British Theatre And The Red Peril
The Portrayal of Communism 1917-1945
Distributed for University of Exeter Press
224 pages
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9 illustrations
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9-1/5 x 6-1/5
British Theatre and the Red Peril examines how communism was portrayed in plays in the British theatre between 1917 and 1945, and how at a time when the capitalist system seemed on the verge of collapse, the theatre played a significant part in communicating and manipulating political propaganda in order to influence audiences. It reveals explicit right-wing propaganda produced within mainstream British theatre and questions the assumption that political theatre is almost always left-wing.
The book draws on published and unpublished scripts and archive documents to demonstrate how the theatre became a key site for propaganda and ideological warfare. It discusses the methods by which the Lord Chamberlain, the government and even royalty exerted control over the political views voiced on stage in an age when contemporary commentators described the theatre as second only to the press in terms of its significance as a medium of communication.
New Theatre Quarterly
“This book appears to be that extreme rarity, a genuinely original contribution to our knowledge and understanding of twentieth-century British theatre. I don’t know of anybody else besides Steve Nicholson who has delved so deeply or so keenly into the archives of the Lord Chamberlain to uncover a shoal of apparently subversive, politically-motivated playscripts, as well as the extraordinary and devious machinations of the censor and his friends in high places to block and suppress them. The result is a book which is at once refreshingly original and depressingly predictable . . . British Theatre and the Red Peril emerges as a truly significant and courageous work.” –New Theatre Quarterly, 2002
Theatre Research International
“Political theatre comes in many shapes and sizes and, more often than not, is assumed to be left-wing in character. Steve Nicholson’s fascinating study of the impact the Bolshevik revolution had on the British theatre shows that, whilst this common assumption is frequently correct, there is another and seldom recounted history of political theatre associated with the right.” –Theatre Research International, Vol. 26:2, 2001
Albion
“An attractively produced volume carefully researched and accessibly written. The book is likely to become (and remain) a standard work on the subject.” –Albion, Vol. 33, Issue 1, Spring 2001
Studies in Theatre and Performance
“Steve Nicholson offers us a meticulously researched and critically astute study of a fascinating period of theatre in the UK. The main text is supported by a very useful chronological chart of plays and events between 1918 and 1946, a series of mini-biographies of the leading characters involved, a good number of pertinent and informative illustrations and a very helpful bibliography.” –Studies in Theatre and Performance, Vol 20, no 2 (June 2000)
Dominic Shellard
“I know of no other book that investigates the depiction of the Soviet Union between 1917 and 1945. The author charts the response to plays dealing with the 'Red Peril' from the terrified reaction of the early twenties, through the more inquisitive tone of the 'intellectual' thirties to the paradoxial situation of the war years when the 'evil empire' became an essential ally.” –Dominic Shellard, Department of English Literature, The University of Sheffield
Contents
Not a political arena?
The revolution will not be dramatized
No more than a bad smell from the north east
Wakening the devil
When England goes communist
The land of the free
Appendix: biographies and production details.
The revolution will not be dramatized
No more than a bad smell from the north east
Wakening the devil
When England goes communist
The land of the free
Appendix: biographies and production details.
For more information, or to order this book, please visit http://www.press.uchicago.edu
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History: British and Irish History
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