Poetry and Language Writing
Objective and Surreal
Distributed for Liverpool University Press
256 pages
|
6 x 9
|
© 2007
Language Poetry, Language Writing, L=A=N=G=U=A=G=E writing—no matter the moniker, the impact of the movement and its particular pedigree of theory-conscious poetics, postmodern aesthetics, and non-academic stance cannot be denied. In this timely volume, David Arnold not only provides a means for coming to terms with this influential mode of writing and its ongoing crisis of representation but also reassesses the complex relationship between language poetry and surrealism, through discussion of some of late twentieth-century’s most innovative poets, including Charles Bernstein, Susan Howe, Michael Palmer, and Barrett Watten.
Robert Sheppard
“An important study with an original thesis that is tightly argued… it has much to offer the study of contemporary American poetry.” –Robert Sheppard, Edge Hill University
Contents
CHAPTER ONE
The Scholarly Life of Language Writing
CHAPTER TWO
Surrealism: An Excommunicated Vessel?
CHAPTER THREE
Under the Sign of Negation: William Carlos Williams and Surrealism
CHAPTER FOUR
The Surreal-o-bjectivist Nexus
CHAPTER FIVE
Michael Palmer’s Poetics of Witness
CHAPTER SIX
Scorch and Scan: The Writing of Susan Howe
CHAPTER SEVEN
“Just Rehashed Surrealism”? The Writing of Barrett Watten
Surrealism: An Excommunicated Vessel?
CHAPTER THREE
Under the Sign of Negation: William Carlos Williams and Surrealism
CHAPTER FOUR
The Surreal-o-bjectivist Nexus
CHAPTER FIVE
Michael Palmer’s Poetics of Witness
CHAPTER SIX
Scorch and Scan: The Writing of Susan Howe
CHAPTER SEVEN
“Just Rehashed Surrealism”? The Writing of Barrett Watten
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Literature and Literary Criticism: Poetry
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