“Whiskey Tango Foxtrot is an unflinching look at war from the inside—its triumphs, its costs, its relentlessness. Gilbertson captures the faces of the men and women in our military who have died fighting, the faces of fearful civilians, and the ruthless wilderness of urban combat. This is the best book of photographs to come out of the Iraq war, bar none. It is also one of the most powerful books ever published about the experience of American soldiers and Marines in battle.”—General Tony Zinni, U.S. Marine Corps (Ret.), author of The Battle for Peace: A Frontline Vision of America’s Power and Purpose
“Gilbertson gets it exactly right. Again and again as I looked through these images, I thought, ‘That is Iraq in a nutshell.’ The Falluja shots alone are worth the price of the book. This is your war, as only a world-class photographer can capture it.”—Thomas E. Ricks, author of Fiasco: The American Military Adventure in Iraq
“Ashley Gilbertson, a gifted and fearless photographer, has plunged into this darkest and most ferocious of battlegrounds and found beauty and horror and honor and truth. Scan the faces captured in these pages, of Iraqis and Americans, and of the predicaments they have found themselves in, and see and feel—in your gut—what it really means to be a human being in the middle of a place like Iraq.”—from the Introduction by Dexter Filkins, columnist for the New York Times
“Our uncles and fathers and brothers clam up when we ask them about combat. What we know are photographs made by non-combatants who accompanied them. When I first saw Ashley Gilbertson’s images of Falluja in the New York Times in November 2004, I immediately scanned and included them in my history of photography course alongside Robert Capa, Eugene Smith, and David Douglas Duncan. I had no idea that he was in his early twenties and new to this dangerous game.Gilbertson’s photographs are remarkable, and so is his writing, which recalls Robert Capa’s—alternatively funny and horrifically moving—but also, as a story of a young man growing up too fast in a war zone, The Red Badge of Courage. This book will change many lives, both those at risk and those wondering why.”—Rod Slemmons, Museum of Contemporary Photography, Columbia College Chicago
"A stunning new book. . . Thankfully, we have writers and photographers like Gilbertson, now working primarily on contract for the New York Times, who have not given up on the idea of real reporting. The photographs in Whiskey Tango Foxtrot convey a clear-eyed fidelity to the facts. . . The lurid and the ludicrous share equal space, often to dizzying effect. . . This is the kind of reporting we so desperately need: free of false bravura, free of agenda, free of inflated urgency. . . For this reason, the book belongs less with other histories of the war than on the same shelf with Hemingway's A Farewell to Arms and Vonnegut's Slaughterhouse-Five. This is not trumped-up news coming live from Iraq but the straight story with harrowing snapshots of the American soul. When future generations look back and wonder where we went wrong, where we failed ourselves and them, it will not be hours of television and radio broadcasts that they pore over. It will be a select few texts, and Gilbertson's book deserves to be one of them. He has accepted his charge and climbed the cliff-top. He has told the truth and does not balk."—Ted Genoways, Mother Jones
"This collection of photographs and commentary presents a relentlessly tragic vision of the ongoing conflict in Iraq, where freelance and later New York Times photographer Gilbertson began working even before the U.S. invasion. . . . The author rarely passes up the chance to record blood stains, ruined homes, flames and explosions as well as the sad stories behind them. Not yet 30, Gilbertson has clearly studied James Nachtwey, Robert Capa, and David Douglas Duncan; this impressive book shows he has absorbed their lessons."—Publishers Weekly
"Remarkable. An Australian freelancer in his twenties, [Gilbertson] went to northern Iraq before the war and has been going back ever since, mostly on contract for the Times. His new book, Whiskey Tango Foxtrot collects Gilbertson's four years of work in Iraq, with an introduction by his Times colleague Dexter Filkins, and a colloquial, self-revealing text beautifully written by the photographer himself. The pictures chart the descent of Iraq from the initial post-invasion euphoria into the extreme violence of the battles for Karbala, Samarra, and Falluja. They also show a young photojournalist, who 'wasn't interested in covering combat,' learning his craft, proving his mettle, forcing himself into situations that nearly destroy him morally as well as physically, and finally discovering, amid the inferno of Falluja in November, 2004, the strange tenderness that characterizes the very greatest war photography. Gilbertson's pictures from the battle of Falluja . . . perform the opposite function of the war pornography that Abu Ghraib and Zarqawi gave the world: they give back their subjects the humanity that the war is taking away."—George Packer, New Yorker
"Gilbertson’s book . . . will break your heart while it opens your eyes. [His] photographs show violence and blood and desperation and panic; he captures American soldiers as they do their best in an impossibly complex situation, as well as the Iraqis who are caught in the crossfire."—Julia Keller, Chicago Tribune
"In Whiskey Tango Foxtrot we see that Gilbertson has much more to say—visually and verbally. Along with his images, the book includes harrowing first-person accounts and lengthy personal reflection on the unintended consequences of war. Refreshingly, Gilbertson doesn’t shy away from his own culpability; in fact he explores it, and the book is all the better for this honesty. With any luck, the more personal, artistic, unvarnished approach to Iraq represented [here] will push more conflict coverage in that direction. And if we’re really lucky, maybe publishers will realize that the earlier they print this kind of work, the more likely it is to influence public opinion rather than just reiterating it."—American Photo
"For more than a century, combat photographers have helped us to appreciate the full measure of our troops' battlefield service. Ashley Gilbertson . . . who has been embedded with American combat troops in Iraq for most of the four and a half years since the American invasion, is part of that noble tradition."—Chicago Sun-Times
"The American venture in Iraq has summoned the whole range of human experience, from the hopes and hubris of the invasion's first days to the dark and uncertain place the country is today. Ashley Gilbertson, a freelance photographer for the New York Times, has followed the war in Iraq from its beginning through its most singular moments. In his new book, Whiskey Tango Foxtrot, published by the University of Chicago Press, he has compiled the best of those images, freezing the war's most intense and dramatic moments, from the fall of Saddam Hussein in April 2003 to the democratic elections of December 2005."—New York Times
For more information, or to order this book, please visit http://www.press.uchicago.edu
