Revisioning Duras
Film, Race, Sex
Distributed for Liverpool University Press
236 pages
|
© 2001
The extraordinary range, complexity and power of Marguerite Duras – novelist, dramatist, film-maker, essayist – has been justly recognized. Yet in the years following her death in 1996, there has been an increasing tendency to consecrate her work, particularly by those critics who approach it primarily in biographical terms. The British and American specialists featured in this interdisciplinary collection aim to resurrect the Duras corpus in all its forms by submitting it theoretically to three main areas of enquiry. By establishing how far Duras’s work questions and redefines the parameters of literary and cinematic form, as well as the categories of race and ethnicity, homosexuality and heterosexuality, fantasy and violence, the contributors to this volume "revision" Duras’s work in the widest sense of the term.
Contents
Acknowledgements
Contributors
Introduction: Revisioning Duras - James S. Williams
PART I: FILM
1. An Art of Fugue? The Polyphonic Cinema of Marguerite Duras - Wendy Everett
2. Screening the Vampire: Notes on India Song and the Photographic Images of La mer écrite - Gil Houghton
3. Hijacking the Hunter: Duras's 'La nuit du chasseur' - Catherine Rodgers
4. Excitable Silence: the Violence of Non-violence in Nathalie Granger - Owen Heathcote
PART II: RACE
5. Durasie: Women, Natives, and Other - Marie-Paule Ha
6. Imaginary White Female: Myth, Race, and Colour in Duras's L'amant de la Chine du Nord - Kate Ince
7. 'Like the French of France': Immigration and Translation in the Later Novels of Marguerite Duras - Martin Crowley
PART III: SEX
8. Female Homoerotics and Lesbian Textuality in the Work of Marguerite Duras - Renate Günther
9. Life and Death Upon the Page: Marguerite Duras and Roland Barthes - James Creech
10. Photography and Fetishism in L'amant - Alex Hughes
Brief Chronology of the Work of Marguerite Duras
Select Bibliography
Contributors
Introduction: Revisioning Duras - James S. Williams
PART I: FILM
1. An Art of Fugue? The Polyphonic Cinema of Marguerite Duras - Wendy Everett
2. Screening the Vampire: Notes on India Song and the Photographic Images of La mer écrite - Gil Houghton
3. Hijacking the Hunter: Duras's 'La nuit du chasseur' - Catherine Rodgers
4. Excitable Silence: the Violence of Non-violence in Nathalie Granger - Owen Heathcote
PART II: RACE
5. Durasie: Women, Natives, and Other - Marie-Paule Ha
6. Imaginary White Female: Myth, Race, and Colour in Duras's L'amant de la Chine du Nord - Kate Ince
7. 'Like the French of France': Immigration and Translation in the Later Novels of Marguerite Duras - Martin Crowley
PART III: SEX
8. Female Homoerotics and Lesbian Textuality in the Work of Marguerite Duras - Renate Günther
9. Life and Death Upon the Page: Marguerite Duras and Roland Barthes - James Creech
10. Photography and Fetishism in L'amant - Alex Hughes
Brief Chronology of the Work of Marguerite Duras
Select Bibliography
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Literature and Literary Criticism: Romance Languages
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