the Politics of Modernism
Memorial Mania
Bureaucratizing the Muse
Bas Jan Ader
Pre-Columbian Art
[Grid< >Matrix]
Sharon Lockhart: Lunch Break III
Thaddeus Strode
Gregg Bordowitz: Drive
Alaska Native Art
Everyday Genius
Troubling Vision
Short Stories Illustrated by Artists
Sonneteer
Realism, Writing, Disfiguration
Graffitecture
Signs of the Apocalypse or Rapture
Art and the Crisis of Marriage
Cowboys, Indians, and the Big Picture
Chavín
American Icons
Between Montmartre and the Mudd Club
150 Years of American Painting, 1794-1944
Escape to Reality
Bedrooms of the Fallen
Producing Local Color
A Guide to Chicago's Murals
Architecture under Construction
Mapping
How New York Stole the Idea of Modern Art
Norman Rockwell
The Artist in American Society
Capital Culture
The Chicagoan
Painting the Difference
Sean Duffy
Eskimo Artists
Spiral Jetta
Mike Kelley
The Studio Reader
Machine in the Studio
Eskimo Drawings
Line, Form, Color
Chicago Modern, 1893-1945
The Eight and American Modernisms
The Cape Alitak Petroglyphs: From the Old People
Arts of Wonder
Pollock Matters
Hotel Terminus
[Collecting Systems]
Not Just a Pretty Face
Space/Sight/Self
Pay for Your Pleasures
Charles Fenderich
Re: Chicago
Sharon Lockhart: Lunch Break II
A Visitable Past
Winslow Homer
Models and Prototypes
The Politics of the Artificial
Machine Art, 1934
Henry Ossawa Tanner
Women's Culture
Slaves Waiting for Sale
River of Light
Robert Heinecken
Robert Therrien
American Art in the Barbizon Mood
Trustees of Culture
Rock of Ages, Sands of Time
Unpackaging Art of the 1980s
Pennsylvania German Art, 1683-1850
A Collection in the Making
Bed As Autobiography
Wallbangin'
The Old Guard and the Avant-Garde
Winterthur Portfolio, Volume 11
Winterthur Portfolio, Volume 12
Winterthur Portfolio, Volume 6
Winterthur Portfolio, Volume 7
Winterthur Portfolio, Volume 8
Winterthur Portfolio, Volume 9
Art of Stained Glass
Matt Saunders
The Object of Performance
Still
The Invention of Art
Since ’45
Allison Smith
Ecologies
Making the Modern
Thomas Eakins Collection of the Hirshhorn Museum and Sculpture Garden
One/Many
TV by Design
Giinaquq Like a Face
Encounters with Rauschenberg
Citizen Warhol
The Fine Arts in America
Taken by Design
The Afterlife of Piet Mondrian
Between the Black Box and the White Cube
Harlem
A. James Speyer
Mark McGinnis
Matt Volla's Unruly Drawings
A Wanderer in the Perfect City
Modern Life
Pottery Techniques of Native North America
Andy Warhol, Poetry, and Gossip in the 1960s
Untimely Ruins
Celebrating Freedom
The Inordinate Eye
Alex Katz
