The Virtual Haydn
Paradox of a Twenty-First-Century Keyboardist
With The Virtual Haydn, Tom Beghin—himself a professional keyboard player—delves deeply into eighteenth-century history and musicology to help us hear a properly complex Haydn. Unusually for a scholarly work, the book is presented in the first person, as Beghin takes us on what is clearly a very personal journey into the past. When a discussion of a group of Viennese sonatas, for example, leads him into an analysis of the contemporary interest in physiognomy, Beghin applies what he learns about the role of facial expressions during his own performance of the music. Elsewhere, he analyzes gesture and gender, changes in keyboard technology, and the role of amateurs in eighteenth-century musical culture.
The resulting book is itself a fascinating, bravura performance, one that partakes of eighteenth-century idiosyncrasy while drawing on a panoply of twenty-first-century knowledge.
The Virtual Haydn: A Recording Project
Abbreviations, Scores, and Translations
1 A Composer, His Dedicatee, Her Instrument, and I
2 Delivery, Delivery, Delivery!
3 Short Octaves müssen sein!
4 “Your Most Humble and Obedient Servant”
5 An Opus for the Insightful World
6 A Contract with Posterity
Appendix A: Physiognomic Analyses of Plate 5 à la Lavater
Appendix B: Biographical Outlines of Theresa Jansen and Magdalena von Kurzböck
Index of Musical Works
Index of Names