Cloth $29.95 ISBN: 9780932171566 Published March 2009

The Eight and American Modernisms

Edited by Elizabeth Kennedy

Edited by Elizabeth Kennedy

Distributed for Terra Foundation for American Art

144 pages | 135 color plates | 9 x 12 | © 2009
Cloth $29.95 ISBN: 9780932171566 Published March 2009

Frustrated by the art world’s elitism and the snobbish exclusivity of the academy’s juries, eight American painters united in 1908 to upend the establish norms and stage their own exhibition of modernist art. Led by the charismatic Robert Henri, they came to be known as "The Eight," and their two-week show at New York’s Macbeth Galleries drew a multitude of visitors, who crowded into the galleries to critique the much-publicized work of these "revolutionary" artists. Their paintings of urban scenes marked a significant departure from the prevailing style—which emphasized physical and natural beauty—and met with critical success.

The established chronicle maintains that the Eight were rendered dysfunctional and artistically irrelevant after European modernism arrived in the United States at the 1913 Armory Show. The Eight and American Modernisms revises this account and reevaluates these respected artists’ careers, including their late works. Accompanying a traveling exhibition, this lushly illustrated volume challenges the accepted wisdom about the evolution of the modernist style.

In addition to Henri, "The Eight" included William Glackens, George Luks, Everett Shinn, John French Sloan, Arthur B. Davies, Ernest Lawson, and Maurice Prendergast.

 

 

Contents
Acknowledgements
Directors' Prefaces
Introduction
   The Eight: "Modern Art of One Kind and Another"
   Elizabeth Kennedy
 
The Problem of Arthur B. Davies
Kimberly Orcutt
 
On a Perpetual Holiday: The Art of William Glackens After The Eight
Peter John Brownlee
 
After the Armory: Robert Henri, Individualism and American Modernisms
Sarah Vure
 
Ernest Lawson: Nostalgia for Landscape
Jochen Wierich
 
George Luks: Rogue, Raconteur, and Realist
Judith Hansen O'Toole
 
Maurice B. Prendergast: The Modern Spirit
Elizabeth Kennedy
 
Everett Shinn's Time Warp
Leo G. Mazow
 
Art Matters: John Sloan, Independence and the Aesthetic Consumer
Sarah Vure
 
Chronology: 1907-57
Exhibition Checklist
Photography Credits
For more information, or to order this book, please visit http://www.press.uchicago.edu
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