Zen in the Fifties

Interaction in Art between East and West

Helen Westgeest

 Zen in the Fifties
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Distribution by the University of Chicago Press only to customers in the USA and Canada. Customers elsewhere should visit the UK website of Reaktion Books.

Helen Westgeest

Distributed for Reaktion Books

256 pages
Paper $29.95 ISBN: 9789040098925 Published March 1998 For sale only in the United States, its dependencies, the Philippines, and Canada
Throughout Western history, interest in the Far East has moved in waves, in ever-changing patterns. Zen in the Fifties looks at the influence of the East, and of Zen Buddhism in particular, on a number of recent Western artists.

Interest in Zen grew in the 1950s as new artistic, philosophical and psychological theories opened up the way for Western artists to explore both interior and exterior landscapes. Helen Westgeest brings into her analysis the work of John Cage, Ad Reinhardt and Mark Tobey in America, and Yves Klein and Pierre Alechinsky in France, and shows how the ideas, methods and works of these and certain other artists display affinities with those of the Zen masters. The influence of modern Western art on Japanese artists is also discussed, providing a little–noticed perspective on the West.

Zen in the Fifties looks at some of the most important centers of modern art in France, Germany, the United States and Japan and offers a fascinating insight into Zen, and the characteristics of Zen art.
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