Inside the Death Drive

Excess and Apocalypse in the World of the Chapman Brothers

Edited by Jonathan Harris

Edited by Jonathan Harris

Distributed for Liverpool University Press

240 pages | 50 color plates, 20 halftones | 7 x 8 3/4 | © 2010
Paper $49.95 ISBN: 9781846311925 Published August 2010 For sale in North America only

Inside the Death Drive assesses the work of brothers Jake and Dinos Chapman, one of the art world’s most controversial duos. Over the last seventeen years they have created profoundly disturbing and challenging art, enraging some viewers and reducing others to hysterics. Essays by leading figures in the field address their oeuvre from a variety of critical standpoints, examining psychoanalytic, political, semiotic, pop-cultural, philosophical, and aesthetic depths and surfaces of the Chapmans’ graphic, sculptural, and installation artifacts. In addition, the book considers other artists who have attempted to deal with modern horror. Featuring a rare, specially commissioned interview with Jake Chapman and seventy reproductions of the Chapmans’ work, this volume highlights the controversial role that transgression plays in modern art.

Contents
Acknowledgements

1. Introduction: The Future Remains Excluded: Beyond the Pleasure Principle, ‘Slow-Motion Fascism’ and the Chapman Brothers (and Sisters)
      Jonathan Harris
2. Quartered, Drawn and Hung (Chapman, Chapman, Condo and McCarthy)
      Simon Baker
3. Hanged, Drawn and Quartered or Goya after the Chapmans
      Parveen Adams
4. 'Surreal Documentation’: Lee Miller’s Artistic Representation of Dachau and Buchenwald
      Lynn Hilditch
5. AES+F—More Than Just a Matter of (Bad) Taste
      Kerstin Mey
6. After Bad Taste: Tracey Emin’s Work on Abortion and Other Confessions
      Outi Remes
7. Empathic Relations: Rebecca Belmore and Faye HeavyShield
      Christine Conley
8. Inside the Death Drive
      A Conversation between Jake Chapman and Jonathan Harris
9. Report to the Academy
      Sylvère Lotringer

Contributors
For more information, or to order this book, please visit http://www.press.uchicago.edu
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