Cloth $42.50 ISBN: 9780226137568 Published October 1989 For sale in North and South America only

Under Briggflatts

A History of Poetry in Great Britain, 1960-1988

Donald Davie

Under Briggflatts
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Donald Davie

262 pages | © 1989
Cloth $42.50 ISBN: 9780226137568 Published October 1989 For sale in North and South America only
Under Briggflatts is a history of the last thirty years of British poetry with necessary excursions into other areas: criticism, philosophy, translation, and non-British English poetries. It has grown naturally out of Donald Davie's immediate involvement with new writing as a poet, reviewer, teacher, and reader. He has reassessed the writers who have most engaged his attention, revised his reviews, and supplemented earlier material with much that is new. Under Briggflatts provides a narrative that is remarkable in scope and generous in tone. By combining close readings of specific poems and more general considerations of style, form, and context, Davie's account is characteristically elegant, precise, and uncompromising.

Under Briggflatts is organized in three large chapters, one devoted to each decade. In the 1960s, Davie pays particular attention to the work of Austin Clarke, Hugh MacDiarmid, Norman McCaig, Keith Douglas, Edwin Muir, Basil Bunting (the gurus whose prose writings helped catalyze the traumatic events of 1968), Elaine Feinstein, Sylvia Townsend Warner, Philip Larkin, Charles Tomlinson, Thomas Kinsella, and Ted Hughes. The second chapter follows these figures into the new decade and explores the work of (among others) Thom Gunn, C. H. Sisson, R. S. Thomas, John Betjeman, and such themes as women's poetry, translation, poetic theory, and the later impact of T. S. Eliot and of Edward Thomas. Perhaps the most controversial chapter is the third, in which David—without abandoning the poets already introduced—assesses Geoffrey Hill, Tony Harrison, and Seamus Heaney, and looks too at the recovery of Ivor Gurney's poems, at Ted Hughes as Laureate, the posthumous work of Sylvia Townsend Warner, the burgeoning Hardy industry, and the critical writings of Kenneth Cox.
Contents
Foreword
Part One: The 1960s
A Religious Dimension
MacDiarmid and MacCaig
Remembering the Western Desert
Edwin Muir and Austin Clarke
Basil Bunting
The Gurus
Elaine Feinstein
1968
Sylvia Townsend Warner
Larkin's Politics, and Tomlinson's
Thomas Kinsella
'Ferocious Banter': Clarke and Hughes
 
Part Two: The 1970s
Thom Gunn
Elaine Feinstein and Women's Poetry
The Waste Land Drafts and Transcripts
C. H. Sisson's Politics
C. H. Sisson's Poetry
Philip Larkin and John Betjeman
Prosody
Bunting, Tomlinson and Hughes
Translations and Competitions
Poetic Theory
R. S. Thomas
Jack Clemo
Anglo-Welsh Poets
Poets' Prose: Hughes and Hill
The Edward Thomas Centenary
Thom Gunn
 
Part Three: The 1980s
Sisson's Exactions
Ivor Gurney Recovered
The Thomas Hardy Industry
Geoffrey Hill
Jeremy Hooker and Tony Harrison
Hughes at Laureate
Michael Hamburger
Sylvia Townsend Warner, Posthumous
Kenneth Cox's Criticism
Seamus Heaney's Station Island
 
Afterword
For more information, or to order this book, please visit http://www.press.uchicago.edu
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