Caspar David Friedrich and the Subject of Landscape
Second Edition
Distributed for Reaktion Books
Caspar David Friedrich (1774–1840) is heralded as the greatest painter of the Romantic movement in Germany, and Europe’s first truly modern artist. His mysterious and melancholy landscapes, often peopled with lonely wanderers, are experiments in a radically subjective artistic perspective—one in which, as Freidrich wrote, the painter depicts not “what he sees before him, but what he sees within him.” This vulnerability of the individual when confronted with nature became one of the key tenets of the Romantic aesthetic.
Now available in a compact, accessible format, this beautifully illustrated book is the most comprehensive account ever published in English of one of the most fascinating and influential nineteenth-century painters.
“This is a model of interpretative art history, taking in a good deal of German Romantic philosophy, but founded always on the immediate experience of the picture. . . . It is rare to find a scholar so obviously in sympathy with his subject.”—Independent
"Provides insights not only into the nature of Friedrich’s art, but also into the whole predicament of art in the early nineteenth century . . . It is a book that should be read by all who have an interest in the art of the period."--The Burlington Magazine
PART I
Romanticizing the World
1 From the Dresden Heath
2 The Subject of Landscape
3 Romanticism
PART II
Art as Religion
4 The Non-Contemporaneity of the Contemporary
5 Sentimentalism
6 Friedrich’s System
7 Symbol and Allegory
8 The End of Iconography
PART III
The Halted Traveller
9 Entering the Wood
10 Theomimesis
11 Reflection
12 Déjà vu
Afterword
Sources and Bibliography
List of Illustrations
Index
Art: Art Criticism | European Art
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