Sennacherib's "Palace without Rival" at Nineveh
An art historian trained in ancient Near East philology, archaeology, and history, John Malcolm Russell marshals these resources to investigate the meaning and political function of the palace of Sennacherib. He contends that the meaning of the monument cannot be found in images or texts alone; nor can these be divorced from architectural context. Thus his study combines discussions of the context of inscriptions in Sennacherib's palace with reconstructions of its physical appearance and analyses of the principles by which the subjects of Sennacherib's reliefs were organized to express meaning. Many of the illustrations are published here for the first time, notably drawings of palace reliefs made by nineteenth-century excavators and photographs taken in the course of the author's own excavations at Nineveh.
Archaeological Institute of America: James R. Wiseman Book Award
Won
Acknowledgments
1. Introduction
2. Texts and Context
3. Excavation and Architectural Setting
4. (Re)constructing the Palace
5. Quarrying and Transport
6. The Periods of the Southwest Palace Reliefs
7. The Subjects of Sennacherib's Reliefs
8. Tradition and Innovation
9. Space and Time
10. Audience
11. The Message of Sennacherib's Palace
12. Palace without Rival
Appendix 1: Epigraphs on Sennacherib's Palace Reliefs
Appendix 2: Publication References for Southwest Palace Sculpture
Notes
Bibliography
Index
Layard's Final Plan
Map of the Ancient Near East
Architecture: Middle Eastern, African, and Asian Architecture
Art: Ancient and Classical Art
History: Ancient and Classical History
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