African Art as Philosophy

Senghor, Bergson and the Idea of Negritude

Souleymane Bachir Diagne

African Art as Philosophy
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Souleymane Bachir Diagne

Distributed for Seagull Books

Translated by Chike Jeffers
210 pages | 5 x 8 | © 2011
Cloth $25.00 ISBN: 9781906497897 Published February 2012 World sales rights except India

Léopold Sédar Senghor (1906–2001) was a Senegalese poet and philosopher who in 1960 also became the first president of the Republic of Senegal. In African Art as Philosophy, Souleymane Bachir Diagne takes a unique approach to reading Senghor’s influential works, taking as the starting point for his analysis Henri Bergson’s idea that in order to understand philosophers one must find the initial intuition from which every aspect of their work develops. In the case of Senghor, Diagne argues that his primordial intuition is that African art is a philosophy.

 

To further this point, Diagne looks at what Senghor called the “1889 Revolution,” and the influential writers and publications of that time—specifically, Nietzsche and Rimbaud, as well as Bergson’s Essay on the Immediate Data of Consciousness. The 1889 Revolution, Senghor claims, is what led him to the understanding of the “Vitalism” at the core of African religions and beliefs that found expression in the arts.

 

This book offers a distinct, incisive look at an important figure in African literature and politics that will be welcomed by scholars in African Studies and philosophy.

African Studies Review
"Diagne has further entrenched his reputation as a clear-sighted thinker."
African Studies Quarterly
"The book is an inspiring read with excellent bibliographical references and notes for readings on Negritude that will attract a wide audience of readers. As such, African Art as Philosophy makes an important contribution to African studies from a multidisciplinary perspective."
 
Contents
Acknowledgements

Introduction: The Initial Philosophical Intuition
Exile
Rhythms
Co-naissance
Convergence
Conclusion: Mixture

Bibliography
For more information, or to order this book, please visit http://www.press.uchicago.edu
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