The Exile of Britney Spears
A Tale of 21st-Century Consumption
Distributed for Intellect Ltd
As sustainability and eco-responsibility become a part of our everyday cultural conversation, we’re finally being forced to acknowledge that what we consume matters. What we fail to realize is that we unconsciously, continually, and at times violently consume much more than just food—including celebrities. The Exile of Britney Spears takes the ubiquitous pop star of its title as its primary example, explaining that we have consumed, digested, and eliminated Britney Spears in a process uniquely characteristic of American popular culture. In Christopher Smit’s provocative account of the sociological, aesthetic, and political outcomes of this new mediated cannibalism, he offers the idea of exile as a new metaphor for the outcome of popular consumption. By investigating the psychological, personal, and social matrix of Britney’s rise and fall, he outlines the process of her inevitable exile from global taste and favor.
Acknowledgements
Preface: Two Notes for Readers
Prologue: Waiting
Part I: Creation
Chapter 1: Consuming Towards Exile
Chapter 2: The Baptists
Chapter 3: The South
Chapter 4: The Family
Chapter 5: Stars, Mickey Mouse and the Ledge of Tomorrow
Part II: Consumption
Chapter 6: The Universal Woman, Saint or Whore?
Chapter 7: A New Currency
Chapter 8: Stuff
Chapter 9: Snakes
Chapter 10: The Ease of Digestion
Part III: Exile
Chapter 11: Exile on Main Street
Chapter 12: Motherhood
Chapter 13: The Vagina
Chapter 14: Disabling Britney
Chapter 15: The End of the Exile, ‘Complex Shit’
Epilogue: Naked Again
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