Trollope and Comic Pleasure
The comic mode as Herbert describes it was antagonistic to the repressive moral ethos widely prevalent in Victorian England. Herbert shows how Trollope, under a mask of self-proclaimed conventionality, employed this mode in a steady, sometimes scandalous critique of the Victorian subversion of pleasure. Drawing on Trollope's unpublished notes on seventeenth-century drama and bringing to light many instances in the novels of direct borrowings from old plays, Herbert demonstrates the inventiveness and subtlety of Trollope's deployment of comic materials. Thematically organized around such subjects as Trollope's investigations of sex, his formal structures, and his principles of "realism," Herbert's study includes detailed readings of two of the nineteenth century's most ambitious exercises in comedy: The Way We Live Now and Trollope's neglected masterpiece, Ayala's Angel.
Of primary importance for readers of Trollope and students of comedy, Herbert's study will also prove valuable to those interested more generally in Victorian and modern fiction and the cultural history of the Victorian age.
A Note on References
Introduction: Fictional Duplicity and Comic Vocation
1. Comedy: The World of Pleasure
2. Trollope and "The Good Things of This World"
3. Charm and Desire
4. Comic Design and "The Impression of Life"
5. Tragic Fixity, Comic Ripening
6. Comic Imperfection
7. The Way We Live Now: Puritanism, Laughter, Make-Believe
8. Ayala's Angel: Folly and Scarce Resources