Making Modern Japanese-Style Painting
Kano Hogai and the Search for Images
Chelsea Foxwell sheds light on interlinked trends in Japanese nationalist discourse, government art policy, American and European commentary on Japanese art, and the demands of export. The seminal artist Kano Hogai (1828–88) is one telling example: originally a painter for the shogun, his art eventually evolved into novel, eerie images meant to satisfy both Japanese and Western audiences. Rather than simply absorbing Western approaches, nihonga as practiced by Hogai and others broke with pre-Meiji painting even as it worked to neutralize the rupture.
By arguing that fundamental changes to audience expectations led to the emergence of nihonga—a traditional interpretation of Japanese art for a contemporary, international market—Making Modern Japanese-Style Painting offers a fresh look at an important aspect of Japan’s development into a modern nation.
Notes to the Reader
Introduction: Nihonga and the Historical Inscription of the Modern
1 Exhibitions and the Making of Modern Japanese Painting
2 In Search of Images
3 The Painter and His Audiences
4 Decadence and the Emergence of Nihonga Style
5 Naturalizing the Double Reading
6 Transmission and the Historicity of Nihonga