Planes of Composition
Dance, Theory and The Global
Distributed for Seagull Books
Gathering 18 original essays by eminent choreographers, philosophers, and dance and performance theorists from across the globe, The Planes of Composition focuses on how contemporary choreographic strategies initiate new modes of understanding the moving body in its multiple performances: racial, kinetic, political, ethical, and theoretical. Adding to the expanding field of critical dance studies and critical movement studies, the contributors address a variety of formations arising from hybrid theoretical and performative compositions—compositions of everyday kinetics with philosophical considerations of political modernity; compositions of certain staged choreographic works with the formations of racial identities in specific postcolonial contexts; compositions between embodied practices and theoretical practices.
This volume will be of interest to scholars in critical dance studies, philosophy, performance studies, and cultural and postcolonial studies as it proposes new and creative dialogues among these disciplines.
Preface
Part I: The Stop and Go of Postmodernity
Mobilization of the Planet from the Spirit of Self-Intensification
Peter Sloterdijk
Jagged Presence in the Liquid City: Choreographing Hong Kong’s Handover
SanSan Kwan
Dancing Embodiment, Theorizing Space: Exploring the ‘Third Space’ in Akram Khan’s zero degrees
Royona Mitra
Anatomies of Spasm
Jenn Joy
Part II: Assembling Relations
Paradoxical Body
José Gil
The Elasticity of the Almost
Erin Manning
Stroboscopic Stutter: On the Not-Yet-Captured Ontological Condition of Limit-Attractions
Paula Caspão
Relational Gestures: Allitérations and the Limits of the Choreographic
Noémie Solomon
Scène and Contemporaneity
Frédéric Pouillaude
Creative Endurance and the Face Machine: Roseanne Spradlin’s Survive Cycle
Victoria Anderson Davies
How to Knit Your Own Private Political Body? On deufert + plischke’s Directory Project
Jeroen Peeters
Part III: Expanding Choreography
Drawing with Feet, Walking on Hands: Robin Rhode’s Frequency
André Lepecki
Four Years Later
Ralph Lemon
Deborah Hay’s O, O
Danielle Goldman
Researching Dance in the Wild: Brazilian Experiences
Christine Greiner
Apparatus, Attention and the Body: The Theatre Machines of Boris Charmatz
Gerald Siegmund
Paratopias of Performance: The Choreographic Practices of Chandralekha
Anurima Banerji
Gesturing Hooman Sharifi: On Gesture, Mass and Resistance
Myriam Van Imschoot
Notes on Contributors
Art: Art--General Studies
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