“Haskins does a fine job of dealing with Cage’s many facets—his use of chance and thoughts about the ego and individualism, his flair for populism, his poetry and visual art—in much the same way he handles the Buddhist element: he deals with them intelligently and succinctly and then moves along. . . . Haskins does a laudably thorough job. It’s a quick, intelligent, and quite readable book.”
“[An] excellent introductory volume for the Reaktion Critical Lives series.”
“This excellent biography by Rob Haskins sweeps away any possibility of Cage being considered a joker. It illuminates the composer’s life and work and makes eminently clear the intellectual underpinning and circumstances of his multivarious activities. . . . This compact volume has plenty for the layperson and devotee alike. It is well laid out and the references and bibliography are excellent. The story of Cage’s life is fascinating and Haskins tells it well, clearly explaining the developments of the maverick composers musical ideas.”
“Rob Haskin . . . shows, with an often lovely turn of phrase, how brilliantly—and profoundly musically—Cage was able to apply Zen to the process of writing music.”
“[Haskins’] book is part of Reaktion Books’ Critical Lives series and is a miracle of concision. A mere 180 pages, the book not only tells the story of Cage’s eventful life but also explores the composer’s use of chance, his interest in Zen Buddhism and the I Ching, his painting and his writings. Haskins deals with each in a deceptively easy manner. On closer inspection, his discussions are clearly distillations of wide knowledge. References, internet links, exhibition catalogues, bibliography and select discography are all impeccably managed. . . . Coming to Cage’s output for the first time via Haskins would be an informative and life-enhancing experience. For those of us who came in altogether more random a fashion (surely Cage would have approved?), Haskins would have saved us a lot of time.”
“Haskins’ style is pleasingly crisp and transparent—the complexities and subtleties to which Cage sometimes seems to adhere are always clearly explained; yet without simplification. Where examples help to explain, they are chosen. . . . An ideal introduction and companion to the work, thinking and to some extent the influence of a composer whose place in music is still being assessed. Recommended.”
