Cloth $95.00 ISBN: 9781846316425 Published September 2011 For sale in North America only
Paper $34.95 ISBN: 9781846318689 Will Publish July 2013 For sale in North America only

The Colonial Heritage of French Comics

Mark McKinney

Mark McKinney

Distributed for Liverpool University Press

270 pages | 36 halftones | 6 x 9 | © 2011
Cloth $95.00 ISBN: 9781846316425 Published September 2011 For sale in North America only
Paper $34.95 ISBN: 9781846318689 Will Publish July 2013 For sale in North America only
Although France has changed much in recent decades, colonial-era imagery continues to circulate widely in comics, including the Tintin series by Hergé and Zig et Puce by Alain Saint- Ogan. This important book argues that cartoonists use representations of colonial history as a way of intervening in debates about contemporary France and its relationships to its former colonies. Mark McKinney argues that comics offer opportunities to reproduce and perpetuate colonial ideologies as well as to deconstruct and contest them—and the degree to which they do one or the other reveals much about the heritage of colonialism in French society.
Wendy Michallat | University of Sheffield
“I was delighted with this work. I thought it provocative, intellectually engaging, and demonstrative of excellent and broad research both into colonial cultural history and the history of comics.”
Contemporary French Civilizations

“A scholarly genealogy that charts evolving attitudes to colonialism over time, fascinating in its range of burlesque narratives and visually arresting images, and thought-provoking in its counterpoising of each example alongside debates informing transnational historical contexts. . . . Mark McKinney has produced an informative and detailed mapping of the terrains of colonial expeditions and exhibitions in French comics, supplemented by annotated appendices. He has then drawn on the material brought together to build a compelling essay with relevance to historians, (graphic) artists and their commentators, and students, scholars, and researchers with an interest in understanding how France has constructed and projected its places in the world, and the questions it asks itself about this enterprise today.”

Choice

“An authority on French comics, McKinney does much in this book to remedy what he accurately perceives as shortcomings of comics scholarship: insufficient serious analysis of the ideology, sociology, and history of comics generally and of their depictions of colonialism, imperialism, and racism specifically. He points out that a number of French cartoonists were implicated in the colonial culture, most often as portraying the colonized in mocking and stereotyped ways. . . . An exemplar of excellent scholarship, this book benefits from McKinney’s exhaustive primary and secondary research, excerpts from the comics (in the original French and in English translation), full informational notes, and numerous illustrations (including 26 color plates). Perhaps its most lasting contribution is again bringing to the forefront the topic of colonialist imperialism in comics. . . . Essential.”

Contents

Acknowledgments
List of Illustrations

Introduction: The Colonial Heritage of French Comics
1. Colonialism, Imperialism and Racism in Saint-Ogan’s Publications
2. French Colonial Exhibitions in Comics
3. Colonial Exhibitions in French Comics: A Renewed Tradition
4. French Trans-African Expeditions in Comics
Conclusion: The Rotting Corpse of Colonial Representation and its Eerie Aura

Notes
Appendix 1: Colonialism and imperialism in Alain Sant-Ogan's Zig et Puce series
Appendix 2: French colonial exhibitions in comics
Appendix 3: French trans-African expeditions in comics
Bibliography
Index

For more information, or to order this book, please visit http://www.press.uchicago.edu
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