Cloth $85.00 ISBN: 9781846311031 Published January 2009 For sale in North America only
Paper $39.95 ISBN: 9781846311024 Published January 2009 For sale in North America only

Identity Theft

Cultural Colonisation and Contemporary Art

Edited by Jonathan Harris

Edited by Jonathan Harris

Distributed for Liverpool University Press

272 pages | 80 color plates and halftones | 6 x 9
Cloth $85.00 ISBN: 9781846311031 Published January 2009 For sale in North America only
Paper $39.95 ISBN: 9781846311024 Published January 2009 For sale in North America only
This engaging collection examines the complex socio-political forces that have powerfully influenced, for better or worse, the production of visual art in our postcolonial and globalized world. Drawing on case studies from around the world—from the work of exiled Iranian and Palestinian artists to the architectural reconstruction of Berlin following World War II to modern Nigerian art—Identity Theft asks important and highly topical questions about the transformed meanings of the concepts of art and identity in an era dominated by the rapid globalization of cultural production and economy of the art world. Proposing that much recent art contributes to radical critique of art history’s imperial origins—while taking full advantage of the globalizing structures of the trade left in imperialism’s wake—this volume is of interest to any student or academic of modern art.
 
Contents

Acknowledgements

 

1. Introduction: Curatorial Imperialism? From ‘Tate in the North’ to Tate Liverpool’s Capital of Culture

Jonathan Harris

 

2. Found in Conflict

Bashir Makhoul in Conversation with Gordon Hon

 

3. Traffic in Remains: Identity and Resistance in Recent Work by Turkish Artists

Lewis Johnson

 

4. Writing Identities and Constructing Heritage in Latin American Architecture

Felipe Hernandez

 

5. Surface Tension: Reconsidering Horizontality in the Work of Iranian ‘Diaspora’ Artists

Amna Malik

 

6. Finding Your Contemporaries: The Modernities of African Art

Will Rea

 

7. Lovers of Life for Heterogeneous Time

Nicole Wolf

 

8. ‘United Colors of Papua’: Kamoro Arts and Cultural Appropriation

Karen Jacobs

 

9. Striking: The Right to Strike / The Striking Image / Striking the Right

Nicholas Mirzoeff

 

10. ‘All that is solid melts into air’ but ‘I can’t change anything’: On the Identity of the Artist in the Networks of Global Capital

 

11. Identity Theft: Stealing, Faking, Forging in Contemporary Art

Laura Sillars

 

List of Contributors

 

For more information, or to order this book, please visit http://www.press.uchicago.edu
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