Locating Science Fiction

Andrew Milner

Andrew Milner

Distributed for Liverpool University Press

244 pages | 6 x 9 | © 2012
Cloth $99.95 ISBN: 9781846318429 Published February 2013 For sale in North America only
In Locating Science Fiction, Andrew Milner looks at science fiction within the context of a host of other genres—including fantasy, romance, and the thriller—and explores the historical and geographic contexts of science fiction’s emergence and development. Bringing in Raymond Williams’s cultural materialism, Pierre Bourdieu’s sociology of culture, and Franco Moretti’s application of world systems to literary studies, he offers a persuasive, synthetic, and ultimately new mode of science fiction analysis that will become essential reading.
Tom Moylan, University of Limerick
“Moving through and dialectically sublating earlier concerns such as definition debates, territory fights, and battles between political and aesthetic tendencies, Locating Science Fiction constitutes a new stage and major intervention in science fiction studies. In arguing for the importance of historically situated analysis and explanation, Milner sets new standards not only for scholarship but also for pedagogy.”
Contents

Acknowledgements

List of Figures

 

1.         Memories of Dan Dare

            Memories of Science Fiction. Literature, Genre and Popular Fiction. Memories of Dan     Dare. Tales of Resonance and Wonder.

2.         Science Fiction and Selective Tradition

            Academic Definitions of Science Fiction. Modernism, Modernity and Science Fiction.           Non-Academic Definitions of Science Fiction. Rethinking Genre. Rethinking Tradition.

3.         Science Fiction and the Cultural Field

            From the French Literary Field to the Global Science Fiction Field. Ideas and Effects.           Science Fiction as Drama. Science Fiction as Prose. The Restricted Economy and      Institutionalised Bourgeois Art.

4.         Radio Science Fiction and the Theory of Genre

            Cultural Materialism as Method. Radio Technology and Science Fiction. Radio Science           Fiction Forms: Three Texts. Radio Institutions.

5.         Science Fiction, Utopia and Fantasy

            The North American Argument. The European Argument. Science Fiction and Fantasy.          Utopianism in Popular Science Fiction.

6.         Science Fiction and Dystopia

            The Antipathy to Dystopia. The Strange Case of Nineteen Eighty-Four. Science Fiction            as a Generic Context. Three Intertexts. An Ideal Typology and Some Hypotheses.

7.         When Was Science Fiction?

            Long Histories of Science Fiction. Science Fiction and the Structure of Feeling. Form and        History.

8.         Where Was Science Fiction?

            Postcolonial Theory and Science Fiction. World-Systems Theory and Science Fiction:           The Anglo-French Core. The European Semiperiphery. From the Semiperiphery to Core:          North America and Japan.

9.         The Uses of Science Fiction

            Future Stories and Futurologies. Antipodean Utopias. On the Beach and The Sea and             Summer. Anticipations of Phil Chase. Afterword.

 

Works Cited

Index

For more information, or to order this book, please visit http://www.press.uchicago.edu
Google preview here

Chicago Manual of Style |

RSS Feed

RSS feed of the latest books from Liverpool University Press. RSS Feed