Jules Spinatsch. Vienna MMIX-10008/7000
Surveillance Panorama Project No. 4 - The Vienna Opera Ball
Distributed for Scheidegger and Spiess
This book documents Vienna MMIX—the fourth installment in Spinatsch’s series—in which the artist trained his lens on the Vienna Opera Ball. At the ball, two cameras moved continuously in a grid pattern, taking photographs every three to four seconds. Arranged in a single sequence, more than ten thousand of these photos form a panorama that recreates the entire space while capturing only fragments of events. Volume 1 shows the images in chronological order as a continuous strip, each page representing one specific minute. Volume 2 presents a selection of seventy images, each documenting a moment of great intensity, intimacy, or fascination.
The two essays that accompany these photographs explore Spinatsch’s project, the roles of planning and coincidence in art, and the nature of documentary and surveillance photography. The resulting book is both a beautifully produced collection of images and a piercing study of human behavior.
Volume II: 71 Photographs
Spectacles of Surveillance
Iconic Turn—From Image to Perception