Sculpture Journal 20.1

Edited by Katharine Eustace

Edited by Katharine Eustace

Distributed for Liverpool University Press

105 pages | 50 halftones | 8 x 11 | © 2011
Paper $95.00 ISBN: 9781846316463 Published October 2011 For sale in North America only

Britain’s foremost scholarly journal dedicated to sculpture in all its aspects, Sculpture Journal provides an international forum for writers and scholars in the field of postclassical and contemporary Western sculpture. Recent highlights include essays by art historian Catherine Speck on Jacob Epstein, Elyse Speaks on Louise Bourgeois, and Anna Seidel on Gian Lorenzo Bernini, alongside current exhibition news and book reviews. Academically focused but accessible and richly illustrated throughout, Sculpture Journal is an insightful read for researchers, enthusiasts, collectors, or anyone interested in sculpture.

Contents
Editorial Note

Articles
The Goldmsmith’s altar in San Giacomo di Rialto: a documentary case study of Venetian trade guild patronage
      Emma Jones
The contract for Domenico Guidi and Ercole Ferrata’s firedogs for the king of Spain
      David Garc ía Cueto
Intrigue or insanity? The case of Franz Xaver Messerschmidt
      Miriam Sz őcs
A monumental agreement: Lord Curzon, Bertram Mackennal and the Curzon Monument at Kedleston
      Mark Stocker
Interview
Rooms with a view
      Jon Wood in conversation with Tatzu Niscino
Tribute
Anthony Frank Radcliffe (1933 – 2011): a scholar-curator who transformed the study of Renaissance bronzes
      Malcolm Baker
Reviews
Kingdom of Ife: Sculptures from West Africa, British Museum, London
      Will Rea
Erika Naginski, Sculpture and Enlightenment
      Alicia Robinson
Paula Murphy, Nineteenth-Century Irish Sculpture: Native Genius Reaffirmed
      Mark Stocker
Wild Thing: Epstein, Gaudier-Brzeska, Gill, Royal Academy of Arts, London
Evelyn Silber
The View from Here: Storm King at Fifty and 5+5: New Perspectives, Storm King Arts Center, Mountainville, NY
      Tessa Murdoch
Joshua Shannon, The Disappearance of Objects: New York Art and the Rise of the Postmodern City
      Jo Applin
Martin Creed, Down Over Up: Fruitmarket Gallery, Edinburgh
      Dean Hughes

Notes on contributors
For more information, or to order this book, please visit http://www.press.uchicago.edu
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