The Man Who Believed He Was King of France
A True Medieval Tale
With the skill of a crime scene detective, Tommaso di Carpegna Falconieri digs up evidence in the historical record to follow the story of a life so incredible that it was long considered a literary invention of the Italian Renaissance. From Italy to Hungry, then through Germany and France, the would-be king’s unique combination of guile and earnestness seems to command the aid of lords and soldiers, the indulgence of inn-keepers and merchants, and the collusion of priests and rogues along the way. The apparent absurdity of the tale allows Carpegna Falconieri to analyze late-medieval society, exploring questions of essence and appearance, being and belief, at a time when the divine right of kings confronted the rise of mercantile culture. Giannino’s life represents a moment in which truth, lies, history, and memory combine to make us wonder where reality leaves off and fiction begins.
“In this mostly elegant, sometimes workmanlike, study—part detective story and part history—University of Urbino medievalist Falconieri raises significant questions about the tale. Was Giannino a historical figure or a literary invention? Was he really the royal child switched at birth by a wet nurse intent on saving her marriage? Through an examination of other similar medieval tales and contemporary works that discuss such stories (e.g., Dante’s Commedia), Falconieri answers these questions while offering fascinating glimpses into the intrigues of the medieval French and Italian courts and the weaving of classical Greek and biblical tales into medieval stories about the revelation of royal identity.”
“Falconieri painstakingly pieces together the events surrounding his hero’s doomed bid in a narrative that reads like an adventure story.”
“I read The Man Who Believed He Was King of France with great pleasure. From the wonderful first sentence, it is a fascinating story and an engaging read. Unlike an Agatha Christie mystery, where all is revealed in the end, Carpegna Falconieri emphasizes the knots and twists of the skein of the tale, and we are as wrapped in it at the end as we were at the beginning.”
“An incredible tale of changelings, revolutionaries, political intrigue, and middle-class rectitude told with evenhanded compassion and a profound sense of history. Real life has never so resembled a picaresque novel, or a story from Boccaccio.”
Preface to the American Edition (2008)
Translator's Note
Map of Europe in 1360
Chapter 1. AT ROME
Chapter 2. AT SIENA
Chapter 3. IN THE EAST
Chapter 4. IN THE WEST
Chapter 5. IN PRISON
Chapter 6. GIANNINO IN HISTORY, LEGEND, AND LITERATURE
Appendix 1: THE DIRECT CAPETIAN LINE
Appendix 2: THE ANGEVINS OF NAPLES AND HUNGARY
Notes
Bibliography
Index
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