Paper $39.00 ISBN: 9781780232706 Published September 2014 For sale in North and South America only

Contemporary Iranian Art

From the Street to the Studio

Talinn Grigor

Contemporary Iranian Art

Talinn Grigor

Distributed for Reaktion Books

296 pages | 164 color plates, 10 halftones | 7 1/2 x 9 4/5 | © 2014
Paper $39.00 ISBN: 9781780232706 Published September 2014 For sale in North and South America only
In the first comprehensive look at Iranian art and visual culture since the 1979 revolution, Talinn Grigor investigates the official art sponsored by the Islamic Republic, the culture of avant-garde art created in the studio and its display in galleries and museums, and the art of the Iranian diaspora within Western art scenes. Divided into three parts—street, studio, and exile—the book argues that these different areas of artistic production cannot be understood independently, revealing how this art offers a mirror of the sociopolitical turmoil that has marked Iran’s recent history.
 
Exploring the world of galleries, museums, curators, and art critics, Grigor moves between subversive and daring art produced in private to propaganda art, martyrdom paraphernalia, and museum interiors. She examines the cross-pollination of kitsch and avant-garde, the art market, state censorship, the public-private domain, the political implications of art, and artistic identity in exile. Providing an astute analysis of the workings of artistic production in relation to the institutions of power in the Islamic Republic, this beautifully illustrated book is essential reading for anyone interested in Iranian history and contemporary art.
Contents

Prologue

1. The Street

2. The Studio

3. The Exile

Epilogue

References

Select Bibliography

Acknowledgements

Photo Acknowledgements

Index

Review Quotes
ARLIS/NA
“Dense with history and politics and provides an important window into a culture that many find inscrutable. However, instead of negatively affecting the narrative, such complications make the portrayal of Iran’s contemporary art scene more fascinating. . . . A valuable addition.” 
Art Asia Pacific
“Filled with beautiful visual imagery and penned in readable prose, Grigor’s history illuminates Iran’s visual culture with a suitably rich complexity.” 
Choice
“Richly illustrated and compellingly argued, Contemporary Iranian Art is a welcome addition to an emerging scholarly literature on contemporary art in non-Western and postcolonial societies.  It will be of interest to students and scholars of modern and contemporary art and architecture, visual culture, Middle Eastern and Asian studies, and globalization, as well as to general readers and an art world audience of curators, critics, and artists. . . . Highly recommended”
Sussan Babaie, author of Isfahan and its Palaces
“This book is a brave venture, a pioneering act of service to a broad readership. Iran counts as among the most dynamic and charismatic phenomena in the field of contemporary art, and to learn about it one has had to rely largely on vacuous marketing ploys of this lucrative body of artistic material. Grigor’s painstaking research for this book, her rich collection of visual and discursive data, her insights, and her very readable prose contribute not only to our understanding of contemporary Iran but also to the broader study of contemporary global arts into which Iran should and does fit firmly. In many ways, this book will be a benchmark for all future studies on contemporary Iranian arts.” 
Peter R. Kalb, author of Art Since 1980: Charting the Contemporary
“Grigor’s Contemporary Iranian Art is a rigorous and authoritative statement about art that will be essential to anyone interested in Iranian culture and history. It also provides much needed education for an art audience hungry for a scholarly, detailed, and historically minded treatment of the Iranian contemporary art world.”  
For more information, or to order this book, please visit http://www.press.uchicago.edu
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