Paper $30.00 ISBN: 9780226516615 Will Publish March 2018
Cloth $90.00 ISBN: 9780226516585 Will Publish March 2018
An e-book edition will be published.

Poetry in a World of Things

Aesthetics and Empiricism in Renaissance Ekphrasis

Rachel Eisendrath

Poetry in a World of Things

Rachel Eisendrath

208 pages | 12 halftones | 6 x 9 | © 2017
Paper $30.00 ISBN: 9780226516615 Will Publish March 2018
Cloth $90.00 ISBN: 9780226516585 Will Publish March 2018
E-book $30.00 ISBN: 9780226516752 Will Publish March 2018
We have become used to looking at art from a stance of detachment. In order to be objective, we create a “mental space” between ourselves and the objects of our investigation, separating internal and external worlds. This detachment dates back to the early modern period, when researchers in a wide variety of fields tried to describe material objects as “things in themselves”—things, that is, without the admixture of imagination. Generations of scholars have heralded this shift as the Renaissance “discovery” of the observable world.
In Poetry in a World of Things, Rachel Eisendrath explores how poetry responded to this new detachment by becoming a repository for a more complex experience of the world. The book focuses on ekphrasis, the elaborate literary description of a thing, as a mode of resistance to this new empirical objectivity. Poets like Petrarch, Spenser, Marlowe, and Shakespeare crafted highly artful descriptions that recovered the threatened subjective experience of the material world. In so doing, these poets reflected on the emergence of objectivity itself as a process that was often darker and more painful than otherwise acknowledged. This highly original book reclaims subjectivity as a decidedly poetic and human way of experiencing the material world and, at the same time, makes a case for understanding art objects as fundamentally unlike any other kind of objects.
 
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