Performative Realism
Interdisciplinary Studies in Art and Media
Distributed for Museum Tusculanum Press
294 pages
|
© 2005
New forms of art, culture and theory have recently emerged through engagements with the realities of the social world and everyday life which are not primarily about representation but rather about participation and narration. These new forms are based on viewer responses and engagement, thus performatively creating open-ended situations rather than autonomous works with closure. Performative theory, drawing mostly on studies of speech acts, proves adequate to describe and analyse these new forms of art and culture and their engagement with the real. Performative Realism scrutinizes a range of contemporary works that experiment with audience participation and processuality within art and culture, as well as it takes issue with theories of performativity and performance. Performative Realism contains contributions from leading Danish scholars working within a broad range of academic fields such as Media Studies, Art History, Theatre Studies and Cultural Studies. The issues addressed covers Scandinavian as well as international installation art, performance art, theatre, photography, movies, literature and role-playing.
Contents
Introduction
Rune Gade and Anne Jerslev
Playing the media keyboard. The political potential of performativity in Christoph Schlingensief’s electioneering circus
Solveig Gade
The performative acts in Medea and Dogville and the sense of “realism” in new media
Bodil Marie Thomsen
Performativity and documentary. Sami Saif’s and Phie Ambo’s Family and performativity
Anne Jerslev
Performing the everyday. Two Danish photo books from the 1970s
Mette Sandbye
Inventing reality. On truth and lies in the work of Hayley Newman
Camilla Jalving
Making real. Strategies of performing performativity in Tanja Ostojic’s Looking for a Husband with a EU Passport
Rune Gade
Between image and stage. The theatricality and performativity of installation art
Anne Ring Petersen
A combination and not a contradiction. Gertrude Stein’s performative aesthetics
Laura Luise Schultz
It’s live. Performativity and role-playing
Britta Timm Knudsen
Contributors' Notes
List of Illustrations
Rune Gade and Anne Jerslev
Playing the media keyboard. The political potential of performativity in Christoph Schlingensief’s electioneering circus
Solveig Gade
The performative acts in Medea and Dogville and the sense of “realism” in new media
Bodil Marie Thomsen
Performativity and documentary. Sami Saif’s and Phie Ambo’s Family and performativity
Anne Jerslev
Performing the everyday. Two Danish photo books from the 1970s
Mette Sandbye
Inventing reality. On truth and lies in the work of Hayley Newman
Camilla Jalving
Making real. Strategies of performing performativity in Tanja Ostojic’s Looking for a Husband with a EU Passport
Rune Gade
Between image and stage. The theatricality and performativity of installation art
Anne Ring Petersen
A combination and not a contradiction. Gertrude Stein’s performative aesthetics
Laura Luise Schultz
It’s live. Performativity and role-playing
Britta Timm Knudsen
Contributors' Notes
List of Illustrations
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